Episode Transcript
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0:14
Hello there.
0:18
That's right, it's Spencer.
0:20
I'm coming to apologize once
0:24
again. My
0:26
actions this time were
0:28
unavoidable and yet unstoppable.
0:33
And that's why we have
0:35
to pause, take
0:38
stock and
0:40
reassess. So for today, we're
0:42
actually not going to have an episode. Thanks
0:45
for watching. What's up, Kevin? I'm
0:49
not doing a good. That just scared me a little bit there. I
0:51
thought you were getting canceled. I got to
0:53
start thinking, you know, when we started the show, I actually
0:55
would think about what I was going to do in the
0:57
beginning. And then I was like, Oh, wing it. And then
0:59
the whole thing is like, I've never learned how to improvise.
1:03
So it's just, it's not,
1:05
it's not good. But
1:07
Hey, it doesn't have to be good because it's
1:10
not about me. This episode, it's about
1:13
our wonderful guest. And I'm not
1:15
talking about Kevin. You know
1:17
him from the audio
1:20
wizardry conducted on such
1:22
podcasts as rude
1:25
tales of magic. Oh, these,
1:27
those stars of space worlds
1:30
beyond number and fun
1:33
city, the man behind
1:37
the fortunate horse. He's
1:40
here live in studio. You can't
1:43
say it's live at studio. Taylor
1:46
Moore is here. Everybody as
1:50
if by magic. Hi. Hi. Thank you both for
1:52
having me so much. Yeah.
1:54
Thanks so much for coming on. So
1:58
yeah, I don't know. You were tweeting. I was
2:00
reading one time and I was like, oh man, Taylor
2:02
would be so good on the podcast. And then I
2:04
asked you to come and then you showed up. And
2:07
that's a story that was
2:09
worth saying. Okay, so.
2:12
It was the last days of disco on there, isn't it? Yeah,
2:15
I don't know. It's sad, it's sad. Like, I
2:18
don't know. The internet is,
2:21
everybody says the internet's bad. I'm not sure that the
2:23
internet's bad, but I'm sure the good
2:26
of it has been boxed out as much
2:28
as it can possibly be done. But
2:30
I don't know. I have connected to a
2:32
lot of people on social media and there's
2:34
not a new place where
2:37
those connections are happening. As Twitter
2:39
falls into the Nazi hole and as people
2:42
move to threads and stuff, those connections just
2:44
aren't happening. People are on threads and they
2:46
are on blue sky, but I don't think
2:48
those, I think it's kind of like
2:50
our relationship with social media
2:52
has matured as well. And so that's kind of
2:54
made it so we aren't doing that same stuff.
2:56
I don't know, maybe that's a bit defeatist or
2:58
whatever, but doesn't it kind of seem like that,
3:00
where it's like, oh, people will move somewhere else,
3:02
but they're not connecting the same way they used
3:04
to. I don't know. You
3:06
are not crazy. It
3:10
is the weirdest case of didn't know
3:12
what you had till it's gone I've
3:14
ever seen. I mean, we
3:16
hated it, we hated it, but
3:18
when it's gone, oh, oh, I
3:21
miss it the salad days of Twitter. Who
3:23
knew? Yeah, I think it
3:25
was, yeah. Because
3:27
it felt fake at the beginning, so it's
3:30
like you could do whatever, and then it
3:32
became more legitimate, and then people were like,
3:34
oh, we gotta be kind of careful around
3:36
here, we don't wanna lose jobs or whatever,
3:38
and then it became not mattered again. But
3:41
whatever, whatever, whatever. I don't know what I'm talking about.
3:43
Listen, I know, I know, I'm gonna make you. Because
3:48
there's this thing people do where if
3:50
you talk about how bad things are,
3:52
people call you a doomer and say,
3:54
well, everyone's always thought everything's bad.
3:57
Everyone always, it's like Tony
3:59
Soprano. line. Everybody feels like they're just
4:01
now coming to a place that's long past
4:03
its good days and we're having to sort
4:05
of deal in the leftovers.
4:09
Amy Hempel, this short story writer, had
4:12
a great line in one of her stories
4:14
that describes someone going through their days like
4:16
a severed head finishing a sentence. And I
4:18
think about that all the time. But yes,
4:21
that's true. A lot of people have been complaining for
4:23
a very long time. But you're not wrong. Everything
4:26
is literally getting worse,
4:28
especially the internet. You're
4:31
not wrong. That's happening. Yeah,
4:33
I think, you know, I don't know. Obviously,
4:35
we kind of work Hollywood or Hollywood adjacent
4:37
or whatever. But I think that's a big
4:40
thing in Hollywood too. Everyone's
4:42
like, oh, I just got into TV too
4:44
late. Oh, back then, you could actually get
4:46
an overall deal. And then when people were
4:48
getting overall deals, they would say stuff like,
4:51
oh, back then, you actually got your meals
4:53
catered and stuff. And then it's like back
4:55
then, we actually got paid for
4:58
real. And it's like, yeah, it has
5:00
kind of ratcheted down. It has been
5:02
the end of all those eras. And yet,
5:04
there's still much further to plummet. But I don't
5:07
know. It's interesting.
5:10
Or it's not. I don't know. One of
5:12
the two. But okay. So people
5:16
are saying everything's bad. And you also think
5:18
everything's bad. I mean, you're, you know, again,
5:20
you use the term doomer. I don't know
5:23
how else to put it, but you are
5:25
somewhat of a climate doomer. Isn't that the
5:27
case? I have been
5:29
accused of this by
5:32
some people. I don't know how in the
5:34
world I got involved with
5:36
this. I am I have no expertise.
5:38
I have no reputation, nothing like that
5:41
at all. And yet somehow I am
5:43
known in certain internet circles as a
5:45
like a climate apocalyptist. So
5:49
what do you what do you think? What do you
5:51
think about the climate? Like, oh, it's so bad. Oh,
5:53
it's so bad. This is the first word in the
5:55
first five minutes. Look at Kevin's face. Look at what
5:57
you've done to him. Kevin, say something so they can
5:59
see you. Yeah, no, I sorry, just the way
6:01
you said that made me laugh a lot. That
6:03
tickled me a little bit. Yeah, it is terrible. It's
6:07
the most depressing thing in the
6:10
world. It is so, it's so
6:12
back when COVID, we
6:14
miss it, don't we? Back
6:16
when COVID first started, sort of
6:19
the Twitter of COVID, those
6:22
early fun days, I decided
6:25
to bury my head in the
6:27
sand by reading the UN
6:29
Climate Committee reports, like
6:32
full, like front to back, not a
6:34
headline, not like the Twitter excerpt, but
6:36
actually like downloading the PDF, printing it
6:38
out and reading it while
6:41
my wife was in the other room. And
6:46
it's so bad. It's
6:48
so bad. There's so much worse
6:50
than everything you hear in the
6:52
media and what the, any
6:55
time you hear a politician about it,
6:57
everyone is completely in denial. And even
7:00
like the big mainstream climate reports that
7:02
come out are, have
7:04
like, they have been propagandized
7:07
to reflect the interest of
7:09
the UN stakeholders. So
7:11
even if you read like the sanitized,
7:14
the nicest, most hopeful version
7:17
from the UN reports, it's
7:20
still a, it is very, very, very
7:22
bad. And then it gets
7:24
to the mainstream of what most people
7:26
hear and it's, it's completely disconnected. It's,
7:28
it's terrifying. Yeah, I agree. It's
7:31
really terrifying. I think like, so obviously
7:34
I agree that it's really bad. I
7:36
think the problem isn't so much
7:39
how bad it currently is. It's
7:42
just the complete lack of will to
7:44
do anything. I think it could stand
7:46
to get a lot worse. And then
7:48
if a concerted enough effort was undertaken
7:50
to really go hard and fix
7:53
everything, you know, using, you know, the limits
7:55
of human science or something, I think we
7:57
could bring it back. But the thing is,
7:59
that's been. That's not gonna happen like
8:01
just it's not gonna happen at all and
8:03
so like it's it's it's accelerating so much
8:06
and everything Like I don't know, you know,
8:08
I used to be a lot less Skeptical
8:12
about it just because it's like,
8:14
you know I
8:16
don't know, you know, it's like everything gets
8:19
worse and but also humans can like survive
8:21
a lot of things But there's kind of
8:23
like this death loop that like a lot
8:25
of the ways we survive heat is by
8:27
pumping more heat into the world and
8:29
that you know is only gonna accelerate but
8:31
I Think just
8:33
like the markers that I was told
8:36
I would start seeing as a kid
8:38
We've just blown past those like so
8:40
fast that like they don't even talk
8:42
about that anymore And it's like,
8:44
you know again when I was in school, it's like oh if it's
8:46
1% You know, that's
8:49
that's the point of no return and then I
8:51
don't even know what a percent it is now
8:53
Like but it's like we're just so and that
8:56
everything's getting hotter and I don't know You know,
8:58
it's possible that we're in a local epicycle or
9:00
whatever where we're kind of at a maximum right
9:02
now that could come down Yeah
9:05
But that doesn't that's not to say that like
9:08
it's not really really bad It's just it could
9:10
be really really bad and also on top of
9:12
that There's like a little bit of weight on
9:14
the scale, but I think that overall
9:16
it's just it's uh Yeah,
9:19
I just I don't know what's gonna happen other
9:21
than we're all gonna die. I guess right? Nope
9:24
Well, that's that's how I got over
9:27
it So this is how I got better Spencer because
9:29
I I took it really hard when I started actually
9:31
reading the research. I Fell
9:33
down a bit of a bit of a sad bit
9:35
of a kind of a blue spell. Ah, you
9:37
know and
9:40
I eventually realized you know, it's That's
9:43
really what it comes down to is Like
9:46
the realization that the way of life
9:48
we are experiencing now is going to
9:50
come to an end Probably in our
9:52
lifetimes. Unfortunately when we're at our weakest
10:00
famously cares for its elders. Two
10:04
childless men entering their late middle-aged in
10:07
a time when
10:12
the world runs out of icy hot. Yeah,
10:14
it's... Oh, go ahead. Well,
10:17
I'm just saying the ultimate... Well, that was
10:19
going to happen anyway. We are... Civilizations
10:24
end, worlds end. Every
10:26
time a person dies, that is a world that ended.
10:29
Then things change and things,
10:32
you know, other things come along after
10:34
that. They're like stressing out about it.
10:36
I mean, it's... Yes, we
10:38
are going to witness man-made horrors beyond
10:40
our comprehension. Well, you know, yeah,
10:42
but so did a lot of people and
10:45
people will do it again. And to
10:48
get too worked up about it is sort
10:50
of selfish. Now, people will say that that
10:52
is actually what I just said is the
10:55
result of propaganda by the oil
10:58
industries to make us so despondent
11:00
that we do not take political change. We do not
11:02
like take political action to change things. I
11:05
don't know if that's true or not. I
11:07
think, you know, according to those
11:09
people, there are, you know, attempts to
11:12
instill that. But that doesn't mean it's...
11:14
I mean, but, you know, that's the thing. There's
11:17
multiple truths, right? They can be planning this angle
11:19
because they want to keep doing what they're doing
11:21
and it can be a really reasonable assessment to
11:23
keep doing that we can't
11:25
do anything. And there's probably stuff
11:27
that could be done that if we didn't think
11:30
like that, you know, but at the end of
11:32
the day, there's only so much, you know, power
11:34
that we can exert without, you know, like, you
11:37
know, like, okay, we
11:40
talked before the show
11:42
and I said the
11:44
one thing I can't
11:46
do is talk about
11:48
political violence. I'm
11:50
just saying, like, I'm just saying that there's not a
11:52
lot that can be... And that's not to say that
11:55
that would work at all, but there's just not a
11:57
lot that can be done, you know, so it's not
11:59
just... like skepticism being like, oh,
12:01
this machine is unstoppable. It's like it kind
12:03
of is, you know, like there's just not,
12:05
there's not much we can do about. So
12:07
I think, I think it's, it's, it's a
12:09
bummer. I don't know. The interesting thing about
12:11
the apocalypse is, uh, it'll suck
12:13
like it, and not in the ways that
12:15
you expect. Like when I was a teenager,
12:18
I was like, man, I'd be fine fucking
12:20
running from zombies and shit and making booby
12:22
traps and learning how to like, uh, put
12:24
cars together and then write them for two
12:26
miles or whatever, you know, until it breaks
12:28
down or whatever. That seems doable. But
12:30
like what's going to happen is just, I
12:32
don't like it's, it's going to involve apps
12:34
and it's going to involve like being sold
12:36
bugs. Like people are going to be like,
12:38
you got to get into this new, you
12:40
know, sack of buckets or something, you know,
12:42
it's just, it's going to, and then the
12:44
TV is going to still be on, you
12:46
know, and it'll, I don't know.
12:48
You know, there's, there's all sorts of countries where
12:50
the power just goes out regularly, but they still
12:53
have like radio and stuff. It's just like, it's
12:55
just interrupted and it just kind of sucks. It's
12:57
not like, it's not, we're all running for our
12:59
lives. We're not like sharpening knives and putting
13:01
spikes onto the front of our cars or whatever,
13:03
but it's just, it's going to be a couple
13:05
of spiky cars. I
13:08
hope so. Uh, man, Mad Max is, uh,
13:11
Mad Max would be optimistic. Wouldn't that be nice? So
13:13
you could fucking, you know, spray paint your mouth and
13:15
go nuts for a while. Like that sounds fun. Um,
13:18
but, but yeah, anyway, who would you be in
13:20
Mad Max? Well, I think I'd be the cool
13:22
guy in charge of the water. I
13:26
want to be, um, the, I want
13:29
to be, uh, the telescope guy. You know,
13:31
the guy who looked at the telescope. Yes.
13:34
He gets to sit, you know,
13:36
I love sitting. I'm really good at that. But
13:40
I, uh, I listen, we're
13:42
going to be okay in that we
13:44
are not absolutely in any way going
13:47
to be okay, but you know, you
13:49
just, you make friends, you make a new family, you
13:51
might have to move. Food's going to be
13:53
hard to get at some point, maybe probably who
13:55
knows, or some billionaire makes
13:57
this crazy like it. in
14:00
material science and comes up with an essentially
14:02
free solar panel or carbon capture technology.
14:04
And then we just kind of get
14:06
to dust our hands and pretend that
14:08
it all worked out and everything
14:11
continues to pace, add and find them
14:13
forever. Yeah, I mean that's
14:15
what's so sad is that it feels like the era we're
14:17
in is unique in that
14:20
we actually do have the answers to
14:22
the problems. For so much of human
14:25
history, they haven't had the answers. And
14:27
to the extent they had this or
14:29
that answer, they hadn't had the technology
14:31
to deploy those answers. Now we have
14:33
the technology to deploy the answers, we
14:35
have the answers, we have the science,
14:38
and we just aren't doing anything. It's insane.
14:40
But so I'm told you eat food, is
14:43
that correct? I've
14:45
been known from time to time. Yeah,
14:48
yeah. So I really like food. Man,
14:51
I like food. Wingstop, they
14:53
have these maple sriracha wings. I
14:56
just got some today and passed out for like three
14:58
hours. It was really good. Wings
15:00
start. Well,
15:03
it kind of wingstop my whole day for a while. I
15:08
was supposed to do stuff. I missed an appointment. I feel
15:10
really guilty about that. But hey, you
15:12
know, that's what it is. Do
15:15
you cook? What kind of food? What's
15:17
food in your life? Okay,
15:20
so without the intervention of my wife,
15:22
here's what I do. This
15:24
is what I do when I'm alone. I
15:27
go on to Fresh Direct and I
15:29
order so many frozen
15:31
meatballs. So many frozen
15:34
meatballs. And the
15:36
big plastic tubs of
15:38
arugula. And then
15:41
like a bunch of all the sauces. You
15:43
name a sauce? Baby. I
15:46
got it. I have the sauce. Really?
15:49
And then I eat. And then I get this. I'm
15:53
the cool guy that controls
15:55
the remaining ranch. supply.
16:01
Think about it. He's in Ranch Town. Not
16:03
as important as Watertown. It's just really valuable. Yes,
16:05
look, I eat the meatballs and
16:08
the arugula and that's
16:11
it. Here's
16:19
the thing, so before
16:21
I started getting, quote unquote, real
16:24
jobs, my day job was I
16:26
was a mani. I was a
16:28
full-time mani for a super rich family on
16:30
the Upper East Side of Manhattan. I
16:34
cooked and cleaned and I helped raise the
16:36
kids and everything. There's also other house staff.
16:39
I worked there for five years, raised the
16:41
youngest kid from 8 to 13, sent two
16:43
kids off to college, still in touch, lovely
16:46
kids. But
16:50
I made dinner a lot of nights and
16:52
I did all the washing up. After
16:55
that, so essentially like
16:57
a late 20s, just moved to
16:59
New York, Goober, is suddenly like
17:01
a part-time dad for a
17:04
family of five. After
17:07
that job, I just thought I don't ever
17:09
want to wash another dish. I
17:12
learned I was very good at cooking. The
17:16
mom and the family taught me how to cook. It
17:19
was adorable, like a Lifetime movie. But when I
17:21
was done with it, I was just like, I
17:23
don't ever want to wash another goddamn liquor set
17:25
for a crock pot. I'm fucking sick of
17:27
it. I hate
17:29
it. I organized my personal food habits
17:31
around what is the easiest to get
17:34
and the easiest to clean up. Frozen
17:37
meatballs, multibande, I cannot recommend
17:40
frozen meatballs enough. You
17:42
get the big thing of arugula, occasionally have some
17:44
fruit. If you're good to go and you don't
17:46
have to think about anything, very little cleanup. Pro
17:49
tip, get the arugula in the plastic tubs, not
17:51
the bags and get them with the hard plastic
17:53
lid. I like the Saturn Farm arugula, not
17:55
the other stuff that has the soft peel lid, because
17:57
it always fucks up. It always pucks up.
18:00
comes off and then that arugula goes by in like
18:02
26 hours. Whereas the
18:04
Saturn Farm stuff with the hard plastic lid, that's good for
18:06
like two weeks if you take care of it. Wow,
18:09
yeah. I get, I'm not these days, but I
18:11
would get spinach like that and I think I
18:13
got the soft lid and you'd kind of have
18:15
to go through and pick out the spinach that
18:17
would kind of like, I think it would get
18:19
bruised and so it would like putrefy really fast
18:21
and most of the spinach would be fine, but
18:24
if you didn't like get it out, it would
18:26
start to like infect everything. And
18:28
then it would be like you'd lose half the bunch
18:30
or whatever really quick. But
18:32
so yeah, I don't know. When
18:35
I was younger, I used to do this thing
18:37
where I would get frozen meatballs and
18:39
I don't know if they're frozen or refrigerated.
18:41
I think they're frozen, frozen Brussels sprouts and
18:43
I would just put them in the bowl
18:45
and they'd microwave at roughly the same kind
18:47
of thing and I would be like, this
18:50
is like just
18:52
eating a bunch of spheres. This is great. For
18:54
something, I just like the, there's green
18:57
spheres and brown spheres and then
18:59
you just eat both of those. I don't think I
19:01
went with sauces or anything, but yeah, I don't know.
19:03
In my regular life right now, I really like cooking a
19:06
lot, but it's hard to integrate
19:08
cooking into your routine unless you have a lot
19:10
of time. And so right now what I've
19:12
been doing is I get yogurt
19:14
from Trader Joe's and I get,
19:18
they have like chickpea salad there
19:20
and then I, on
19:22
Saturdays or whatever, I try and meal
19:24
prep a bunch of frozen chicken burritos.
19:26
And so that's basically all I eat
19:30
lately. And then sometimes I'll go
19:32
to Wingstop or whatever, but it's going really
19:34
good. I've been trying to lose weight lately
19:36
and so I can just eat
19:38
that stuff and come in well over my calorie
19:40
allotment and not feel super hungry and have a
19:42
lot of energy. I exercise and it doesn't like,
19:45
I'm not like, oh God, I can't exercise. I
19:47
don't have the energy. And so
19:49
that's been going pretty well for me, but
19:51
it's similarly, it's very, you don't think about
19:53
it. I think a lot of cleanup
19:55
is, it's pretty simple, you know, and I only end
19:57
up cooking like once a week basically, you know, to
19:59
have the whole set of burritos.
20:02
But yeah. I
20:05
like it. I listen. We're trading food hacks.
20:07
We're getting efficient. I like it very much.
20:09
I mean, I love food. I love food
20:11
so much. I will go to the fanciest
20:13
restaurant. I can appreciate anything. I love
20:16
it all, baby. But I
20:18
fucking work 100 hours a week. A lot of
20:21
the time that's like, I don't want to spend
20:23
a moment of that washing a dish. God.
20:26
Yeah. So it's just, it's, it's,
20:28
it's, yeah, the spears and
20:31
nature's pills. Uh, I
20:33
love a brussel sprout. Oh my God.
20:35
We've been roasting a lot of broccoli
20:37
recently. Mama Mia. What
20:39
a treat. Yeah.
20:42
I fucking love roasted broccoli. I, you
20:44
know, I think roasting vegetables, it's the
20:47
more you can roast it without just completely
20:49
charring it, you know, the better, but I
20:51
will, I will definitely over roast some broccoli
20:53
and then, you know, salt and pepper and,
20:55
uh, olive oil, obviously. And
20:57
then when it's done, I'm eating it
20:59
and I'm like, this is like bacon.
21:01
It feels like I'm eating bacon. Um,
21:03
and that doesn't sound right,
21:05
but it's, it's really, really good. It's
21:07
just super crispy. It's salty. I'm having
21:09
a great time. Um, but it
21:12
does, it does make quite a stink, I will say,
21:14
but I'll just eat that off the sheet
21:16
pan, you know? Now, can I,
21:18
can I ask you a question about something that
21:20
you mentioned? Well that doesn't tell you enough information
21:22
to answer the question I asked. Can
21:25
I ask you a question about trying to lose weight? Yeah.
21:27
Yeah. The first podcast to talk about
21:29
it and it's here, the first
21:32
dream we're doing it. This is
21:34
a topic I think people will
21:36
respond to. Uh, have,
21:40
have you considered going on one of the
21:42
new science fiction bills? Uh, yeah,
21:45
definitely. I want to, I think they cost a lot
21:47
of money. Um, but you know,
21:49
you hear, you hear bad, uh, stories, I don't know,
21:51
someone pretty recently, like apparently died on the O's Den
21:53
Baker or something. I'm not sure. Yeah. I don't know.
21:56
And like when I was
21:59
in high school you heard about the ECA
22:01
stack with ephedrine and caffeine and something else
22:04
I don't know but you know that
22:06
was like the old days but ephedrine was
22:08
similar where someone someone took a federal probably
22:10
a very unsafe dose and died and
22:13
so that's why ephedrine is not really legal before
22:15
that it was like you could just kind of
22:17
buy it but so I've always
22:19
been super interested in that but yeah it just
22:22
I don't think my insurance would cover it and I want to
22:24
say it's like two hundred dollars
22:26
for a dose of Ozempic which
22:28
you need every two
22:30
weeks I think and it's an injection that I think
22:33
you give yourself I don't want to be giving myself
22:35
like I get a doctor to inject it or something
22:37
but I don't want to be like having syringes in
22:39
my fridge that I gotta like shoot into my ass
22:41
or something that that seems like a hassle especially for
22:44
like two hundred dollars a dose or something you know
22:46
but I think I would I
22:49
I am I agree
22:51
with you on the money that is a lot especially
22:54
when like Adderall and centimeter much
22:56
cheaper but also their speed
22:58
that you get addicted to and drive you today
23:01
which I guess the other the new ones don't
23:03
but I'm kind of romanced by
23:05
the idea of sticking a needle in
23:07
myself I've never done needle drugs but
23:10
it does I don't know there's something so fucking
23:13
dramatic about it I think I'd like to try it out
23:16
yeah no I I hear you I
23:18
think you know if it was like
23:21
I don't know 20 bucks I think I'd
23:23
probably inject it myself but it's I would I
23:25
would pay 20 dollars to go to a place
23:27
where you'd they let you just try out putting
23:29
a needle in your body well
23:32
that I think you could probably find something
23:34
like that I don't know whatever but you
23:36
know welcome to needle town yeah well there
23:40
you go that's another good one you
23:43
know post apocalypse but okay so
23:46
are you in New York I don't I'm
23:48
not sure on where your location location is
23:51
I'm in historic Brooklyn New York okay
23:54
me ask restaurants in New York
23:56
are so good like California
23:59
LA has some good places or whatever but
24:01
it's just I feel like almost
24:04
any place you go in in New York is
24:06
gonna be like good and it's like cheaper than
24:08
buying groceries half the time is
24:10
that the case well
24:13
yeah but I feel in the LA that way
24:15
with like with with tacos
24:17
yeah that's in taco adjacent things
24:20
mm-hmm I'm pretty I'm pretty picky about tacos
24:22
I mean you can get good tacos in
24:24
a lot of places in LA but if
24:26
you go to like every taco place you
24:28
see at least for me it's
24:31
not really good tacos it's
24:33
the thing is I think like they're
24:35
so authentic that that gets you a
24:37
really like even like a bad authentic
24:39
taco is like solid but for me
24:41
it's like a lot of you
24:43
know I'm on a beer a kick I like trying
24:45
beer your tacos basically anywhere you go and a bad
24:47
beer your tacos good but then I'll eat one I'll
24:49
be like I shouldn't eat this like there's
24:51
no reason I should I should have been here but
24:53
it's good to like check it off the list and
24:56
be like I know you sign know that this place
24:58
is not a place I want to go to and
25:00
that but but I think like I think it's the
25:02
authenticity I think when you don't live here and you come here
25:04
and you try like even some of the worst tacos I think
25:06
it's like man this is crazy but you get used to it
25:08
I guess you kind of get I know
25:10
I feel like maybe Chinese foods like that in New York
25:12
like I don't think like there's some good places you know
25:15
at San Gabriel Valley but like a anytime I
25:17
got Chinese food in New York I was like
25:19
Jesus Christ what the fuck is going on like
25:22
this is just awesome so that's
25:24
great because there's a lot of Chinese places
25:26
around what did you go to a specific
25:28
neighborhood or just like the corner happy family
25:30
garden sort of place so
25:34
whenever we went to New York we
25:36
would stay at the standard in East
25:38
Village oh yeah
25:41
you know when we would travel like a
25:43
big part of it was Dan wanted to
25:45
play like hang out in nice hotels and
25:47
stuff so we you know we would it
25:49
would impact the the the paycheck that we
25:51
got from the shows or whatever but the
25:54
places in the area is really nice all
25:56
the time you know I I'm
25:59
not a big bar person but They would go to library bar
26:01
a lot of times, you
26:03
know, and so there is just
26:05
I don't I couldn't tell you where but I Just
26:07
sometimes get like, you know breakfast
26:09
sandwiches around or Chinese Because
26:11
there's not general sows chicken that much in
26:13
where I am like you can get it
26:16
like like maybe one in ten places But
26:18
it's not like everywhere. Go ahead Wait,
26:20
hold up. Really? Yeah,
26:23
I think you know you guys have
26:25
orange chicken, right? I think orange chicken
26:27
is like in most places Instead
26:29
of general sows chicken and then general sows
26:32
chicken is again in a few places But
26:34
mostly it's it's orange chicken if it's that
26:36
kind of thing. God damn
26:38
it America. Yeah, just keep surprising
26:40
me incredible Well,
26:44
that's but listen, I think what we're getting at
26:46
here is big cities just have great food Like
26:50
big cities just rule it's great. It's better to go
26:53
do I mean, yeah, you're not as close to the
26:55
farm you can't shake hands with
26:57
the Cow pig but
26:59
well unless they bring the let's
27:01
say bring it in but you know Come
27:04
on. It's just all these different kinds of food
27:06
so close There's also close these little hole in
27:09
the wall spots God almighty Oh, yeah when I
27:11
first moved my when I first moved to New
27:13
York, I lived where I live now in Bushwick
27:16
And it was a really early wave
27:19
of gentrifier the
27:21
kids used to And I
27:23
just wasn't because of anything I did Except
27:25
my entire existence in the neighborhood, but the kids
27:28
the local kids would chase us down the sidewalk
27:30
and throw nuts and bolts I
27:32
don't know where do you would get handfuls of
27:34
nuts and bolts and they would just That's
27:42
really funny But like two
27:44
blocks two short blocks away. There was a little
27:46
bodega in the back They had like an illegal
27:48
kitchen and the burritos that came out of that
27:51
place. Ah The
27:53
Brussels sprouts of Brooklyn we used to call that Wow,
27:56
that's that's topical. I don't know
27:58
so there There's good food in
28:01
LA. There's a lot of good food in LA.
28:03
Oh, it's an incredible food town! Yeah,
28:05
but it has a food culture that I
28:07
think is like, not good. I think
28:10
it's like this hip kind of healthy
28:12
kind of thing. The good food is
28:14
like authentic stuff that's like, oh, you
28:16
go to like, Little Ethiopia or whatever,
28:18
you know, and then you get that
28:21
stuff. But then there's kind of this
28:23
branded like, LA kind of food that's
28:25
like, it tries to be
28:27
complicated and healthy. And I don't think that's
28:29
what the food culture in New York is.
28:32
And again, I think the good food in LA
28:34
isn't like that because it's not adhering
28:36
to this sort of weird thing.
28:39
But yeah, I don't know. I'm definitely... I don't
28:42
think I could hack it in New York, honestly.
28:44
But I wish I could live with the food,
28:46
like the food. No! Do you really
28:48
feel that way? You feel that you wouldn't do well in
28:51
New York? The city exerts
28:53
a pressure. Would you say? I feel like when you're
28:55
in New York, I mean, maybe you're used to it
28:57
at this point. But I feel like when you're in
28:59
New York, it just like feels like it's crushing you,
29:02
if that makes sense. And I feel it when I
29:04
enter and I feel it until I leave. And then
29:07
it's like a constant anxiety, you
29:09
know, the honking. But just it
29:11
just feels like it's pressure. It's like it's
29:13
squeezing me. It's like smashing me down, if
29:16
that makes sense. I don't know. I think
29:18
it's maybe just, you know, the buildings like
29:20
you can't see like the hills of California.
29:23
You know, like you could see like anywhere you
29:25
go, you can kind of see the hills around
29:27
where I live. And maybe it's just that, like
29:29
you're not centered in the same way in geography.
29:31
But I just, yeah, I feel this crushing pressure
29:33
that I think like would make me go insane
29:35
or something, if that makes sense. But I really
29:37
like the city. I just like it's this weird
29:39
ambient vibe that I can't get out of. I
29:43
have felt like that, but I feel like I
29:45
have felt that way everywhere I have ever gone
29:47
in my life. I
29:50
mean, should we compare and contrast New York and
29:52
LA? Again, I think this is the first,
29:54
we're the first to do it. It's compelling
29:56
content. You might be able to work into
29:58
some kind of deal. Yeah,
30:01
I don't know. But even in LA, I need to
30:03
go to the trees and I need to soak up
30:05
some nature. Where do you like to
30:07
go? Around Los Angeles, where do you like to go to get
30:09
back in touch with the earth? Griffith
30:12
Park is the main one. When I lived
30:14
in Koreatown, I would just go to Griffith
30:16
Park literally every day and
30:18
it would help a lot. Because I'm from
30:20
the suburbs, and I would
30:22
drive on back roads of farming areas
30:25
and stuff. And that was just kind of
30:27
like my regular day to day. And just
30:29
not having like this bounded trees that are
30:31
on a planter or something or this park
30:33
that's in the middle of it. It's not
30:35
the same as actually like this is kind
30:37
of, and obviously Griffith Park is really manicured
30:39
and whatever, but this kind of unchecked
30:41
kind of natural nature, this natural
30:43
wilderness, it feels so different and
30:45
it's very centering and grounding. So
30:48
I kind of need that a
30:50
lot. Yeah,
30:52
like the parks and
30:54
the canyons and the hills there in
30:56
LA, yeah, I guess technically it's sort
30:58
of like terraformed or whatever. But every
31:00
once in a while, someone
31:03
gets eaten by desert
31:06
dogs. And I think just
31:08
every once in a while, just every year,
31:10
one guy gets eaten and that's enough to
31:12
sort of keep it in that sort of
31:14
John Muir wilderness archetype space that we need
31:17
to be around. Yeah,
31:19
I've been seeing a lot of deer lately and
31:21
especially male deer. And I don't know, back in
31:23
the day, I would not like think twice about
31:25
approaching a deer, but I see him now and
31:27
I'm like, this thing might just like go ham
31:29
on me if I don't like keep my distance.
31:31
But it's just nice. You see a deer, they're
31:33
so big and you're like, where does
31:35
this live? Like how is it hiding? You
31:38
know, like there's so little like Griffith Park
31:40
is like relatively big, but even that's like
31:42
all these hiking trails and stuff. It's like,
31:44
where do you go that you're
31:46
safe, that you're a deer and you're like, this is fine, we
31:48
can stay here. I
31:50
was just in Boston seeing some family for Diwali
31:52
and I'm staying in their house and we're going
31:55
to bed and I have the window open because
31:57
the heat's too high. You know how it has
31:59
got to be. open that window. I am
32:01
not bothering a host about the thermostat.
32:04
Over pain of death, I will not do it. Open
32:06
that window. I'm trying to
32:08
go to sleep. Spencer ate
32:11
the loudest chorus of coyotes
32:13
I've ever heard. Oh, yeah.
32:15
In the middle of Boston.
32:17
Like not down like not
32:19
downtown. You know,
32:22
but like close enough to where you just
32:24
don't think and they were set like dozens
32:26
of them. And sure enough, yeah, Boston apparently
32:28
has a real coyote problem. Yeah.
32:31
And then people think that coyotes sound kind
32:33
of like howling wolves, but they
32:36
don't do they they sound more like, like
32:38
yipping kind of like
32:40
like, like, like a pack of shitsus
32:42
or something where they're just kind of like
32:45
going, wow, it's like really high pitched and
32:47
really energetic. And it's very interesting. It's kind
32:49
of it can be kind of disturbing. But
32:51
you know, it's it's more obnoxious. But
32:53
it's awesome. I fucking love coyotes. I
32:56
famously love coyotes. But people think I
32:58
kill coyotes. But yeah, no, you know,
33:00
I love coyotes. Well, it's a very
33:02
sexy animal. I'm not sexually attracted to
33:04
it in the spiritual sense, though. Very
33:06
sexy. Yeah, I've always wanted
33:08
the coyote to be my friend, but I don't think
33:10
that's safe. But hey, just
33:14
popped into my head. Have
33:18
you ever been introduced to
33:21
the trend of people finding
33:24
gorillas? Not
33:26
all gorillas. Okay, leave. There's a better way
33:28
to phrase this. And you notice that every
33:31
couple of years, there's a news
33:33
story about people finding a certain gorilla
33:36
very hot and wanting to have sex
33:38
with the gorilla and the gorilla becomes famous.
33:41
I've never well, I guess I guess now you
33:43
mentioned it. Sometimes you hear people talking
33:46
about how like this or that gorilla is like super
33:48
caked up or whatever. But that's as far as I've
33:50
heard it. Like, I've never heard so this is like
33:52
a thing where people are like, God, fuck this gorilla.
33:55
It's strongest in Japan. So if you say if
33:57
you go if you Google Hot,
34:01
hot gorilla Japanese. You
34:03
will, you will discover. Okay Kevin, Kevin's on this I
34:05
think. You will discover. There's one or two very no,
34:08
and you're gonna, what, now watch the picture. We're gonna
34:10
see his face when he sees the sexy gorilla. Yeah?
34:13
Yeah. Kevin,
34:16
can you put that on screen? Okay, okay. Where
34:18
is the pornographic? Where is the pornographic? No. Hold
34:22
on. Let me, let me pull it up here. Hold
34:24
on. I gotta
34:26
move it to the computer. Give me one second here. It'll
34:29
be okay. I'm gonna move it to computer. Um,
34:31
okay, so, uh, still, okay,
34:33
so they wanna fuck the gorilla, and then what happens?
34:35
They just talk about it? They post about it? So,
34:38
the gorilla becomes like a minor celebrity for
34:40
like a news cycle, and then we wait
34:42
a few more years. It's just like feeding
34:44
the guy to the coyote in Griffith Park.
34:46
You just, every couple years, the eternal return.
34:51
People die? Does this kill people? No.
34:54
As far as I know, no one's gone in to try to fuck
34:56
the sexy gorilla of the year. They just
34:58
talk about it online a lot, and they go to the
35:01
zoo a lot. Sure. That's
35:03
great. I mean, you know they have fat beer a
35:05
week. They should have sexy gorilla week at some point.
35:08
That could be really good. Um, well, okay,
35:10
so, I, I, I wanna, so,
35:12
so what's, how did you get
35:14
into producing? Uh,
35:17
Claire, we go. Okay, thank you. Wait,
35:21
just a second here. I'm seeing
35:23
one of these gorillas. Some of
35:25
these guys are mids. I
35:29
think those first two, they kind of look like
35:31
they're doing like, uh, Derek Zoolander
35:34
kind of like faces a little bit. Fuck, it
35:36
fucking works. I gotta, I, I shouldn't have said
35:38
that thing about mids now that I'm really taking
35:40
it in. I
35:43
mean, they- More like wing start. Yeah, they're,
35:45
they're very compelling. I don't know. I,
35:50
I was looking in the mirror today and thinking about
35:52
how much I look like shit. So looking at these
35:54
gorillas is really- Spencer, you look great. I've always thought
35:56
you're an extremely handsome man. I mean,
35:59
I wish I knew how to- make it work but
36:01
most people don't think so. You've
36:03
been married for a while, right?
36:05
Have you ever been on dating apps?
36:07
Dating apps are surprising. I have,
36:10
yes, yes, yes. I
36:12
need to meet people. Oh, they're miserable. No, it's
36:14
hell. We shouldn't have them. No.
36:17
Yeah. Everybody gets an app that has
36:19
the picture of the sexiest gorilla that month. That's
36:22
what you're not your big two. It's
36:26
safe. That's an
36:28
idea. Instead of dating apps, just gorilla
36:31
looking at apps. I don't know. The thing
36:34
is, I'm not social. Again, I don't
36:36
like bars. I don't like going to places. Also, in
36:39
LA, everyone's dating. You never meet single people
36:41
in LA. It's crazy. Well, I don't. Maybe
36:44
that's my phone or anything. But the apps
36:46
are just torturous. There's no version of them
36:51
that works. If people are liking you, it sucks. If
36:53
people don't like you, it sucks. It's bad. But no,
36:55
sorry. I wanted to talk about producing. How did you
36:57
get into producing? I really like production. I've
37:00
done a podcast in the past. I've produced
37:02
it myself or engineered it or whatever the fuck.
37:05
It's fun. I like editing videos and stuff. You
37:07
had a TV show. I didn't edit that. I
37:10
didn't edit that. But thank you so much. I didn't edit
37:12
it. But you were one of the
37:14
producers of the show, right? Yeah, I did work
37:16
with the editor. That's what the thing is. Working on
37:18
Harmon Quest, I really was like, I
37:20
wish I knew, not that the editor was
37:22
doing a bad job. They were doing a great job. But
37:24
it was so fun to talk to the editor and see
37:26
him do the edit and then look at it and see
37:28
what's working and not and come up with ideas to change
37:30
it. I really like thinking
37:32
about editing and thinking in terms of editing
37:35
and layering and where to put sounds and
37:37
stuff and how to bridge audio
37:39
things. I'm famously hard to edit.
37:41
My words just roll together. It's like,
37:43
how do we make my edits, make
37:46
my sentences into other sentences without it
37:48
sounding insane? All that stuff is super
37:50
fascinating. It's like a puzzle. I really
37:53
loved editing on that show. It
37:56
shows. Thank
37:59
you. No, I use I use
38:01
that show as an example when I'm pitching stuff of like
38:03
this is the best way to do it That's
38:06
so awesome. Man. That's so great. I really
38:08
think I'm so like the thing is is
38:10
like you peek early Like that was the
38:12
first thing I've ever really did It
38:15
was like a very true expression of
38:17
my creative ideas, you know And
38:19
and then it was over and it's like
38:21
man is anything ever gonna be like that Like
38:24
even if I get the free rein to do something
38:26
like that Is it ever gonna be that good just
38:29
because also it was like improv, you know And
38:31
the alchemy of improv is like it wasn't planned to
38:33
be that good Every record was just fucking amazing, you
38:35
know And also we cut it a lot like the
38:37
way like we shot for an hour and we cut
38:39
it down to 22 minutes And
38:41
so we did a lot of editing construction and stuff
38:44
and we built it like if you saw the unedited
38:46
and see what we Turned it into you'd be all
38:48
like I mean, I think some people would be like
38:50
wow The show was like really fake and some people
38:52
would be like wow, they really plussed up What was
38:54
there like they really it was transformative editing, you know
38:57
And I'm really proud of all that stuff and it
38:59
was just it's yeah, it's like it's never it's never
39:01
gonna be good again But it's nice I mean, you
39:03
know It's nice to work on something
39:05
and be able to stand by it so heavily like
39:07
I don't like I think it did pretty well Or
39:09
whatever for what it was. I don't know if it
39:11
was a success success or not But like I'm proud
39:14
of it I stand by it and a lot of
39:16
people can't say that about a lot of stuff they
39:18
work on, you know It's like yeah, I like what
39:20
I did but the show I didn't like the show
39:22
or whatever, you know, whatever Yeah, yeah.
39:24
Oh, no, I feel you but let me tell
39:26
you again No, you're not crazy. The show was
39:28
great. It was very very very smartly done almost
39:30
a decade ahead of its time and
39:33
and What was the other
39:35
thing you said that was right? No,
39:42
it is I think it's extremely under I'm sorry I'm gassing
39:44
up the host of the show which is a thing you're
39:46
not supposed to do But but you asked me what producing
39:48
is like and this is a big part of it Like
39:52
you were really far ahead of your time,
39:54
I think it's criminally under seen just because
39:56
of the all the platform Yeah,
40:00
you know if it happened five years later very
40:02
different or five years, you know Who of course
40:04
who knows but like no that was almost like
40:06
a perfect storm of like ah ahead of its
40:09
time gonna be under Seeing because you know of
40:11
reasons that is not its fault Yeah,
40:14
God Love that show because
40:17
you know, you know the D&D the actual
40:19
D&D makers Which is the coast have launched
40:21
a like full-on channel and there now they're
40:23
making their own Go
40:26
ahead wild 2023. Oh, yeah, we you know but
40:29
yeah, so I got into production because I Learned
40:33
it from you dad. I loved I
40:38
Thought I thought I think actual play stuff
40:40
is fucking rad as hell and
40:44
It's it's really cool and it could be
40:46
even cooler And
40:48
nobody was really y'all had ended the
40:50
Harman town campaign at the time and
40:54
Some other other people who were doing good stuff had sort of
40:56
stopped or moved on to something else and no one was
40:59
really making The kind of stuff I thought was possible and
41:01
I you know, I'm in the New York
41:03
I come from the the comedy scene here
41:06
like sketching improv stuff So I know all
41:08
you know how it goes, you know, all
41:10
these incredible talented improvisers performers I
41:12
had tried to do like podcast
41:14
network stuff before making comedy shows
41:17
Years and years and years ago back before
41:20
anybody was selling ads on podcasts even You
41:23
know when you really really had to
41:25
tell everybody what they were so, of course
41:27
it wasn't gonna work So I like had some
41:29
mics laying around and I knew how to use
41:31
audacity to edit stuff So I was
41:33
just like at some point I
41:35
mean, I don't have any like
41:38
technical training But
41:40
at some point you want something to exist
41:42
so bad. You just say I'm just gonna
41:44
learn whatever it takes I'm
41:46
gonna figure it the fuck. I'm gonna watch every
41:48
tutorial. I'm gonna buy every book I'm gonna spend
41:50
the money in the first ten grand or waste
41:52
because you fuck everything up and buy their own
41:54
stuff and and fuck Up all you know, everything
41:56
sucks. I'm gonna go through it all so I
41:58
can learn what it will take to actually make
42:01
the thing I want to exist. And
42:04
so you learn and you teach yourself and
42:06
that's how I got started. I just really wanted to make those
42:09
shows and so I just, no one else is gonna do it
42:11
and they're certainly not gonna do it the way I fucking want.
42:13
And so, yeah, gotta do it yourself. Yeah,
42:17
I mean, first of all, thank you
42:19
so much. Your words are very kind,
42:21
I really appreciate that. I appreciate people
42:23
liking the shit but that's really surprising.
42:25
I didn't know that was like
42:27
what your arc was. I mean, obviously it
42:29
sounds like you were doing podcast producing well
42:32
before the actual play stuff but that's super
42:34
awesome. For a couple of years, we did
42:36
it, this
42:38
was the, no one was really doing
42:40
it. Comedy Baming
42:42
was the only big comedy podcast at
42:45
the time and when I say big, it
42:47
was like 100 of the weirdest nerds you
42:50
ever met so it was just a hard pitch
42:52
at the time. I just convinced some friends of mine to come in
42:55
and do it because you
42:57
know, I mean, this is, you know, back
42:59
when this was the last like, it
43:02
was the last Twitter days of the UCB theater
43:04
which is where I was. So it was just
43:06
like a lot of electric energy back
43:09
before things started to decline there and
43:11
so there was just a ton of energy,
43:14
a lot of people. You could, you know, God,
43:16
it's so crazy if they fly before COVID and
43:18
how different it was. You can go
43:20
to someone's house and hang out and make stuff. You
43:24
know, so there was just all this energy just floating
43:26
around and so I was in love
43:28
with podcasting because before I was a nanny, I was
43:30
a dog walker and
43:32
so I was listening to podcasts nine
43:35
hours a day before the iPhone. So
43:37
I had like little like Sanrio MP3
43:39
player that I would listen to. You
43:42
know, every day I had to load and unload the
43:44
songs on it from my Dell laptop and
43:47
then the iPhone came out. Oh, I made it so easy, it
43:49
was so great. So yeah, so again, just like trying to do
43:51
this stuff too early before it came out. But then, you
43:55
know, I got a real office job at a place
43:58
and was there for a long time. and met
44:00
a lot of creative people and that taught me how to like
44:03
fun things and
44:05
actually actually organize things not just
44:07
put like a sketch shoot together
44:09
with friends on a weekend and
44:11
then yeah I mean
44:13
you know Harman Town wasn't doing the I
44:16
forget what year it was but nice before it
44:18
was over I don't know when it was exactly
44:20
but it was just like the shows that I
44:23
loved had all ended that
44:25
that part of them and it was just I
44:27
just couldn't I couldn't sleep on it. Yeah
44:30
that's so awesome I mean I think
44:32
obviously you're doing really good work and
44:35
you know now you're on World Beyond Number which
44:37
is it's doing really well right and
44:40
like I think of that as like in the
44:42
echelons of critical role which is you know really
44:44
up there but so okay so this is just
44:46
a really weird nitty-gritty this might be a really
44:48
short answer but as a producer how
44:50
do you or how have you
44:53
specifically like furnished your
44:55
sound libraries and like created
44:57
or commissioned like the music
44:59
and stuff that you use because that's something
45:01
that I think is like so important to
45:04
making stuff sound really good and even like
45:06
good production like you can tell if they
45:08
don't have like full access to stuff like
45:10
that like so like what was that process
45:12
like for you like how did you have
45:14
to spend a lot of money like renting
45:16
licenses to get good stuff or was
45:19
it like a really meticulous path like what what
45:21
happened like that's something I've always been super interested
45:23
in in the early days I
45:25
stole everything because
45:28
I had no money I had
45:30
no resources and
45:32
I just I stole everything and a lot of
45:34
times stealing is just like using things that are
45:37
and have been published with a creative creative Commons
45:39
license and just not going through the paperwork of
45:42
putting like the code or whatever in a snippet
45:44
to give credit so in the early days I
45:47
was a criminal and a thief and a bad
45:49
bad boy I love
45:51
but yeah but then then at a
45:53
certain point it was like well that's
45:56
that's untenable I even if I could even
45:58
if I thought I could get away with it forever And
46:00
maybe you can, I see a lot of people do. Yeah,
46:03
most of the podcast, there are major, sorry. A
46:05
lot of illegal stuff. Most podcasts,
46:07
a lot of illegal stuff. There
46:09
are major, huge podcasts that
46:12
use unlicensed music. Every
46:14
time it happens, I cannot believe I'm hearing
46:16
this. By big labels, and they don't get
46:18
flagged, it's crazy. And I'm not even shaming
46:20
them or whatever. I'm surprised. Like you wouldn't
46:22
think, I don't know, you'd think it would
46:24
get flagged by algorithms or whatever. For
46:27
some reason, the people that care about that stuff only
46:29
care about video. They don't give a shit for, they
46:32
don't care about podcasting. Maybe it's because it's too big.
46:34
I don't know. I'm glad they haven't done
46:36
it yet. So yeah, I
46:38
would steal music. I tried to steal
46:40
from, you know, like small people. And
46:43
then I started working on Root Tales of Magic. The
46:47
actual Pay Podcast just wrapped up their first
46:49
campaign. Fantastic. Yeah, check it out.
46:51
It was such a good campaign. Sorry. Root
46:53
Tales of Magic is an absolute gem. And
46:56
I can say I no longer work on the show so I can give
46:58
them full due. I'm not blowing smoke on my own ass.
47:00
That's a great fucking show. Branson
47:03
Reese, the DM who runs it, is a
47:05
generational comedy talent. You got it here. I
47:08
know. It's so depressing how good at everything
47:10
he is. I'm like, like, that's
47:12
the thing is I kind of wanted to do a new live
47:14
play podcast. And I started listening to Root Tales and I was
47:16
like, well, no reason to even
47:18
try. Like, it's just... What?
47:22
No. We'll talk about that in a little
47:24
bit. Okay, yeah, yeah. Because I got a pitch. Yeah,
47:27
no, I actually... But I want to hear more
47:29
about the audio stuff. Yeah, so I started
47:31
working on Root Tales and we decided for Root
47:33
Tales we're going full on Looney Tunes route.
47:36
So like, we want big
47:38
romantic classical music opera,
47:41
like full orchestra stuff. Because the show
47:43
is so inspired by Looney Tunes and
47:46
like, you know, great cartoons and they
47:48
all have these big giant scores. And
47:51
they were writing on their own, just
47:53
full orchestra scoring like every move of
47:55
Bugs Bunny, which now it's like, yeah,
47:57
of course it's a cultural touch, though.
48:00
like it insane. It's a
48:02
wild expense. It is insane that
48:04
they did that. It's
48:07
like, you know, Wizard of Oz, like painting
48:09
all the little people gold or whatever they
48:11
did there. It's just like, what for what?
48:13
We're high. You know, like, this is like,
48:16
it's wild, but they did it and it
48:18
sounds fucking fantastic. So we're
48:20
like, all right, let's do that. And so then for
48:22
so I'm so, you know, I'm cutting together root tails
48:24
and I'm using all this, um, uh,
48:27
this, all this classical music and I got
48:30
really fucking into it. And it was to the
48:32
point where I was taking, you know,
48:34
this music and like cutting it
48:36
apart and cutting out the highs from the
48:38
lows and taking it apart and like stacking
48:40
it back together to make it be what
48:42
the show needs to lengthen it or to
48:44
make it something else. And I got really
48:47
fucking into it. Uh, and so I was
48:49
like, I, I wonder if I couldn't write
48:51
something, but it's just stupid. Do
48:53
you know how stupid like that's, that's Greek
48:56
hubris to like, hubris makes
48:58
this industry work. Like it's the people that
49:00
are delusional that actually get things made. You
49:02
know, I think you kind of need some of
49:04
that. Yeah. I
49:07
mean, it, I guess it turned out okay. So,
49:09
so I, so I like learned. So
49:11
I learned, I just like taught
49:14
myself, I got all the socks for all the
49:16
stuff. It took so long to figure it all
49:18
out, went deep into debt, paying for all this
49:20
stuff and taught myself how to
49:22
compose and how to do it on a computer.
49:25
Uh, and so now, and once I started doing
49:27
that, I just started making all the music for
49:29
all the shows. And so now, now on world's
49:31
beyond number, I, I, the whole, almost all of
49:33
it is original music that I'm writing. That's
49:36
the most depressing answer at all. The answer
49:38
is hard work. I don't, I don't want
49:41
to hear that. That's a,
49:43
I'll give you some pro
49:45
tips if you want to be an absolute dirtbag about it.
49:48
All right. You got to, if you
49:50
want to use classical music is easy. Classical music is
49:52
very easy to rip off. Uh,
49:55
so you want to go onto YouTube and
49:58
you want to find performances. of
50:00
the classical music that you, the writer of
50:03
the music has, has to have been dead
50:05
for like 70 years, I want
50:07
to say in America, you want the writer has
50:09
to have been dead for 70 years, but that's almost
50:11
all the romantic composers, all but a few. So you got
50:13
a lot there. And
50:16
you want to find foreign
50:20
state school orchestras performing
50:23
that work or festival
50:25
performances, like
50:29
festival performances of defunct
50:31
festivals. And they've
50:33
uploaded all this music to YouTube and
50:36
they're never going to come get you. They're
50:39
never going to come get you. Sure.
50:42
That's awesome. Okay. So
50:44
yeah, I don't know. But
50:46
so honestly, you know, Kevin's
50:51
laughing at me. Are you, am I, are we going to
50:53
bleep all that out? Is this like when like
50:55
coffin story comics used to like give
50:58
a recipe for an undetectable like murder
51:00
poison and had to block it out
51:02
on the page? This is all going
51:04
in. This is all going in. Yeah. We
51:06
can bleep whatever you want, but yeah. Also,
51:09
I do think we should start killing billionaires, but not
51:11
all at once. That's impractical. We start with the richest
51:13
people and just do one a month, one
51:15
a month, the richest people start at the top, one a
51:17
month, under a year,
51:19
everybody gets scared. They start changing the system and you've killed
51:22
less than a dozen people. That's a bitch. This
51:25
is my own delusion, but sometimes when I'm feeling
51:27
really bad, it's like, man, I as
51:30
well just try and take someone
51:33
out. It's like all the life of prison or whatever, but
51:35
you know, it's like, at least I did something, you know?
51:38
But hey, let's not, I
51:41
just, you know, the inner workings of my mind are impossible,
51:44
but okay. So one of the reasons
51:46
why I was really excited to get
51:48
you on the podcast, in addition to talking
51:51
about terror, was, well,
51:53
we're not, we're only trying to scare a very
51:55
small group of people. So as far as terrorist
51:57
goes, we're the best ones because it's, it's, It's
52:00
only like 500 people we're trying to scare. And
52:02
they have all the power. It must be real. Terrorism
52:05
is a loaded term. Like I
52:07
think it has a lot of charge to it.
52:10
Your honor? Your honor? Come on.
52:13
It's a loaded term. Yeah, it's like if
52:16
I can afford multiple planes suddenly it's not, you
52:18
know, but it's like, oh, is that really... Anyway.
52:22
But so this
52:24
is something that I don't even necessarily want to talk
52:27
about. I'm fine about talking about everything I've been saying
52:29
so far. But something I don't even want to talk
52:31
about for a fear of getting people's hopes up is
52:34
I have thought, put a
52:36
lot of thought into trying to start up some
52:38
new live play D&D thing. Why
52:41
haven't you? Okay. So
52:43
first of all, Kevin is a dream
52:45
man. He's a wizard. He could
52:47
do anything. But Kevin lives in Chicago. And
52:52
so I don't know that Kevin could be like
52:54
alive on the floor, you know, boots on the
52:56
ground producer for it. I think if it was
52:58
something like this where we did it on Zoom,
53:00
I think Kevin could potentially, you know, produce it
53:03
if we could work into his schedule. Sure.
53:06
But I think when I think about it, I think I need a producer. I
53:08
don't want to be my own producer. Like
53:10
I don't want to be wrangling guests. I don't want to...
53:13
Like I would really just... Like that's
53:15
honestly the biggest problem, right? And I'm not saying
53:17
like, do you want to produce? I'm just bringing
53:19
this. Like this is my thought process because,
53:22
you know, you're in New York. But
53:25
anyway, obviously, you know, you're busy. Just
53:28
to be real clear, that's not what this is about. It's just
53:30
you seem like a good resource is toxic. But
53:33
so it's just like, it just starts with I need
53:35
a producer and I don't know a producer
53:37
that I want. And
53:40
so it's like, first I need a producer and I don't know
53:42
what to do and I don't want to do all the other
53:44
stuff. Then it's, okay, so who's
53:46
the cast? We need people that can
53:48
meet regularly that I'd either have to
53:50
pay or would convince not to pay,
53:52
you know, take money upfront until we
53:54
could get crowdfunding or whatever off the
53:57
ground, whatever. You know, then
53:59
so you need that. group. Then it's
54:01
like, do you start, do
54:04
you do a bunch of throwaway episodes?
54:06
Do you audition people? Because I think
54:08
chemistry is so important. Rude Tales, it
54:11
was a D&D group that eventually did
54:13
a show. So
54:15
they kind of worked out chemistry before starting
54:17
the endeavor. I think Critical Role was the
54:19
same way. Hormontown was magic and I
54:21
think a big part of that's just the random
54:24
talents in Alchemy of Jeff and Dan
54:26
and my ability to navigate that. To
54:29
create something
54:33
out of the ground, try and find, and also
54:35
I'm not plugged into the scene at all.
54:37
I never did UCD or anything. Some people
54:40
kind of know me or they did. Now
54:42
all those people are kind of bigger and
54:44
so the new crop of talent is not,
54:47
I don't think anyone really knows who I
54:49
am. I think people are down to do
54:51
stuff with people they don't know necessarily sometimes.
54:53
But that's a big barrier. So
54:55
it's like, I want to get a cast
54:58
and then how do you test the chemistry?
55:00
And then also just what's the run of the show? Sometimes
55:03
I think it would be
55:06
good to do multiple, more
55:09
of a rotating cast whereas sometimes I'm like, no,
55:11
you just want a core cast. And then sometimes
55:13
it's like, well, Hormontown was like, you had mostly
55:15
a core cast and then you had kind of
55:17
like a rotating slot. So I'm thinking about all
55:19
this stuff and then it's like, but then
55:22
I need a producer to talk to this all about. And
55:24
so I kind of go in circles and it's just like, it
55:27
just feels like such a big thing to set up
55:29
and then you have to fucking write it. Like everything
55:31
I'm talking about has nothing to do with the actual,
55:33
like what I'd actually have to do to make it
55:35
work. And writing D&D is really tough for me. I
55:37
have a lot of weird, you
55:40
know, like
55:43
therapy stuff with D&D if that
55:45
makes sense. Like before Hormontown, I swore off
55:47
playing D&D because like it just was really
55:49
bad with me and my friend groups and
55:51
stuff. There would be a lot of drama
55:53
and tension and stuff. So it's like, I
55:55
just have a lot of like baggage with
55:57
D&D and Hormontown was good for a while.
56:00
We stopped doing it on the show and we did
56:02
it less and less on the show and so that
56:04
kind of started bringing up stuff Like that and then
56:07
I would play D&D with my friends And then there
56:09
would be similar stuff where I just get really depressed
56:11
after episodes and stuff or not episodes, you know sessions
56:13
So it's like it there's this big like mental block
56:15
for me there But I think if the other stuff
56:18
was set up I could at least go for it
56:20
You know put a good year into it or something
56:22
before giving up But you know like but but the
56:24
totality of all of it It really is really what
56:27
you know stops me and it's like the big thing
56:29
is like yeah I mean I I can
56:31
I can imagine hypothetically fighting producer sure but
56:33
the casting is like I just I have
56:35
no idea And so that's yeah, do you
56:37
do this is a spring any thoughts? Yeah,
56:40
baby. I got you back All right So the
56:42
only the only actual problem that you just described
56:44
is casting that is actually an important question Everything
56:47
else I I think it would either solve itself
56:49
or there's an easy answer or it's not that
56:51
big of a deal Even if it goes bad,
56:53
but yeah casting is the big concern. I Think
56:59
if I were and I've consulted it for many
57:02
people for many projects by the way
57:04
I would produce the shit out of this If
57:07
you had said yes years ago when I pictured
57:09
to you a million times Oh
57:13
Spencer It
57:16
might be right now Are
57:18
you big timing me? I hate no
57:20
ever this happens all the time Yeah,
57:23
I pitched I pitched by pitch people things I
57:27
think at the time there were rights
57:29
questions on what you really could do
57:31
Because NBC Universal still owned a lot of
57:34
the stuff you had already made The
57:37
yeah, so which is fair, you know, but
57:40
so listen no all that is to say I would do
57:42
this show in a fucking heartbeat except I have had to
57:45
Promise I had to put my hand on
57:47
my heart and pledge allegiance to my wife
57:49
and my family and promise them that I
57:51
would not Start another project for
57:53
a year Because things
57:55
got so bad earlier this year. I was dude
57:57
you know what happens when you stop sleeping Have
58:00
you ever, like, what's the longest you've gone when stopping
58:02
sleeping? Because you start to have, like, I'm
58:05
in a, I'm in like a Fleischer
58:07
cartoon in the 40s hallucinations. Like crazy.
58:10
No, like I've, I've maybe gone without sleep
58:12
one night. I don't not. I need sleep.
58:14
Like it's really important to me. I prioritize
58:17
it over almost anything else.
58:19
Like in life. Yeah. Sleep
58:22
smart. Like it's kind of my highest priority. Anyway, so yeah. So I
58:24
would say yes. I
58:26
know that if you, if you stopped doing, you
58:28
know, rude tales, I was like, well, this is
58:31
clearly, you know, I'm so happy that you have
58:33
World's Man number, but it's like, no, obviously, but
58:35
yeah, it's not even a question. Just like, obviously
58:37
I respect you and stuff, but it's like, no,
58:39
you have, you have good, good, you have, you
58:42
have it going on. I wouldn't want to darken
58:44
your doorstep, you know? But
58:46
he darkened. All right. You
58:49
all here, I, here I am gashing those stuff
58:51
again. You also are all that in a
58:53
bag of chips. So, but
58:55
let me tell you, I feel your pain on casting,
58:57
especially since COVID. I never go out anymore. I don't
59:00
meet new performers. I don't see a lot of live
59:02
stuff, but you've got to, you know, I bet if
59:04
you asked around and started like putting out feelers, I
59:06
bet it would turn out. I think everybody would agree
59:08
with me that you've got a pretty wide network of
59:10
people that still want to talk to you who are
59:13
great performers. You know, I
59:15
mean, also I think it's like one of the biggest
59:17
questions people have when joining a project like this is
59:19
like, does it have legs? And you've already got a
59:21
body of work. You can show people and be like, I
59:23
want to do, I want to do something like this, or
59:25
even I want to do the exact opposite of this. You've
59:27
got like really good shit you can show them, which not
59:30
a lot of folks have. So I bet if you started
59:32
putting feelers out, you'd find some good people. I
59:34
would recommend it. That's the
59:36
biggest problem. If I was
59:38
consult you on this project, I would
59:40
say that you
59:43
need to, you could start the show.
59:46
You can start the show with a
59:48
rotating cast and just do very short
59:50
games, very short campaigns. From
59:53
one episode to three, maybe sometimes
59:55
five. And do that
59:57
for a while, keep the budget extremely
59:59
low. just by an epidemic sound subscription,
1:00:02
so you don't have to pay for
1:00:04
all the sound libraries that made American
1:00:06
Express, you know, hire the
1:00:08
jackal to come kill me. Much
1:00:11
cheaper answers to that shit. You
1:00:14
know, keep it bare bones, but good. You've got the
1:00:16
time and attention. You can hire, maybe Kevin can do
1:00:19
it if he's got the bandwidth for it or what,
1:00:21
you know, all these things. Keep it
1:00:23
small. You keep costs low because you might not
1:00:25
have a lot of money, you know, at the
1:00:27
beginning, but
1:00:29
you're meeting people, you're getting your sea legs under you
1:00:31
again, getting used to it, feeling with the emotional stuff,
1:00:34
you know, just like working the kinks out, letting the
1:00:36
car backfire a few times for you to really press
1:00:38
the accelerator down. And
1:00:40
then you're meeting all these people, you're finding
1:00:42
these stories. I think you do that for
1:00:44
a few months, except for six months, and
1:00:46
that'll tell you exactly what you want to
1:00:48
do. And if it doesn't give you your
1:00:51
first full constant cast, it'll at least give
1:00:53
you one or two people that you're like,
1:00:55
I think we could do this together. And
1:00:58
I think that by, yeah, so by dipping your toes and keeping
1:01:01
it flexible and cheap, you
1:01:03
sort of let yourself experiment,
1:01:05
let yourself sort of brainstorm in public by
1:01:07
doing different shows with different people. I think
1:01:10
that would inform how it would go later
1:01:12
on. Now, as far as money goes, friends
1:01:15
will do it for free a little bit up top, especially if there's no
1:01:17
money coming in. The way I
1:01:19
like to do it, this is the way all fortunate horse
1:01:21
shows have been structured is stuff
1:01:25
like this should absolutely not be majority funded
1:01:27
by advertising, you want to go the Patreon
1:01:30
route. I
1:01:33
it's an absolute fucking no brainer.
1:01:38
The way all the forces of short shows have been
1:01:40
structured is everybody gets a
1:01:42
payout of the take the cat, the
1:01:44
constant cast, the core cast is
1:01:47
paid all on profit shares
1:01:49
from the Patreon. So
1:01:52
it takes a lot
1:01:54
of the negotiation out. I'm also a communist
1:01:57
union organizer, so it's my natural instinct
1:01:59
to be. full animal farm about it.
1:02:03
But there are huge pluses to that
1:02:05
from a production as well. I
1:02:08
mean, if you've done any Hollywood deals, you know, there's
1:02:10
plus and minus to stuff being structured like that. But
1:02:13
the big one is, it's like, people are
1:02:15
definitely more okay not getting stuff up front because
1:02:17
you're not making any money on the show. Also,
1:02:19
you're only asking them to sit in a chair
1:02:21
and improvising character for a couple of hours. That's
1:02:24
not that bad. You know, there's no hair and
1:02:26
makeup, they can wear whatever pants they want. And
1:02:29
I'm supposing this is like an audio project,
1:02:31
not a video. If it's video, it changes
1:02:33
everything because the production costs rockets up. I
1:02:35
can make an episode of audio action play
1:02:37
for free. You nobody can do video for
1:02:39
free. Kevin, am I right? That
1:02:42
is correct. Yes. Yeah.
1:02:45
Video just adds to everything. Yeah,
1:02:49
I mean, yeah, it depends on like
1:02:51
what people are up for. You know,
1:02:53
I think people like like video these
1:02:55
days, but you know, unless again, unless
1:02:57
it's like zoom, but zoom sucks, you
1:02:59
know, the delay and stuff, it kills
1:03:01
chemistry. So well, you can always
1:03:03
go to video later, once you start making money, you
1:03:05
can start with an audio thing. Now test your audience,
1:03:07
test your own, getting back in the game
1:03:09
with the skills tests, your friend network and
1:03:11
the performers that you want to work with, see who's actually
1:03:14
down to clown, you can experiment where
1:03:16
it's cheap, and then grow
1:03:19
your costs and grow the scope as
1:03:22
you grow your own confidence so that you're not over
1:03:24
committed to something that you're not ready for, or something
1:03:26
that you end up hating. I think
1:03:28
that's the way to go. That's the way to do it. But I think you
1:03:30
should do it. I would love to
1:03:32
hear it. No, I really appreciate
1:03:34
talking to you about this. It's really helpful. But
1:03:36
you know, you said there's I have friends, but
1:03:39
I don't I don't know that I have friends
1:03:41
like who are you thinking of like when you're
1:03:43
talking like, because I don't know, I you know,
1:03:45
there's imposter syndrome and stuff, but also like everything
1:03:48
with harmotown. I felt like, you know, those people
1:03:50
like Dan and Jeff and stuff. And I don't like
1:03:52
I don't even know if they knew who I was.
1:03:54
You know, a lot of times, you know, people end
1:03:56
up being like, Oh, no, you're great, or whatever. And
1:03:58
I think a lot of you, but then
1:04:01
a lot of those people are really busy. Like, I don't
1:04:03
know, like I had Matt Gorley on recently and he was
1:04:05
like, Oh, I think of us as friends. And I'm like,
1:04:07
you do? What the fuck? Like this is crazy. So it's
1:04:09
like, I think I kind of have a blindness there, but
1:04:11
it's like, yeah, I don't even know, like, would
1:04:14
take an email from me if that makes sense. But
1:04:16
I had the same, I have no advice because I
1:04:18
had the exact same problem. Very, very
1:04:20
similar in a lot of major ways. I
1:04:24
suppose some sort of triumvirate for Ranch Town.
1:04:27
We can rule as three. I,
1:04:30
you know, I think, I think
1:04:32
if you were to, what's
1:04:36
the what's the name of the challenge and last
1:04:38
crusade where he has to walk out on the
1:04:40
invisible bridge, the Trump
1:04:42
Lloyd bridge? Yeah. The
1:04:45
mouth of the lion or whatever. I think that
1:04:47
if you just sort of stepped off that cliff,
1:04:50
I don't think you'd fall. I think you would
1:04:52
find a lot of people that felt that way
1:04:54
that that that Matt does. I know, like, we've
1:04:56
interacted on Twitter a little bit. We've melted. We've
1:04:58
met in real life for a few minutes, once
1:05:00
or twice over 20 years,
1:05:02
15 years or whatever. It's like
1:05:04
if you had reached out to me on Twitter,
1:05:07
been like, Yes, I can do this. You know,
1:05:09
if I was, if I wasn't doing world three
1:05:11
on number, I think you you have you have
1:05:13
demonstrated talent, you got a lot of goodwill. You
1:05:16
know, look
1:05:18
at online friends who might be into this
1:05:21
sort of thing. Just like send
1:05:23
people an email, send them a text. I'm thinking
1:05:25
about this new project. Tell you what, ask people
1:05:28
for advice. Do what you're doing now with me,
1:05:30
but doing with people that are like a little
1:05:32
more closer to you and maybe have a lot
1:05:34
of friends or acquaintances in common. And
1:05:37
then ask them for advice on this sorts. I'm thinking
1:05:39
of starting this new project. And one of those questions
1:05:41
you ask them should be who do you know, who
1:05:43
would be good for this? And
1:05:46
I bet you a lot of these people, even
1:05:48
if you've never met them, if you meet them,
1:05:50
they'll they'll say, they'll it'll turn out, they they
1:05:52
know about you through reputation or they know your
1:05:54
word. And they like it.
1:05:56
I bet. All right, we'll we'll do okay, this
1:05:59
is really helpful. I really appreciate it and
1:06:01
I feel like I should pay you
1:06:03
a consulting fee because I didn't really know about it. It's
1:06:06
like a thing that you can do. I wouldn't
1:06:08
have a career without you, buddy. Come on. Yeah.
1:06:12
I like that I've helped a lot of people in
1:06:14
various ways. It's really nice.
1:06:17
I feel very miserable, but
1:06:19
it makes me feel better. A lot of people got
1:06:22
a lot out of it. We
1:06:25
sometimes do a segment on a show
1:06:27
called What's Kevin's Deal? Before
1:06:30
the show, you actually expressed interest in Kevin's
1:06:33
whole setup. Instead of our typical What's Kevin's
1:06:35
Deal, do you want to maybe just rap
1:06:37
with Kevin until our time runs out? We
1:06:39
can go maybe a little bit past the
1:06:41
timer, but just talk to him about it.
1:06:45
I've never rapped live before, but
1:06:47
what could go wrong? Okay,
1:06:50
Kevin. I just beat the
1:06:52
beat and beat myself. Yeah,
1:06:54
no. But yeah, I don't
1:06:57
know because Kevin's built a really impressive thing. Everyone
1:06:59
watching this right now is like doing something
1:07:01
that shouldn't be possible, but Kevin's done it.
1:07:04
Yes, Kevin. Okay. I used to host live
1:07:06
streams, but I didn't host them. I paid
1:07:08
Vimeo to host them. Then
1:07:10
Vimeo sent me an email and they said,
1:07:13
if you don't pay us $5,000, I was already paying
1:07:16
them $2,000 a year. If you
1:07:18
don't pay us $5,000 a month, we're deleting everything.
1:07:22
That was a protection racket for
1:07:24
$5,000 a month. So
1:07:26
I got out of there, tried to look for a video
1:07:28
hosting spot, couldn't find anything that made any sense at all.
1:07:31
You built your own. How
1:07:34
do I do that? Well, it
1:07:37
helps if you already own a web hosting company like
1:07:39
I do. God, it's not Vimeo, is it?
1:07:42
No, no, no. It's sort of just like
1:07:45
weaves under the radar of what we're doing for other
1:07:47
companies that pay us a lot of money. But
1:07:51
it's one of the reasons why we're able to do
1:07:54
things like all of Shrob Home Video, where we're a
1:07:56
little bit looser with copyright and things like that, because
1:07:58
all of this is, you know, with the exception
1:08:00
of that happens for the most part, you either
1:08:02
watch it live or you've missed it. So
1:08:05
that lets us get away with a lot of
1:08:07
things that you couldn't probably do in other places,
1:08:09
you know, like we the very first night we
1:08:11
tried this back during the height of COVID back
1:08:13
in 2020. We lasted about five
1:08:15
minutes on YouTube before they shut us down. I mean, literally,
1:08:17
like we didn't get five minutes into the show before we
1:08:19
got cut off. And so that
1:08:21
was my okay, I need to do this myself then.
1:08:23
So first, I use
1:08:26
my existing streaming servers and I ended up writing
1:08:28
my own streaming server to handle kind of some
1:08:30
of the challenges we have here and things like that. So
1:08:32
yeah, handles, you know, many, many
1:08:35
10s of 1000s of people watching
1:08:37
live every Sunday night. What,
1:08:40
how do you get that bandwidth? Right? Because
1:08:42
even if you have like, FiOS, that's that
1:08:44
pipe stop big enough. Like what
1:08:47
language do you say into a phone to
1:08:49
get someone to like bring the giant, like
1:08:51
the, you know, the big water main
1:08:53
sized unit to your house? Yeah,
1:08:56
you need so I would not do it to your
1:08:59
house, I would do it to a data center where
1:09:01
it's a lot cheaper. Because there
1:09:03
it's literally just running a five rocket line from one
1:09:05
part of the room to another part of the room
1:09:07
to hook you up, where bringing
1:09:09
it to your house is very expensive. I
1:09:12
have done that too. But
1:09:16
I would not suggest that for the average
1:09:18
person doesn't have connections into the total industry.
1:09:22
But yeah, you want to get servers at a data
1:09:24
center where you can get bandwidth incredibly cheaply. And
1:09:27
that's kind of what we did here so that we can handle this
1:09:29
many people all tuning in at the same time. God
1:09:32
bless you. Yeah,
1:09:35
it's a hard problem. The average person, they
1:09:37
watch so much video, they do not understand
1:09:39
how complicated and hard it
1:09:41
is to push that video out. Yeah,
1:09:44
that's the thing, man. Like, you know, obviously, we
1:09:46
were on see so and see so sucked and
1:09:48
everything and people would be like, Oh, the see
1:09:50
so apps bad. But it's like, I don't think
1:09:52
you understand like people, they watch Netflix and they
1:09:54
watch YouTube. And they think like, this is easy.
1:09:57
And it's like, no, they like, it was
1:09:59
so hard. Netflix was not good.
1:10:01
YouTube was not good. It took
1:10:03
them like decades to even get
1:10:05
the pipeline to get this thing
1:10:07
that you're taking for granted. It's
1:10:09
really hard to deliver video on
1:10:12
that level consistently and stuff, which whatever. You
1:10:14
know, the app's bad. Yahoo's screen was bad.
1:10:16
But it just doesn't matter to the consumer.
1:10:18
They don't think about it like that. But
1:10:20
man, it's a miracle. All this stuff's a
1:10:22
fucking miracle. The fact that we can even
1:10:24
stream at all is crazy. But
1:10:26
we did and we're done. But that's
1:10:29
our show, everybody. Thank you so much.
1:10:31
Taylor, do you have anything to plug? Yeah,
1:10:34
listen to Worlds Beyond Number. It's a
1:10:36
great podcast. Yeah, it's
1:10:38
awesome. It's a lot of fun. And
1:10:41
yeah, so OK. Oh,
1:10:44
and please put pressure on your politicians
1:10:46
to stop the horrible ethnic
1:10:48
cleansing that is happening. Yes, yes.
1:10:51
We didn't even talk about it. Do
1:10:53
we want to? We hit global warming. Yeah,
1:10:56
no. I
1:10:59
talked about it and one
1:11:01
person got mad. But hey, that's a
1:11:03
good ratio. But yeah, so
1:11:05
do you know the Patreon for Worlds Beyond
1:11:07
Number, their Patreon link? Baby,
1:11:09
you just Google whatever you want to find,
1:11:11
and I am there. I
1:11:14
got you, yeah. I got a Patreon,
1:11:16
too. Don't go to it. Go to Worlds Beyond
1:11:18
Number. But patreon.com/the six letter if you want to
1:11:21
give me money for basically nothing at this point,
1:11:23
sorry. But hey, maybe something else in the future.
1:11:26
But yeah, that's that. Kevin, you got
1:11:28
anything to plug? Just
1:11:30
watch shroblemvideo.com every Sunday night, eat up some
1:11:33
of my bandwidth, and watch us live. Eat
1:11:36
them out of house and home.
1:11:39
There's not like a telco. Anyway,
1:11:42
we like to end the show the same way we
1:11:44
do every week. So until next time, bye.
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