Episode Transcript
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0:09
the sear on the mountain, a
0:12
wizard, oldest time, alone
0:14
in a cave. Hermit
0:17
have captured our imagination since the
0:19
monks of the eleventh century. They
0:21
contemplate life, beauty, the
0:23
meaning of our existence,
0:25
But what about a hermit in your
0:27
backyard?
0:29
Linda, this episode is perfectly
0:32
timed.
0:32
It's never good when you say that. remember
0:34
I told you I'm given the graduation address at my
0:36
old junior high. I need a really insightful
0:39
ending and I bet the Hermit can help.
0:41
Oh, I don't think this particular hermit
0:43
can actually help you with that. Yeah.
0:45
And I loved junior high, so
0:47
I don't wanna let these kids down.
0:49
You did? I would
0:51
not have guessed that. What
0:53
do you have so far?
0:54
Well, some fun nostalgia, like
0:57
count the dodgeball bruises or pranks
0:59
we did, like, shove Chris in the locker. That's
1:02
it so far. But but our guest today
1:04
can give me some really deep wisdom to
1:07
share with these kids?
1:08
Chris, you're interviewing a garden
1:10
hermit, not a hermit hermit.
1:12
He gets paid to live as a fake hermit
1:14
in someone's garden.
1:15
That would be free to kill
1:17
us. No. He'll save my speech.
1:19
You'll see?
1:20
Great. This is
1:23
going to go great.
1:25
From
1:26
Wondery, I'm Chris Parnell, and
1:28
this is this job is history.
1:31
For each week, I interview actual people
1:33
from the actual past who've worked some
1:35
of the strangest, most unexpected jobs
1:38
throughout time. From senator
1:40
to telephone operator, we bring
1:42
the past to life. Literally.
1:46
On this week's episode,
1:48
only the Lonely.
1:59
Hello,
1:59
and welcome to Chris job
2:01
is history. Today, we're welcoming
2:04
mister Artemis Gildanbrother from seventeen
2:06
sixty nine who was hired by the
2:08
Earl of Falcon Bridge to live on his estate
2:10
as a garden hermit. Thank you for joining
2:12
us. It's my pleasure to
2:14
be here. I'm honored. Now, you're a
2:16
mystic type. Someone who contemplates
2:19
big ideas. So let's start off
2:21
with something simple. Mister Gildanfeather, What
2:24
is the meaning of life? Oh, artemis
2:26
is fine. And as for life,
2:29
thou art dust. and
2:32
thus thou shall return. Oh
2:34
my god. Yes.
2:36
The meaning of life is
2:38
Death. I'm only
2:40
teasing Chris. I wish I could help you there,
2:42
but I'm not a real mystic. I'm an
2:44
ornamental hermit. ornamental
2:47
resin decoration? I mean,
2:49
there's a lot more to it. I live
2:51
full time in the Hermitage on the Falcon
2:53
Bridge estate. I pretend to live
2:55
as a hermit wood, I contemplate death,
2:58
I read, I even have a little Garden.
3:01
And then when the Earl brings over his guests,
3:03
you know, I perform for them. Oh,
3:06
what what kind of performance? So
3:08
I create a somber, melancholy
3:11
mood for the earl and his friends when they visit
3:13
my hut. That's why have the robe in
3:15
the beard and why I carry skull here.
3:18
It's very real looking. Oh,
3:20
no. It is real. Now when a visitor
3:22
comes around, I recite some poetry like
3:25
the land presents a place of
3:27
graves whose walled, the silent
3:30
water caves. Oh,
3:32
wow. That's very morbid. Aren't
3:34
you kind? That's exactly
3:36
what I'm going for. Sometimes I'll just
3:39
throw out the first duck thing that comes to mind?
3:41
Like, I made this one up. Low.
3:44
The worms will consume us
3:46
all.
3:47
They will. My god, they
3:49
really will. Yeah,
3:50
they seem to like that same very much.
3:53
You see, for the nobleman, it's quite popular
3:55
to want some time to yourself. to feel
3:57
your feelings very deeply and contemplate
4:00
death, that sort of thing. But why is
4:02
that so appealing for them?
4:04
know, I think it has something to do with the rights
4:06
of Russo and then Milton
4:08
and some of those other guys, delightfully dark
4:11
stuff. They called the feeling pleasurable
4:13
melancholy. The whole estate was designed
4:15
to be wild and overgrown free
4:17
to inspire those sensitive feelings. You know,
4:20
Yeah. Haven't read Milton, but would would he inspire
4:22
thirteen year olds? Or better yet, what
4:24
would you say to someone heading to ninth
4:26
grade? So I don't know what ninth grade
4:28
is. But if they are going on a journey,
4:31
let's say, maybe Your
4:33
time draws nigh. Oh,
4:36
I like that. eighth grade class of
4:38
twenty twenty three, your time draws
4:41
nine. That was quite good.
4:42
Chris now is really not
4:44
the time to finish your commencement speech. Oh,
4:47
hello
4:47
there. No. That's Linda, my producer.
4:49
A pleasure, my lady. Oh, you can just
4:51
call me Linda. I see you've got your own
4:53
little solitaire glass cave there kind of
4:55
like myself. Cheers. You know,
4:57
sometimes
4:58
it really does feel that way.
5:00
Wow.
5:01
So Artemis helped me understand why
5:03
did people like the Earl hire a garden
5:05
hermit? I think hermits are a symbol
5:08
of retreats and melancholy. The
5:10
real hermits are quite religious. They're usually
5:12
monks. I don't think there are any actual
5:14
hermits in England anymore because we're we're
5:16
all protestants. Right? All the monostevers
5:19
closed a couple of centuries ago. Of course,
5:21
the reformation kicked all the Catholics out.
5:23
Good memory, Chris. You're really learning
5:25
things on this show. Thanks,
5:28
Linda. Yes. So an ornamental
5:30
hermit is a bit like a living painting
5:32
of a hermit. I think the Earl just wants
5:34
his guests to meet me and weep and think
5:36
about the smallness of their lives. And then write
5:38
to their cousin in Sussex about what an excellent Hermit
5:40
the Earl has. You know what? He
5:43
does. Oh, bless you. Hermit
5:45
are very in vogue, and then druids
5:48
are also quite a thing. Everyone
5:50
tends to imagine a druid when they think of
5:52
a Hermit. So I wear a druid's
5:54
pointy hat. Or
5:55
so you are a pagan druid
5:57
like the people who built stonehenge? No.
5:59
No. No.
5:59
I just dress a bit like one. That's
6:02
relief. because droids were
6:04
one scary bunch. I read on Wikipedia that
6:06
they did human sacrifice. Oh, No. No.
6:09
No. No. No. No.
6:10
That's not corroborated. Druids
6:13
were important spiritual leaders
6:15
in Celtic society. I
6:17
do not want any angry listener emails
6:19
from Juliet on this episode.
6:20
I don't know, Linda. Check
6:23
your sources. Back to you, Artemis, how
6:25
long have you been doing this? Like, when and
6:27
did you start as an actor? So
6:29
about two years now, but no.
6:31
No. I'm no actor. Heaven's, no. I
6:33
worked in a factory in Chris. Sowed
6:36
buttons since I was seven years old. My
6:38
whole families and textiles. Yeah.
6:40
Why did you start working so young? My
6:42
mom sent me and you don't send out to my mom.
6:44
She's not to be trifort with. Besides
6:46
most children are new, we're doing the same. I
6:48
wasn't sad to leave the factory job. was dangerous
6:51
and loud. twelve hours a day.
6:54
Oh, Jesus. And I was a quiet
6:56
child that all I wanted was time to myself
6:58
to read and sit with my thoughts. Well,
7:01
what about after work? You couldn't wind
7:03
down at home? Oh, that was even worse.
7:06
I live with my mom, my sister, and
7:08
her eight children. So that's not
7:10
a tranquil spot. Always little
7:13
crying, running up and down the stairs.
7:16
Once I locked myself in the factory
7:18
overnight just to get some peace and quiet. Why
7:20
didn't you ever tell your family how you felt?
7:22
You know, in eighth Garden, when no one joined my Acapella
7:25
group, the Gershind dudes, I was devastated.
7:27
I finally told my mom and she really helped
7:29
me work through my feelings. Oh, no.
7:32
No. No. No. No. We don't talk about feelings
7:34
in my family. when my dad passed
7:36
away, rest soul, my mom sat
7:38
down for a bit, sniffed, and then sent
7:41
us all back to work. So
7:43
how did you go from factory worker
7:45
and Bristol to Garden Hermit? Funny
7:48
story, so two years ago, my brother
7:50
James and I were poaching on the Falcon Bridge
7:52
property. Oh, no. Wait. That's that's hunting on
7:54
someone else's property. Right? You could get sent
7:56
to a penal colony in Australia or
7:58
something. Actually, Chris,
7:59
in eighteenth century England, poaching
8:02
was pretty common and kind of tolerated.
8:05
He might get firm talking to in a few
8:07
days in prison, but that's about it.
8:09
True true, miss Linda. But
8:11
we got spotted. James ran,
8:14
but I'm not a fast runner. So the groundskeeper
8:16
grabs me by the collar and he asks, what are you
8:18
doing here? And without asking us, like, were
8:20
there any of us doing here? So he says,
8:22
you must be the new gods in Hermit. I'll show you
8:25
to your heart. I had no idea
8:27
what he meant, but it turned
8:28
out they were hiring. So here I
8:30
am. Just
8:31
like that. Yeah.
8:32
At first, I thought who in their right
8:34
mind is just paying someone to live on their property
8:36
as decoration. And
8:38
then I met
8:39
the Earl my first week and I
8:41
realized he's not in his right mind.
8:43
Oh, he's eccentric. Mhmm.
8:46
I'll give you an example. He doesn't
8:48
believe in utensils, so he's designed
8:50
a trough for his dinner guests. It's quite
8:52
nice, made of brass, he also mostly
8:55
stays underground.
8:57
As in, he keeps a low profile. No.
8:59
I mean, like, he lives under his own house.
9:01
He's got miles of tunnels and this whole
9:04
ballroom down there. Wow. But
9:06
you get paid. Right? He he has someone more
9:08
down to earth to take care of stuff like
9:10
that. I'm in the estate budget,
9:13
a hundred pounds a year.
9:14
That's about sixteen thousand dollars.
9:16
Not bad. Thanks, Linda.
9:18
It's
9:18
enough for a bigger house than my family, and
9:21
and I'll have my own room. And privacy
9:23
is so important. You
9:24
know, there are some accounts of Garden permits
9:26
not
9:26
being paid at all. Right again,
9:29
miss Linda, I heard about Garden
9:31
Hermit who had to stay his whole seven
9:33
year contract or he wouldn't be paid. he
9:35
couldn't handle it. They found him drunk
9:37
in a pub after two weeks. But it sounds
9:40
like you're handling it just fine. Yeah. I mean,
9:42
I can't complain. I'm mostly sitting
9:44
a garden and reed just like I always wanted.
9:46
When I'm not reminding guests of their inevitable
9:48
demise. That sounds like heaven
9:51
just me, some chamomile tea, and
9:53
the latest issue of real simple magazine.
9:56
What do you read, Artemis? Well, there are some great
9:58
books in the Hermit. Russo, of course,
10:01
that's political philosophy. A
10:03
lot of novels, then some Gothic
10:05
poetry, essential reading for my line of
10:07
work, really. I've got a book of Thomas
10:09
Parnell that are quite effective. Pannell,
10:12
like me. Maybe we're related.
10:14
I love Thomas Parnell. He's one of
10:16
my favorite graveyard poets. Do you know
10:18
this one? Because it
10:20
sends appeal of hollow
10:22
groans, the speaking
10:25
from among the bones.
10:27
Linda, look at you.
10:29
Thank you. I memorized boat trip. You might spare
10:31
time.
10:32
We're definitely not related.
10:34
That does not sound like something a
10:36
Parnell would say. We're more like make
10:38
new friends but keep the old One
10:40
is silver and the other gold.
10:42
No. This Parnell is
10:44
wonderfully dark. I was such
10:47
a fan in high school. I held Seyance
10:49
on the day of his death.
10:50
Seyance, graveyard poets.
10:53
Linda, were you a Garden high school?
10:55
I don't believe in labels. Okay. Did you
10:57
wear black lipstick? Maybe. Another
11:00
clue to unlock the real Linda.
11:03
Speaking of best work friends, Artemis,
11:06
do you have any work friends on the estate? I
11:08
do. My best friend is Simon. Oh, the
11:10
the gardener? No. The mouse. Lives
11:12
in my walls. He's a real joker.
11:14
Oh, cool. Cool.
11:17
Nice that you have a friend. So how many
11:19
garden Hermit are there anyway? I've
11:21
no idea. I've heard rumors of others,
11:23
but I'm I'm really very local.
11:25
So, Chris, we only had evidence of
11:27
about ten Garden Hermit in England
11:29
in the eighteenth century. Yes,
11:31
well, it's not a necessary position. You
11:33
don't need an will hermit to contemplate your feelings
11:35
on your own. The groundskeeper told me that lots
11:37
of estates have empty hermitages. No Hermit,
11:40
just a hut. Yeah. Yeah. Just set up
11:42
like a Tableau or a stage set,
11:44
a range like the Hermit just stepped out,
11:46
opened book on the table, wilted flowers,
11:48
and extinguished candle, that kinds of thing?
11:50
Oh, like a Diarrama in the Natural History
11:52
Museum. Sure. Yeah. Yeah. Sometimes
11:54
the Noble himself dresses up as a hermit for
11:56
visitors. then if
11:58
he's really rich and really
12:00
strange, he finds someone like me to live
12:03
there, and the Earl of Falconbridge is one of the
12:05
Stranger ones. Yeah. The tunnel thing is
12:07
unique. Exactly. He's
12:09
also bit shy in the Wondery, apparently.
12:12
So no one is allowed to look at him from
12:14
November to February. It's quite a dark
12:16
time. don't you think it's pretty selfish?
12:19
They said, I can't tell him how to spend his money.
12:21
But you had to go to work at age ten and he's
12:23
spending his money on tunnels and Hermit
12:26
and, you know, dining troughs for the
12:28
rich? Chris, even the more
12:30
shall we say, well balanced rich people
12:33
spend their money on the silliest things. They
12:35
just wanna show off. Think about it.
12:37
Even a lawn is just a way to
12:39
prove you have land you don't need to farm.
12:42
That's true.
12:43
land
12:45
fart. I'm writing that down. That might work in
12:47
my speech. I got that from the Russo
12:49
book in the Hemitology. It's very rebellious.
12:51
Sort of anti yard work. the
12:53
youth will relate. So you
12:56
really don't mind being alone so much with
12:58
your mouse friend? Well, you know, it
13:00
does change you. I didn't realize
13:02
how much until one day last year when
13:04
I got the last visitor I ever expected.
13:07
Oh, hold that thought. Let's hear about it after
13:09
the break.
13:09
Okay. Good
13:12
job, guys. Take five.
13:14
Hey, Artemis. Do you have any
13:16
poetry that says puberty is tough,
13:18
but it gets better?
13:19
Maybe something by
13:22
Robert Blair. Yes.
13:24
I love Blair. Oh my gosh. Me too.
13:27
Have you read the grave? Have I read
13:29
the grave? It's one of my favorites. Oh,
13:31
my gosh. It's one of my favorites
13:34
too.
13:34
Did you And Spruples believe? Yes.
13:36
Is that like a white hang novel? A
13:39
what? No.
13:40
because just tag out.
13:43
Okay.
13:58
We're
13:58
back with Artemis
13:59
Gildanfeather, a Garden hermit
14:02
from seventeen sixty nine England. Now
14:04
you're going to tell us about an unexpected
14:06
visitor at the Hermit. Yes. This
14:09
was a year after I started at the Falcon
14:11
Bridge estate. I'd just gotten a hang of things.
14:13
The quiet was wonderful. Didn't you miss
14:15
your family? Sure. Yeah. But I figured
14:17
they hadn't even noticed I was gone. Impossible.
14:20
You're like six foot two. We're all told
14:22
in my family except for mom,
14:24
she's a bitty thing. No, they wouldn't
14:26
have missed me. Once when was fourteen,
14:28
I accidentally got boxed up in a crate
14:30
full of buttons and lace and ship to Birmingham.
14:33
It took me almost a week to walk home.
14:35
And when I got back, my mom just said,
14:38
double
14:38
shifted the factory today.
14:40
didn't
14:40
even notice I was gone. Yeah. And
14:42
you know what? I felt invisible when no one noticed
14:45
my new sideburns. Okay.
14:47
So you've been at the Urals' estate a year. Take
14:49
us away.
14:51
Morning at the Hermitage is
14:53
beautiful. My little stone hut
14:55
sits at the top of the hill with the grand's view
14:57
of the estate. Beyond my door, you
14:59
can see rolling pastures, craggy
15:02
trees, a peaceful stream. On
15:04
this particular day, I woke up on
15:06
my straw bed to find that Simon had once
15:08
again played a hilarious trick on me.
15:11
That silly mouse. Simon,
15:14
did you eat my toast again? You scan?
15:18
Do that again and you'll not live to see butter
15:21
days. The
15:24
cook sends food down from the house
15:26
and leaves it at my door. Simon
15:28
sometimes gets to it first as a joke.
15:31
You know, I had this hilarious imaginary
15:33
friend in eighth grade Oscar. He was always
15:35
getting me in trouble. I'd be like, stop playing moms
15:37
Jane Fonda VHS and No
15:40
more Oreos, but he never loosened.
15:43
Fun times.
15:44
Wait. Is this Oscar that you're always
15:46
talking about? The one you call your favorite
15:48
hangout buddy? A
15:49
totally different guy.
15:51
So I have two rooms in my heart, one
15:54
that's made up like an ancient mystic
15:56
lived there. Right? There's the books, a host
15:58
of Socrates, and Astrolabe, very
16:01
arcane. Then my actual
16:03
room is in the back. It has my little beds,
16:05
a table, and a few other personal things.
16:07
But I had no time to play my own prank
16:09
on Simon that day. Visitors were
16:11
coming. I put on my gray headed robe,
16:13
rush out my long beard and gathered my
16:15
skull and staff. Then I arranged
16:17
myself by the open door, still as
16:19
a statue. Up
16:21
from the hill came to young lady,
16:30
Goodness.
16:30
Yona, this
16:33
must be the Falcon breach. How many
16:34
it? 00000 Catherine
16:36
it is.
16:37
And he's absolutely grim
16:40
and dark and brooding
16:43
and so
16:45
mystical.
16:46
oh yeah
16:47
And what a precious point
16:49
he had? They were here
16:51
for the Earl's annual Spring House
16:54
party. Lovely missus they were in
16:56
their satin dresses and straw hats. and
16:58
the decorative buttons on their sleeves,
17:01
half
17:01
inch solid brass with painted
17:03
glass inset. Top
17:05
shelf buttons, and I know buttons.
17:08
They walked around me inspecting me like a
17:10
statue and poking at my road.
17:12
He's like learnings more a trap
17:14
active little brother. Aren't you, mister
17:17
Hermit? Aren't you? got
17:20
enough potions under that cloak,
17:22
mister Hermit.
17:25
Well,
17:27
they seem riveted. I I didn't realize how committed
17:29
you were to this role. Well, I'm a professional. even
17:32
though my personal space was being violated. Which
17:34
is something I've reported several times the Earl.
17:36
I still had a job to do. Linda,
17:39
you're like this. I decided it was time for a
17:41
little Thomas Parnell. I
17:43
raised the skull as I spoke and
17:45
all with sober racks and
17:48
cry think Parnell what
17:50
it is to die.
17:51
Nightlies on death. That's one of
17:53
my favorite. Mine
17:55
too The one in the light blue dress put
17:57
a hands on her neck and squeaked. Actually
18:00
squeaked. That's good sign when they
18:02
squeak.
18:06
You absolutely
18:07
terrifying.
18:08
But in the so
18:10
bad, it's good kind of way.
18:12
I wanted to
18:14
thank the lady, but instead, I
18:17
raised my staff and said,
18:19
be silent. deaths
18:21
but a path that
18:23
must be trolled if man
18:25
would ever pass to God.
18:28
It's true, Fiona. We just run
18:30
outrigger's smallpox away from eterna's
18:33
sleep. But but aren't
18:35
too young and beautiful to die?
18:38
yeah
18:41
The one in blue began to Chris.
18:44
A job well done. But just as
18:46
I prepared to devastate them with a kanto
18:48
from Dante's inferno, suddenly
18:50
I heard a voice, one that filled
18:53
me with at Schueller's red.
18:55
Bernie.
18:56
Bernie.
18:58
Who's Bernie? Is that that the groundskeeper?
19:01
Actually,
19:02
I'm Bernie. My real name
19:04
is Bernard Smith, and
19:06
coming up the hill was my mother.
19:13
Furnate. What is that you? She
19:15
was stomping up the hill, huffing like
19:17
a ball. The two young women stopped
19:20
crying and look confused. I had
19:22
to think fast.
19:23
ah We
19:24
meet again, angel of
19:26
death. Oh, Katherine.
19:29
It's not over yet. There's more. I
19:31
don't know what? Oh my
19:34
grandmother, death, is so angry. Oh,
19:36
this is very good, very
19:39
I bid you a good evening, dark angel.
19:42
I'm your mother, and I'm here to bring
19:44
you home.
19:44
Right.
19:46
Aren't we all the children of death
19:48
really and heading home to the
19:50
after that really ain't
19:52
so good.
19:54
I had to get them out of their quickly. If
19:57
the Earl heard this, he'd be furious. And
19:59
when he's angry, he stays in his underground tunnels
20:01
for weeks, it's very inconvenient
20:03
for the staff. Plus, he'd likely let
20:05
me go, my job was on the line.
20:08
Melades, more devastation awaits
20:10
you in the grotto. Carry
20:12
on. Carry on. This way. Oh,
20:14
chilling. Absolutely chilling.
20:17
Agreed.
20:18
Let's go. I thought the
20:20
grotto would make us regret the day of our
20:22
birth. No. That sounds
20:24
ever so much fun. As they walked
20:26
away, I turned and looked down at my
20:28
mother approaching.
20:30
mother, what are you doing here?
20:32
Oh, I'm doing here. Why are you
20:34
doing here? What are you wearing?
20:37
Oh, you look a fright. No, sir.
20:39
Mom
20:39
is my Hermit robe. And I can't
20:41
have visitors. Come inside before anyone
20:44
else sees you. Oh, yeah. Got nothing to
20:46
put your virus to buy it. Yes. You do. You buy
20:48
everything that you should paid for in your
20:50
mom. Come on. Oh, wow. Right.
20:51
She hesitated then
20:53
walked inside my small heart and peered
20:55
around. I was hoping she might be impressed,
20:57
but she looked like, worry.
21:01
Bernadette, What is going on?
21:03
I
21:03
haven't seen you in a year.
21:06
A year I've thought you left for the colonies.
21:09
I've got to sit upon my thieves.
21:11
Didn't James tell you? He was poaching
21:13
with me. They gave me a job. Well,
21:16
they'd mentioned something about Hermit.
21:18
but I didn't believe him. No
21:20
one would believe you're a hermit. I
21:23
am a I am a Garden hermit.
21:25
I wish you. You were on her face
21:28
that. I live here and I pretend
21:30
to be a wise mystic. And
21:31
I read philosophical poetry to the visitors,
21:34
and I remind them that they're going to die.
21:36
Right. That's what the vicar is for.
21:38
Oh, these things. Hey, a skull
21:41
and hourglass.
21:42
What's that about? They represent
21:44
the implacable passage of time.
21:46
Hello. Oh, right. Okay.
21:48
And the dried figs, what do they represent?
21:51
Same thing I suppose. No
21:52
figs. They're decorative, Chris.
21:54
You don't eat them. Linda, can we get some figs in
21:56
here? I'm not getting you figs, Chris.
21:58
If you're hungry, you can have some chickpea
22:00
puffs.
22:01
I will pass. She
22:03
put aside my hermit props and came briskly
22:06
back over to me. then, okay,
22:08
get She licked her thumb
22:11
to clean the dirt off my face. Like
22:13
I was ten years old, so
22:15
embarrassing having your mom show
22:17
up at work. Stop.
22:21
Just
22:21
because I dress up in play pretend doesn't mean I'm
22:23
a child. Then put down your toys.
22:26
It's time to stop this nonsense
22:28
and come home back to the factory.
22:30
Now, Chris. I'd always obeyed my
22:33
mother. Besides
22:33
running away to be a garden hermit
22:35
and making my mom believe I'd sailed away
22:37
to the colonies never to be heard from again,
22:40
I was no troublemaker, but
22:42
I couldn't hold it in anymore.
22:44
Ma, I hated the factory.
22:46
Okay? the buttons, the noise,
22:49
the children being shipped off in
22:51
a crate that one time. I couldn't take
22:53
it anymore. Oh, you're not thinking right,
22:55
son.
22:56
Chris is good pay. I'm
22:58
saving for a bigger house for all of
23:00
us. And I've read ten books this
23:02
year.
23:03
Ten books really. Well,
23:06
smart like your dad.
23:08
But
23:08
are you happy here all alone? I'm
23:11
not all alone. People visit.
23:13
I've
23:13
even got a friend, Simon.
23:16
I suppose you do get to read in a
23:18
garden like you always wanted.
23:22
How
23:22
did you know about that?
23:23
Are you my son? No more
23:25
than you think?
23:27
I was shocked. I
23:29
turned away to look at my window. My
23:31
mother stood next to me. Together,
23:33
we looked out over the wild landscape. Neither
23:36
of us spoke for a moment. I
23:39
didn't think you noticed me at all.
23:42
It's all as an oak tree. How could I not
23:44
know too, sir? What
23:47
makes you burning?
23:49
Really?
23:52
You know, your dad was a lot
23:54
like you. I
23:55
imagine there were times he wished he could get away
23:57
too. I
23:59
guess this
24:01
suits you. Do you want
24:03
to hear one of my lions more? I
24:05
go on now. Make me melancholy
24:07
like
24:07
a rich tom. Okay.
24:10
the heart to merge you
24:12
on?
24:13
Can genius animate the
24:15
feeling breast?
24:17
How long?
24:18
Feel impressed. We've got a power,
24:20
miss miss. Bernie. It's just
24:22
poetry in my body. shame on Breast
24:25
means heart, not, you
24:26
know, Alright. Give
24:29
your old mama kiss now. I'll
24:31
send a note with James now and then
24:33
when he comes to Poach. I
24:36
love you, you silly, Hermit.
24:37
God and hear me.
24:40
And I love you too, mom.
24:44
Your mom sounds Pretty great.
24:46
Bernard Smith. Should
24:48
I keep calling you Artemis? Bernie
24:51
is fine. So your
24:53
mom ended up accepting your choice to be
24:55
Garden hermit.
24:56
Yeah. She did. Yeah. And she accepted
24:58
me too, which is nice to get to be
25:00
yourself for a change. You
25:02
know, this does make me think about my
25:04
speech. When you're thirteen, it's
25:07
all about trying to fit in. But
25:09
your story is kind of about how important it
25:11
is to be true to yourself.
25:13
Carry your skull and
25:15
staff proudly in a world full of
25:17
buttons and licks. That's lovely. I
25:20
don't really understand it, but it is
25:22
lovely. And if I had been true
25:24
to myself, I would have stuck with a Spencer
25:26
Middle School Crescendards, even if it was
25:28
just me. Maybe
25:29
that's how you should end the commencement speech.
25:32
Yes. I could sing My
25:34
arrangement of this is it by Kenny Logans
25:36
is Killers. Yeah. Let's keep brainstorming.
25:39
You know, Chris, you could end your speech with contemplative
25:42
sigh. It always puts a button at the
25:44
end of my performances. Just a thought.
25:46
Oh, like this. Oh,
25:49
very nice, Chris. The eighth grade will
25:52
be in fired. And chilled. That's
25:54
promising. When we come
25:56
back, we'll find out what happened Garden
25:59
Hermit like Bernie.
26:01
Okay. All clear. Take five.
26:03
ARTEMIS, are you by any chance a
26:06
a baritone? I have no idea. Well,
26:08
let's find out. Try this.
26:10
bump bump bump bump bump. No.
26:13
No. No. Like Yeah. Chris
26:21
is it.
26:26
Where you are? This is it? com.
26:28
You're about to go on. Chris
26:31
is it. Don't be a fool.
26:44
We're
26:44
back with ornamental hermit and Baritone
26:47
Barnard Smith. Bernie, it's time
26:49
to reveal what's happened to your job. I'm
26:52
intrigued. So first things first,
26:54
estate garden permits were short lived.
26:56
Nobleman stopped employing them in the
26:58
mid eighteen hundreds. Well, good.
27:01
And as miss Linda said, knowing that some weren't
27:03
paid, that's just awful. You
27:05
took that well. I like it as you know,
27:07
but I will admit it's not a good job for most
27:10
people. You're right. However, the
27:12
art of immersive performance has continued.
27:14
There
27:14
are theme parks where you can meet characters
27:17
from books and other fiction just like visitors,
27:19
meet you. So there are
27:21
still ornamental Hermit. Living
27:23
parts of a dark and morbid landscape are
27:26
they? Make you rethink all your life choices.
27:29
I've never thought of Disneyland quite like that,
27:31
but yeah, a little. Okay.
27:33
Then there are outdoor festivals
27:36
and historical reenactments where people don't
27:38
wash. for several days. I'm
27:40
telling you the ridiculous things rich
27:42
people spend their money on. Well, do you wanna
27:44
see what people spend their money on now? Hey,
27:47
Linda. Bring bring me the garden gnome, please.
27:49
It's under your chair. Yep. There it is.
27:51
Oh. Okay. So
27:53
this little guy here is a garden gnome.
27:56
He's got a pointy hat and a beard like you,
27:58
cute round belly, and this one has
27:59
a pipe. Some historians
28:02
think he's descended from you. Well,
28:04
that's sweet, but I don't see what he has to do with
28:06
me. Well It's a gnome in a garden.
28:08
Isn't that like a hermit? Nomes
28:11
were around far before my time, Chris.
28:13
He's
28:14
right. That model was created in
28:16
eighteen forty seven, but the earliest appearance
28:18
of gnome like statues was in ancient
28:20
Roman gardens. Also, Chris,
28:23
please return the Garden gnome to wherever
28:24
you found it. Missus Welkle won't
28:26
miss it. She's got, like, three hundred. But, yes,
28:28
I'll return it. I'm not a thief.
28:33
It's time for the final
28:35
segment of our show, where
28:37
I ask you the final five questions we
28:39
ask all our guests. Ready burning? Ready,
28:41
Chris? Great. Okay. So
28:44
what is the biggest misconception about
28:46
your job? People Garden Hermit don't
28:48
laugh because we're so somber but you can
28:50
ask Simon, my mouse. We have fun.
28:53
If someone wanted to break into Garden
28:55
hermitting, what should they know? The voice
28:58
sells it. Why? What
29:00
are the perks of garden Hermit? Well,
29:03
I get to eat the earls food. That's lovely.
29:06
Pigeon pastries, tribe. Mhmm.
29:08
That's probably worse than it sounds. Okay.
29:10
What traits would you say make a good
29:12
garden hermit? I think I'd say
29:15
independence, flexibility, and
29:17
an earnest sense that we all specks
29:20
of dust in the dark cosmos of
29:22
time. Nice. And
29:24
finally, if someone were to write you a
29:26
letter of recommendation, what might they say
29:28
about you? He really livened
29:30
up the place. Bernie,
29:33
it has truly been a pleasure to have you on the show.
29:35
I I feel like I've learned so much from you.
29:37
Yeah. Seriously. Thank you, Bernie.
29:39
The pleasure was all mine. Both of you really
29:41
Thank you for the human company.
29:43
And Christopher good luck with the speech. Remember,
29:45
try some Parnell, then you'll really
29:47
terrify them.
29:49
Maybe you don't wanna terrify
29:51
them, but dark and moody does play
29:53
well with teenagers. I should know.
29:55
Okay.
29:59
First, I
29:59
thought Bernard Smith was a mystic.
30:02
Then I realized that he was playing a role.
30:05
Is Bernie an accidental performance artist,
30:07
an exploited worker, OIs Rekloose?
30:10
He's all these things. But
30:11
in the end, I think he had something to teach us
30:13
after all. It's powerful to be your
30:16
own person even when the world wants
30:18
you to be something else. and he's
30:20
inspired me to pick up some Russo,
30:22
get a garden gnome from my lawn and
30:25
call my mother. Great
30:27
job, Chris. I think we got it. Also,
30:29
I left that quote
30:30
about being your own person. Yeah. Thanks. That's
30:32
not a quote. That's just me.
30:34
Oh, wow. That was very
30:37
wise. I think that's the ending to your
30:39
speech.
30:39
Oh, you think so? Oh,
30:41
that's great. And then maybe top it off
30:43
with Oh, no, please. Don't. Chris
30:47
Make no mistake. Where
30:49
you are. Alrighty. This is it.
30:51
Please. You This
30:55
is it. How do you even know that they're awful
30:58
anymore?
31:02
No. Don't
31:04
you?
31:09
From wondering, this is this
31:11
job is history. I'm your host,
31:13
Chris Parnell. This episode
31:15
was written by Mikayla Blige
31:17
and Starz Elyse Morales has produced sir
31:19
and Greg Warswick as the Garden Hermit.
31:21
Additional roles played by Mary Bird song
31:23
and Elise Morales. Sound
31:26
design is by Andre Pluce. Our
31:28
audio engineers are Brett Tubman and Austin
31:30
Lim, additional audio assistance
31:32
by Garden Tapio. Hermit
31:35
is our associate producer, our managing
31:37
producer is Ryan Lore. Chenue Evodo
31:39
is our coordinating producer. Matthew
31:41
Wise is our senior producer. Our executive
31:44
producers are Sochi Dorsey, Stephanie
31:46
Gens and Marshall Louie
31:47
for Wonder.
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