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    One of the best ways to learn how to improve at the craft of audio storytelling is to take a deep listen to good work and dissect it. On this HowSound, I point out some of the best parts of a story about vaccinations from “The Experiment” podca
    Erica Heilman's story "Finn and the Bell" is the best I’ve heard this year. It's a painful, graceful story about a young man's suicide in rural Vermont. Erica's heart is in the piece; you can hear it in every production and editorial choice. Th
    Headphones on for this one. Rob marks the passing of the groundbreaking composer and sound ecologist R. Murray Schafer with his colleague and fellow composer, Hildegard Westerkamp. This episode will crack open your ears and, hopefully, spark ne
    You should lie down with your eyes closed for this one! That's because the interviewees in the stories I feature were -- lying down, eyes closed, lights off, candle lit, answering questions. They were being interviewed by producers using the Sc
    A friend once said "What feels like a groove might actually be a rut." So, how do you get out of your rut? Sarah Geis has an answer: Audio Playground.
    I wish I had a nickel for every time someone says, "I think that story would make a great podcast series." In my head I usually think, "Nope. Wouldn't work." But why? How do you know you have a story worthy of a podcast series? Emily Guerin of
    It's always good to be reminded of the best writing practices. That's why we dusted off this old episode of HowSound with This American Life's Brian Reed about the writing maxim "show, don't tell."
    Raise a mic in the air with Rob in honor of "Nancy," the now-cancelled podcast from WNYC about the LGBTQ experience.
    Cleaning out the "closet" of audio stories and found a few choice cuts to share from podcasts like Resistance, Louder Than A Riot, and Latino USA.
    Chana Joffe-Walt is one of my fav writers. She excels at portraying character. Chana and I listen to some of her ninja moves from "Nice White Parents," the podcast she reported and produced for Serial and The New York Times.
    Why do you report a story or produce a podcast and send it out into the world? What gives you purpose? What do you stand for? Rob finds meaning from the original NPR mission statement. He talks to Bill Siemering about writing the statement in 1
    This historic moment may be a good time to reconnect to the sonic environment. The latest episode of HowSound provides inspiration to do just that.
    On the radio, why don't we hear more conversations with interesting people? Emily Hsiao's radio story, "Leaving A Mark," is just that. You'll want to listen twice.
    Audio producer and sound artist Kristina Loring was walking the beach with her dog when she stumbled across an actual message in a bottle. That moment led to an unusual audio installation involving bottles, and a telephone hotline with message
    The list of names at the end of some podcasts is mind-boggling. Who are these people? What do they do? Antonia Cereijido, Sophia Paliza-Carre, and Audrey Quinn of the "Norco 80" podcast have an answer and a few surprising observations about the

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