Episode Transcript
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0:01
Talk is Jericho,
0:04
baby. Talk is
0:06
Jericho. Talk
0:09
is Jericho, mama. Talk
0:12
is me. All right. So
0:14
Kyle Canane is here and brand
0:17
new comedy special, Dirt Nap. But you have a different
0:19
look now. When you were
0:21
starting your comedy special, you had a bunch of
0:24
different looks that you said you had. One that
0:26
I was thinking was a skinny other guy from
0:28
Tenacious D. Yeah. I get the Kyle gas. People
0:31
take the Kyle and then they take the giant gray
0:33
beard and run with it. I'm like, all right. Well,
0:36
you can't stop the internet from saying what the internet's
0:38
going to say. But that's kind
0:40
of the theme of your,
0:43
I guess, brand of comedy is a little bit
0:45
of self-deprecating humor, which is always the best way
0:47
to approach comedy for sure.
0:49
Yeah. I mean, the only thing I'm an
0:51
expert on in this world is me. So that's
0:54
the only thing I feel qualified on talking
0:56
about. I've been studying Kyle Canane
0:58
for 47 years. I think I
1:00
got him figured out. You're the world's top
1:02
expert on Kyle Canane. Yeah. Nobody's coming. Nobody's
1:04
coming close. Let's talk about Dirt
1:07
Nap. It's interesting to me because it's
1:09
your comedy special and one thing that
1:11
stood out besides
1:13
the clarity is the directed
1:17
by Bobcat Gulfweight. Oh, yeah.
1:19
First off, how did you get Bobcat
1:22
involved and how does one direct a
1:24
comedy special? Bobcat. I
1:27
met him. He was doing stand up. I was
1:29
living in LA and he was there doing stand
1:31
up and directing. He's directed a lot of real
1:34
great films, you know, World's Greatest Dad and
1:36
Shakes the Clown. Like he's secretly
1:38
been putting out very subversive movies
1:42
this whole time and he directed
1:45
a few episodes that I was on a show called
1:47
Those Who Can't with my pals from Denver called The
1:49
Grollex. That's their group and he directed those episodes and
1:51
he was just, he's
1:53
just like this real like sweet,
1:55
benevolent presence when you're making a
1:58
thing like, you know, you get directors like, We're
2:00
losing light. We got to hurry." And he's
2:02
just silly and wants everybody there to be
2:04
like, hey, can you believe we're making a TV
2:06
show? Isn't this crazy? I'm like reminding people that
2:08
we're doing a silly thing and we're very lucky
2:10
to be doing it. And
2:12
so that's like, that's really important to have that kind of
2:15
energy for somebody
2:17
who's in charge. You
2:19
know, I'd say like, you look to the leader
2:21
to dictate how your energy is going to be
2:23
for the day. And when he's like, yeah,
2:25
let's have fun. That's a funny joke. What have you said?
2:28
Having a good attitude, that was really important. And
2:30
then him being a great standup,
2:32
he still tours and does standup. If
2:35
you have a standup, direct a standup. I mean, obviously
2:37
it's like, yeah, put the cameras here, point them towards
2:39
the stage, and then you say your stuff. But
2:42
it's the smaller stuff of like him
2:45
saying, oh, if we shoot it from the side here,
2:47
there's that light in the background and it makes the
2:49
room look a little bit bigger and little
2:52
details of... And also watching the comedy.
2:55
When somebody's a standup going, hey, if you move
2:57
this bit over to here, it
3:00
might make a little more sense. Like it would link in
3:02
later here. I'm like, oh, I'm so up my
3:05
own ass right now about all this. I'm not seeing
3:07
the bigger picture. And so to have a standup know
3:09
how to talk to you. So that's why it worked
3:11
out. And he's just a, he's
3:13
a real rad dude, if I say so
3:15
myself. So it's essentially kind of like, like
3:18
producing a record or helping,
3:20
like if you're producing a record, you're helping
3:22
the bands basically structure the songs and that
3:25
sort of thing. So is he traveling with
3:27
you and watching your, your act for a
3:29
few shows to understand where to place some
3:31
of these things and help you with that?
3:33
Yeah, he came out. I did a weekend
3:35
at Cleveland and a club called Hilarities in Cleveland.
3:37
It's a great club. But he came out for
3:39
the weekend and watched me do like three
3:42
or four shows to be like, okay, this is what you're
3:44
going to record in a couple months. I
3:47
can take notes on this and go, hey, I think this
3:49
would look better here. Hey, when you do this act
3:51
out, it would be great if we had a camera
3:53
over here because you turn around and we don't see your
3:55
face. So yeah, it's,
3:57
it's paying attention to that stuff. be
4:00
like again like a music
4:03
producer knows how to turn the recording you
4:05
know knows how to turn the tape on
4:07
and all that but they also need to know how to
4:09
like work with the band and the personality of the band and
4:11
how to get that stuff out of
4:13
them like oh should I be aggressive with this
4:15
person or should I be laid back with this
4:17
person so understanding personalities That's interesting because like I
4:19
said I've never really thought about you know directing
4:22
a comedy special because you know if you're directing
4:24
a TV show you got this take you have
4:26
that take you do it again you do it
4:28
here when you're doing your special it's one take
4:30
it's all from beginning to end and
4:32
it's up to your director to help you structure that and
4:34
get the best out of it from a look standpoint and
4:36
from a creative standpoint as well
4:39
Well I don't want to ruin the magic of it Chris. They'll
4:44
tape two shows and you get to wear the same
4:46
shirt both times so by the end of the set
4:48
you're pretty smelly but they got something to edit in
4:50
there. Is it all new stuff? I know
4:52
at the beginning of the set you're
4:54
like don't get too carried away you haven't
4:56
heard the new material but is it all
4:58
new material? Oh yeah it's always ever forward
5:00
man. I get bored repeating myself
5:02
you know I think that's
5:05
I remember talking to a Broadway actor one time
5:07
like how do you do that? How
5:10
do you go up? Those people are out doing the same
5:12
show for months at a time and
5:14
they got to say the lines the way they're written. Sure.
5:17
And I was like I don't know how that sounds
5:19
like lunacy. That's
5:21
how I mean the people that do it are
5:23
really good but like how do you say the
5:26
same stuff every single night sometimes two or three
5:28
times a night for months? They're
5:30
touring it and everything like that.
5:34
That's crazy to me. Do you
5:36
ever do like I know like probably
5:38
not because a lot of comics that I know don't do
5:40
this but like fluffy for a while would bring back the
5:43
martine bit or something like that. Is
5:45
there a greatest hit that you would bring back every
5:47
once in a while? No I gotta keep
5:49
going. I feel like you
5:52
start doing that and that's not to slight anybody that
5:54
does it but you start doing that and that's when
5:56
you start kind of like I
5:58
don't know I just it's gotta be. It's gotta be
6:01
perpetual motion. It's gotta be
6:03
moving forward, you know? It's got
6:05
its I have to have like inertia and
6:07
it's also. I. Still really like
6:09
trying to figure out. What's.
6:11
Funny is not. I still a bomb. A lot.
6:14
I still bomb. I was. I tried to bomb
6:16
at shows that people pay for the success that
6:18
that. But by the cats, we were doing a
6:20
local thing in Portland, Or in L A. I.
6:23
Was real good chance of a eat it. But.
6:25
That's I mean, You.
6:27
Know you that you gotta try the news, the hippie
6:30
scared to like I'd I'd feel like like you said,
6:32
don't the old stuff with the oh. People.
6:35
Don't wanna bet they they want the comfort thing and
6:37
I don't wanna get known for that. I'd rather like.
6:40
Keep. My mid mid level popularity. But
6:42
know that. Inside my own
6:44
had to. Curiosity is still going vs
6:46
I gotta give. These people were too
6:48
scared to divert from what people expect
6:50
for me and that that I don't
6:52
want to get to that point. Gas
6:54
Good. God forbid. That's. An issue
6:57
I have god forbid a stadium of people
6:59
expects me to do a sampler. sucks but
7:01
I appreciate your Santa biggest as you are
7:03
to Streets of Not Just you know, falling
7:06
back on on your laurels and and
7:08
trying new stuff for see mentioned when you
7:10
go just h I'm going to like Yards
7:12
open. My curse of these are you
7:14
try a new new material l been magazine
7:17
on by Mana showcase like do and
7:19
ten or twelve minutes and or I'd this
7:21
is. It. Still scares me.
7:23
which rules like I love it. I
7:25
love that I'd like the i don't
7:27
know this. Tonight. I
7:29
might go to bed of real disappointed in
7:32
myself. At. The next night after go
7:34
find another show to wash out the disappointment.
7:36
Second, yes it's I get sick of smelly
7:38
coat you gotta wear for a while if
7:40
you bomb you just like you know you
7:42
bombed until you go on stage and don't
7:45
bomb you just walk around known Alaska you
7:47
did You bomb that you feeling pieces and
7:49
it's ice us. I love that I still
7:51
feel that way. I. Love that I
7:53
still get disappointed if is isn't going wealth
7:55
cause to me I mean they still care
7:57
about you know what I would say that
7:59
iam. The most true professionals feel that way.
8:01
You're only as good as your last show, especially
8:03
when you're trying new things like I I I
8:06
have. All people know exactly what you're talking about.
8:08
Sometimes it is a little scary, but if not,
8:10
then where were you forcing yourself to be a
8:12
guide? You get to the next level, right? Yeah,
8:14
he got. do you gonna do bad enemy of
8:17
that? The internet's gonna tell you that you did
8:19
bad and I go. Thanks strangers, Thank you. Yeah,
8:21
thanks for letting me know any to grow
8:24
my beard back. That's what I mean. That's
8:26
why I love the Wake up with Strangers
8:28
time and S F are you mentioned
8:30
earlier? I'm I know that you recorded as
8:33
this the special was a nap So the
8:35
Acme Comedy Club you mentioned polarities I love
8:37
names. Of. Comedy clubs tell me
8:39
some your favorite if. You
8:42
have somebody else likes him. Stiffest
8:44
of the gods funny bones, side splitters
8:47
fi a plan that one the
8:49
you know what it went from. it
8:51
went from those been. Silly.
8:54
And like like a job. Now now
8:56
it's come back around but. Yeah.
8:59
It's just I know I'm a comedian, but
9:01
as everything has to be wacky around, it
9:04
does everything have to be branded as. Like
9:07
that in own was silly Goose is ethical
9:09
they know whether at they know that came
9:11
with a comedy club they need like the.
9:14
The. Like the ding dong martini or whatever.
9:16
Like they're going to make a mortar that
9:18
by name. like this one where adults gallons
9:21
of a few the go to a techie
9:23
cheese and running silly. But I know it's
9:25
a comedy club, but we're here. We're all
9:27
grown adults who. Saw.
9:30
Such a morbid. but the special some great stuff
9:32
on there are loves, the kind of the racing
9:34
on the sauce, the serious movies. I feel the
9:37
same way. did it simply of your thoughts about
9:39
what you talked to more than those movies I
9:41
love of man. That. I I
9:43
know. My. Expectations are so
9:45
low for those like I don't. I.
9:48
Never like attach myself to me movie franchises
9:50
or know if you have any real like
9:53
i gotta see Star Wars or I gotta
9:55
be like. and i feel
9:57
like you get to level of fandom where you're setting
9:59
things up so high you're only going to be
10:01
disappointed. I don't
10:03
do that for anything. So if anything
10:05
I pick something that's already pretty silly and
10:09
all it has to do is deliver on that. All
10:11
it has to do is be more ridiculous than the
10:13
last one and I will say that The
10:15
Fast and Furious has exceeded my
10:17
expectations every single time.
10:20
They know you want some crazy
10:22
shit and that's awesome and
10:24
they give it to me every time and
10:26
it's all they want out of those movies.
10:28
But it's a great bit too because it's
10:31
one of those things like you're right and
10:33
it is really funny when you find the
10:35
comedic side of it. Who's not smiling through
10:37
those movies? Who's watching those movies? Like who's
10:39
not laughing their ass off watching
10:42
Ludacris take a Fiero to
10:44
space? Sorry, spoiler, sorry. If
10:48
anything I just made you want to watch it more.
10:50
Yeah. You either saw it or I don't think anybody's
10:52
like on the fence like one day I'm going to
10:54
like lock in and watch
10:57
these. I tried to do it. Are you like a
11:02
Marvel movie guy? You know what? I'm really not and probably
11:04
for the reason that you're going to say but tell me
11:06
what you think. I just didn't like I
11:08
don't think I think they take themselves
11:10
seriously. Yeah. And that like
11:12
I don't and also I don't know I didn't grow
11:15
up with like comic books or anything. So I don't
11:17
know who does. I remember watching The Avengers and being
11:19
like well I don't know who any of these people
11:21
are. You
11:23
know it's like watching a super it's like the
11:25
traveling Wilburys. I'm like well why are these guys
11:27
who are these guys are all from different bands?
11:30
All right well I got to learn these other bands. So then
11:32
I tried to watch the Marvel
11:34
movies. I remember
11:36
I remember I was like I'm going to
11:39
try and watch them all like in chronological
11:41
order not when they came out but when
11:43
the characters appear. Oh wow. In the world.
11:45
That was going to be my pandemic exercise.
11:47
Right. And like the very
11:50
first one like the earliest appearance I think
11:52
was I don't know his Captain America. Somebody's
11:54
going to get pissed at me about this.
11:57
But so I'm like well just.
12:00
a family-friendly show, Chris? It
12:02
is whatever we want it to be. Okay, well I
12:04
don't know. Like I said, I'll just
12:06
get like Bong, Rip & Stone and
12:08
I'll watch these. I'll watch these. Like that's what you're
12:10
supposed to do. And I was enjoying
12:12
Captain America to a point and
12:15
I was going to try and tell my girlfriend, like
12:17
actually you might like this. There's some pretty decent storylines
12:19
to it. But then the bad guy is like a
12:21
big red, he's got like a red skull. Did you
12:23
see this one? See the guy? He's got like a big-
12:26
I know you're talking with the red skull guy, yeah. Like
12:28
a shiny red like gummy bear
12:30
head or something. Yeah. And
12:32
I'm like trying to like you know what I'm
12:34
going to picture on this and she comes in
12:36
the room right when the giant red silly skull,
12:38
she's like what the fuck is this? And I'm
12:41
like I can't, I can't tell you anything about
12:43
why this is good right now. Because I was
12:45
losing my mind because I'm like yeah this is
12:47
ridiculous. And I think I fell
12:49
out after that. They were just so mad like oh they
12:51
kept adding more as I'm watching them. I'm like I can't,
12:53
I'm never going to keep up with this workload right now
12:56
if I'm trying to watch all these. Well the
12:58
thing that bothers me about them is I tried as well
13:00
because I was a comic kid you
13:02
know when I was growing up. But
13:04
it started falling into this trap
13:06
of two tails. One is
13:08
every one there's some kind of an invasion.
13:11
They're getting invaded by aliens, time
13:13
travelers, giant bugs, whatever it may
13:16
be. And
13:18
then they always you know thwart the
13:20
invasion at the end. And
13:22
then you watch the credits and they're eating you know late
13:25
night at a diner. And that's
13:27
what happens in every one. Like I've seen
13:30
this already every time. Pitch
13:32
them on yours. Which superhero are you going to
13:34
be? Pitch them on yours. No invasion. You're
13:36
the invaders. When they started getting
13:39
into Ant-Man and like Wasp
13:41
Woman and Blue Beetle like those are
13:43
low level, you know those are opening
13:45
comedians that's side splitters that come on
13:47
before you know three people before you
13:49
do. You know we're getting really low here.
13:51
I was there was so much going
13:53
on like I couldn't tell like at
13:56
this point I'm like is Godzilla an
13:59
Avenger? know. Are
14:01
the Transformers going
14:04
to fight Batman? I don't know.
14:06
They may as well. If you want to
14:08
get me on board, start
14:11
folding in the Fast and the Furious. Start
14:13
folding the Transformers in with Fast and the
14:15
Furious. It's pretty much made for each other.
14:18
Fast and the Furious has already gotten ridiculous
14:20
and the Transformers are robots that are also
14:22
cars. Just make the movie, Hollywood. Give us
14:25
what we want. Yeah, and then
14:27
throw in Jason Voorhees. He's been in
14:29
space, so throw him in there. Buddy,
14:31
are we not writing the best movie
14:34
that anybody would possibly want to see
14:36
right now? I mean, you want to
14:38
talk multiverse? We'll give you multiverse, man.
14:41
We got it. I want
14:43
a gumbo. I want a gumbo
14:45
of everybody I've seen on screen.
14:47
You've done Freddy versus Jason. You've
14:49
done Alien versus Predator. Just let
14:51
me have it. Let's just cut the podcast out.
14:53
We'll write this. We'll bang it out by the
14:55
end of the day. It can't be that hard
14:57
of a script. It could be our new podcast.
15:00
Writing the perfect script with Kyle and Chris. Just
15:03
dreaming up scenarios in which
15:06
the scream mask guy has to fight us.
15:09
I don't know. Pick one of the other ones. I
15:12
also love how you mentioned Luda and how
15:14
he really is not understanding that he's
15:17
really in a movie.
15:19
I've always loved that about that character. It's
15:21
him. That's the guy. Yeah, I think you
15:23
hire Chris Bridges. I believe
15:25
this is proper now. Oh, nice. I think
15:27
that's probably what's on the checks he gets
15:29
from the movie studios. Yeah, yeah, yeah, yeah.
15:31
I think you know what you're getting when
15:33
you hire a ludicrous. Like,
15:35
no, don't act. Just be ludicrous. We
15:38
want ludicrous. Right. We
15:41
hired ludicrous to be ludicrous. We didn't hire ludicrous
15:43
to be somebody else. I always liked that too.
15:45
Like, in sitcoms in the 80s, when it would
15:47
be like, you know, I don't know, Theo
15:50
would be getting yelled at on the Cosby Show
15:52
and then there'd be a knock at the door
15:54
and it's like, oh my goodness, it's Olympic gold
15:56
medalist, Carl Lewis. Carl
16:00
Lewis drop is nice. Why
16:03
is he in the neighborhood? I
16:05
was just jogging by. Yeah. Yeah. I heard
16:07
a couple of tell you guys stay off,
16:09
stay off drugs or whatever the heck you
16:11
would say and just pop in and
16:13
then pop out again. Yeah. Oh, Brad Pitt's
16:15
on friends. All right. Yeah. Yeah.
16:18
So you really talk to Kyle about
16:21
how, you know, you
16:23
don't really tour as a comedian. This is what
16:25
your job is. And you are just doing this
16:27
job all across the country. It's kind of a
16:29
cool way of looking at things. Yeah. I, some
16:31
people, I didn't realize if it came off a
16:33
little bit, I didn't mean
16:35
it to be pretentious. I just meant that it's not like
16:38
everybody tries to brand. I think it's just a branding
16:40
thing to call something a tour. It's like, well, if
16:42
you're a standup, you just go do
16:45
standup. You didn't like, it's not
16:47
like some people are
16:49
celebrities and
16:51
then they'll do a standup tour
16:53
because they want to make, I think, uh,
16:57
uh, who's the guy from Joe McHale? I think his
16:59
tour was called thanks for the pool. Like,
17:01
I think he was very obvious about like, yeah, this, this
17:03
tour that I'm doing is going to pay for a pool
17:06
that comes in. That's just, that's a humor. You're
17:08
just a standup. That's just, that's
17:10
just what you're doing. You know, this is, I'm
17:12
going to do this in perpetuity until I get
17:14
sick of it or, I don't
17:17
know, they, they unearthed something about me. Don't
17:19
we all have unearthables out there? You
17:23
know, until they find out that I was, you know,
17:25
the head of communist Russia from 1988 to 1996. And
17:29
when that comes out, I'm probably doomed. But other
17:31
than that, uh, no, I just, I just, this
17:34
is what I want to do. So
17:36
to call it a tour just means the next, next
17:38
year it's a tour and the year after that tour
17:40
is like, no, here's just, here's my year of work.
17:42
And then next year I will be doing this again.
17:45
It's like calling your commute a tour. You're
17:49
going to work. But that is true. Like
17:51
you said, it's not like you're doing it like a tour.
17:54
Like if you're in a band would be, you go out for three months
17:56
and then you got, you know, three months off or six months off. What's
17:59
your cost of being working? Right? Well bands tour.
18:01
Bands have to... bands... that's the
18:03
irony of... not the irony is the wrong word,
18:05
but a band will sit there and write new
18:07
material and then perform
18:09
it. And people are hoping to
18:11
hear the old stuff when they go out as
18:14
a comedian. You only create it live. You can't
18:16
create it in a vacuum. You can't create it...
18:19
You know, you write the idea down, but you find
18:21
out if it's funny because strangers laugh at it.
18:23
So you have to perfect it in front of
18:25
an audience. And then
18:27
that's the tour. Is you perfecting
18:30
this stuff? And then it gets recorded and then
18:32
it goes away forever. That's the opposite of music
18:34
is you record something and then you hope those
18:36
become hits. Mm-hmm. No,
18:38
you heard all this already. You heard all this? Now
18:41
I'll record it for people that haven't seen me live
18:43
and I'll go out there. But
18:46
I wanted to flip it on you, Chris.
18:48
I wanted to talk about music for a
18:50
second. Sure. You were playing music for a
18:52
while. Still do, yeah. Is
18:55
Fuzzy still going? Yeah, yeah. Yeah.
18:57
I had good friends with
18:59
Dave Stone who was your previous tour manager
19:02
way back when. Do you remember Dave at
19:04
all? It's a long time ago, man, but
19:06
I do. Yeah, for sure. He said he
19:08
wore the pig mask for you guys. That's
19:11
probably 20 years ago. Yeah,
19:13
I don't know how long ago it was.
19:15
He's a comic I did a podcast with
19:17
for many years and he's like, yeah, a
19:20
lot of jobs. He did a lot of
19:22
stuff. He's like a chef. He's like a
19:24
tour manager for Chris Jericho's band. They would
19:26
make me wear the pig mask on stage
19:28
with the chainsaw or something. That sounds
19:30
pretty cool. Yeah, that's a
19:32
long time ago, man. That's a good turnout for
19:34
sure. Yeah, yeah, yeah. So I wanted to throw
19:37
that one in there. Where
19:39
are you from? I am from Chicago
19:42
suburbs, baby. That's right.
19:44
I had to get these hats made because everybody's
19:47
like, what part of Chicago are you from? I'm
19:49
like, I don't know, where the tornadoes start. That
19:51
was the best way I could describe it. Like
19:55
you said, I'm from the suburbs. What part of the suburbs?
19:57
They're all the same. All of them are the same. Same
20:00
one through and through. Just
20:02
the outskirts of a major city. Big box
20:05
stores, boredom, smoking
20:08
pot behind old K-marts. You
20:11
know the routine. You had a great line
20:14
about how there's always like
20:16
I don't know, I'm paraphrasing your own joke you know
20:18
it better than I do, but there's an Applebee's and
20:20
there's a frickin' Best Buy and there's always the confused
20:22
family in the middle. I've been there. I've
20:25
seen it. Yeah. Yeah. And
20:28
I've seen the Cloverleaf dining options. You
20:31
know which chain restaurants glom
20:33
on to highway exchanges. That's right. And
20:36
I'm not trying to act better than
20:38
them. I mean I have my preferences.
20:42
Applebee's pretty low on the list. I'm
20:45
not going to argue with you about a red lobster though. I'll
20:49
go throw down at Shrimp Fest. I'll
20:51
get a little wild at Shrimp Fest. Not
20:54
mad at a sizzler. That's quality. Sizzler's
20:56
got a good off. And it's the thing too.
20:58
Like when you're on the road all the time
21:01
you see the places that you know and that
21:04
you, like you said, a sizzler always trumps Waffle
21:07
House. Cracker Barrel trumps the sizzler in my
21:09
opinion. I, you know what, and this is
21:11
my friend Dave, got me back on the
21:13
Waffle House thing. I had a very bad
21:16
experience with a Waffle House. Real
21:19
gross. And then I was
21:21
not viewing Waffle House correctly. Waffle
21:23
House, it's the fast and the furious of
21:26
restaurants. Wow. Explain. You
21:28
know what you're going to get. You know exactly what you're going to get. I
21:32
got a little extra when the guy rang
21:34
out the dish rag behind the counter, but
21:36
it somehow squirted on the counter on everybody's
21:38
food. And everybody sitting there
21:40
just looked at each other like, we're still going to
21:43
eat it, right? Yeah, I guess. And we just all
21:45
ate our food. We just all ate our food. Just
21:47
quietly like, yeah, we sat at the counter. We knew
21:49
the risks. Yeah, I
21:52
just, I like the Waffle House. I like the simplicity
21:54
of it, and I like that for what you're getting
21:56
and what you're paying its quality. I also like that
21:58
they have... that FEMA uses
22:01
them as whether
22:03
or not like to grade if
22:05
they should shut down because of weather. It's
22:07
the Waffle House Index. If Waffle House shuts
22:09
down, then FEMA is like, all right, we'll
22:12
issue the alert. They should just shut down
22:14
businesses because Waffle House is the last one
22:16
that stays open. And I
22:18
did research on it. They're
22:21
like, they do so much. Waffle House
22:23
rules. Secretly, you don't realize it. They're not
22:25
putting it. They're not wearing it. But
22:28
Waffle House secretly does a lot for the community,
22:30
does a lot for its employees, and
22:32
it's a solid food item. Right. I
22:35
praise Waffle House. Also,
22:38
being on the road, I want
22:41
to support mom and pop places, but
22:43
then you don't know what you're getting. And sometimes you're
22:46
just like, I'm starving, and I
22:48
need to know the thing I'm going to get is
22:50
the thing I want. And sadly, you do,
22:52
will gravitate towards a chain because like, oh,
22:54
they've been taught to make this the same
22:56
way each time where it's
22:59
like, oh, I'm going to go to grandma's family dining because
23:01
I want to try this down
23:03
home spot in West Virginia. And I got
23:05
like a
23:07
grilled cheese with two different types of bread and
23:09
like, oh, this is- Drama was
23:12
nowhere to be seen. No, there is no. I think
23:14
you're upset that we came in here. You're
23:17
upset that we ruined your front to
23:19
sell pills, and now you have
23:22
to actually make us a meal to prove to
23:24
the cops that you're a legitimate business. So
23:28
when you're touring, it's
23:30
probably different now than maybe it was always this way.
23:33
It seems like you go out, most communities will go
23:35
out for a weekend in one city
23:37
or whatever, but is there times where you have to
23:39
get in a car and drive from city to city
23:41
still? I used to do it like that. I used
23:44
to, I don't know if the
23:46
leaner days are wrestling if you're kind
23:49
of working like circuits
23:51
where it's like, all right, there's
23:53
going to be five gigs
23:55
this week in a region and
23:58
they're going to be lower level, but that's- I
24:00
always I learned everything from going to see
24:02
bands and like the 90s going to all
24:05
ages shows and going like oh these guys
24:08
Are gonna get in a van and go out for
24:10
two weeks and play wherever they can play and it
24:12
might be a Tuesday night With eight people, but they're
24:14
gonna They're gonna go
24:16
for it They're gonna put my best show for those eight
24:19
people because they know that those eight people will tell their
24:21
friends and next time I play through maybe it'll be 30
24:24
people or word will get
24:26
around and so that's how I started Mm-hmm
24:28
cuz I couldn't a comedy club. They're
24:31
gonna book you for at least five shows So
24:34
whoever wanted to see you now you can now they're
24:36
gonna spread that crowd out over five shows So if
24:38
I was gonna sell a hundred tickets, it's maybe 20
24:40
people in each show And
24:43
I'm like, ah, this is gonna ruin my love for
24:45
comedy. I'd rather just Play the
24:47
one show on Tuesday and drive to the next
24:49
city and drive to the next city until I
24:51
can sell tickets So
24:54
that's how I did it for a long time was do
24:56
it like touring like a band and be like, yeah Okay,
24:58
it's a Wednesday night. Hope you can make it out to
25:01
this Weird venue in a
25:03
weird part of town Yeah,
25:05
now now I can sell my own tickets So
25:07
now I'll go out for the weekend and do
25:09
the comedy club and come home because it's you
25:11
know, I've been at it for 20
25:14
some years. I'm a bit of a homebody now
25:16
I like that part of it when I when
25:18
you're younger and you don't have anything and you
25:20
don't have a Relationship be like yeah, just put
25:22
me out there. What's your what I
25:24
got What am I gonna do sit around my roommates?
25:26
Well, yeah, put me in the road. Let's go Yeah,
25:28
now you work you work hard and you like you
25:30
like being at home and having your stuff and that's
25:33
so Now I go out
25:35
on the weekends, but I still got almost every weekend
25:37
still busting my ass So I mean you probably don't
25:39
have a lot of this now because like you said
25:41
you've been doing it for over 20 years But when
25:44
you were when you're starting out as a comedian, obviously
25:46
if you mentioned bombing But what
25:48
if you're not bombing but the crowd just
25:50
isn't responding? What what do you
25:52
do to try and open it up? I mean, do
25:54
you try something different? Do you go into improv you
25:56
just stick with your act sometimes? I mean I read
26:00
mankind's book and he was talking about
26:02
it like it really resonated the parallels
26:04
between wrestling and comedy are so Just
26:08
so close to one another he's talking about like yeah
26:10
if the audience wasn't enjoying it Him
26:13
and whoever he was matched up with they would
26:15
just start being ridiculous to entertain each other. Oh,
26:17
yeah. Yeah like to try and make Like
26:20
to try and hit somebody from so far away to
26:22
make it look so ridiculous to like you got it
26:24
Like just have fun like and I like
26:26
that's where you get with comedy. We're like, all
26:29
right Well, here's the here's the bits that nobody
26:31
likes anyway that I think are so silly
26:33
and I'm just gonna go for it or
26:35
I'll go You know,
26:37
I think that I honestly think that fast and
26:39
furious tangent Probably started because people weren't into it
26:41
and you're like you're wondering how long I could
26:44
talk about the fast and the furious I'm
26:47
gonna punish you with how long I could talk about
26:49
the fast I Mean
26:52
you never want to blame the audience for any of it,
26:54
you know, I still think 95%
26:58
of the time the blame does fall on the performer
27:02
You know There's always like oh, they're
27:04
a little rowdier this is that but it's like if you've been doing
27:06
it for long enough You should know
27:08
like oh, here's the bits to get them on board. Here's
27:10
right, right And if I
27:12
fail at doing those things I feel I've like that's
27:14
on me. I usually I'll blame myself Mm-hmm
27:17
for I mean if you watch this special,
27:19
you know, I blame myself for most everything
27:21
So that's but that's that's it. You
27:23
just like Cuz if you see
27:25
like if you see a comedian that's not having fun on
27:27
stage Like yeah,
27:29
what what the trans what chance is
27:31
the audience? Yeah, if the guy's Job
27:34
to bring joy isn't enjoying it But
27:37
that's that's the secret to live performing
27:39
though is connecting with the crowd and
27:41
if you can connect with the crowd though They'll
27:44
always be happy to come see you and you
27:46
know buy tickets to see you and that's stand-up
27:48
comedy that's wrestling That's music. That's you know, you
27:51
mentioned if you're doing Broadway Whatever
27:53
it may be you have to have some sort of a connection
27:55
with you with your audience Yeah, I mean have you ever seen
27:57
a band that you're sug's and they were just boring Yeah,
28:00
that's like wow You
28:02
guys Right is my friend sean jordan
28:04
every time i'm like, oh, I gotta go do this show
28:06
this weekend He's like you get to go do a show
28:08
this weekend. Right? He's really good
28:10
about like reminding Like remember
28:12
like you see a band you pay all this money You're
28:14
waiting like months to see this band and then they just
28:16
like so bored to be there It's like I
28:19
could have just stayed home and listened to the record. It would have been
28:21
so much cheaper Like how are
28:23
you guys not? I'm, not
28:25
asking you to do cartwheels or flip
28:27
the guitar around the back style Like
28:30
this. I like to know that you guys enjoy
28:32
making music still and weren't just here to take
28:34
my money At least give me the illusion,
28:36
you know What's like the
28:38
worst heckler you've ever had to deal with? You
28:41
still have to deal with those sometimes if someone
28:43
gets a little drunk or something I think words
28:45
out that you'll get booted. I mean now there's
28:47
like this Ah, gotcha onslaught
28:49
of crowd work Videos
28:52
that you know, it's easy because You
28:55
don't burn your own material because you're just talking to
28:57
the audience and They're providing
29:00
it and that's not really
29:02
my style. I've seen it done well but
29:05
I also think a lot of people are doing it and I
29:07
think it's kind of flooding the internet with Half-assed
29:09
crowd work because there's a chance to keep your name
29:11
out there without ruining material And
29:14
I think that kind of can create this Atmosphere
29:17
where the audience it gives some people in
29:19
the audience like oh people want to
29:21
make a crowd work video I'll interact with them. It's like
29:23
I don't want that at all That's
29:25
a case by case basis I
29:28
was opening for mark maron at the purple
29:31
onion in san francisco. It's like legendary
29:33
kind of spoken word Comedy
29:35
jazz club in san francisco. This
29:38
is probably you know 15 years
29:40
ago or something And
29:42
uh, there's this legendary chinese spot called
29:44
house and king across the street and
29:46
I ate so much chinese food Like
29:49
it what it's like, you know, like when you just
29:51
eat something like you find something that just tastes so
29:53
good You're like, I just won't stop. I'm just not
29:55
gonna stop eating Yeah, like just complete
29:58
disregard for having to perform this I
30:01
ate so much I could barely move and then I had
30:03
to go across the street and do this show and Admittedly,
30:05
I was doing terrible. I was so
30:08
full of like lemon pepper chicken like
30:11
Just all I wanted was like barf and fall asleep
30:13
That's all I wanted to do and that you could
30:15
see it up my face I'm like leaning on a
30:17
stool and this guy He
30:20
heckled he but the heckles were
30:22
real specific. He's like You
30:25
bore me bring on Marin like this
30:27
kind of regal like you you bore
30:29
me like wow, that's a Like
30:32
you suck is one thing. I know that but
30:34
you bore me is like, oh like the King
30:36
right spoken I'm
30:38
gonna be fed to the lions like weird
30:41
heckle and then I Got
30:44
and I deserved eyes. That's a terrible
30:46
But then I got off stage and then Marin was
30:49
on stage and then this guy again. He say
30:51
he started to chime up in
30:53
the back and Somebody
30:56
came over to tell him to keep it down and
30:58
the guy ran It was a basement club and he
31:00
ran up the stairs to like run away from security
31:02
But it wasn't the stairs to leave it was the stairs
31:05
that go to the kitchen to the restaurant upstairs But as
31:07
he's on the stairs, he goes I
31:09
love you mark Marin. Fuck you mark Marin And
31:13
it was the weird like okay, this guy's not
31:16
well, yeah Like if I
31:18
pull her heckler, yeah Yeah, it was like I
31:20
was like a like a Tourette's or something because
31:22
like the things he was saying were like Colorful
31:26
but not necessarily just a heckle
31:28
like very like flower flowery language
31:31
Right and you saw these two this like older man
31:33
and woman kind of get up After
31:35
they chased him off and slowly go and grab
31:37
this guy's jacket off a chair and like oh
31:40
I think they were like his parents and
31:42
they take him to Come
31:45
like oh this guy's like affected by
31:47
something but he loves comedy and this
31:49
is there that mark marin was kind of like You
31:52
know comedy, you know It's like it like
31:54
it can speak to some people or like,
31:56
you know, like the para social relationship that
31:59
people form hearing somebody talk
32:01
about their feelings in an entertaining way, like, will
32:03
they think like I think? Mm-hmm.
32:05
And so these marginalized individuals, like this guy, I
32:07
think the parents were like, all right, here we
32:09
go. We're going to take him to a comedy
32:11
show again. And they kind of like knowingly like,
32:14
all right, let's go pluck our
32:16
son from the security since this
32:18
is how these events end. And
32:21
that was the weirdest one. But it also made
32:23
me realize that sometimes when people are yelling out,
32:25
they're not just being drunk dicks. A lot of
32:28
times they are. But I had a
32:30
woman at a show, I thought there's a bird in the showroom,
32:32
like, it was like a whistling, is that a bird? And
32:35
she goes, yep, I
32:37
have Tourette's. And like, all
32:39
right, hey, you know what, I'm not going to take
32:41
that. It's like, it's such low
32:43
hanging fruit to make fun of. And
32:45
like, you know, drummed
32:48
up enough courage to come to a show knowing
32:50
that somebody's going to say something. Go
32:52
have at it. And it's what, you know, you're not
32:54
telling my, telling me I hope my
32:57
mother dies. You're just making bird noises, like, all
32:59
right, that's fine. Yeah, part of
33:01
the fun of being alive to entertain.
33:03
All right, it's an atmosphere. Sure, why
33:05
not? I don't know. No problem with
33:07
you. You mentioned opening for Maron. Who else did you open
33:09
with when you were a younger comedian that you learned from?
33:12
Oh, man, Patton Oswalt was great. He
33:15
was just, you know, as far as guys that
33:17
just love stand up so much. And obviously his
33:19
career is going on to, you
33:21
know, he's making movies and writing books and everything,
33:24
but he still loves stand up. Daniel Tosh taught
33:26
me a lot about the business. He
33:28
was a real like, tell
33:31
me how show business is pretty much like,
33:33
it's all made up. Like everything's made up. The movies are
33:35
made up, but also the business is made up. Like this
33:38
guy is going to take 15%. Why? Who
33:40
says? It's not a law. Yeah.
33:43
Tell him you can take this much. Like all these
33:45
numbers are just created. It's not
33:48
a law. These are fictional numbers and
33:50
fictional jobs that people have made up for themselves. Like, Oh,
33:52
well I can get you this job, but he's going to
33:54
get you that job and kind
33:56
of was like, if you're determined
33:59
enough, you can. You know, it's
34:02
all malleable in a way so that he
34:04
was valuable that way. Hmm But
34:06
I honestly Marin gave me a piece of advice when
34:08
he was big and he was like I thought he's
34:10
like should be playing Theaters and stuff and he's still
34:12
playing comedy clubs That's still buddies.
34:15
I'm like, why are you still playing comedy clubs? Like I need
34:17
new people to know who I am and
34:19
that changed my attitude on comedy clubs He
34:22
was like, oh, yeah, cuz you're now I
34:24
was like, no, I'm here on a Tuesday You
34:27
know Charlotte, so if you can't make it Tuesday,
34:29
you might never see me for three years Whereas
34:32
like well now if you play a comedy
34:34
club you give people five chances to see
34:36
you Hmm because they got to get
34:38
babysitters and they got to do this and they got if they want
34:40
to take a chance on seeing A comic they don't want to go
34:43
and to the weird punk venue on the
34:45
outskirts of town that they might have to stand for
34:47
Two hours like they want to sit and they want
34:49
to give like and it kind of
34:52
Open my eyes and change my perspective on that
34:54
so no that is a good point I learned
34:56
that a long time ago is people don't want
34:58
to go to Dumpy venues
35:00
to see you know comedians
35:02
bands, whatever they want to go to a nicer
35:04
place They really do if you play those places,
35:06
you'll draw better crowds Yeah, I mean just cuz
35:09
I liked it when I was 17. Yeah, I
35:11
mean that that's what the masses like I loved
35:13
scummy spot I still love a good scummy spot
35:16
I never trust a bar that looks real clean, you
35:18
know What a filthy
35:20
place. I want my glass sticking to the
35:22
bar. That's what I want What inspired you
35:24
to start getting into comedy in the first
35:27
place? I mean, that's obviously a big it's
35:29
a big step to go on stage and
35:31
tell jokes. What what inspires any of us?
35:35
Because I don't know I think I saw
35:37
I Saw the
35:39
all the alternate the alternate of like. Oh,
35:41
well you just get a job I didn't
35:44
have I don't know Did you have like did you
35:46
have something that you wanted to be when you were
35:48
younger that was like closer to like a real? Career
35:50
path. I don't think so. I always wanted to
35:53
be a wrestler and a musician That's kind of
35:55
you know, obviously I wanted to be a Secret
35:57
Service agent When Ronald Reagan.
36:00
You know attempted assassination but your ten years
36:02
old at the time he just looked at
36:04
a cool in on a mean but are
36:06
you were never guys out there now play
36:08
music and I have something in common with
36:10
his potential was sm can see out his
36:13
as books index what on that if he's
36:15
outside of played music and if I have
36:17
a camp for cancer gum of gigs keep
36:19
getting trampled on like I it's Id he
36:21
tried to kill the president's i three other
36:23
that that that's acceptable adjustable offense. Yeah I
36:25
don't really believe in the care for cancer
36:28
but the guy that was it as acid.
36:30
At one point that it would be a
36:32
sad can see why. Gigs I like we
36:34
might wanna John Hinckley Jr degree as a
36:36
musician Al yeah yeah he's out his out
36:38
try to book gigs will were put an
36:40
image you are multi verse or movies or
36:42
sir who that's a good call on this.
36:44
I mean they were touch now and they're
36:46
like Abraham Lincoln Vampire Slayer something I think
36:48
those a nudge in the right direction. They
36:51
worked yeah like it worked. yeah I like.
36:53
I like this fantasy draft of just who
36:55
Should Be in this movie. But.
36:57
I yeah I just I never had a thing as a kid.
36:59
were like. Oh you know
37:01
what I'm going to be as an engineer?
37:03
Some with no I didn't have that, it
37:06
was just either. The. Wild
37:08
Ideas. You. Know like
37:10
yours like wrestler, a musician, or. I.
37:13
Guess I'd. Stay.
37:15
In this town and get whatever degree
37:17
that you get to go. would be
37:19
of manager some was a braille writer.
37:22
I gotta i gotta swing. I miss
37:24
a gotta swing on this idea. And
37:27
most people they they stop swinging. They.
37:30
Start swing and they get to high school
37:32
or something in that you let people tell
37:34
you like he gonna get the grades for
37:36
this and you gotta get you know you
37:38
go start worrying. I don't agree with that
37:40
system of like. You're. Eighteen go
37:43
to college right away. Cause.
37:45
Last year you in high school and your
37:47
been an absolute dip shit but now. You're.
37:49
Gonna go. Into at least
37:52
five figures, if not six figures. A
37:54
debt. Immediately as an eighteen
37:56
year old, right? and you're
37:58
going to change your major of utah I mean these
38:00
people I go to college in four years. What are
38:02
you doing? Take take your time Then
38:04
to look at like oh, and then I'm just gonna be in debt
38:07
in my early 20s For
38:09
an idea that I was told I needed to
38:11
commit to when I was 18. Mm-hmm. I
38:14
really liked You know the way
38:17
people else were like oh you're finished with primary school or what
38:19
they would call high school Go travel
38:21
for a year go
38:23
take a fraction of what you would spend
38:26
on college and Travel the
38:28
world and yeah, you're gonna party and you're gonna
38:30
do all that stuff but you might meet a
38:32
lot of people from different walks of life and
38:35
People that have different ideas of how the world
38:37
might work or how they fit in it whether
38:40
it be a career or something a passion
38:42
you might learn you have because For
38:45
most people up until you're 18. You're probably
38:47
really in the same town You know right
38:50
and you're around you're around the same group
38:52
of people from at least that's how
38:54
it was for me I never moved from childhood
38:56
to high school you're
38:58
around the same sphere of influence Mm-hmm,
39:01
and so you're never getting a you know, or maybe
39:03
it's your parents or something saying well You're gonna be
39:05
this you're gonna be this you like this you should
39:07
be this and you're never
39:09
getting exposed Granted this
39:11
is old man Kyle talking. I didn't have the internet
39:13
when I was in high school maybe now there is
39:15
an a easier way to sit there and just Mess
39:18
around on Instagram and see somebody that's got a job that you
39:21
never thought you could have But
39:23
seeing it in the real world and going and traveling
39:26
That I thought that was and that's so that's
39:28
why like so to bring it to the comedy thing
39:30
I started I always liked watching comedy. I had no
39:32
idea where you start comedy, right? I didn't know about
39:35
comedy clubs. I didn't know
39:38
Any of that stuff? So it was
39:40
that I read something I was working at a gas station
39:42
I read in the newspaper about an open mic and I
39:44
went and did the open mic and then I was like,
39:46
all right Well, I tried that thing and
39:49
then I was in I was in a college class
39:51
where I saw a guy from the open mic I'm like, so where
39:53
else do you do this? He's like, oh, there's shows all over you
39:55
do that. And so He
39:57
pointed me to the right direction where there was open. Once
39:59
I started doing that, I'm like, well, I'm going to
40:01
have to do this forever, whether I'm good at it
40:03
or not. It's like the people
40:06
you see that are at karaoke, they just love singing,
40:08
you know, Thursday nights, they still have their job
40:10
and everything, but Thursday nights, they got to do that thing.
40:13
That's what comedy was going to be for me. What
40:15
do you think, you know, as we start to
40:18
wind out here, you got a lot of great
40:20
stuff on your special. I love the idea of
40:22
like, you know, the presidents from the last eight
40:24
years have really cut down on the, you know,
40:26
try to kidnap the president movies. You
40:29
do some political humor. What
40:31
do you think about comedy now in 2024? Is
40:34
there more rules than there should be? It seems like
40:36
people get offended so much easier. Are we getting through
40:38
that? What's kind of the
40:40
path that you're thinking? I think the idea
40:42
of a heel has escalated. I
40:46
think you have some people that I
40:48
don't think there should be a part in politics
40:50
where it's like, yeah, I'm glad people hate me.
40:52
Like I don't, I think you should, you
40:55
know, try to appeal to people, but I don't think
40:57
you should revel in the fact
40:59
that you're despised by somebody else. I don't
41:01
think that's a
41:04
healthy approach to governance.
41:08
It's like, look, I'm angering the
41:10
people that are against me. Like, and
41:13
that, that applies to both sides. I
41:16
don't think anything's cancelable. I don't think, I think you
41:18
could say what you want, but you are
41:21
still subject to consequences. The government's not
41:23
telling you, you can't say something. This
41:25
is your beautiful free market. This is
41:27
your free market that
41:29
the free market dictates what it
41:32
wants to raise up and
41:34
put down. And
41:36
if you say something that more people want to put
41:39
down than raise up, then that's the
41:41
free market at work. So
41:43
I don't think there's rules. I
41:46
think that for, I think in
41:49
some instances, the best thing that could happen
41:51
is you can get canceled unjustly by either
41:53
side because that's just going to make you
41:55
more popular to the other side. Unfortunately, again,
41:58
you're playing, you're playing to sides. instead
42:00
of going, I would like, what
42:02
about comedy that makes fun of it all,
42:04
which is such lame and centrist, but I
42:07
know where I agree. Chad Daniels is a
42:09
comic that I think does this the best, but I
42:13
know the ideals and what I believe
42:15
in in this world and
42:17
how people should be treated. And
42:20
I can make jokes about that. I try not to
42:22
put down the other side too much. The first joke
42:24
in a special is putting down people
42:26
like, people don't tread on me
42:29
hats at Yellowstone National Park, but if you
42:31
listen to the whole joke, the whole thing
42:33
comes around and they're like, wait a minute,
42:36
I'm judging people without knowing
42:38
them, but I'm also being hypocritical.
42:40
So the whole joke ends with me going,
42:42
oh, I should probably lighten up. I'm
42:45
thinking, I know what people's deals are just because of
42:47
a hat that they wore because
42:49
of one overhead sentence because
42:52
I'm so easily judgeable by the things that I'm
42:55
presenting and if somebody walked by and just got
42:57
a snapshot of me and thought they had me
42:59
figured out, I'd be pretty upset about that. So
43:01
why am I doing that to other people? And
43:05
I think it's more that, I think
43:07
everything's so reactionary online and we just
43:09
read clickbait and headlines or watch a
43:11
three second clip of a video and
43:13
decide that we know the whole story
43:16
when nobody really searches for context
43:18
anymore. Like somebody
43:21
could take this podcast we're doing and clip out
43:23
three things and make us look however we wanna
43:25
look. And when they, oh,
43:27
you know, oh, Chris Jericho, Kyle Knane, Kyle
43:30
claims he was the leader of Russia for
43:32
eight years and then that'll go on Reddit
43:35
and nobody will watch the whole clip but
43:37
then the comments will be researched. Yeah, they'll
43:39
just go nuts in there and it's like,
43:41
yeah, nobody'll do that. So I
43:44
don't wanna fall victim of that. Like I still,
43:46
like this is, I'll say things that are funny.
43:48
I'll say things that I think hopefully
43:51
lift people up but not put other people down.
43:53
I don't believe in punching down. I
43:55
take swings but for every swing that I take,
43:57
I try to take one at myself. I'm
44:00
trying to keep the score even. So
44:02
that's kind of how I dictate it. I try
44:04
to keep the score even between whoever I'm making
44:06
a target to take
44:09
a shot at myself in the same moment.
44:11
So last few things you mentioned Daniel Tosh
44:13
and you know a couple of the
44:16
comedians that you respect. You know I'm
44:18
thinking of a guy even like Brad Williams like
44:20
in the last two or three years has just
44:22
exploded to getting to the next level. I mean
44:24
you're playing, I live in Tampa and you're going
44:26
to be in side splitters in a few weeks.
44:29
I used to go see Sebastian Maniscalco there ten
44:31
years ago and now he's headlining Madison Square
44:34
Garden on multiple nights. What
44:36
is it about a comic that gets them to the
44:38
next level, the next step and
44:40
do you want to go to that next
44:42
level and continue to grow to get to
44:44
that arena level? If
44:46
I knew what the next thing was, you'd think I'd
44:49
be sitting here in my dirty basement or
44:51
anything. I'd be out of my veranda having
44:53
this. Veranda. I
44:56
got you know you got to drop the five dollar words in there once
44:58
in a while. You know
45:00
what's funny about Sebastian is the first time
45:02
I say he's from like two towns over
45:04
from where I grew up. Oh wow okay.
45:06
And so I know exactly that I grew
45:08
up with every type of Sebastian there was
45:10
like so when he's doing
45:12
all this stuff I'm like oh I know that guy.
45:15
I went to high school with 30 of that guy
45:18
and so I always love seeing him because I
45:20
know he's doing this character but I'm also like
45:23
oh yeah if I met you at a banquet hall if I
45:25
was at a wedding at a banquet hall in Arlington Heights I
45:27
know that I'm like yeah I know you I know who you
45:30
are. That's why it
45:32
rules to see him blow up that way. I
45:35
don't know what makes
45:37
it. I think I think
45:39
Sebastian is very like okay just how I
45:41
know who that guy is I think everybody
45:44
knows a version of that guy. I like
45:46
that yeah. And so that's why it's so
45:48
relatable like oh that's like so
45:50
and so's cousin or this and that
45:52
is this incredulous Italian
45:54
guy can you believe the things
45:56
you know. And
45:59
everybody knows that guy. they're seeing the
46:01
version of that guy. I
46:03
think I have too many opinions that I
46:06
think I keep everybody at arm's length. I'm going
46:08
to say something that somebody's going to be like,
46:10
yeah, right. I don't need to talk to anybody.
46:14
For those guys, I'm actually, it's funny enough,
46:16
I'm going to go see Tom Segura at
46:18
the Moda Center where the Trailblazers play Sunday.
46:21
My buddy Jeff Tate's open forum. I'm
46:23
like, I want to see, I've never been to
46:26
a comedy show in a venue. I
46:29
take that back. I opened for the impractical
46:31
jokers at the same
46:33
place I saw Lollapalooza in
46:35
1994. And
46:37
I bombed, 12,000 people. I bombed
46:39
in front of 12,000 people. Wow. What
46:43
a feeling. You
46:45
wear that dirty jacket for a while. That
46:49
takes a few showers to wash off. Yeah,
46:53
I don't know. I'm curious to see how
46:55
it goes. I do think there's an
46:58
intimacy to comedy. Everybody
47:02
marks David Tell as that guy should be
47:04
in theaters. David Tell should be huge. Every
47:08
comedian is going to tell you that that's
47:10
the best comic working, without a doubt, is
47:12
David Tell. But there's
47:14
also, it's
47:17
such a better show to watch him in a
47:19
club. And that's where he's comfortable, so that's where
47:21
he's performing the best. And
47:23
it's just, I don't know.
47:26
I think comedy translates better in smaller venues.
47:28
Granted, that's from a guy who's not getting
47:30
offered bigger venues. So that's why I can
47:32
say that. Yeah, and it's funny you mentioned
47:34
your buddy Jeff Tate is open. I'm like,
47:36
Jeff Tate? And I look at his Jeff
47:38
Tate belt. Yeah, not the guy
47:40
from Queens, right? Yeah, he's not going
47:43
to belt out Jet City Woman when he's up
47:45
there. Last
47:47
question for you, Kyle. What's
47:50
your favorite bit from Dirt Nap? And we've discussed
47:52
quite a few things. Is there one
47:54
of the parts in there that you
47:56
like the best? Well, I mean, that whole special was
47:58
initially going to be... just me talking
48:00
about the suburbs and getting the cat.
48:02
Like that whole, the
48:05
last 45 minutes of the special is
48:07
pretty much one story with a lot
48:09
of tangents. And
48:11
that's how I'm kind of gravitating
48:13
towards it. That's like more fun for me
48:15
to do is like build this whole world
48:17
and keep coming back to the main storyline
48:19
of it. And like, I'll
48:21
go on tangents, but remember, we're still talking about this.
48:24
And so honestly, that was just going to be that. I
48:26
just threw the other stuff on because I'm like, oh, I
48:28
can make a 45 minute special, or
48:31
I can just I got these other jokes. So the beginning, the first,
48:34
the Fast and the Furious is one bit. And the
48:36
first five minutes is a different
48:38
bit. And then the rest of that special is
48:40
one story with a lot of
48:42
jokes in it. But it's
48:45
that's a whole show, in my opinion. And
48:47
I like I like that. I like bringing
48:49
things together in a larger scope, like, like,
48:51
okay, here, sit down. You're gonna laugh. But
48:53
keep in mind, I'm gonna be talking about
48:56
one story. One thing, well,
48:58
a lot of offshoots. The one main road with a
49:00
lot of cul-de-sacs coming off of it. But
49:04
that I was really proud of
49:06
the way that whole thing came together and followed
49:09
a narrative. So, and hopefully,
49:11
I like the jokes about my parents. Hopefully they're
49:13
not too pissed that up. It
49:15
was your mom called words from friends or
49:17
words from friends. I
49:19
don't want to ruin
49:21
the joke, but Dev
49:24
is something special. Dude, it's great talking
49:26
to you, man. And congratulations on Dirt
49:28
Nap. And let's get
49:30
together and put together our
49:32
ultimate multi-universe picture. Multiverse picture.
49:34
I love it, man. Let's get some legal pads out
49:36
on the beach in Tampa and just knock this thing
49:38
out in afternoon. I appreciate it, man. If I'm in
49:40
town, I'll buzz you. I'll come and see it. Sidesploiters,
49:42
we go there all the time. Brian's a good guy.
49:44
It runs the place. I've heard nothing but good things
49:46
about that spot. So sounds good. Yeah, you'll like it,
49:49
man. It's fun. All right, man. Congratulations.
49:52
Thanks, dude.
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