Episode Transcript
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0:00
This message comes from Jackson. Seek
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Insurance Company Lansing, Michigan, and
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0:13
of New York purchased New York.
0:17
A quick warning before we get started. There's
0:19
some language in this episode that may not
0:21
be suitable for kids.
0:35
We've become bored with watching
0:38
actors give us phony emotions. We're
0:41
tired of piratechnics and
0:43
special effects. While
0:45
the world, Ian habits
0:47
is in some respects counterfeit,
0:51
There's nothing fake about Truman
0:53
himself.
0:54
No scripts, no coupons.
0:57
It isn't always Shakespeare, but it's genuine.
1:02
It's a life. Pay the music up.
1:12
321
1:15
quick cut to F boy Island.
1:18
Women have been forced to tolerate
1:20
the manipulative douchebaggery of
1:22
F boy's for far too long.
1:26
And that's why we're here. Welcome
1:28
to F. Boy Island.
1:29
Okay.
1:32
Basically down. Lady,
1:34
The three of you are hoping to find love.
1:36
F Boy Island is a reality
1:38
TV show set on an island where three
1:40
women try to find nice guys among
1:42
a group of self proclaimed F boys
1:45
or players. And the clip we
1:47
opened with is from the fictional movie,
1:49
The Truman Show. in which a guy unknowingly
1:52
grows up in a world completely manufactured
1:54
for TV, but you didn't see that
1:56
quick cut coming. It's a classic
1:58
through line move. start with
1:59
a bang to hook the listener's
2:01
attention. We thought it was clever
2:03
way to drawing both die hard reality
2:05
TV fans and skeptics. who
2:07
weren't sure if they were gonna listen to this episode
2:09
at all. Why are we telling
2:11
you all this? Well, you'll
2:13
have to keep listening to find out. Nothing
2:16
like a good cliffhanger. Am I right?
2:18
To get paid? My
2:19
name is Galocca Voalte.
2:21
I am a reality TV casting
2:23
director. for the last
2:26
nearly twenty years.
2:27
We spent over an hour getting to know Galoka
2:30
before casting her for this episode and
2:32
another hour interviewing her. but
2:34
you'll only hear a handful of sound
2:36
bites
2:36
from her. I started out
2:38
in the grand old days of reality
2:41
TV. Music in something
2:43
playful. My
2:45
first sort of significant project
2:48
that I worked on was season two of
2:50
Joe Millionaire. And
2:51
since then, you know, I've gone on
2:53
to cast everything from Masterchef
2:57
to work on, let's make a deal, to root
2:59
cause drag race, to f boy island,
3:01
to a million dollar listing, to the
3:03
real housewives of New Jersey. It
3:05
kind of runs the gamut. I
3:09
absolutely
3:09
love casting FY Island.
3:12
So during the casting process, I mean,
3:14
we are asking people about the most sort of
3:16
rogue rationally things they've
3:18
ever done and trying to figure out what's
3:20
their story, what's their motivation
3:21
for being here. Yep.
3:23
I'm just here to clap. Like, you look good.
3:25
I look good. We look good together. I love the
3:27
cheese. I love the merino. I know every which
3:29
way to get I know physical touch mental games,
3:31
all that. They're like, this is just between
3:33
us. Right? And I'm like, yeah. Me and the camera
3:36
and the producers and the network executives.
3:37
Yeah. Just between us.
3:42
I think
3:42
that one of the things that people just need to remember
3:45
is that, you know, you are seeing
3:47
reality for the most part that's
3:49
been edited together with, you know, suspenseful
3:52
music to kind of create the mood and
3:54
anticipation for the next scene and put
3:56
in
3:56
a certain order for context
3:57
to make it feel more exciting and more
3:59
dramatic.
3:59
If you watched the unedited
4:02
footage all the way through, it would be quite
4:04
boring.
4:05
Too suspenseful music from the top.
4:10
Bringing equipment to Truman shows,
4:12
something that really gets the listener invested.
4:15
We
4:15
accept the reality of the world with which
4:18
we're presented. It's
4:20
as simple as that.
4:23
and anything.
4:28
anything
4:34
We accept the reality of the world
4:36
with which we're presented.
4:39
Since the pandemic descended on the
4:41
world, Many of us spent a lot more time
4:43
watching TV, and you've probably
4:45
noticed that one genre really
4:47
blew up. Reality TV.
4:51
You know, I I know for myself my
4:54
own business. I couldn't even keep up with the
4:56
demand for work. if you're
4:58
doing a competition show, you're filming a
5:00
way, you're living in a hotel, the cruise
5:02
living there, you're on location. So if we're already
5:04
filming in a bubble, was
5:06
so much more cost effective and our budgets
5:09
are not as big as scripted
5:11
shows. There is no shortage of
5:13
options. everything
5:13
from home makeovers to dramatic,
5:16
real housewives, to cooking competitions,
5:18
to searches for love on an island.
5:20
In all different languages, all
5:23
over
5:23
the world. Now, it's no
5:25
secret that the reality part of
5:27
reality TV is questionable. Every
5:30
show to some extent is edited produced
5:32
and curated for our eyes. But
5:34
then again, so is our
5:36
show. So are the news channels you
5:38
tuned into? the websites you read online,
5:40
the dating and social media apps you scroll
5:42
through on your phone, and algorithms
5:44
tailor what each of us see shaping
5:47
and siloing our sense of reality.
5:49
We live in divided times when the
5:52
answer to the question, what is
5:54
reality depends on who you
5:56
ask. Reality TV
5:58
is one place in our media landscape
5:59
where boundaries sometimes blur.
6:02
Many of us, me included, on
6:04
the edge of our seats wanting to know.
6:06
The winner of survivor Cook Islands.
6:08
The second singer, unmasking.
6:11
Oh my gosh is.
6:14
The winner of the great
6:16
British Bake Off is I
6:18
read the last both. Just say my name. Just say
6:20
my name. These have this rounds. Absolutely.
6:23
Bob.
6:34
News, entertainment, relationships,
6:36
politics, our lives
6:38
are all deeply affected by the
6:40
editing of reality. So
6:42
in this episode, we're gonna filter
6:45
three themes of our modern world through the
6:47
lens of reality TV. Love,
6:50
the American dream, and the
6:52
rage machine.
7:05
Hi. This is Doty in
7:07
V Spod in Germany originally
7:10
from Kansas City, and you're listening
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to Through Line at NPR.
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7:40
We live in a world, a country, and
7:42
a moment in time where there's so much
7:45
important news, and it is constantly
7:47
changing. That's why up first
7:49
is here for
7:49
you. It's NPR's Daily Morning
7:51
News podcast. In about ten
7:53
minutes, you can start your day informed.
7:56
Listen to
7:56
UpFirst on the NPR One app or
7:58
wherever you get your podcast.
8:05
Part one, the
8:07
rage machine.
8:15
Imagine
8:15
you're a peasant in
8:17
the time of the Roman empire
8:21
You
8:21
might be feeling some anger towards
8:24
the people in the upper classes because
8:26
you want that they have and
8:28
there's no way you're ever going to get
8:30
that. So you know that you are going
8:32
to live and die
8:33
as you are.
8:37
Gladiators
8:38
did something
8:40
to kind of keep the peace. Right?
8:42
It
8:42
appeased people. Here's
8:47
somebody you can look down
8:49
on. You know, you can feel a little bit
8:51
better about yourself, a little bit less
8:53
angry. Similar
9:01
emotions, you know, that people might feel
9:04
if terms of that expression of anger,
9:06
you know, watching the two real
9:08
housewives screaming each other. And
9:14
any modern day cable oos. Great.
9:16
Does this as well? Major beef inside a
9:18
golden corral. dozens of customers
9:20
get into a brawl all over a
9:22
piece of meat. We
9:26
use entertainment. to cope with modern
9:29
life.
9:29
People have always done that. We're
9:33
looking for somewhat of an escape.
9:37
in
9:37
order to keep viewers, the
9:40
boundaries keep being pushed
9:42
more and
9:42
more and more. I've never
9:43
seen an animal that violent,
9:46
that close-up before. I mean, I've really
9:48
felt scared for my life. So
9:51
now we're appetite for those types
9:53
of pseudo bloods
9:55
for words has really increased. I'm Joe
9:57
Robin, and this is fear factor. Since
9:59
you're about
9:59
to see were extremely dangerous and should
10:02
not be attempted by anyone anywhere,
10:05
anytime.
10:06
Anything often without a second thought.
10:08
Oh, this looks funny, this looks interesting,
10:10
but then it can go over to
10:12
the crew.
10:15
My
10:15
name is doctor Janice Vervani. I
10:17
am a licensed clinical psychologist.
10:19
I
10:20
think it was really my interest
10:22
and anxiety that led to my interest
10:23
in reality TV.
10:39
everyone here is waiting for the same
10:42
thing, the stroke of midnight.
10:44
Happy New Year two thousand. This
10:47
is July. At
10:50
the dawn
10:53
of a new millennium, audiences flocked
10:55
to theaters to watch a new movie
10:57
called Gladiator. set in an era
10:59
when real life blood sports were entertainment.
11:01
And
11:01
a reality show debuted on
11:04
American television that
11:06
launched the pseudo blood sport era of
11:08
reality TV. It
11:09
was called
11:11
survivor. We
11:12
can survive executive producer, Mark
11:15
Burnett. Survival
11:16
is a
11:17
morality play.
11:20
You are asking the
11:22
people that
11:23
you have ousted to
11:25
give you the gift of a million dollars. We
11:27
would
11:27
imagine this tape comes from a two
11:29
thousand an interview with Mark Burnett and the
11:32
Television Academy Foundation. What
11:34
immediately appealed to me was
11:36
the idea of your building in
11:38
society on
11:40
island, Allah, Swiss family
11:42
Robinson Robinson Crusoe,
11:45
Lord of the flyers, If
11:46
you've never seen the show, here's the basic
11:49
premise. You're on an island with a bunch of
11:51
people you've never met before, divided
11:53
up into competing tribes, and you
11:55
have to find a way to survive. Sure,
11:58
there's also a TV crew there, but you're
12:00
still pretty much on your own trying to build
12:02
shelters, start a fire, find
12:04
food, All you're given are the bare
12:06
essentials, a few tools,
12:08
and a bag of rice. In case your
12:10
search for coconuts and fish comes
12:12
up short, The tribes compete in
12:14
physical challenges, and the losing
12:16
tribe goes to tribal council, where
12:18
one person is voted off by everybody
12:20
else. When just a couple
12:22
people are left, everyone who got voted
12:24
off chooses a winner who
12:26
gets one million dollars. I
12:28
always
12:28
think about the importance of the year two
12:31
thousand and Y2K and
12:33
Technophobia. as being
12:35
really sort of indelible to
12:38
survivor. I don't
12:39
know that it's necessarily gonna
12:41
be a computer problem. I think it's
12:43
gonna be a social and people problem.
12:45
There
12:45
was a lot of social anxiety
12:48
about the fast and the
12:50
rapidly increasing pace
12:52
of technology and how that is
12:54
impacting everyday life.
12:56
have we become so dependent on
12:58
computers that our society
13:00
is at risk if they fail? My
13:02
name is Rick Helgates. I am an associate
13:05
professor a film and media
13:07
studies at Columbia University. I
13:10
find it very fitting
13:12
that then we get this show
13:15
which is all about like
13:17
a return to nature and
13:19
like, can you build a fire?
13:30
I
13:30
came from, you know, a working
13:32
class a hood in Miami, you know. So
13:34
I'm like, great. How bad could
13:36
it be? To
13:38
quote the lion king I laugh in the face of
13:40
danger,
13:45
I am
13:46
doctor Jitya Heart. I
13:49
am a nuclear engineer. I
13:51
was on survivor season
13:54
twenty eight.
13:59
We're doing three
13:59
tribes this year, and their divided base
14:02
on qualities that it takes to
14:04
win this game. Bringing I
14:06
don't know the damn name. Beauty, brains,
14:08
and bronze. Brains, Rudy, Braun.
14:10
I'll do that one time again just because sure
14:13
I messed up.
14:15
I
14:16
absolutely had a holy fucking shit
14:18
moment. hungry.
14:20
Actually, the hunger was not the worst
14:22
part. It was that I felt like
14:24
nobody was being nice to me. Not
14:26
only the
14:27
people I was playing with, but I felt
14:30
like the crew hated me. You know,
14:31
like, when you walk into the cafeteria,
14:34
and you sit at a table, and you just
14:36
feel like people are just barely fucking tolerating
14:38
you.
14:38
No. No. No. No. My bad. Yep.
14:40
Like that. As a black woman in engineering,
14:42
I've been at that table. a lot.
14:44
She has the decisiveness of
14:46
a leader. She has the bossiness
14:48
for sure, but she doesn't exactly have
14:51
it all here. I
14:54
felt
14:54
kinda like a cog
14:55
in the machine.
14:56
It feels
14:59
like the fantasy of survivor is
15:01
that you had this like pre
15:03
civilization society that
15:05
magically conforms to everything you already sort of
15:07
believe about society, but it naturalizes it.
15:10
So it's not like producer interference. It's
15:12
not sexism. It just so happens to
15:14
be that young dudes
15:16
dominate the game over and over and over. In my
15:18
tribe, I was the youngest woman,
15:20
and that to me is a
15:22
position of weakness in
15:24
any society. It's a
15:26
show where you're supposed to vote people off.
15:29
Right? You're
15:30
supposed to form a a bond connection
15:33
and
15:33
a very
15:35
real bond in connection is
15:37
shared history and shared experience.
15:40
It's very easy to other people.
15:42
In
15:43
my season, three black people there
15:45
were only four. Three
15:48
black people went out in a
15:50
road. And I was like,
15:51
if I'm gonna go home, I'm
15:53
a go out with the bang. Why they had people garden? You know, I was
15:56
like, the middle patient, and then you left the middle
15:58
patient alone, and I went crazy.
16:01
Beauty
16:01
listeners will get the Jhatia's dumping
16:04
her tribe's only bag of rice
16:06
into the fire as an active
16:08
revenge. It's what
16:10
happens when you leave crazy people alone.
16:12
It's
16:13
entertaining. It's TV, so do
16:15
I don't feel bad forward, I wish I had
16:17
to be more careful
16:18
talking about mental health. I
16:21
think part of it was I
16:23
was feeling like they were treating
16:25
me like something was wrong with
16:27
me.
16:29
Everything that you saw on
16:31
the TV show happened, but
16:34
there were a lot more things
16:35
that happened that you did not see, that they
16:37
have to boil down. Then I
16:39
understand, they had to make a
16:40
character, they had to make a story.
16:42
Fourth
16:45
person voted out a survivor, Kaguya,
16:48
you need to bring your torch. Good
16:50
luck you guys. when
16:52
you're eliminated and the minute
16:54
your torch is extinguished, the
16:57
music shifts, it goes to
16:59
cobalt blue lighting. is
17:01
where they're walking off into the jungle
17:03
and disappearing, it's a blue,
17:06
cold, death color.
17:09
figuratively, they're
17:10
dying.
17:11
And then there's a moment
17:13
of vacuum, emotional
17:16
vacuum. vacuum
17:17
Reality television
17:23
reality television is
17:25
really predicated on
17:27
sort of playing on our emotions.
17:31
The emotional connection is
17:33
the primary goal of reality television
17:35
as opposed to some other
17:37
forms of media. what
17:40
keeps people coming back to reality
17:43
television is there there has to be some
17:45
source of conflict and tension.
17:47
So creating anxiety. Actually,
17:50
what I'd
17:52
love to do is take a little trip
17:54
through psychological history. So
17:58
let's
17:58
go back.
18:06
hero shima seen from
18:08
the air after the atomic bomb
18:10
blast that virtually erased the city
18:12
from the earth. as far as the
18:14
eye can see, stretch scenes of
18:17
desolation and ruin.
18:21
Coming
18:23
out of
18:23
World War two where, you know, the
18:25
not just this country, but the world had witnessed
18:28
some of the most awful atrocities
18:31
that one can think of. I still have
18:33
that smell of of burning
18:35
bodies, you know, in
18:37
my nose.
18:38
It's smell. scalable.
18:41
You know, people were
18:42
still grappling with questions about
18:44
the Holocaust, ashes, older
18:48
ashes. There was
18:49
a real desire, especially in this
18:51
country, to sort of understand, like, what
18:53
makes people do the things that they
18:55
do? Could ordinary people
18:59
do
19:00
evil. It is
19:03
May
19:03
nineteen sixty two,
19:05
an experiment is being ducked in the
19:07
elegant interaction laboratory at Yale
19:10
University. The idea
19:10
is that they're gonna record people
19:12
being people and placing them in very sort
19:14
of strange bizarre situations. So
19:16
subjects of forty males between the ages
19:18
of twenty and fifty residing in the greater
19:20
New Haven area.
19:21
And that's gonna teach us something about
19:23
what makes people think.
19:25
This stands for prison experiment. The
19:27
Milgram
19:27
experiments. Two thirds of
19:30
volunteers were prepared to
19:32
administer a potentially fatal electric
19:34
shock when encouraged to do so by
19:36
what they perceived as a legitimate
19:38
authority figure. In
19:39
this case, a man in a
19:42
white coat. Three hundred seventy five
19:44
miles. I think
19:45
some time did I fall in there?
19:48
Milgram's findings horrified America.
19:50
They showed that decent American citizens
19:53
were as capable of committing acts against their
19:55
conscience as the Germans had been
19:57
under
19:58
the Nazis. There's
20:05
disagreement
20:05
around the interpretations of
20:08
these experiments. But knowing
20:10
that that's in some ways
20:12
foundational to what eventually
20:14
becomes a reality television, I think is really
20:17
helpful. because even if it gets diluted or, you know,
20:19
warped, there's always this
20:21
idea of we're going to help
20:23
you understand why
20:25
people do the things that they do or or how people
20:28
live. Let's
20:29
quickly fast forward through some early reality
20:31
TV. Let's start with the British
20:33
documentary seven up. World
20:36
inaction enters the struggling,
20:40
changing world of the seven
20:42
year old. During
20:44
the next hour, you will see the first in a series of
20:47
programs entitled American Family. We
20:49
brought these twenty children together for the
20:51
very first time. For
20:53
seven months, from May thirtieth nineteen
20:56
seventy one to January
20:58
first nineteen seventy two,
21:01
The family was filmed as they went about
21:03
their daily routine. But you always you're
21:05
kind of critical of yourself when you see yourself
21:08
on TV. There is no question that the
21:10
presence of our camera crews and their
21:12
equipment had an effect on the
21:14
louds. Viewing yourself, you
21:16
think. Oh, god. Say something intelligent. Just
21:18
don't sit there. Hi. My
21:21
name is Peter
21:23
Samuah. came from q r in nineteen eighty.
21:25
This is the true story. I'm in AHABA
21:29
educator. True story.
21:31
Seven strangers. pick to live
21:33
in a loft. And have the lives
21:35
taped to find out what happens.
21:37
Like, when people stop the implementer
21:39
Could you get the phone? Then start getting
21:41
re up. The real world.
21:46
The revolution begins
21:49
to
21:52
Standby. Ready? Take three, Mike, you are free. Start a
21:54
slow zoom in a little bit. When
21:57
you get to
21:58
the nineties, we have the
21:59
proliferation of cable channels.
22:03
MSNBC. Fox News
22:05
now the news you need to get your day
22:08
started. We sort
22:10
of moved out of the period of
22:12
Broad casting, you know, like sort of back in the day when there
22:14
were only four networks. And suddenly,
22:16
you know, there's tons of networks and
22:19
networks HAPP TO FIGURE OUT HOW THEY
22:21
KEEP PEOPLE'S ATTENTION. NO
22:23
JUSTICE, NO PEACE is WHAT THEY'RE
22:25
CHANNING. News
22:27
media itself becomes incredibly
22:30
sensational.
22:30
If it seemed like war yesterday, the
22:33
reinforcement showed up tonight,
22:34
truck bomb exploded in front of the government building
22:36
in Oklahoma
22:37
City. Breaking news, the space shuttle
22:39
Columbia was going over North Texas.
22:42
still emerging on
22:42
the next of the Paris around
22:45
midnight involving Ghana in the first of
22:47
Wales. News
22:47
media becomes a form of
22:50
entertainment in a way that I think is really different than
22:52
it
22:52
had been before. Yeah. I don't know
22:54
what you're reporting. This is a
22:56
AC. I have posted in the car. One thing
22:58
we have been noticing, again, it's very slow Pursuit.
23:01
Followed by numerous highway
23:03
patrol vehicles. Enter the circle of
23:06
Dreaming, Simpson, all star
23:08
including his most trusted ally, Robert
23:10
Kardashian. If it doesn't
23:11
fit, you must
23:14
acquit. Because what
23:16
are those channels
23:18
exist for. They have to get the image. They
23:20
have to get the picture. They exist to make
23:22
that later on, sort of, say, I I couldn't
23:24
help myself. What did they make money on? They make
23:26
money on average? advertisements? What do you need, right, to
23:29
make money on advertisements? Is you need
23:31
viewers? How
23:32
do you get viewers? Simple
23:34
recipes? Chocolate
23:35
turned a fear make them really
23:38
scared. Fear that the few possessions that
23:40
Andrew had spared would be stolen by
23:42
looters. You make them
23:43
really angry. The army
23:45
stands guard
23:45
m sixteen's enhanced. And then you
23:48
promised them that you can
23:48
make that that they have to keep tuning in
23:51
in in order to keep themselves So
23:53
water devastation. that you're likely
23:55
shocking. The rage machine is
23:57
such a great term for it.
23:59
It's just churning. Fear
24:02
rage the promise of relief. Shifting through its
24:04
debris. Come with it
24:06
today. Over and over again. I
24:08
haven't seen how
24:10
close why they call it terrible.
24:15
Fear, rage, the progress
24:17
of relief. that
24:18
spills over right into our perception of
24:21
reality.
24:26
and
24:26
it becomes the reality TV formula.
24:29
Right? This is survival.
24:33
I
24:35
was producing the finale of
24:38
survivor Marquesas, I'd
24:41
rented Trump Warner Stadium
24:43
Rink in Central Park. Nat Donald,
24:46
he told me how much you love survivor.
24:48
And
24:49
were I ever
24:51
have any ideas for him. He'd love to hear it
24:53
and love to work with me. And thinking
24:55
about a job interview show, kind
24:57
of survivor ish, but he takes place
24:59
in a city. with the winner
25:02
getting a job in
25:03
big time American business.
25:06
Trump was the
25:08
obvious choice. Only
25:08
one drama can make eighteen nice
25:11
people become. Fish, vindictive,
25:13
cutthroat. Evil. Evil.
25:16
Who loves the oppression? this
25:18
Thursday, it returns.
25:19
Coming up,
25:23
the rage machine collides
25:25
with the American dream.
25:28
like the American dream
25:32
on speed.
25:36
I'm Sierra, and I'm calling from
25:38
Chuching South Thailand. You're
25:40
listening to Through Line from
25:42
NPR. My
25:43
favorite reality TV show
25:45
is survivor. I have, in
25:47
my head, the sound of the host,
25:49
Jeff Probst's voice, yelling,
25:51
you've got to dig deep
25:54
and honestly does remind me
25:56
that I'm more capable than I think
25:58
I am.
25:58
This
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now Now, back
26:43
to the show.
26:45
Part
26:46
here two. Well, the
26:47
real sunshady, please
26:50
stand
26:50
up.
26:50
And
26:52
so my fellow Americans ask
26:56
not what your country
26:58
can do for you and what
26:59
you can do for your country. I
27:03
am a real
27:04
american. I'm on
27:05
that now. You drop
27:08
I'll wait for you, Andre, in the hall of pent up garden.
27:10
When wrestling was first a
27:13
thing, everybody thought it
27:15
was real. They found
27:19
in his
27:24
complex characters that
27:26
the wrestlers had played. They've been rated
27:28
at six point eight. Andrea
27:30
seven point five. Four feel
27:33
people. The fella's gone.
27:35
This one is officially underway.
27:39
And there's this whole word
27:41
that I love that came out of the
27:43
pro wrestling tradition called Kaffe.
27:46
And what Kaffe is is
27:48
maintaining your character
27:49
once you're outside of
27:51
the ring. What I am is what
27:53
I am. I'm a real American. I love my family.
27:55
I love my God. I love all my people that believe
27:58
in me. really, really good pro
28:00
wrestlers.
28:00
We'll not break Casey.
28:06
So
28:13
there's always this kind of question right
28:16
about what is performance and what's
28:19
reality. And
28:21
I think it's no accident
28:24
that one of the other things right,
28:26
that Trump was sort of heavily
28:27
involved in before the apprentice. Anything
28:29
during
28:29
was the WWE?
28:32
you would make regular utterances. So
28:34
is this channel in there? It's when I
28:36
think of this idea right of keeping
28:38
Kate Fade. Regular. I
28:40
don't know what is his
28:43
reality and what is he projected.
28:46
Your great friends
28:47
are no match for my Trump
28:50
towers. Go on.
28:53
People developed a power social
28:55
relationship. Write a one-sided release
28:57
ship with these
28:57
people, but there's a great amount
28:59
of distance between us.
29:04
Ladies
29:05
and gentlemen,
29:08
please welcome the author of this book
29:10
right here. Trump, the art of
29:12
the deal, Donald to Trump, For
29:20
people who maybe
29:21
didn't live in New York, in
29:24
the seventies, eighties, and nineties.
29:27
Donald Trump is the businessman who
29:29
incited in
29:29
pop culture.
29:34
Samantha, a cosmopolitan and Donald
29:37
Trump. You just
29:37
don't get more New York than
29:40
that. I've gotta go. Yeah. I'll be at my
29:42
office at
29:42
Cape Town. Good. Excuse me. Where's the
29:45
lobby? Down
29:45
the hall and to the left.
29:48
Thanks. Donald
29:48
Trump, both his name and
29:50
his image, become synonymous
29:52
with American wealth. Donald
29:54
Trump doesn't just
29:55
live large. He lives
29:58
really
29:58
on top of the
29:59
world. He is the American dream.
30:05
There's
30:09
more than one version of the American
30:12
dream.
30:14
The early form of
30:14
the American dream, which I would actually
30:16
sort of connect to Westward expansion, is
30:19
the idea that any like young
30:22
able body, white man can come and, like, own
30:24
land, right, and sort of build a home for
30:26
himself and his family
30:27
and own something. I've
30:30
allegedly been
30:30
in a black. The next iteration
30:33
of the American dream is that, you
30:35
know, any
30:35
immigrant, if you come here and you work
30:37
hard, you can make a really nice life for
30:40
yourself. Oh, beautiful. It's never
30:41
achieved. And
30:43
just before. Post
30:49
World War two, it's
30:51
this idea that, hey, young men,
30:53
you have served your country, and
30:56
now you're going to come back and work hard at a good job
30:58
that will allow you to buy, you know,
31:00
a lovely home with a white picket fence and
31:02
two cars and support your family.
31:07
Now, of course,
31:08
across all of those, people
31:11
are always left out. Like, black people, for instance,
31:13
are left out of and ended people
31:15
are left single one of those those iterations is
31:18
really like the straight white guys,
31:20
you know, kind of fantasy.
31:24
But I think what we get especially
31:26
in the nineteen like fifties
31:27
and sixties is the
31:30
televised ass specs of the civil rights
31:32
movement.
31:32
the system is gradually
31:35
breaking down, and this essence is a very
31:37
hopeful sign. Being able to see, you
31:39
know, doctor Marlister King Junior on
31:41
television. He looked for you.
31:43
Seeing
31:43
black Americans
31:46
being in by
31:47
police and attacked by police dogs.
31:49
The inequality suffered by the
31:51
American liberal population in the United States has
31:54
hindered the American dream. It's
31:55
sort of like a reconsideration and
31:57
a recalibration of what the American
31:59
dream
31:59
looks like. It comes with a
32:02
great shock. around the age of
32:04
five or six or seven. You
32:06
discover the flag which you have pledged
32:09
allegiance as not pledged allegiance
32:11
to you. It comes as a
32:13
great shock to discover in the
32:15
country, which is your birthplace
32:17
as not in its whole
32:19
system of reality. evolved any
32:22
place for you.
32:24
And in the
32:25
eighties, there's almost like this
32:28
return to that night
32:30
fifteen fifties, ethos, but like a
32:32
doubling down on it. We can
32:34
and so help us
32:37
God.
32:37
We will make
32:39
America great again.
32:41
And the dream itself being
32:44
unvital wealth, but also
32:46
unvital power.
32:50
That's that thing that makes the
32:53
eighties and the rise of Donald Trump
32:55
really tantalizing for a lot of
32:58
people, both in the eighties and
33:00
and subsequently.
33:05
By the turn of the century, Donald
33:07
Trump's larger than life persona had
33:09
begun to fade.
33:10
Before the apprentice, Donald
33:13
Trump is kind of a washed up business
33:15
man. He had
33:17
declared bankruptcy, you know,
33:19
his casinos had failed
33:22
the opportunity to host a new
33:24
survivor ish business show came
33:26
up, he suddenly had a chance to
33:28
revive that persona. K
33:30
FABE for the twenty first
33:32
century.
33:32
My name is Donald Trump, and I'm the
33:34
largest real estate developer in New
33:37
York. I own buildings all over
33:39
the place model agencies, the miss
33:41
universe badge of casinos, and
33:43
private resorts like Mar a Lago.
33:45
I'm looking for the
33:47
apprentice.
33:49
People assumed
33:50
or Trump supporters, at least,
33:52
that If
33:55
he's a wealthy, successful, powerful
33:57
businessman You
33:57
don't make a billion dollars being an
33:59
idiot. He must also be
34:02
really good at everything else. I I
34:04
think he's he's smart enough to run the
34:05
country. I grew up with my family
34:08
loving Trump. He's got a little Reagan
34:10
avenue, which is always a
34:12
good thing. to make America great
34:14
again. The forgotten
34:16
men and women
34:18
of America will be forgotten no
34:20
longer. That is
34:22
the heart of this new
34:26
movement. And then bringing
34:27
it all back to the rage who's seen.
34:29
As the
34:29
Trump campaign helps Comerica's
34:32
outrage, I get her out of here.
34:34
Protesters have always been part of the cost of
34:36
doing build
34:38
dinner. Anxiety that little catchphrase
34:40
is the candidate's version of what the
34:42
apprentice used to say. You
34:44
fire you
34:46
fire if I And then Thomas Hugh is the
34:47
only one who could help.
34:50
This, in fact, is our
34:52
new American
34:54
moment. There has never been a better time to
34:56
start living the American dream.
34:58
See, it is the reality TV formula.
35:02
Right?
35:04
During
35:04
the years when Trump went from apprentice host to
35:06
president of the United States, reality
35:08
TV also got a
35:12
makeover. thanks to a couple factors. Reality television
35:14
itself is becoming sort
35:16
of focused on celebrities in a
35:18
way that it hadn't been before. son,
35:21
Jabroni, just asked my daughter on a
35:23
date. That would be awesome. No. She's not going
35:25
out with it. Not as long as my
35:27
name's Hulk Hogan. The writers' guild of America went out on strike and
35:29
we told And a writer's strike in two thousand seven
35:32
led to a boom and knew cheaper
35:34
to
35:34
make unscripted reality
35:37
TV show. Kim, would you stop taking pictures of yourself? Your sister's
35:39
going to jail? Kim came
35:41
into her
35:42
prime, exact
35:45
as social media
35:47
was
35:47
becoming the way of the
35:50
world. That's
35:50
lightning in a bottle, timing.
35:52
Hi. My name is
35:55
Jeff
35:55
Jenkins. I'm the founder of
35:58
JJP, Jeff
35:59
Jenkins Productions. I've
36:02
been the executive producer of keeping up with
36:04
the Kardashians and all of its spin
36:06
offs for the first decade of
36:10
its existence. 911 What are
36:12
you reporting? This is
36:14
AJ. I have OJ in the car.
36:16
Okay. Mister
36:16
Kardashian was one of the
36:19
attorneys representing OJ and that
36:22
unique last name, Kardashian
36:25
was kind of
36:27
broadcast around
36:30
the world. If
36:31
you grow up with that and
36:33
it's seeping into your
36:36
pores,
36:36
just becomes part of who you
36:38
are. when
36:41
I first saw video of
36:43
the
36:43
entire family that
36:46
bell
36:46
that val goes
36:48
off. Maybe
36:49
keeping up with the Kardashians is the
36:52
reality brady bunch.
36:54
I
36:55
hate you all. Welcome
36:58
to my family. Yeah. Kim, Brian.
37:00
I'm Kim Kardashian. Kim,
37:04
Courtney, Chloe,
37:06
Chris, Bruce Jenner, Rob,
37:08
Kendall and Kylie, baby
37:11
sisters of a
37:14
second
37:19
marriage.
37:24
Literally fuck you up. You're literally I
37:26
will literally fuck you up. Like all
37:28
of us, they're a dysfunctional family
37:30
just like ours. That's relatable. punch
37:34
you in your face. Don't They but any
37:37
outsider You're not gonna
37:39
mess
37:39
with us.
37:41
do think
37:42
their dysfunction
37:44
is kind of at a Shakespearean
37:48
level. Kim and Chris headed for divorce
37:50
just seven two days
37:52
after time about No. He was in a rare form.
37:54
Especially when it came to her ex.
37:56
Lamar got his first look
37:58
at Caitlyn Jenner, the Olympic hero,
38:01
and reality player appears to be styled like an Afro teams
38:02
are using a shot glass prescription bottles to
38:05
pump up their lips like
38:08
Kylie Jenner. critics say that the
38:10
photos are an example of
38:12
cultural appropriation. Kim Kardashian
38:14
breaks down in tears over her
38:16
marriage troubles with Kanye West
38:18
on keeping up with Mardashians.
38:20
They're coming up
38:22
on being the longest
38:24
running reality show period in
38:28
history. And they have
38:30
built a multibillion dollar
38:34
brand off of sharing
38:36
their
38:36
lives. Some have nicknamed
38:40
them
38:40
America's royal family. Others
38:42
see them as more of a brand than a
38:46
family. and that at least isn't totally new. We're
38:48
so used to seeing the queen
38:49
as head of state. There's almost
38:51
something unreal about her. It's
38:53
actually her family that
38:54
make her real, the divorces, the
38:57
scandals, the fact
38:58
that in the nineteen sixties, John f Kennedy,
39:00
who came to power at the same
39:03
time, TVs became a fixture in every American home. Use
39:05
has made for TVs smile and
39:07
charm to captivate the
39:10
country. people
39:10
just really not only
39:12
loved Kennedy, but
39:14
developed a parashocial relationship with his
39:17
People wanted to know everything about them.
39:20
And the gossip
39:20
mill was always turning with some
39:23
new story. Did Kennedy smoked
39:26
pot. Why was the queen of England mad at
39:28
Jackie? What's Kennedy having an
39:30
affair with Marilyn
39:32
Monroe? Folks
39:32
like Marilyn Monroe, perhaps
39:34
unwittingly, we're
39:35
in some ways
39:37
also living
39:38
in a Holiday
39:40
Show. But what makes the Kardashians
39:42
different is they didn't start
39:44
as politicians or actors
39:48
or singers. their story began with a high profile
39:50
murder case and a sex tape.
39:52
Sure.
39:52
Rejji, sexy, ten i.
39:56
not mosquitoes were put into the classi. And the
39:58
reality
39:58
TV machine
39:59
transformed them into one of the most
40:02
influential families on the planet,
40:04
a
40:04
symbol of a new version of the American dream,
40:07
one of wealth, excess, and
40:10
celebrity tailored for
40:10
a world where we ourselves
40:13
are branded content. but making
40:15
it work is a dream that's attainable
40:17
for only a very few.
40:20
The stocks
40:20
bear out that there is very limited
40:22
economic mobility in our country. But
40:25
because of American exceptionalism,
40:28
individualism, clear yourself up
40:30
at your drops culture.
40:33
People
40:33
really believe that
40:35
they can. The
40:37
trade off,
40:38
constantly having camera track
40:40
your
40:40
every move, watching you in your most vulnerable moments,
40:42
and letting the world judge
40:45
you for it. Kim
40:47
whose destiny is
40:51
this experience of being
40:53
on television and sharing had very
40:55
few boundaries.
40:57
She will reassure
41:00
me. No.
41:03
Keep rolling. honey.
41:04
I'm the Maryland and the Jets.
41:08
What
41:08
is performance? And
41:12
what's reality.
41:16
Welcome.
41:16
You've got mail.
41:19
When I think
41:20
about myself as a teenager first
41:23
on the Internet, what was the
41:25
number one rule? You don't share
41:27
personal information about yourself with strangers on
41:29
the Internet
41:31
and, you know, fast forward twenty
41:34
years
41:35
later. Goodbye. Where are we
41:37
all doing? We're sharing everything about our lives with strangers in the
41:40
Internet. Everybody has a smartphone,
41:42
everybody has
41:42
a camera on them at all times.
41:46
There's
41:46
this intense expectation that not only are you going to record every
41:49
aspect
41:49
of your life, but that it's
41:51
going to
41:52
look absolutely perfect.
41:54
the perfect and
41:56
beautiful. And there's no end. Just
41:58
keep scrolling and scrolling and
42:00
scrolling forever and ever
42:03
and ever.
42:13
Do think
42:14
that people today
42:16
in our modern worlds are
42:18
more
42:19
lonely than
42:19
they've ever been? I
42:23
i do
42:25
do.
42:29
Coming up,
42:31
the
42:31
realities of love
42:34
and loneliness.
42:38
This is
42:45
Eric
42:46
Massey. from Amsterdam,
42:49
and you're listening to True Lion, one
42:51
of the best podcasts
42:54
there are.
42:55
This message comes
42:58
from NPR sponsor,
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Part three,
43:24
we found love in
43:25
a hopeless place. I'm
43:28
almost
43:28
saying the rhiannon song, but I wouldn't do it because
43:30
I
43:31
feel like that would be the take
43:33
you use. Here he
43:35
is, the bachelor. Why on
43:38
Earth are you doing this?
43:40
I was thinking that I wanna meet someone great.
43:43
Well, really the easy part is gonna be meeting
43:45
these twenty five women. tough part is deciding
43:47
which fifteen you're gonna invite to get to know you a little bit better.
43:49
These are real women and they are really looking for
43:51
a husband. I mean,
43:53
if this is gonna
43:55
be a fairy tale. How perfect that
43:58
be?
44:01
The idea of
44:03
a soul mate of
44:05
the one was around way
44:07
before the bachelor. No matter what I ever do or say, he's
44:09
gone. I've loved you since I was eleven. You'll always have Paris.
44:12
I
44:12
hate it when you make me
44:13
laugh, even worse when you
44:15
make
44:15
me cry. you.
44:18
Complete me. But mostly I
44:20
hate the way I don't hate you. Not
44:22
even close, not even a little
44:25
bit, not even at all. The
44:27
bachelor, which has been on TV
44:29
for twenty years now, fused
44:32
reality with that fantasy and
44:34
made us believe we could have it too.
44:36
I wanna be everything
44:38
for you. I wanna
44:39
be everything
44:41
are you for you. and
44:42
then it comes right to this romantic fairy tale
44:45
conclusion. It ends with a
44:47
proposal and a beautiful diamond
44:50
ring And
44:52
so what we're seeing, right,
44:54
is
44:54
is the fairy tale.
44:56
Bring in
44:58
bachelor producer. like
45:00
a lot of people think it's be it's like, oh, let's
45:02
just find the craziest, you know,
45:04
person to get good ratings.
45:06
But it's actually not because to
45:09
have people watch, you have to buy into the
45:12
fantasy. And then to buy into the
45:14
fantasy, you have to know that, you
45:16
know, there are potentially great
45:18
matches for people.
45:27
Sometimes when
45:27
something's really hokey, it almost gives us
45:30
permission to get lost in it because it's kind of
45:32
like, you know this is silly. Right? We all know this is a
45:34
construction. Right? Okay. Now that we've gotten that
45:36
out out of the way we suspend, is believe it allows us to sort of
45:38
lower our defenses and kind of fully
45:40
indulge. But
45:43
also I think the reel
45:47
always seeps out.
45:50
Even
45:51
before a pandemic struck. This
45:53
was the lonely century. Technology has led
45:55
to substituting online connections
45:57
for offline in
45:59
person connection. and ultimately I think that has been
46:02
harmful. The loneliness we
46:04
get, the
46:04
more seductive, the fantasy
46:07
that we'll find human connection becomes, and the
46:09
easier it is to feel invested in shows
46:12
like the bachelor, where the engagement
46:14
ring is the ultimate
46:16
grand prize. have
46:18
our favorites,
46:18
rid our proxies, who we
46:20
want to win, who we start to form
46:23
power social relationships with. and
46:25
as modern love becomes increasingly
46:28
online and competitive, reality
46:30
TV has evolved to mirror
46:33
today's dating
46:34
dilemmas. In my
46:37
head, it is really easy
46:40
to sift out as
46:42
boys, but y'all be so confused. I'd
46:44
be like, how did this happen? Oh my god. I
46:46
thought he was this and
46:47
it was, like, sis. Are you
46:50
blind?
46:50
And that is why we're
46:52
here. F boy Island. Twenty
46:54
four men are coming right here.
46:56
They're not really about love and
46:58
dating. they're
47:00
about something else and they're really just sort of competitive shows anyway. They're more
47:02
like there's kind of like survivor in
47:05
in some ways. It's
47:07
almost like an enactment, right, of the
47:10
dating apps. It's just like,
47:12
kind of swipe. I mean, certainly, there's a lot
47:14
more physicality but just
47:16
going through partners.
47:18
He was making me feel uncomfortable.
47:20
Gonna be
47:21
pretty much. That's
47:23
been in like situation shift. I'm
47:26
kidding. You know,
47:27
I have a couple
47:29
seconds
47:29
where I'm deciding if I wanna swipe
47:32
left or bright
47:34
and they're kind of curating
47:36
this image and if you can't curate
47:39
that image. Right? Does that
47:41
mean that that avenue is close
47:43
to you. And I think different people, you know,
47:45
some people will say, no, I don't have a problem with
47:47
it. But I think the majority if you ask
47:49
the majority, right there, you're gonna say, if you're
47:51
not conventionally in track give and
47:54
don't meet sort of x, y, and z
47:56
criteria, you're not gonna get any matches.
47:58
And
47:58
then what do you
47:59
Right? Where do you go? to
48:01
actually meet somebody that you can
48:04
make a connection with.
48:06
That question
48:07
has led to
48:10
frustration, hopelessness, and a sense
48:12
of grievance that's flourishing online and reflecting back into
48:14
back
48:15
our TV shows. to
48:18
the resignation. But again,
48:20
you interrupted all day because you
48:22
couldn't handle me and her alone. What's mine?
48:24
Is mine? And what's yours?
48:27
Is mine? That's not
48:30
fair. What
48:32
You made experience,
48:34
right, this emotion, right, of
48:37
Shadden, Florida. such a great word
48:40
happiness of
48:40
the misfortune
48:41
of others when they
48:42
get into fights, when
48:45
they when they get too drunk and embarrass themselves.
48:47
You can embarrass me in
48:48
front of everyone. You've made me look stupid
48:50
in front of everyone. So, yeah,
48:52
I'm gonna I think that
48:54
it's fascinating that a lot
48:57
of contemporary shows around love are much
48:59
more focused on relationship
49:02
dynamics. ninety day fiancee married at first sight.
49:05
This is a
49:07
revolutionary new social
49:08
experiment. This is the first
49:12
time in farrment like this has ever been done in the experts
49:14
intend to
49:14
use scientific research to
49:17
arrange three marriages.
49:21
essentially what
49:21
happens after people
49:24
find each other as opposed to treating
49:26
marriage for instance as the
49:29
ultimate goal or the end of the story. Right? It's we're we're kind
49:31
of like picking up after Cinderella
49:34
and in the and
49:36
Prince charming get married and being
49:38
like, so what were the expectations like
49:40
now that she was back in the castle? Like,
49:42
what happened then?
49:43
Why? It's like a dream. Oh,
49:45
wonderful dream. So sick
49:48
of this. Go
49:49
away. They go away. Are
49:52
you happy? No. The fantasy
49:55
is
49:55
breaking down.
49:56
And to keep us hooked, reality
49:58
shows about love are
49:59
acknowledging more
50:02
and more just how hard it is, not only to find human
50:04
connection, but to sustain
50:06
it. Like,
50:06
I really would love it
50:08
if you could just kind of
50:10
like get more and feel like
50:12
a husband mentality. Those quieter
50:14
moments when people are
50:15
having a conversation about, I can't believe you did,
50:18
like, that's when the reel slips
50:19
out. Like, what what's your expectation? Do you think you're just gonna build me
50:21
in who you want it want me to be? Like
50:23
I view these
50:26
shows as
50:27
acknowledging for viewers, a
50:29
growing cynicism, quite frankly, around,
50:31
like, traditional models
50:34
and narratives around love and around
50:36
relationships.
50:46
Whether it's reality
50:46
television or like classic Hollywood
50:50
cinema, Media has always been
50:51
a sight of fantasy projection. It's a
50:53
place for us to work out. Our
50:55
hopes, our desires, our
50:58
anxieties, our fears, and
51:00
I think reality television serves that
51:02
purpose really,
51:03
really well. Life is a
51:05
series of events that don't make
51:07
narrative sense. There aren't any conclusions. So
51:09
reality television provides
51:10
that for us. You
51:12
know, there's a way that people talk
51:13
about television in
51:16
in in like, in media and
51:18
reality TV within that is being a
51:20
reflection of reality.
51:22
I actually think it's a reflection
51:26
of reality. it's taking things that are happening in real life and
51:28
sort of skewing them and
51:30
sometimes presenting them back to us in
51:32
ways that are perfectly aligned
51:34
with reality. and
51:36
in
51:36
some ways are skewed in such a way that make
51:38
us question what we thought we knew
51:42
about reality.
51:43
Okay. Yep.
51:51
to the final scene
51:53
of the Truman Show when the show's creator finally speaks directly to
51:55
Truman after televising him without his
51:58
knowledge since the day he
51:59
was born. I have
52:02
been
52:02
watching you your whole
52:06
life. You can't
52:08
leave trouble. do along
52:10
here. Do
52:12
something. say
52:15
something, goddamn it. You're
52:17
on television. You're lying to
52:19
the whole world. bring
52:23
up
52:25
do line
52:28
any music.
52:31
And no at
52:32
it. That's it
52:36
for this
52:36
week's show. I'm Ramtad Fetha.
52:39
I'm Ramtina Arabui. and you've been
52:41
listening to Through Line for men PR. This
52:43
episode was produced by me.
52:45
And me and Lawrence
52:48
Wu.
52:48
Julie Kane. Sonya Steinberg, Yolanda?
52:52
Sanguen, Kasey Minor, Felistina
52:53
Kim. Devin Cardiama. A married
52:56
teller.
52:56
Jennifer Etienne.
52:58
Thank you to share Vincent, Nigeria Ian,
53:00
Tamar Kharni, and Anja Grenman. Backchecking for
53:03
this episode
53:03
was done by
53:06
Kevin Bogle. This episode was mixed by Gilly Moon.
53:08
Music for this episode was composed by
53:09
Ramtind and his band, Drop Electric,
53:12
which includes
53:14
Anya, Mizoni.
53:16
Naveed Marvy. Show Fujiwara.
53:18
And finally, if you have an
53:20
idea or you like something you heard on
53:22
the show, please write us at doolinmpr
53:25
dot org or hit us up on
53:27
Twitter at doolinmpr. Thanks
53:30
for listening.
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