Episode Transcript
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0:05
When a black
0:06
woman walks up to the
0:08
desk in labor, what preconceived
0:10
notions do you have
0:19
about
0:29
her? I didn't even know we had a hair shard.
0:32
The Stoop. Hey,
0:36
Hannah.
0:40
Hey, Lila. How
0:43
are you with everything?
0:46
I feel like a lot is going
0:49
on right now. Yeah, it's just been,
0:52
it's been hard. I
0:54
mean, I feel like we should talk about it in some
0:56
way because I just
0:59
feel like I personally don't know what to do.
1:02
I want to do something. I want to understand
1:05
better. And I don't know, I
1:07
just don't know how and what way I could
1:09
really help right now. I
1:12
know, I know. You know, that's, that's
1:15
not a good feeling to have, right? Like,
1:18
I'm sorry you have that feeling. I know what it feels
1:20
like when someone's going through
1:22
something and like you don't know
1:25
what to do about it. Well,
1:27
do you think we should do an episode about it?
1:30
I don't know.
1:33
Hey, Stoop fam, a quick favor.
1:35
We are conducting an audience survey.
1:38
We want to know what you think about the Stoop.
1:41
And we'd be really grateful if you could just take
1:43
a few minutes to answer the survey. You
1:45
can find it at survey.prx.org.stoop. That's
1:50
survey.prx.org.stoop. And
1:55
thanks!
2:12
I think we should talk more about this.
2:15
You feel ready? Yeah, I'm ready. So
2:20
for the past few months, the country
2:22
where you're from, where a
2:24
lot of your relatives and friends are, Sudan
2:28
has
2:28
been at war. In Sudan's
2:30
capital, Khartoum, paramilitary forces
2:33
are increasingly taking over neighborhoods. They've
2:35
seized control of stores and hospitals,
2:38
even as a tenuous ceasefire holds back
2:40
the fighting that began on April 15th. Thousands
2:43
of U.S. citizens have yet to be evacuated.
2:46
Many are Sudanese-American.
2:49
But Hana, even though I've been hearing about this in
2:51
the news, I
2:53
really don't feel like it's been a huge
2:57
story, like a huge focus. Sadly,
3:00
that happens a lot with stories about
3:02
Africa. This idea that,
3:05
you know, it's this troubled
3:07
place plagued with
3:09
issues. It's people
3:12
over there are always fighting
3:14
and can't get it right. So
3:17
when war breaks out, that
3:20
narrative takes over, right?
3:23
And so it becomes like, oh, OK,
3:25
it's just the same old, same old. It's
3:28
news for a bit and then nothing.
3:33
But like when something happens in
3:35
the U.S. that affects black
3:38
people, for example, right? With
3:40
the killing of George Floyd, for example, the
3:43
world stops, right? And
3:45
the entire world rallies
3:48
around. Black lives matter.
3:51
But when it's something like this in Africa, it's
3:53
just it's not the same. Doesn't
3:55
get the same attention at all.
4:04
But why do we think that is? I
4:06
mean, the media definitely
4:09
doesn't focus on African
4:11
stories and issues in Africa are
4:14
so far removed for so many Black
4:16
Americans. It is something that
4:19
does make you realize the gap
4:21
between cultures when something like
4:23
this happens. And
4:25
I get all of that. I understand it,
4:29
but it doesn't mean that it
4:31
doesn't hurt. When
4:34
it comes to Africa and war,
4:38
the attention just overall is
4:40
so weak.
4:42
For example, you could compare what's
4:44
happening in Ukraine right
4:47
now to what's happening in Sudan. Khartoum
4:50
is a city under siege. The whole country
4:52
is in flux. Look
4:55
at how different the media portrays
4:58
that conflict and this conflict
5:00
or that suffering and
5:03
this suffering. You just don't
5:05
see it. Like human
5:07
suffering isn't equal.
5:10
Some suffering is more important than
5:13
other suffering. And
5:15
I also think that, you know, seeing you go through this
5:17
has made me realize
5:18
how much I don't know about
5:21
where you're from and what's happening
5:23
there. Yeah, it's been a lot. It's
5:26
been overwhelming here. Folks
5:29
in our community are just in a total state
5:31
of shock and worry
5:34
because of all these militia men
5:36
who are basically taking over
5:39
homes and looting
5:41
them and trashing them. Everybody's
5:45
gone. And like my whole feed
5:48
is pictures of their houses,
5:50
of their homes, of their lemon
5:52
trees in the backyard. Things
5:56
that they don't know if they'll
5:58
even go back to or see.
5:59
again. So there's a lot
6:02
of pain right now in my
6:04
community. And so we
6:06
try to talk
6:07
about it and
6:10
have conversations, the
6:12
grownups, but also with the
6:15
kids, because they're feeling
6:17
this too.
6:18
Yeah. So today,
6:22
let's do something different, you know, just
6:25
as we did episodes that help
6:27
us feel emotionally
6:30
what we're going through when Black communities
6:32
are hit by trauma in the U.S.
6:35
Like, let's just take a moment to pause and
6:38
just reflect on what's
6:40
going on in your country.
6:45
So that's Selma El-Hassal.
6:47
She's a musician and singer
6:50
who Sudanese and lives
6:52
right here in the Bay
7:02
Area where I am. And
7:04
the song starts with this line
7:08
calling out to God. And she
7:10
says, oh God, when
7:13
will you bring us together again? So
7:24
that's Selma.
7:27
And you can hear
7:29
like the longing in her voice.
7:33
We have this whole genre of
7:43
Sudanese songs that come
7:45
from poetry. And there's
7:47
a whole body of poetry about longing,
7:50
whether it's longing for a loved
7:53
one who's like went to another
7:55
city or longing
7:58
in this case for the
8:00
homeland.
8:05
I mean, it's through music. I mean, that's
8:07
where you're finding some healing. Also,
8:10
I know you've been finding
8:13
a little bit of peace, a little bit
8:15
of healing where you volunteer with
8:18
Sudanese kids at a community center
8:20
by your home, right? Yeah.
8:23
In a diaspora, you tend to stick together.
8:26
Our kids all grew up together
8:29
here in this Sudanese
8:31
community in the Bay Area.
8:33
You know, we do the picnics, we have our parties,
8:36
we get together a lot. And
8:39
every Sunday, we have this school,
8:42
like this community Sunday school for
8:44
the kids to learn about Sudan,
8:46
about the culture, music, food,
8:49
games, folktales.
8:52
We just have a lot of fun.
8:55
But lately, the
8:56
conversations have been
8:58
different. We're going to take the first 10-ish
9:01
minutes to talk
9:03
about what's happening to Sudan just
9:05
to get a check on how everybody's feeling. I
9:09
don't want any family to die, because then
9:11
my family would be sad, and that would be,
9:13
like, not good. So,
9:15
like, I
9:17
guess worried? Oh,
9:20
I'm feeling worried, because my uncle,
9:24
he evacuated his family and he came back.
9:27
So he's just staying over there. Like,
9:30
he gathered, like, people from the neighborhood, and
9:32
now they're all staying in the house. But I'm
9:34
still kind of worried, because I've
9:36
seen, like, videos and stuff of, like, near
9:39
our house, Philadelphia. So I'm
9:41
kind of scared.
9:42
It's like you tell them in
9:44
parents' face, like, how terrified they are, or how
9:47
worried. And, like, every single day, like, when I was calling,
9:50
to make sure they, like, can... that
9:52
they're okay and stuff, and, like, they're trying to give buses
9:54
to Egypt. I'm trying to send the money over,
9:57
and it's, like, really terrifying. Never,
9:59
like, experienced it.
9:59
something like this so like she
10:02
can't really do anything. You know Leila
10:04
being around the kids it's been
10:07
a distraction but also
10:09
there have been some light moments. These kids
10:11
are funny like when I asked
10:13
one of them what the solution would be
10:16
to end the war she tells me
10:18
just call up the White House. And
10:21
then they'll be like okay let me go call Joe Biden
10:23
and tell him what's going on and Joe Biden might
10:25
be like all right let's
10:27
help them and then Joe Biden might
10:29
like become
10:32
friends with one
10:32
of them and then like
10:35
end the war.
10:41
So recently Hana I called you and
10:44
you couldn't talk. You'd been on the
10:46
phone all night you were worried your
10:48
family members were trying to flee
10:51
the country you know escape
10:53
this war and you had friends
10:55
that you knew that were in the middle of the conflict
10:58
people you knew who had died. It's
11:02
been heavy Leila when you called
11:04
me it was a time when I
11:06
was feeling the world just stopped
11:10
and it all was just so overwhelming
11:14
and it reminds me of this
11:16
line in that song that
11:18
we heard that I think about.
11:22
She says oh god when will
11:24
we ever go back to Sudan
11:27
it's been too long that we've
11:29
been away from home.
12:00
And Lila, we're immigrants, right?
12:20
We're
12:23
American, but we're immigrants, recent
12:25
immigrants, first generation, second
12:27
generation, that one and a half generation
12:29
that I'm from, right? And
12:32
we already feel that longing for our
12:34
homelands, and that's why we visit
12:36
when we can.
12:38
But now for me with the war, that's
12:41
not going to happen for a very
12:43
long time, if at all.
12:46
All our family has evacuated
12:49
and our refugees in other countries. So
12:52
that line, it hits
12:54
especially hard with this new reality.
12:57
Before, when I miss Sudan, I just
13:00
get on a plane
13:01
and go. Yeah.
13:03
And now I can't. Yeah. That
13:06
reality is just hitting me,
13:09
and it's the reality for a lot of people here. So
13:12
one of the things I've been doing is
13:14
also just talking with friends about
13:17
how they are feeling,
13:20
how they're healing.
13:22
One family friend is musician
13:25
Mazen Jamal. There's
13:28
no thing that can
13:31
open the heart in a moment of crisis and
13:33
allow you to have the catharsis and the release
13:36
that you need to have to clear to,
13:38
for Sudan, we say, to
13:42
take outside that which is within you. Nothing
13:45
can do it like music. We're not exactly
13:47
a culture where everyone is seeing a therapist,
13:49
and that's a movement in new generations.
13:52
But for age-old times,
13:55
music has been the tool, whether
13:57
it's through spiritual technologies,
13:59
like...
13:59
where music is used to induce
14:02
a trance state, where people can
14:04
really actually do some very powerful healing, to
14:07
the day-to-day, you know, singing,
14:09
you know, you're just hanging out on the porch and
14:11
people sing a song and it's a song of longing. You
14:14
know, of course we're in a big crisis right now, but Sudan,
14:17
like many countries, has a long history of struggle,
14:20
a long history of challenge, and so much
14:22
of this music is the way
14:24
that the revolutionary spirit is kept alive.
14:27
It's the way that people can be
14:29
in remembrance
14:29
of the beauty of what Sudan
14:32
has been, what it can be, you
14:34
know, on a day where, you know, you're waiting in
14:37
line for hours to get gas
14:39
or, you know, to get bread and these different
14:41
stories that we hear people going
14:43
through. The music is, I think,
14:45
what keeps the spirit and the soul of a culture
14:48
alive.
14:49
Mazin told me recently that, like
14:52
me, he's been hearing music differently
14:54
these days, just feeling it in
14:57
a different way.
14:58
Today just made me think
15:01
of my grandma, and
15:04
she had traveled to Sudan. She
15:07
had come here to the U.S. for some medical treatments, and,
15:10
you know, the revolution has been going
15:12
on for a while and it hasn't been that safe, and
15:15
we want her to be here, but she wants to be home, you
15:17
know. All the comforts are here, all the
15:20
things are here in the West, in America,
15:22
in Rilharp, but she just wanted
15:24
to be at home where her sisters are, where
15:26
her family is, where her land is, and
15:29
so after convincing us and convincing us she
15:31
goes to Sudan, she's come with bags full
15:33
of gifts and
15:36
things that she's
15:36
got. She's for the kids and for her sisters,
15:39
and, like, she's just so excited to come back, and
15:41
two days later the war breaks out.
15:45
And, you know, within
15:47
another day or two they're fleeing, and bags
15:50
full of gifts are left there, and she
15:52
didn't get to see her sister. She had traveled halfway
15:54
around the world. Yeah, you know, I
15:56
might not be quite done crying about
15:58
it, but...
15:59
It's starting to move now. And the music
16:02
kind of took this thing that was like an
16:04
ice
16:05
in my heart and it melted it so that it can
16:07
start to flow.
16:09
["Shelma"] I'm
16:25
just really grateful that we have people like
16:27
Selma in our community. The
16:30
artists like her are like mystics and
16:33
they are like a bridge between
16:36
the world of our feelings and our emotions and the world
16:38
of reality. And she'll tell what the meaning
16:40
is and she'll take you on this journey and tell you the story
16:42
of where it comes from and just her
16:45
prayers. It's kind of like a prayer as she tells
16:47
these songs of like, that one
16:49
song, basically the title
16:51
is like, oh God, when will you bring us together again? When
16:54
will you gather us together again? And hearing
16:57
her have such an unwavering faith
17:00
that like one day we will be back together in Sudan
17:02
and to have some of that grief be replaced
17:05
with hope, be replaced with possibility,
17:08
be replaced with just
17:10
that commitment and that resolve
17:12
to continue fighting, to continue on
17:15
for our people and for our country. Shalom. I
17:29
love you.
17:38
I was just thinking that I'm sure
17:41
you've been thinking about your
17:44
kids connection to the country, what
17:46
it's gonna mean now, right?
17:48
Oh, for sure. Yeah, I mean, I don't
17:51
know if I'll ever go back. I surely
17:53
do not know if they will ever go back to see
17:55
it again. And that's why that Sunday
17:57
school is gonna be more important than
17:59
ever.
17:59
out. It's
18:02
going to be the only way to experience
18:05
Sudan for
18:08
at least a generation or two. The
18:10
houses are gone, Leila.
18:15
This militia is staying.
18:17
There is no end in sight to the
18:19
war. These people are
18:22
in people's bedrooms and homes
18:25
and have stolen all their belongings.
18:28
And a lot of people are
18:30
saying, I don't
18:32
know if I want to go back to that house anymore,
18:35
if we ever go back. People
18:38
don't have anything there anymore. And that
18:40
realization
18:40
is just crushing.
18:44
And a lot of these people built these
18:46
lives and homes
18:49
through a lot of work, right? And a lot of diasporans
18:52
who've been sending those remittances
18:54
that we talked about in another episode, right? Little
18:57
by little, the house
18:59
is built little by little,
19:01
and
19:03
now it's all gone. Yeah,
19:07
you're grieving. I mean, you've been
19:09
grieving. I feel that,
19:12
you know, when we're going through things and
19:15
we're going through grief, we throw ourselves into
19:17
work and distraction. And
19:19
that's what you've been doing.
19:21
You've been really just pushing through. And I
19:24
know that it's been really,
19:26
really difficult for you. Yeah. Yeah,
19:30
I just wanted to acknowledge that
19:32
because I think sometimes we're just
19:34
not aware of what people are going through.
19:36
And when I talk to you
19:39
sometimes on the phone and
19:41
you're telling me you're talking to relatives
19:43
that are, you know, are
19:47
stuck in Egypt or, you know, people
19:49
that are scattered throughout the world and relatives
19:52
that are pooling money together
19:54
to help pay for rents for people
19:56
to relocate. And I mean,
19:58
it's just a lot.
20:00
and this idea
20:03
that you might not ever be able to go back. I
20:06
just think it's just so heartbreaking. So
20:09
I just think we needed to just say
20:12
what is happening, what
20:15
you're going through.
20:16
Ah-ha. Faragna az-zayn
20:19
nas. Faragna
20:21
az-zayn nas. Allah yamsak.
20:25
Narechok shavida khalas. Faragna
20:29
az-zayn nas. Faragna
20:32
az-zayn nas. Allah yamsak. Narechok
20:37
shavida khalas. And that's The Stoop. The
20:40
Stoop is a proud member of Radiotopia
20:42
from PRX, a network of
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Stoop includes producer Natalie Parrott,
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engineer James Rollins, art by
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Nima Iyer, social media by
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Summer Williams. Support
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for The Stoop comes from California Humanities,
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Special thanks to the NPR Story
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21:28
Faragna az-zayn nas. Faragna
21:31
az-zayn nas. Allah yamsak.
21:36
Narechok shavida khalas. Narechok
21:39
shavida khalas. Narechok
21:42
shavida khalas. Narechok
21:44
shavida khalas. Radiotopia
21:51
from PRX. Radiotopia.
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