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1:49
and
2:00
they kill everybody on the island. Apart
2:02
from one little boy, very young boy, I
2:04
guess it's respect to the ancestors that you don't
2:06
wipe out the bloodline. You keep one
2:08
boy and they take him with them and
2:10
they keep it moving. And they
2:13
name him Illdui because he had dark hair,
2:15
the dark-haired boy. They raise him
2:17
up and he survived long enough to have kids.
2:20
So they were called Mac Illdui. And
2:22
that's where the name comes from. Wow, that's incredible.
2:24
Now in 2006, I guess,
2:27
is when you first blew up, as
2:29
it were, with Mr. Hudson and
2:31
the library, your band. And it was
2:33
around 2008-09 when I started listening
2:35
to you. I was in Tiger
2:38
Tiger Nightclub in London. I was a medical student. I
2:40
remember it. Yeah, good times and
2:42
bad times. The thinking man's all-bar one.
2:44
Yeah, yeah. And like a spicy all-bar
2:47
one. Yeah, you could say that. And
2:49
I remember Forever Young started
2:51
playing. And that's
2:54
the song with Jay-Z on the blueprint. And I was thinking,
2:56
wow, this is really resonating with
2:59
me at the time. And you had
3:01
a solo career. And then you were snapped up
3:03
by Kanye West's
3:05
record label, Good Music. How
3:07
was all of that for you, just that rise?
3:10
It's funny, isn't it? Because from the outside,
3:13
it seems like it's happening
3:15
in jerks. But when you're on... Do
3:17
you know what I mean? It's almost like not an
3:19
overnight thing. But it looks like
3:21
it from a distance. It looks like there are these
3:23
sort of abrupt changes.
3:26
Like all of a sudden, oh, you're there. And
3:28
this has happened. But when it's happening to
3:30
you, it's kind of very incremental
3:33
and slow. A bit like the frog in the water.
3:36
You know, if you throw a frog in boiling water,
3:38
it jumps out. Yes, if you bring it to the boil, it
3:40
doesn't jump out. I was definitely the latter.
3:43
You know, things just day by day
3:45
got wilder and wilder.
3:48
To the point where I was just like, am I in
3:50
a film about a boy from
3:52
Birmingham who ends up in Hawaii making
3:54
music with Jay-Z, et
3:56
cetera? You know, that's incredible.
3:59
You wouldn't... money on it. It's kind of stranger than fiction.
4:01
Somebody commented on my social media when I told
4:04
the story of ending up in Hawaii and some
4:06
of the twists and turns. And I just told a little
4:08
bit of the story of that like summer of 2008.
4:11
And somebody commented, this sounds like
4:13
a fever dream, something
4:15
that you would make up. So I think I saw
4:17
that video. I think that was when I saw
4:20
you on TikTok for the first time. I was like, Oh my God,
4:22
it's Mr. Hudson. And I guess
4:25
I wanted to ask, when you
4:27
reach that level of fame and stardom,
4:30
when you're surrounded by your idols
4:32
or the biggest names in the music
4:34
industry, Kanye West, Jay-Z, Rihanna,
4:37
was Nicki Minaj there as well? She wasn't in
4:39
those sessions. She worked on My Beautiful Dark
4:41
Twisted Fantasy. She has a feature, but I wasn't there at
4:43
the same time. So there was kind of a revolving
4:46
door of different artists. And some
4:48
people would kind of phone
4:50
in their bits. So they'd do it from a distance
4:53
in their studio. So for example,
4:55
on 808s and Heartbreak, Lil
4:57
Wayne's on the record. I didn't meet him, but
5:00
I did meet Young Jeezy and so
5:03
on. Some people would have
5:05
to phone their work in. I mean, Forever
5:07
Young, Jay and I made
5:10
the record without meeting. The
5:12
track and my vocal were recorded one
5:15
humid night, Friday night in Hawaii.
5:18
And I was leaving the next morning and
5:20
it was really like the 11th hour just for
5:22
a bit of fun. We made the song and
5:24
then it was sent to Jay.
5:27
We went to the club. I'm dancing to
5:29
Amelie, Amelie, Amelie. Yeah, you remember
5:31
that song? And having a couple
5:33
of tequilas. And then I went straight
5:36
to the airport. I fly back to London. It's a 21 hour journey
5:40
via the West Coast. Get back to London.
5:43
Went to the movies. You know, when you've been traveling, you don't really
5:45
want to go home. You never had that. Extend that
5:47
holiday. Exactly. You don't unpack your
5:49
bags and I'm kind of on a high. Go
5:52
to the movies, watch The Dark Knight, leave
5:54
the movie for you to go home. I realized I've left
5:56
my blackberry in the cinema. I have
5:58
to go back, turn it on.
7:18
So
8:01
somebody can put this crazy
8:03
goal in front of you. You don't have to
8:06
accept it. You don't have to take the ring to
8:08
Mordor. I wouldn't. I'd be like, you
8:10
take it. Do you know what I mean? You're a big Lord of the
8:12
Rings fan. My dad used to read
8:14
Lord of the Rings to us to get to sleep.
8:16
Being younger, I would always fall asleep halfway through,
8:18
so I only know the first half of each chapter.
8:21
So a lot of you asked me how I balance brainstorming
8:25
for
8:27
my videos and writing scripts, planning my book chapters,
8:29
my newsletter, stuff
8:32
to do with my life as a surgeon, as a doctor
8:34
in a hospital. It was a struggle, but
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recently I've been using Notion AI, and
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8:53
flexibility. It
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8:57
can write better. It picks up grammar mistakes,
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that's Notion AI at
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notion.com slash referral.
9:25
Hello,
9:27
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9:30
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10:31
When you were growing up, was music from,
10:33
you know, the first time you can remember a
10:35
huge part of you and was that pushed
10:38
onto you by your parents or by yourself?
10:41
I didn't feel a lot of pressure. Maybe that's why later
10:43
on in life I didn't acknowledge any
10:46
like outside pressure. So I
10:48
grew up in Birmingham and I
10:51
grew up in Hansworthwood. I don't know if you're familiar
10:53
with that neighborhood. 0-1-2-1 baby. And
10:56
for me to get to London was
10:58
success. For me
11:00
to get a record deal was success.
11:03
For me to go on tour and open up for Amy
11:05
Winehouse was success. For me
11:07
to open up for the police, my
11:09
mum was a big fan of Sting and the police, that's
11:12
success. For me to do Jools Holland,
11:14
that's success. So when this crazy American
11:17
stuff happened, I was already like, I've
11:19
done it. I just didn't want to get a
11:21
real job. If I'm really honest with
11:23
you, like huge respect
11:25
to everybody who does the 9-5 thing, but I knew
11:29
it wasn't for me. So that was really my sole
11:31
goal. And I know it takes privilege to
11:33
be able to have social mobility
11:35
and so on to be able to escape that. But
11:38
I couldn't do it. School gave
11:40
me enough of an idea of what that was going to be like. So
11:44
I think I wasn't built for it. Some
11:46
people are. And I think that's the healthiest
11:49
way is like have lots of achievable goals.
11:51
And then if something crazy happens, enjoy
11:53
it. Otherwise, it's all going to be
11:55
a little stressful, isn't it? I think it's very
11:57
easy to, like you said,
11:59
have that
12:01
insurmountable goal that you
12:03
feel is overarching. Like, you need to get to
12:05
the top of that peak, whereas probably the easier
12:07
thing is to get to each point in
12:09
the mountain and reassess what
12:12
your next target is. I mean, same for me. When I
12:14
first started in surgery, I saw
12:16
some of my seniors doing a bowel
12:19
cancer operation. And I thought, holy
12:21
crap, I don't think I could ever do that. But
12:24
then I closed the skin. And
12:26
then the next step was dissecting a bit
12:28
of that, learning the anatomy, and then joining
12:30
the two bits of bowel together, doing different parts
12:32
of the operation. And then eventually, after many years,
12:35
putting all the parts together and be like, actually,
12:37
this is pretty okay now. And how long did
12:39
you train for? Oh, I mean, 10 years. There
12:43
you go. So it's a lot of work that goes
12:45
into it. It's more than done your 10,000 hours. You've
12:47
done like 100,000 hours. It's a lot. And
12:49
it's more 10,000 hours replaying it in your head as well,
12:52
not just the practice you do. Yeah, dreaming about it. And
12:54
if you came into the studio, you'd be like,
12:56
I don't know how to make a record, but
12:59
similarly to your practice of surgery,
13:02
everything we do is lots of simple
13:04
steps in sequence. And,
13:07
you know, familiarizing
13:09
yourself with basically what all the buttons in the studio
13:11
do and all the software. And you just learn them one
13:13
by one. Same in
13:15
the gym, you know, same with
13:17
anything. And I think there's
13:19
a lot of wisdom in what you're saying that if
13:22
you break something down into the small achievable
13:25
steps, this is why there isn't such a thing as
13:27
an overnight success. If I
13:29
went in for an operation and you said, yeah, I just
13:31
figured out over the weekend that this is really something
13:33
I wanted to get into and
13:35
you're my first, you know, I've read
13:37
some YouTube videos. I've been like, get
13:39
this man away from me. I have actually
13:42
looked up stuff on YouTube before operating
13:44
on patients, but that's not because I
13:46
didn't know what I was doing. And actually
13:49
I don't think that should be something
13:51
to be embarrassed about. Okay. Right,
13:53
because it sounds terrifying. It sounds terrifying.
13:55
And I would never say that to a patient, but actually- I
13:58
would never say that on the internet. I just had- This
14:00
will go on the internet. Listen,
14:02
your process, creative process, like for
14:04
me, you know, I
14:07
guess there's a lot of, it might sound weird, but there's
14:09
a lot of similarities between any
14:11
craft really, whether it's surgery or music.
14:14
And before I do an operation, I prepare
14:17
it mentally in my head. You know, I
14:19
like to actually listen to music before I
14:21
step into the operating room. And I've even got an operating
14:23
room playlist that keeps me in the zone.
14:26
What do you do as a creative process to
14:28
kind of get into the mood of creating something new?
14:31
Like you can't just be like, I'm going to make a new song
14:33
today. Boom. Like what's the fire for
14:35
you? I get really inspired by a combination
14:38
of listening to new music
14:41
that things I feel I haven't heard before
14:44
that excite me. So something avant-garde,
14:47
it could be the production, could be the lyrics, could be something
14:50
harmonic, it could be a blend of two genres.
14:52
I also, I'm always listening to very
14:55
old music stuff from like the forties, fifties,
14:57
to kind of listen to music that doesn't
15:00
have any technology in it. No computers
15:02
are involved, no drum machines, no
15:04
AI, no AI. And often like
15:06
not even any amps, just like one microphone
15:09
in a room with a bunch of people who perform
15:13
just one take and that's it. So I love listening
15:15
to like the Ink Spots and Natkin Cole
15:17
and Frank Sinatra and stuff. So yeah, I like
15:19
to listen to really new stuff or really old
15:21
stuff. I don't really mess with
15:24
the middle very much. The other thing I
15:26
do before I go to the studio is I don't listen
15:28
to music. So I might say we've
15:30
got a session on Monday afternoon. I
15:33
will listen to music over the weekend, but Monday
15:35
morning I want to keep my ears fresh. So
15:37
I'll go to the gym, go for lunch, shower
15:40
and shave, and then the ears
15:42
are kind of not tired. It's
15:44
like sort of smelling coffee before you
15:46
smell the next perfumer. Right. Reset
15:49
the slate. So if you have bring an idea
15:52
to me, I'm hearing it with fresh ears. And
15:54
if you play, sit down at the piano,
15:56
I'm like, okay, beautiful. I'm as receptive
15:58
as possible. So that would be. my tip
16:01
is digest a lot of stuff
16:03
that's going to inspire you and then take a break. If
16:05
you do that just before going into the studio
16:08
or just before trying to write, even at
16:10
home, it's still going to be
16:12
ringing in your ears. If you're not careful, you'll
16:14
just play what you heard. But I love
16:16
that almost like a fast. You
16:19
digest all this wonderful music for a couple
16:22
of days, take the morning off
16:24
and go in. I feel that whenever I'm trying
16:26
to be creative, there's a couple of things
16:28
that help me, whether it was revising
16:30
for something or coming up with a new video idea
16:33
or just doing something, anything creative, there's two
16:35
things. One is obviously my most
16:38
creative moment. And when that creative
16:40
tap is just flowing is when I'm doing
16:42
the most banal mundane
16:45
things, whether it is literally walking
16:47
my dog, driving into work,
16:49
taking the train in, it's
16:52
when your mind wanders and that's when
16:54
your creativity is at its peak. And that's when I kind
16:56
of jot down ideas. And secondly,
16:59
it's when I'm trying to create
17:01
something, I take in little breaks
17:03
because I don't think most
17:06
humans and their brains can focus
17:09
for more than maybe 20 minutes
17:11
at peak intensity, maybe 45. But
17:14
you have to bake in some breaks there
17:16
because when I was in medical school, even, the
17:19
lectures would go on for two hours. And that's what
17:21
we've all seen. But I actually stopped going to lectures
17:23
in medical school because of that. There was too
17:25
long and I couldn't focus. What
17:28
do you do when you're in a studio session
17:31
trying to crank out this before a deadline?
17:33
How do you get your maximum
17:36
your creativity? Well, there are two approaches. One
17:38
is the just get it done. And if that means
17:40
working for 12 hours on one song, even
17:42
though you're starting to hate it, then that's the just get
17:44
it done because there's a deadline. But
17:46
that doesn't have to happen very often. I like
17:49
to take I think breaks are so crucial
17:51
for the fresh air thing that we were talking about.
17:54
You can't work on music seven days a week. For
17:57
people who are really trying to get their hustle on in the music
17:59
business, I always. I always say, do have that
18:01
one rest day. It doesn't have to be like
18:04
Saturday or Sunday. You could take Wednesdays
18:06
off. It doesn't matter, but have one day when you don't do
18:09
music and you don't talk about music. You're just going
18:11
to do something else. But I'm a big fan of
18:13
work for 25 minutes, take five minutes off. I'm
18:16
a big fan of work for 50 minutes, take 10 minutes
18:19
off. I talked about it on TikTok, but
18:21
the idea of like, say we have eight hours in the
18:23
studio, we'll set
18:25
our timer for an hour and we'll do a new idea every
18:27
hour for like four or five hours. Then
18:30
we'll, you know, literally leave the studio
18:32
and get some dinner, come back an hour later,
18:34
listen to the four or five ideas, which
18:36
is your favorite. Then we work
18:38
on that for two hours and then we go home. Very similar
18:40
to what you just described. I also have
18:43
weird shift patterns like you'd work for 12 hours,
18:45
work into some sort of deadline. So you
18:47
are a shift worker and many senses of the word.
18:50
In addition to that, you know,
18:52
with your travel schedule as
18:54
well, you're crossing time zones, all
18:57
these sort of things. You know, your body
18:59
is really put to the ringer in terms of
19:02
keeping to a schedule. And that comes
19:04
to diet, exercise, sleep, your
19:07
state of mind. How do you regulate
19:10
and stabilize that basically
19:12
as a pseudo shift worker? Well,
19:14
I think routine is really helpful. It doesn't sound very
19:16
rock and roll, but structure is so,
19:19
so useful for me personally.
19:23
Now, yes, there'll be things that disrupt that
19:25
structure. And though we've got a travel day, we've got
19:27
to get to the States or something. But
19:30
as soon as possible, I get back onto the
19:32
very simple structure. And I'm
19:35
so lucky that this is my life, which is get
19:38
up, coffee, breakfast,
19:40
call my mother, gym, second
19:43
breakfast, shower, shave,
19:45
studio, dinner, Netflix,
19:48
chill, repeat. Now
19:51
jet lag might disrupt that, a travel day might
19:53
disrupt that. You know, I'm heading out
19:55
to LA in a week and I'll give myself
19:58
two days to get back onto that. Yeah,
20:00
because that's what keeps me sane and and healthy
20:03
so healthy and body and mind is is
20:05
having that structure because then I know I'm healthy
20:08
in terms of the the most dangerous
20:10
thing for me is this Sitting
20:12
down. Yeah, cuz there's so much sitting down involved
20:14
in music. Yeah, so this is like When
20:17
people say hey, I'm setting up a new studio. What
20:20
what should I invest in a really good microphone really
20:22
good speakers? I'm like no get a really good chair and
20:25
it's such a lame Suggestion, but
20:27
if you have a comfortable chair, you're not
20:29
gonna get sciatica You're not gonna get back
20:31
problems your posture is good. You're
20:34
gonna be able to work longer hours I know that sounds so
20:36
boring, but you see a lot of people haven't
20:38
get like I just got it I'm good at they
20:41
think they're not excited by the music
20:43
anymore But actually their bodies saying we need
20:45
to go and do something different So
20:47
I go to the gym and really
20:49
these days I'm focusing more on mobility
20:52
than anything else because that's so important
20:55
if you want to stay forever young I
20:58
saw a smaller do a forever young workout. What
21:00
do you reckon? I could do it because I saw
21:02
a video do a forever young workout right
21:04
now. I'm gave a remix Music
21:08
video for that. Um, we could do a DVD It's
21:12
gonna be great. You know a few years ago when
21:14
I was still in medical school I got
21:17
this voucher to go to
21:19
yoga six sessions 30 pounds I
21:21
took my mate Gilby who is in medical school
21:23
with me and I said, hey,
21:26
let's you know, just go to these sessions I
21:28
just sweat out buckets, you
21:31
know into this studio and I felt so mobile
21:33
afterwards Do you do any yoga?
21:35
That's quite you know in vogue in LA? When
21:38
I'm so I moved out to LA in 2015. Yeah
21:41
thinking that was you know I was gonna
21:43
bump into Sofia Vergara and you
21:46
know, that's you like getting my green card
21:48
and have kids just set up a new
21:50
life there and Drive
21:52
around in a Tesla or whatever
21:55
and most of that came true. No So
21:58
I moved to LA in 2015 2015 and
22:01
I just thought when in Rome I embraced all the
22:03
cliches So I'm buying a $10 juice
22:06
every morning with turmeric in it and
22:09
things I've never heard of before I'm
22:11
doing CrossFit. I'm doing yoga. I'm
22:13
driving an electric car I'm eating plant-based
22:16
and I even took an acting class Wow,
22:19
which I recommend to everybody whatever
22:21
line of work you're in an acting class I really
22:23
recommend it and when you were in
22:26
LA touch wood. Yeah, I
22:28
think it's Possibly gonna add
22:31
five or ten years to my life for the lifestyle
22:33
changes. I made while I was out there. Okay Yeah,
22:35
and what are the factors that you
22:37
mentioned you mentioned? Living
22:40
in LA in the habits you picked up there maybe added
22:42
a decade to your life your career. What are
22:44
the house would touch wood? My
22:47
dad was 78 when he passed and
22:49
that wasn't because you know, he had a
22:51
good innings. It wasn't because He'd
22:54
abused his body or anything had motor neurone disease,
22:56
which correct me if I'm wrong is just bad luck But
22:59
when he passed the silver lining to him
23:02
to my dad's death because I'm old-fashioned
23:04
and you know I don't like euphemisms
23:07
around around death But it kind of gave
23:09
me a kick in the ass and I was like hang on
23:11
I want to be a healthy old man like yeah, that
23:13
is gonna happen. I want to feel young I want to feel
23:15
forever young at 80. Why not? So I kind
23:18
of 2015 2016 and I
23:21
moved out to LA and I started I wouldn't
23:24
say studying but just really tuning in
23:26
to that the whole Conversation the broader
23:28
conversation of looking after yourself,
23:31
which we did not do in the music business
23:33
in the 2000s Yes, we didn't do
23:35
that. It wasn't a thing. It was probably you
23:38
know Who went to a
23:40
gym in the 2000s? Yeah I think
23:43
I think we probably have social media to thank
23:45
for Brits going to the gym Like obviously
23:47
people who were into sport went to the gym. Yeah,
23:49
but my my peers in the 2000s I
23:52
don't remember anyone saying the word gym between 2000
23:54
and 2010 I feel
23:57
it was a personally I think
23:59
it was Jersey Sure that got everyone
24:01
to the gym, you know GTL Jim
24:03
Tan laundry. I'm familiar with the phrase that Will
24:06
you believe me when I said I've never watched the Jersey Shore?
24:08
I'm familiar with the haircuts Iconic
24:10
haircuts though out Paulie Dee Paulie
24:13
Dee. Yeah, Jay Paulie Dee shout out Paulie Dee So
24:15
for people who weren't there Camden in the 2000s It's
24:20
almost like they gave you a pint and their cigarette
24:22
when you stepped off the tube Do you know what I mean? No
24:25
one had any gains. I've never
24:27
heard the word gains We
24:29
were just in skinny jeans wandering around,
24:32
you know, it was not a healthy environment. Yeah, and
24:34
I think People started
24:37
kind of you know around 2010 a little
24:39
before that to be honest You've got this
24:41
new kind of pop star who was looking
24:43
after themselves and being explicit about it So whether
24:46
that's Ellie Goulding or Calvin Harris
24:48
or Ed Sheeran people saying, you know, I don't drink I
24:51
have these goals. I mean, I'm too
24:53
busy. Like why would I want
24:55
to slow myself down? They're like, I'm not gonna drink
24:58
till I've finished my album. I've got this tour
25:00
coming up. I don't want to drink I've never
25:02
heard that before until about 2009 in 2023 Where
25:06
we've got AI social media How's
25:10
have those two things completely?
25:13
Changed the landscape of music
25:15
compared to 2006 when you first blew up.
25:18
It's a completely different industry So
25:21
it's kind of done on 180 We
25:23
would play and play we would play
25:25
live every night if we could So
25:28
open mic nights clubs pubs
25:30
try and get on tour opening up for an act
25:32
that already had a thing going You'd
25:35
be in the back of a transit van,
25:37
you know, really like very
25:39
basic Conditions and environment
25:42
not super healthy. Yeah, but you tour and
25:44
tour and tour play shows be
25:47
out in the real world all right handing
25:49
out flies maybe giving CDs to people
25:51
and You'd be outside
25:53
other people's shows trying to steal their fans
25:56
by giving them flyers and if you spotted
25:58
a DJ or or something, a radio
26:01
one DJ at the show, they've got to have a CD, right?
26:04
So you'd play until the gatekeeper
26:07
said, you're good,
26:10
we're going to sign you or we're going to give you
26:12
a demo budget to go into
26:14
the studio and record. And you're like,
26:16
okay, now we've got a foot in the door. And
26:18
if that goes well, because in the old days
26:20
publishing companies as well would say, I'm
26:22
going to chance a couple of grand on these kids and
26:24
see what they come up with if they go into
26:27
a recording studio, right? And if that
26:29
goes well, you get to make an album and
26:31
then they promote it and you go back out on tour
26:33
and hopefully people buy the physical
26:36
thing in their millions and then
26:38
you get your house on the hill. So that
26:40
was broadly speaking the plot and you do an album
26:42
every two years, right? So you spend
26:44
a few months in the studio and you get out on tour if it goes
26:47
well, you've got like an 18 month touring promo
26:49
cycle make another album, do it again.
26:52
And if you're lucky, you get to do that several times.
26:54
Sadly, a lot of bands would make the album and they wouldn't even
26:56
come out. Is it like, yeah, no,
26:58
it sounds good, but whatever. What I'm getting
27:01
at is that it's done a 180. So now instead
27:03
of playing until you get the chance to go into a studio,
27:06
make a record, you now make records until
27:08
you get a chance to go on tour. No
27:10
one gets to go on tour until we've had a hit. Okay,
27:12
I get what you mean. And they have a hit by blowing up on social
27:15
media. And now the labels
27:17
are still in the middle. And they're looking at how
27:19
many followers you have, how many views you have,
27:21
your metrics, your optics, your metrics,
27:24
all of these algorithmic
27:26
words that, you know, like
27:28
Lil Nas X, for example, blown up
27:30
purely from social media. Right. You know, it's
27:32
funny. I have mixed feelings about social media. I feel like social
27:35
media is a little bit like vapes. We never asked for them,
27:37
but they're addictive. Yeah, yeah, they are. I
27:39
remember when Twitter came out, I was like, we don't need this.
27:42
Why do I want to text the internet? I said, Mr.
27:44
Hudson, as he was tweeting this. Why? I
27:46
wasn't tweeting that. Were you not? You're not
27:48
on Twitter. I remember the moment when we, it
27:51
was probably 2008. And this lovely
27:53
guy was brought in to explain to us that
27:55
we needed to do social
27:57
media. And what, you know, that was familiar with Facebook.
28:00
and we kind of use MySpace
28:02
to help us blow up. For me, social
28:04
media was having an email mailing list. That was enough.
28:07
And I remember thinking when we were being
28:09
told about Twitter, and it was very early, I was like, yeah,
28:11
we don't need this. Not so much as
28:14
a band or to promote our music, because
28:17
I kind of got that. But I almost felt like humanity
28:19
didn't need this. Like, haven't
28:21
we got enough noise already?
28:24
And now here we are, where like Twitter's just one of a
28:26
whole ecosystem of things
28:28
that we have to tend to. I feel
28:30
in my perspective, like it's slightly different
28:33
in terms of social media, because I often
28:35
tell people, say in an average clinic, I
28:37
could see in three hours, 15, 16 people.
28:41
And that's me working pretty fast and assuming
28:43
everyone is quick to be seen. But
28:47
on social media, if I make a video
28:49
about bowel habits and optimal bowel
28:51
routines, and that video gets 5
28:54
million views, even if a fraction
28:56
of a fraction of a fraction of people see that video
28:59
and take something away from it, say 100 people
29:02
out of the 5 million, then I've
29:04
done more in that 60 seconds than
29:07
I have in a three hour clinic potentially. So
29:10
for me, the metrics and the law of
29:12
very large numbers and social media makes
29:14
sense to improve
29:16
population health on a national, maybe
29:18
low level level. You're doing good, some
29:20
people aren't. And some people are just adding
29:22
to the noise. I think just my
29:25
caveat would be, that was my initial
29:27
feeling. And then I wonder
29:30
whether now social media is finally, after
29:32
almost 15 years, becoming kind of what it
29:35
needed to be. So is
29:37
it always gonna be about the music? What's the future
29:39
for Mr. Hudson? Music's kind of all
29:41
I know. I mean, I'd love to open a vegan restaurant
29:45
in Hackney. I'll
29:47
come to it. And I always had this daydream
29:49
about getting into acting, but boy, that's tough. When
29:52
I was in LA, I actually went to acting classes and it
29:54
was so helpful, funnily
29:56
enough, not for my acting career, but for my
29:58
music career. I went back to the studio. with all
30:00
of these new ideas of creative
30:02
process of like simple things like
30:04
have you heard of yes and yes and so
30:07
when you're doing improv say we've got to make
30:09
up a scene and we're given like you know two guys
30:11
standing at the bus stop in the rain go you
30:14
know and I'm like pretending to hold an umbrella and
30:16
I'm like oh it's raining cats and dogs and you say
30:18
no it's a beautiful day I mean it hasn't rained for for
30:20
weeks that's no and
30:23
you haven't and it but what you've got to do is
30:25
like you've got to say yes and it's
30:27
bloody freezing isn't it I wish I'd brought mine to
30:29
continue the which is on a couple of layers
30:32
so you're basically saying yes and
30:34
this and to take
30:36
that from improv in acting classes
30:39
to songwriting is great because then if someone
30:41
throws me a curveball or
30:44
they say they suggest something that I don't agree
30:46
with rather than saying nah
30:48
don't know if I like that I don't
30:50
know which is kind of it's dead
30:53
constructive you're like yeah that is a brilliant
30:55
idea but you know what we can also do this and
30:58
you so you divert the energy like the positive
31:01
sandwich positive critical sandwich where
31:03
you give it called something else it's called a shit
31:05
sandwich you know I heard that one well
31:08
not in that sense of the word um
31:10
yeah good news bad news good news yeah great
31:13
to see you you're fired can
31:15
you still make lunch at the weekend the
31:17
family can't wait to meet you it works in in
31:20
our process as well so you
31:22
come out the vocal booth you've sung your heart out and
31:24
I'm like that was
31:27
brilliant hair standing
31:29
up on my arm like I
31:31
can't wait for people to hear this song could we try
31:33
it again the key down and sing it a
31:35
little quiet so you don't have to sell it to me and then
31:38
you you're going back in the booth you're feeling good
31:40
about giving it another go whereas if I'd gone
31:42
yeah that was too that was too loud and
31:44
it's too high for your voice what then
31:47
you you don't feel good but I can make you feel
31:49
good you go back in the booth sing it again I hit
31:52
the talk back mic I'm like yeah
31:54
let's just do one more take we've got it we've
31:56
definitely got it that was it that last take
31:58
get another one but let's just do another one Yeah, that's what
32:00
these guys do to me as well. Let's do another one. Yeah,
32:03
what it takes 30 seconds Yeah, and
32:05
I got you sometimes I'll someone
32:07
sung a beautiful vocal and I'm like that
32:09
that will do but I wonder if we can beat it What
32:12
I do is I say I want to double it because you
32:14
know a lot of the time when you listen to music The performers
32:16
sung it twice or three times and we stack them
32:18
on top kind of like we've cloned Yeah, so
32:20
I said we've got it. We've got the lead vocal. Can
32:23
you do me a double? Yeah, and
32:25
they'll sing along and that's the lead
32:28
Because they sing along with this carefree
32:30
thing of like I've got it. Yeah nailed
32:32
it and now I'm just having fun Yeah,
32:35
and then and then I'll say We've
32:37
definitely got it now just for laughs.
32:40
Can you do like a really quiet
32:42
one? And that will be the lead
32:44
and that will then be the lead and then I'll use the
32:46
two leads that they thought were the
32:49
lead and the double as background vocals
32:51
and then I'll say they'll come
32:53
soon I'll be like Our work
32:55
is done, but then I'll say just do
32:57
me a favor Just go one more time
33:00
and I'm gonna lose your celebrity crush Who
33:03
is your celebrity crush? Probably
33:08
Rosario Dawson, okay, and I'd be like go
33:10
back in please We've
33:12
got they're gonna kick us out in five minutes.
33:15
Go and get some dinner. We've nailed it but
33:17
do me forever go back in and
33:20
sing to Rosario and
33:22
That's the take
33:24
Ben Okay,
33:27
yes and yes and yes and
33:29
like positive positive positive Yes,
33:32
like I'm taking my dog to RVC
33:34
wonderful small animal hospital up
33:38
It shout out RVC my dog
33:40
has chemo every two weeks, right? But
33:42
they're like they somehow managed to flip it into a
33:44
positive of like we're so pleased to see you
33:46
and your dog We love your dog. It's good to
33:49
see you again This is what we got
33:51
planned for the treatment. It's all
33:53
going well It's going as well
33:55
as it possibly can at every point
33:57
like whatever happens to us in
33:59
life We say, okay, how
34:02
can we react? We can't control what happens to us, right?
34:04
How can you change your perception
34:06
to make it positive? We could go out the studio now
34:08
and it's raining, but rather than cursing it, it's
34:10
like, you know, it's called a cab, or it's going
34:13
by a nice new umbrella or whatever. You
34:15
choose how you react. Reframe your perspective.
34:18
Yeah. Yes, and
34:20
Ben, AKA Mr. Hudson, as
34:23
a personal fan and someone who's followed
34:25
your career since I was 18 years old, I
34:27
just want to say, you know, it was a pleasure. You're not that much younger
34:29
than me. You're doing that to me. No,
34:32
I'm not that much younger than you. Yeah, you are. You've
34:34
got the physiology of someone in their 30s. I think
34:36
that's good. But it was an absolute pleasure speaking
34:38
to you because I just put it out there to see
34:41
if you'd come on and you did. I'm
34:43
a game as a pebble.
34:49
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Chris McHenry, host of the US Open, where
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wherever you get your podcasts.
35:53
Just before we go, we've got a listener question.
35:55
This time it's from Charlotte in Stafford
35:58
who says, hi, Dr. Curran. I go through
36:00
phases in my life where I get lightheaded
36:03
quite a lot. I can't really seem to
36:05
work out what it's associated with. Is it
36:07
to do with low sugar levels, being hungry
36:09
or thirsty, or can it be something completely
36:12
different? I'd love to be more informed so I
36:14
can work out what's making me feel like this.
36:16
Thank you so much for all the great info you give on
36:19
your podcast. So Charlotte, thank you very much for this question.
36:21
And you know, this is probably quite a common
36:24
one and hopefully it's relatable to a lot of people listening.
36:26
So lightheadedness, as you can imagine,
36:29
you know, the number of potential causes
36:31
for someone feeling faint, you
36:33
know, is ridiculously long. Common things
36:35
are common. So it's worth seeing
36:38
your doctor to get, you know, ruled out for a number
36:40
of things. Viral related issues, have
36:42
you got iron deficiency anemia, which is probably
36:44
the most common type of anemia in the world.
36:47
And particularly in women, if you're having
36:50
heavy periods, other period related
36:52
abnormalities, again, it's very easy
36:54
to be iron deficient. If you're vegetarian
36:57
or vegan, sometimes it can be difficult
36:59
to get high amounts of iron, you
37:01
know, in your diet as well that can cause
37:03
lightheadedness. But even aside from
37:05
iron deficiency anemia, there are other things
37:08
like pot syndrome, postural orthostatic,
37:10
tachycardia syndrome, which can also be
37:13
related with lightheadedness. And
37:15
even more simple things like dehydration,
37:17
are you drinking enough water? Obviously, you
37:19
know, most of the human body is made
37:21
up of water about 70% water.
37:23
That's what we're made of. So if you're dehydrated,
37:26
naturally, your blood flow to your brain may
37:29
be slightly reduced. So you're feeling lightheaded,
37:31
you feel like you want to faint. So it's worth
37:34
ruling out all of these basic things first
37:36
before actually anything in that plan.
37:38
So although that may not be a targeted
37:41
answer that you need, it's always worth excluding
37:43
other simple reversible causes
37:46
of lightheadedness. Charlotte, that was a great question.
37:49
Hopefully that helped you and hopefully
37:51
it helps other people as well. Now in this week's
37:53
extra episode on Crowd Science Extra, I'll
37:56
also be answering a question from Nathan in Liverpool,
37:58
who asked about night owl syndrome
38:01
and whether people with night owl syndrome
38:03
get less growth hormone release because
38:05
they sleep later, that'll be an interesting one.
38:07
If you want to hear the answer to that and loads of other questions,
38:10
subscribe to The Referral Plus. You also
38:12
get ad-free listening to all the regular episodes
38:14
of the show. And just so you don't forget, because I love answering
38:16
your questions, if you want to get in touch and have
38:18
your own question featured on the show and me answer
38:21
it, get in touch via thereferralpod.com.
38:24
Guys, if you enjoyed this episode of the podcast,
38:26
you're going to love even more episodes. For
38:29
even more actionable tips and science-based advice,
38:31
hit the follow button and obviously give me a 5-star
38:34
review and I'll see you next time. Thanks
38:36
for listening to this episode of The Referral. Yes,
38:39
I am a real doctor, but I'm not your
38:41
specific doctor. So if you require specific
38:43
medical advice, please contact your own healthcare
38:45
provider. And remember, nothing on this show
38:48
is intended to provide or replace any
38:50
specific personal medical advice that you'd
38:52
otherwise receive from your own doctor. This
38:54
has been a Sony Music production. Production management
38:57
was Jen Mistry. Videos by Ryan
38:59
O'Meara. Studio engineer was
39:01
Teddy Riley. Mix engineer, Matias
39:03
Torres. Music by Josh Carter,
39:06
Grace Lakewood and Hannah Talbot were the producers.
39:08
And Gainor Marshall and Chris Skinner are the executive
39:10
producers.
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