Each song on The Ridge represents an acoustic-driven mixture of styles that reflects Taylor’s range as a creative force by building upon the templates forged during his tenure fronting the alt-rocking collective Staggered Crossing as well as the fine funk and R&B-driven foundation he continues to mine with the still-active Julian Taylor Band. From the title track’s ruminations on Taylor’s formative days spent on his Grandparent’s farm in British Columbia to the hopeful swoon of “Over the Moon” to the tribal-energy landscape that permeates “Ballad of the Young Troubadour” to the Tex-Mex Canadian-Western vibe mashup of “Love Enough,” the honest, raw nature of The Ridge enables listeners a myriad of personally relatable entry points into Taylor’s enlightening narrative tales. 

Taylor’s extensive experience as bandleader, band-member, and solo artist has all prepared him for how to best zero in on his prime directive as a songwriter. “I’ve been able to carve out my own niche as a musician because I feel like I can do want I want to,” says Taylor. “I’ve been able to go back to the drawing board as I keep experiencing failure after failure and see how I’ve grown and learned from those failings. And I’m ok with that. I’m here because of the people who love and support me, my belief in myself, and the ability to get up every time I haven’t succeeded to keep on trying. I feel so fortunate to have created the music that’s on The Ridge. I’m really proud of it.”