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20201 NPM 27 - JoJo Rabbit and Rainer Maria Rilke

20201 NPM 27 - JoJo Rabbit and Rainer Maria Rilke

Released Friday, 30th April 2021
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20201 NPM 27 - JoJo Rabbit and Rainer Maria Rilke

20201 NPM 27 - JoJo Rabbit and Rainer Maria Rilke

20201 NPM 27 - JoJo Rabbit and Rainer Maria Rilke

20201 NPM 27 - JoJo Rabbit and Rainer Maria Rilke

Friday, 30th April 2021
Good episode? Give it some love!
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Welcome to National Poetry Month at The Other Pages. My name is Steve Spanoudis and I curate the series each year, with help and contributions from Kashiana Singh, (Nelson) Howard Miller. I’m coming to you from Coral Springs, Florida, on the eastern edge of the Everglades.

Today’s article is by Poet and Contributing Editor Kashiana Singh, and unfortunately, as she is slightly under the weather today, it’s me you’ll be listening to on the podcast, instead of her soothingly thoughtful voice. My apologies. To quote Theo Metro, “It can’t be helped.”

There is a reason Rainer Maria Rilke (1875–1926) is considered one of the twentieth century’s most influential poets.

Born in Prague, he published his first book of poems, Leben und Lieber, at age 19. In 1897 he met Lou Andreas-Salomé, the talented and spirited daughter of a Russian army officer, who influenced him deeply. Rainer is best known for such collections as Duino Elegies (Duineser Elegien) and Sonnets to Orpheus (Die Sonette an Orpheus), but also the semi-autobiographical novel The Notebooks of Malte Laurids Brigge (Die Aufzeichnungen des Malte Laurids Brigge). Then, there’s also Letters to a Young Poet (Briefe an einen jungen Dichter), published after his passing.

His words are touchstones that other artists, from authors to poets to sculptors to filmmakers - often reference - words that are still relevant today. And could there be a message more relevant than love enabling humanity and love also being about setting free. Jojo Rabbit (https://youtu.be/tL4McUzXfFI), was a movie that was also a poem that touched souls with its poignancy. It was nominated for six Academy Awards, including Best Picture.

The central character of the movie is a fatherless 10-year-old boy coming of age in WWII. I do think the central character of the movie is also the poem itself  “Going to the limits of your longing” (https://onbeing.org/poetry/go-to-the-limits-of-your-longing/)

Go to the limits of your longing

Rainer Maria Rilke

God speaks to each of us as he makes us,

then walks with us silently out of the night.

These are the words we dimly hear:

You, sent out beyond your recall,

go to the limits of your longing.

Embody me.

Flare up like a flame

and make big shadows I can move in.

Let everything happen to you: beauty and terror.

Just keep going. No feeling is final.

Don’t let yourself lose me.

Nearby is the country they call life.

You will know it by its seriousness.

Give me your hand.

(text space limited)

You can find the fill text of Kashiana Singh's article on The Other Pages on Facebook or Tumblr.


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