Filter By
Episode Details
Audience & Reach
Search this list...
Search this list...
10000 episode results
Silence is often viewed as a no-no on the radio and in podcasts. Silence sounds like something's wrong — the radio station went off the air, the podcast paused. But, what if a story is about silence?
Al Letson set his sights on true crime storytelling in an unusual way — with a covenant for listeners in the true crime series he reported for Reveal, "Mississippi Goddam: The Ballad of Billey Joe." Rob asks "Why go after true crime like that?"
When the story is about a family (and also not about a family), but the parents are divorced, and the kids and their father haven't spoken for years, how do you, as a reporter, navigate those tricky waters? Aviva DeKornfeld of This American Lif
Producer Nina Porzucki is giving audio producers a gift on this episode — she's sharing a work in progress, a first-draft pilot for a podcast. Nina lays out how she got to the pilot stage and now, what needs to happen next.
Rob offers darts and laurels for stories he's recently heard — what's good, what's not so good. On the list, productions from "Kids Short Stories," "Nice Try," "Demented," "The Skewer," and others.
Cat Jaffee and her team put community first and foremost at House of Pod, a local podcast hub in Denver. But, after four years, House of Pod will be without a house — a loss for Denver and podcasting in general as community-based podcast facili
On this archive episode, a fascinating minute of audio — the sound of war and peace reconstructed from the exact end of World War I. Even more fascinating, the producers conjured the sound using audio shadows captured on film.
Ruby Schwartz pitched a story to Snap Judgement based on a memoir. They gave her the green light. And then she had to figure out how she was going to squeeze a 320-page book into a short radio documentary. How Ruby did it on this episode of How
Don't just interview to grab a bunch of information, interview for story and make your work a whole lot stronger. Alix Spiegel of Invisibilia and This American Life explains how.
Megan Tan produced a story about dating during Covid but she didn't record any of the dates. So, what did she do to create scenes? The answer is an unusual production choice that worked incredibly well.
Good producers hide the difficulties. They make it all sound easy. Cariad Harmon's "Record Booth" is an excellent example. She seamlessly weaves together narration, interviews, scene tape, music, and archive tape -- like it’s no big thing. Well
On this episode of HowSound, a wide-ranging chat about writing for audio with one of the masters: Jonathan Goldstein of the Heavyweight podcast from Gimlet. From the importance of feeling what you write to Jonathan's penchant for courier font a
Narrating a stand-up on location as events unfold in front of your mic is no easy thing but reporter Robert Smith makes it sound like it is. He's a master of the stand-up and he explains how he makes them work oh-so-well on this rerun episode f
Rob Rosenthal has stepped away from teaching the Transom Story Workshop on Cape Cod. To mark the occasion, Rob's put together a fireworks show of great stories from Transom students over the years. Wear headphones!
Shapearl Wells says the truest form of journalism lets others speak their own truth. And that's just what she did as host and the main character for "Somebody," a podcast that was a Pulitzer Prize finalist. "Somebody" traces Shapearl's search f
Unlock more with Podchaser Pro
- Audience Insights
- Contact Information
- Demographics
- Charts
- Sponsor History
- and More!
- Account
- Register
- Log In
- Find Friends
- Resources
- Help Center
- Blog
- API
Podchaser is the ultimate destination for podcast data, search, and discovery. Learn More
- © 2024 Podchaser, Inc.
- Privacy Policy
- Terms of Service
- Contact Us