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What are you looking at?
What are you looking at?Episodes
What are you looking at?
What are you looking at?
An Arts podcast
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Episodes of What are you looking at?
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A conversation with Leyla Stevens and Melanie Lane, reflecting on Balinese and Javanese dance, diasporic bodies working within and from traditional stories in contemporary practice, and the intersections of cultural knowledge and choreography.
For her final episode of What are you looking at? podcast Pip Stafford talks to Nadia Rafaei, Alex Kelly, and Amy Spiers, asking them: What *can* art do?This episode explores how art can contribute to social change in the world. Nadia talks a
This episode discusses Feras Shaheen and Jay Hennicke's exhibition at Contemporary Art Tasmania, Our Side of Things. The installation and associated programs were a vivid representation of freestyle football battles, workshops, and a celebratio
Artists are well-known pack rats. If you conjure up the stereotypical artist's studio in your mind, it might well be a sort of wunderkammer of materials of creation, inspiration and detritus. Artists also use collections, archives and the more
Greed/Rakus/Geirig curator Lisa Campbell-Smith talks to lead artist Tisna Sanjaya. Interview translation by Daffa Sanjaya.The Jeprut artist community was founded in the 1980s in Bandung, West Java. Indonesian artist, Tisna Sanjaya is a leadin
The C word is “class”. In this episode Pip Stafford and guest host, Andrew Harper, talk about the friction between class and art, featuring interviews with Mish Grigor and Miriam McGarry.Miriam McGarry’s Hidden Cities podcast: https://hiddenc
What are you looking at? producer Pip Stafford and CAT Communications Co-ordinator Nadia Refaei took a visit to Broom and Brine farm in winter 2022. This episode is an interview with Broom and Brine's co-founder, artist, boxer and gardener, Gra
Tomoko Momiyama and Joel Stern in conversation at Contemporary Art Tasmania, speaking about the concepts and experience of creating 'Listening Within the Opacities of our Times and Places' at Contemporary Art Tasmania.Following a month-long r
Japanese composer and artist Tomoko Momiyama speaks to Pip Stafford about her collective sound practice.Tomoko Momiyama works internationally as a music composer, artist, dramaturg, and producer of multi-disciplinary art events, installations
In this bonus, short episode of What are you looking at? Pip Stafford talks to Gay Hawkes about the experience of losing her home and studio during the 2013 Dunalley bushfires.Gay’s exhibition, featuring works made before and after the fires,
This episode uses Diana Baker Smith’s the Lost Hour as a starting point to explore three very different stories, of art, of culture and of loss.Pip Stafford talks to Fiona Fraser, Julie Gough and Diana Baker Smith about their work, and how los
Dalam episode ini Christina Schott, jurnalis dan manajer proyek budaya, berbicara dengan empat anggota kolektif ruangrupa. Didirikan di Indonesia pada tahun 2000, ruangrupa adalah organisasi seni nirlaba yang berbasis di Jakarta. Pada tahun 201
In this episode Christina Schott, journalist and culture project manager, speaks with four members of the ruangrupa collective. Founded in Indonesia in 2000, ruangrupa are a not-for-profit arts organisation based in Jakarta. In 2019 it was anno
This episode of What are you looking at? is a commission produced by Dr Lucreccia Quintanilla. Conchcast invites the listener on a journey into the smooth interior of the conch shell, to consider its history and its physical qualities.Conchca
What do art prizes mean to artists? Is there an Olympics for the arts? Pip Stafford interviews Julie Ewington, Loren Kronemyer and Daniel Mudie Cunningham about the purpose and place of art prizes in Australia.Produced and edited by Pip Staff
This episode is a special edition produced by Liquid Architecture and co presented by Contemporary Art Tasmania featuring interviews and audio from the recent instrument builders project as part of Mona Foma 2021 – a durational performance held
Lucienne is drawing extinct things.She has drawn a fly. A skink. A turtle.She draws them incredibly well. She puts effort in. She does her work and uses her ability and her skill and I think she’s trying to honour these things. Because as she
In 2020 CAT is celebrating 25 years of the curatorial mentorship program. Looking back on two and half decades of exhibitions, Lisa Campbell Smith speaks to Scot Cotterell and Sarah Jones, and 2020 recipient Caitlin Fargher. To learn more abo
Audio recording of the Catalogue Essay for the exhibition re-member. 2020 CAT Curatorial Mentorship, curated by Caitlin Fargher.24 July - 6 September 2020Contemporary Art Tasmaniare-member is about imagining across the cracks, filling in th
Guest producer Sarah Mashman interviews two Tasmanian artists with two different experiences in France, as Covid 19 changes everything.Interviews with Megan Walch and Camille Antoine.Episode mixdown by Brendan Walls.What are you looking at?
In this episode of What are you looking at? we talk to Reserved for Healing artist Michelle Maynard and Head of Indigenous Engagement and Strategy at MAAS, Marcus Hughes about cultural and artistic practice and the non-linear path of healing.
Jim Everett puralia meenamatta is an artist, playright, poet and Tasmanian Aboriginal Elder from Cape Barren Island. Following on from our interview with Ruth Langford (S05E02) we chat to Jim about his vision for 2020 and beyond.
In the process of developing her Shotgun 7 exhibition, Increase Productivity, Grace Herbert had a few adventures. Fortunately we interviewed her along the way and got all the goss on Georgian millionaires, moving trees and art works lost at sea
Lisa Campbell-Smith talks to Ruth Langford about the legacy of her childhood and how that has lead to her work as Creative Director of Nayri Niara Good Spirit Festival and Creative Producer of walantanalinany palingina.
In our first episode for season 5 celebrated Australian artist, Louisa Bufardeci tells us about her background as an artist and how her 2012 LED installation Ethnicities to Nations came to be. Bufardeci discusses how the role of data and coding
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