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Sculpting Lives

Jo Baring and Sarah Turner

Sculpting Lives

A weekly Arts, Visual Arts and History podcast
Good podcast? Give it some love!
Sculpting Lives

Jo Baring and Sarah Turner

Sculpting Lives

Episodes
Sculpting Lives

Jo Baring and Sarah Turner

Sculpting Lives

A weekly Arts, Visual Arts and History podcast
Good podcast? Give it some love!
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Episodes of Sculpting Lives

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Over the last year public sculpture has become a hugely controversial issue. No longer passive objects that we simply walk past on our streets, public sculptures are part of a vigorous debate about contemporary society – who is commemorated and
'The thing about my work is that there is a tension between a passionate love and engagement with the traditions of the past and a complete impatience with their irrelevance and it’s trying to hold those things in tension and trying to engage p
Alison Wilding emerged into the art world in the 1980s making powerful sculptural statements out of a myriad of materials. Taking sculpture out of the museum and off the plinth, Wilding’s work is some of the most enigmatic and beguiling sculptu
'She did cause a bit of a revolution in the Royal Academy, which has been only to the good,' Anne Desmet, R.A.Gertrude Hermes was one of the most experimental sculptors of the twentieth century. She also changed the way women artists were tre
'I have been preoccupied all my life with a "sense of belonging." Growing up with an awareness of "being apart" has certainly defined who I am now. However, that alienation was in part to do with constantly moving – my parents never stayed in o
“Sculpture has a vital, important message” Dora Gordine (1895-1991)When Dora Gordine died in 1991 leaving her Studio House to the nation, many people, including museum curators, assumed she had been dead for many years. How did an artist des
Launching on 2nd November 2021, the second series of the Sculpting Lives podcast features episodes on Dora Gordine, Gertrude Hermes, Veronica Ryan, Alison Wilding and Cathie Pilkington. At a moment when public sculpture is the subject of conten
“I don’t want to use a language that really segregates people. I don’t want to use a language that makes them think about gender – if they are looking at a female artist or a male artist.” Rana Begum.  Rana was born in Bangladesh and came t
“The first time I met him he said ‘Because you’re a woman, I’m not that interested because by the time you’re 30 you’ll be having babies and making jam.’” Phyllida Barlow on meeting her art school tutor Reg ButlerBarlow is one of the best-
“Being female and foreign was never a problem as a student, later I realised that there was a difference, but what was important in the end, was what I did and not where I came from. Race and gender were givens I worked from, perhaps the work
Dame Elisabeth Frink, R.A. (1930-1993)“She respected herself. She took herself seriously and she took the work seriously, due to the nature of the work. She knew what it was she wanted to explore.” Annette Ratuszniak, Curator, Frink Estat
“Hepworth... didn’t see herself as a feminist at all and didn’t see herself as ‘a pioneering woman’, she just felt she was a pioneering sculptor.” Stephen Feeke, curator and writer. Barbara Hepworth was born in Wakefield, West Yorkshire, i
Dame Barbara Hepworth, Dame Elisabeth Frink, Kim Lim, Phyllida Barlow,  and Rana Begum - some of the most globally well-known British artists are women sculptors.Conversely, the profession and practice of sculpture was seen by many throughou
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