Episode Transcript
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0:01
You're listening to Comedy Central. I
0:06
feel that's how it was the first time I hit Moon Rocks.
0:08
I was done for the day for
0:12
Roy's dude to come to the sun Rocks on that
0:15
dude, that dude have me Hella, hype
0:18
fucking save all this for your drug podcast
0:21
now high come
0:25
in. In the middle of drug talk, an entire
0:27
Alabama town is scrambling
0:30
to figure out their next steps in law
0:32
enforcement after the
0:34
entire police department was disbanded
0:37
after that was discovered that one of the officers
0:39
have been sent in a racist joke to other
0:41
officers in the department. Wow.
0:44
Vincent, Alabama,
0:48
Vince, Alabama, about forty five minutes outside
0:51
of Birmingham, a little small town two
0:53
thousand residents, white
0:56
city. Sounds right. City
0:59
managers decide did the Vincent
1:01
Mayor, James Latimer, confirmed
1:03
to NPR that the city
1:05
council voted to dissolve the entire
1:08
fuck who sent the joke. Turning
1:11
your back, I like it. It's like when your mama
1:13
will every bad. Now,
1:17
I'm not going to repeat
1:21
the joke, but
1:23
I will say, as far as racist jokes go, top
1:26
tier, the
1:30
top tier no,
1:37
because you're gonna enjoy it, and I don't
1:41
you just saying you enjoyed
1:44
it. You just saying to best
1:46
fucking racist jokes, you
1:49
cannot. We do not condone racism
1:51
on this podcast while we're recording
1:53
of actually laughing at something
1:55
that something. My
2:15
name is Roy, this
2:17
is my job. Fair. Wednesday
2:20
is the best day of the week. It's halftime. It's
2:22
an opportunity for you to take a break and breathe
2:25
and reflect on all
2:27
the bullshit that you haven't accomplished yet
2:29
this week. And you're probably not gonna get around to
2:31
it. But that's why they have Thursday. Thursdays
2:33
the day where you lie to yourself and so you still
2:36
have time. But the truth is, if you hadn't
2:38
started it by Tuesday, you're probably not gonna
2:41
get it done. You're lazy, procrastinating piece
2:43
of ship. How
2:48
do you do, Jacqueline, you are the white blood
2:50
sail to keep the show pure. Thank
2:54
you. I'm
2:57
gonna talk to a couple of people today. I got
2:59
a black woman in heck, let's
3:01
speak with a wonderful, wonderful hip
3:03
hop producer, the Homie Roster
3:06
Boot. That's gonna be a good conversation as
3:08
well. But since we've got two smokers on the program.
3:10
I wanted to uh bring this story
3:12
to you all's attention, and I want you to decide
3:15
whether or not this is fair foul ride.
3:17
A Japanese company has decided
3:19
to give non smoking employees
3:22
six extra off days
3:25
every year. Fair foul.
3:27
I think it's foul. I
3:29
think it's very foul. I don't. I don't support
3:32
smoker's discrimination. It's
3:35
not. It's giving the non
3:37
smokers and opportunity to also
3:39
take that fifteen minute break. It's
3:41
just combined. Jacqueline brings up
3:43
an excellent point. Ride and also why
3:46
I do believe right that they
3:48
should get these days because as a
3:50
smoker in the office, those motherfucker's get
3:53
on your nerve dogs. So like if they get six extra
3:55
days funk off, that works for me, go
3:57
and complain about us at home. My thing is
4:00
why why is it only smokers? Like what
4:02
about cocaine and shrooms and weed
4:04
and all the other What
4:06
about the people who ain't getting no sex and what
4:09
about the losing that nobody won't
4:11
they go get them some days off
4:13
to go find them a masturbation
4:16
break would be I don't know
4:18
how you I don't know how you navigate the
4:20
hr of it. But I think that would be
4:23
nice for some It would keep it would cut
4:25
down sexual harassment if you could go that's
4:27
actually a company that does that. There's
4:30
a company job
4:32
right now, this jack
4:34
off break company. Somebody's
4:37
giving out masturbation break. They gotta they gotta
4:39
masturbation in the office
4:42
down South Georgia. Girl job
4:46
boss of an adult entertainment company offers
4:48
employees half an hour daily masturbation
4:51
breaks after finding they become
4:53
agitated during lockdown.
4:56
Erica Lust Who Won't who owns Erica
4:58
Lust Films has even that up at a private
5:01
masturbation station in the
5:03
office. She is
5:06
hoping to normalize masturbation
5:09
by allowing her staff a thirty
5:11
minute break every day for
5:13
self love. That's dope. It takes
5:15
me like three minutes to crank one out. That's what
5:17
the minutes to do nothing, bro
5:20
right, you can get a smoke break in smoke,
5:24
you know, maybe watch a fifteen
5:26
minutes sitcom or something. I'm
5:28
okay what these Japanese folks doing. Man,
5:30
if you get a kick it and do nothing, God damn, and
5:32
I get to kick it and do nothing, or just give me
5:35
a fifteen minute break. Are you
5:37
telling me that people don't take fifteen minute it
5:39
breaks anyway? You ain't never never had a job
5:41
with a non smoker, just takes a break because
5:43
no, I can't deal with this ship. Of course, we
5:46
all take the long way back to our desk.
5:48
We all sit in the car for an extra
5:51
five Mississippi like. There's a bunch of
5:53
different ways to cut corners. At
5:55
worst, there you go take
5:57
a ship, and then after you ship you just
5:59
sit the designated stall using
6:02
the bathroom and drink coffee
6:05
Jacqueline. Some companies
6:07
have changed the toilet to sit at an angle,
6:10
so it hurts to be on the toilet longer
6:12
than five minutes because the people like to take real
6:16
quick before we get into the CMO right is
6:18
telling the truth. Thank you. Down South Georgia. How
6:21
evil are corporations? A
6:23
British startup called Standard Toilet
6:25
has designed the toilet with a slant it seat
6:27
to make it less comfortable for worker stuff
6:30
they got in the bathroom. The toilet
6:32
has a thirteen degree slope, which
6:34
makes it painful to sit on a
6:37
board the five minutes. What if you got to take
6:39
one of them big donkey Texas Chill like
6:42
that's a fifteen minute ship. You gotta
6:45
take a lap around the bath the person come
6:47
back, going
6:49
on and just push through it. Bro, It's
6:55
time for Cody's must have standing employe of the week. The
6:58
CEO of comp Any hyper
7:00
Socialists facing criticism after
7:03
he posted a video crying
7:05
after laying off some of his employees.
7:08
So here's what happened. You know, the CEOs,
7:10
they get on these calls and they just tell everybody, y'all
7:13
fired. I'm sorry they got layoffs. We gotta have cutbacks.
7:15
And then the perception is that CEOs
7:18
are these methodical robots who do not care
7:20
about the employees, and they do not care about
7:22
the humanity of what they're doing and turning
7:24
people's lives upside down. So my
7:26
man here thought it would be a good idea
7:29
after doing the layoffs, to
7:32
you know, post a selfie video, he wrote
7:34
on LinkedIn. Quote but well, let me do it
7:36
like he because he was crying days liked
7:38
the day of who I was a business
7:40
owner that was not only money
7:42
driven and didn't care about who he heard alone
7:44
the way, But I'm not so. I just want people to see
7:47
that not every CEO out there is coharted,
7:50
it doesn't care when they have to
7:52
lay people off. I'm sure
7:54
there's others like me.
7:57
Of course. The video immediately went viral,
7:59
with many was celebrating his emotional
8:01
vulnerability and other people going
8:04
shut the funk up, nobody's cares. You still
8:06
fired all the motherfucker's fuck you absolutely
8:09
shout out at him for game in the system like
8:11
that. That's exactly what he did.
8:14
I think it's okay to cry and
8:16
tell my funcker's you read glass to lay in a moment.
8:18
I'm right with this post because otherwise, how does
8:20
the perception change of business
8:23
owners? Everybody ate a rich fucking
8:25
fortune one hundred tycoon who
8:27
just lays motherfucker's off all heartless.
8:30
This man is letting y'all know yo, some of us
8:32
hurt. We I hate I got to do this, but god
8:34
damn, I gotta keep my business running the funk you
8:36
want me to do? Well? Did he also tell them
8:39
that to their faces or did he just
8:41
do it for the social height, for
8:43
the social media ship. He did that just
8:45
the same face and just to make it look
8:48
good. He don't give a fuck. Is the
8:50
only way to give a funk is to not have layoffs,
8:52
no like
8:57
saying about it. Yeah, you ain't gotta line
8:59
man like, it's business. You had
9:01
to fire some people a ride. Did
9:03
you see this partner article here where it says
9:05
both of the laid off employees,
9:08
he said, we're over the top nice about
9:10
it, both laid off. They laid
9:12
off two people people like
9:15
he cried like he had to come on, come
9:19
on, nigger
9:22
man, and
9:26
then and then hold up, saying hold
9:28
that way the way. He
9:31
told Motherboard over the phone on Wednesday
9:33
that the company had laid off two employees
9:35
on Tuesday evening, keep performing one of the layoffs
9:38
and his girlfriend slash business partner
9:40
laid off the other employees while he watched,
9:43
and your girlfriend they get fired. That thing about
9:45
the move to the Cayman Islands with the money
9:47
he's saving by letting those
9:50
two, those whole two people
9:52
go. Me and my girlfriend are gonna run
9:54
this company remote from BALI UM
9:57
so sorry that you can't make it try
9:59
some Oh, I did not have to lay two people off.
10:01
I'm sorry. I
10:04
totally believe that
10:07
when you tell one person something,
10:09
you might be seeking an opinion, But
10:12
when you tell multiple people the same
10:14
thing over and over again, it's just
10:16
a ploy. It's just I'm
10:19
sorry and lazy and a waste
10:21
of time. I keep telling me the same crap
10:23
over and over again. Do the job and move
10:26
on, or don't be the CEO for
10:29
crying no
10:34
and making sure that the world knows that
10:36
those two people you laid off stressed
10:38
you. Although honestly, if you have to lay
10:40
off two people, you probably built to run the real
10:42
fortunified hundred companies. You don't have to be fine.
10:45
Motherfucker's different brights. You gotta get you a backbone.
10:47
Mother, you got to tul up, you gotta take taekwondo.
10:50
You need some confidence. Let your girlfriend
10:52
do your hard work. Dog. It
10:55
is with a heavy heart and much
10:57
soul searching that I tell you people,
11:00
unfortunately had to let
11:03
Jesse and Marcus go save
11:06
the company.
11:09
I'm gonna go check myself into a mental
11:11
institution. Get the funk
11:14
out of here. Two niggas, come
11:16
on ye first,
11:19
CMO, I have to just I
11:21
gotta give up on that. But I'm sorry,
11:27
holy ship, where it was two niggas layoffs
11:30
too, motherfucker's
11:33
and again, like for
11:38
laying off two people and crying about
11:40
it instead of being a grown ass man
11:42
and chopping their head off like a motherfucking predator
11:46
CEO of hyper Social you
11:49
are not Cody's most outstanding
11:51
employee of the week. Wonderful. That's the first night we've
11:53
ever had. I like that. I can't believe
11:56
y'all reverse that on me. That whole
11:58
thing is white tears on the biggest elevel
12:00
possible. Just two for two
12:02
people like you cry like you shut down
12:04
three out of five factories and
12:08
was always shut the funk up worst
12:10
the first time. J
12:12
G. What do we know about draculina as
12:14
an industry. It's expensive, it's
12:17
hot, it's always hot in there. You ever going, it'd
12:20
always be some door opening the back, just
12:22
just outside. And like one of the
12:24
biggest fans you've ever seen in your life, Like
12:26
the fans are always huge,
12:31
one of the big gym fans, like at the shitty high
12:34
school gym from the nineties. It's one of
12:36
them fans. But on the tripod, it's
12:38
got all the fabric on the back because of all the stuff
12:40
flying in the air that you ain't know what's flying in
12:42
the air, Like it's just when
12:44
winter is over. I take my comforter
12:47
and because I want to get it cleaned or whatever, and
12:49
they always make it larger
12:52
and I can't stuff it in the trunk because
12:55
they fluffed it out or something. They
12:57
did their job. What did the good
13:01
cleaners doing your job? You can't
13:03
transport take this ship home? I hate that
13:05
you're so good at this. Every time I've gone
13:07
in the dry cleaners, everybody just
13:09
seems sticky. It just it's never
13:11
seemed like a job, just like
13:14
just a little bit of sweat, like not a full sweat
13:17
pit under their arm, but just
13:19
sticky. They're just a little bit of sweat bubbles
13:21
on the nick and ship like this. This seemed
13:24
like it ain't their conditioned. The ain't no TV in
13:26
the either. That's the other thing about the dry cleaner.
13:28
What the fund is the TV? George
13:30
Jefferson looks sticky? What are
13:33
you talking about? He was the owner. He didn't
13:35
go in there, Washington, The Jefferson's was
13:37
on like forty Rhonda fined. How
13:39
many seasons of The Jeffersons was that?
13:41
How many episodes took place
13:44
at that dry cleaners?
13:46
Like when they did a flashback one time they
13:48
showed his first dollar. I'm a huge
13:51
George Jefferson fan. Soe
13:53
come with Jefferson's story? Really
13:57
really, am Like, I can tell you everything about
13:59
every show. It's
14:01
real bad j G. Who
14:04
do we have on the line? We have Amanda
14:07
who's joining us. Amanda is based
14:09
in Chicago and works as a senior
14:11
creative within the Integrated
14:13
Advertising space. She strives
14:16
to create inclusive, authentic,
14:18
and human centered work. When
14:21
she's not working, she enjoys taking
14:23
part in pro bono work, volunteering
14:25
and mentoring others. Amanda
14:28
will be sharing one of her first job
14:30
experiences, working at her mother
14:33
and aunt's dry cleaning business, and
14:35
how it shaped her personally and
14:37
professionally. Hello, Amanda,
14:40
Hello, how are you all? So,
14:42
Amanda? Did your mama and Auntie work for
14:44
George Jefferson? They did not. Jacquelin's
14:50
first question, thank you? Down South Georgia Girl two
14:52
hundred and fifty three episodes
14:55
over eleven seasons. Jeez,
14:58
that's a hit show, right, dow, Amanda,
15:01
When you start working at this dry cleaner?
15:04
Number one? Was it hot? Was this sticky?
15:07
Like? Did you care to do
15:09
the work? Were you forced into it? Which
15:11
was the case with you? Oh wow? So
15:13
no, I was more like in high school,
15:16
in college and um,
15:19
it was very hot in the summer. So
15:21
in the summer, yes, they didn't
15:23
have they had air conditioning, like way in
15:25
the front when the customers come in, but
15:28
where all the cleaning happens, extremely
15:30
hot, and there was a back door propped open,
15:33
and yeah, so therese
15:35
fans and I was always
15:38
very clammy and sticky and sweaty.
15:40
Um. Yeah, it's kind of yeah, it's
15:42
like a boiler room. Um, because
15:45
that's how to ask press is going right, Yes,
15:47
hot machines, processed steamers,
15:50
washing machines. I did it
15:52
just to help out. I didn't want to be
15:54
there, no,
15:58
but you know, it's hard work, and you know
16:00
you have to help out the family, you know.
16:02
To help them out made me feel better because they would
16:04
leave really early, like at five in the morning because
16:06
it wasn't our drive, and they'd
16:08
have to go and start up the machines
16:11
and the boiler it's like an hour ahead,
16:14
so they were always up super early.
16:16
I didn't have to go that early. And they were there
16:18
six days a week, so it's basically one
16:20
day off. That's hard work because there's a lot of lifting
16:23
and and moving big bails
16:25
of clothes. Like I don't think people think
16:27
about how much clothes you really
16:29
have to like process and move that
16:31
the machines don't do. Like you still gotta
16:34
like five and ten pound bags or clothes and
16:36
doing that six seven hours a day. Man, you easily
16:39
lift over two three pounds of clothes in a day.
16:41
Really, if you cumulatively think about it, what
16:44
was the worst part about it for you? The worst part
16:46
is the safety pins. So
16:49
the I don't even know if they still do it today.
16:51
So like you tagged the clothes, so
16:53
like if you drop it off, you'd have your little number,
16:56
so we'd like put the safety pin to
16:58
match the tag to the order and
17:01
keep all the pieces so they don't get lost.
17:04
Um. So yeah, they'd be like a
17:06
container of all these open safety pins, grab
17:08
mom, just constantly getting stuck and closing,
17:11
opening or missing. Um.
17:14
I think that was probably
17:17
the most painful part. And then sometimes
17:21
you know some drop off some of the
17:23
stuff is you know, it's dirtier
17:25
than other people clo So yeah,
17:27
exactly, expand like
17:31
don't glaze over that, Amanda dirty,
17:36
It's just like stains. Um. There
17:39
might have been a pair of drawers people
17:42
Dracqueen, they draws. Should you Dracquean
17:45
draws. I don't think thank you underwear
17:49
occasionally looking
17:51
at you know what, never meant I'm sorry, Amanda.
17:54
Did they pay you because this is your mama
17:56
and your auntie? Oh
18:00
no, sometimes they would give money,
18:02
but no, no, it's all
18:04
voluntary. I owe them.
18:07
So the homie pair Sauche,
18:09
who was on during one of our Women's
18:12
Weeks episodes, said she used to
18:14
wear to clothes. She
18:16
thought that ship was nice and glistening.
18:18
Facts should take them clothed and full spin
18:21
at the local club for a night before bringing
18:23
it back before the pickup date. Did
18:26
you ever do anything of that nature?
18:28
Had you seen that it's
18:31
time to snitch on your mom? And if snitch on you
18:35
know you got a cousin. I used to wear people's dresses, so
18:40
they would never But in the any
18:42
ac dry cleaners that had a basement and
18:45
so it was an older building and they had bought it from
18:47
someone else the business, so there
18:49
was actually a rack of
18:51
a bunch of clothes that haven't been picked up
18:53
over the years. So like
18:56
you know, people forget or maybe they moved,
18:58
so after a certain number
19:01
of time it gets moved there. So
19:03
I personally would go in and kind of like
19:05
look through their acts and you
19:07
know, I'm just like I kind of like this and kind
19:10
of like that. So if it was like a
19:12
lot of years, I would, um, you
19:14
know, try it on. There's been to hunting
19:16
right there. I respect that that that's because that's
19:18
like going to the thrift store, and I'll going to the thrift store.
19:21
I like that. This
19:25
is two women running this business,
19:27
your mom, you're on. Talk about
19:29
that because women doing these
19:31
things a little while back that
19:34
wasn't necessarily easy,
19:36
but they were putting things out there and getting
19:38
it done. Let's talk about that please. Yeah.
19:41
So both immigrants, right,
19:43
so they're originally from a soul of
19:45
Korea, you know, didn't have a college degree, always
19:48
wanted to do the American dreams. So
19:51
they actually had a couple of businesses before, like
19:53
a little snack shop, but you know, food
19:55
business is kind of hard, and there was a
19:57
community of a lot of Korean
20:00
the head dry cleaners, so you know they
20:02
kind of had a network and then lean on each
20:04
other for information. So yeah,
20:06
it was like really impressive because I
20:09
totally don't have that entrepreneurial street
20:12
and you know, I knew I
20:14
would never like take over the business or
20:16
anything like that. Like I
20:18
didn't look you know, I didn't want that environment
20:21
at pre first in front of my laptop.
20:24
Um. Yeah, so it's very
20:26
hard work, but they had a lot of pride and
20:28
they were excited because it was their
20:30
own and they were their own bosses.
20:32
But it was a lot of hard work and there would
20:34
be times where would be slow or busier.
20:37
Um, it's always slower in the summer for some reason,
20:39
maybe kids are off of school. There's not just not
20:41
as customers. But then fall it
20:44
really heats up and then they'll be like wedding season
20:46
or proms, there's a lot of dresses or
20:48
alter because they did alterations too, So
20:51
that actually helped bring in a lot
20:53
of income because my aunt was a seamstress,
20:55
so uh, dry cleaning
20:57
and alterations together helped it.
21:00
Um. Yeah, I think it
21:02
was hard at the beginning, just getting into that community
21:04
in the neighborhood. But with a good
21:07
customer service. My mom did
21:09
a really good job of like getting
21:11
to know her customers, you know, by
21:14
name. They're like family
21:16
when they come in, you know, the regular
21:18
she would know their name and just go and
21:20
get their stuff right. So it
21:22
was a lot of that. I think one on one that was good
21:25
for them to have regular customers
21:27
and then you know, as their kids grow
21:30
up and if they're still
21:32
the neighborhood, then they come in with their business.
21:34
So it's hard work because it
21:36
was like twelve hour days,
21:39
fourteen hour days, but
21:41
yeah, it was pretty good.
21:43
Everybody's close. I'm telling you right now,
21:46
if I ever worked twelve hours
21:48
in the heat next to a steam, I'm leaving
21:50
with a tuxedo. There's
21:54
probably one there for you.
21:58
Wait, let me slip down that base and to see job, got
22:00
got something at forty six a loon. You
22:03
just say the word good,
22:08
that's warm, and that's beautiful, Amanda, Because like
22:11
standing on the shoulders of those women and seeing
22:13
them work hard, I always felt like there's something
22:15
about working in heat, like
22:18
little physical heat, that builds
22:20
a degree of tenacity in
22:22
your work ethic that remains
22:25
with you no matter what industry you're in. And
22:27
I'm sure that a lot of the woman
22:29
that you are today is because of the women
22:31
who were there and force you to work
22:33
for Graham Crackers. You are a testament.
22:40
Yeah, I think you know to clerate,
22:42
you know, Okay, maybe you got paid in white grapes. Maybe
22:45
you know it was a good week. It's prompt
22:47
season, you know what, going down to cook crack.
22:49
I'll pick out some rits, maybe even Keebla
22:51
clubs. Get good ship, Amanda,
22:54
thank you so much for coming on the job fair
22:57
well. Appreciate you. Thank you for we
22:59
don't always to get it. See this is a nice warm
23:01
one. We don't always get
23:03
a nice warm like usually worst the first as
23:06
chaos. But this woman just came up. Yeah,
23:08
my mom and my aunt taught me hard work and
23:11
perseverance. What else.
23:13
That's it? It was, But
23:16
that's the beauty of family. And if you're
23:18
blessed enough to be able to have your kids at your job,
23:21
I think you should be able to take them there
23:23
and get a little bit of free labor. It ain't illegal. Ain't
23:25
see nobody at least ain't seen nobody to go to jail for it,
23:27
not anymore. Yeah,
23:31
so that's what it's all about. You. Thank
23:36
you, Thank you for me
23:46
job that
23:48
get it because we always do. About
23:51
this time, let's
23:53
take this show off the rails and visit our black
23:56
people. White people are leg just it's his job
23:58
to give you topics to
24:01
bring up with co workers. You can't stand coworkers
24:03
of the opposite race. Maybe
24:06
it's a co worker sitting next to you on one
24:08
of them down with angled uncomfortable
24:10
toilet, trying
24:12
to have a little chit chat. Do
24:14
women do that? Do you talk to the stranger in the next
24:16
stall over? Oh? Yes, tissue.
24:20
I put my hand in there. I'm like, hey, I need some tissue.
24:22
Whoa, whoa, whoa. We're
24:25
talking about having a just talking.
24:27
I just won't wipe my hand. About
24:29
taking a ship at work. You're gonna reach under the
24:31
thing. J Yeah, I'll put my hand
24:33
under there if I need tissue. And if she has on cute
24:35
shoes, I'm gonna say, oh, cute shoes. Yeah,
24:38
while your asses out, y'all just be talking.
24:41
I'm not standing there in
24:44
the bathroom forever, and I'm not
24:46
taking up. It's just I
24:48
can see your shoes. It's the
24:54
dick is out. Stop talking like the moment.
24:57
Like men literally will talk right up
24:59
until the urinal, stop
25:01
talking, and then as they leave the urinal
25:04
resume their thoughts and resume
25:06
the conversation right like I never stopped.
25:10
He was getting a little nice shoes and due can
25:12
have on fire shoes at the urinal
25:14
and I will never He'll never know. It ain't
25:16
coming out of my mouth. I don't see
25:19
him. I'm not telling no other dude
25:21
that his shoes a fly in the euro You
25:23
ever looked under the stalls in the women's room, Jacquel,
25:25
and so two sets of shoes. I
25:33
do go to nightclubs my job,
25:36
rod looking.
25:40
All I have to do is pee, wash my hands
25:42
and get out. That's all I do in bathrooms.
25:46
Uncle Clifford and uncle murdered
25:48
in there. That's all I'm saying. He
25:51
is the uncredited inventor of
25:53
the strip of pole. The patent was stolen
25:56
from him, so it doesn't get the
25:58
credit that he's doing. Side
26:01
Dude of the Year, Essence
26:04
Magazine, two thousand nine,
26:07
two thousand ten, two thousand
26:09
seven, Tenthible Crown. His mama
26:11
named in Naratto. We call him
26:13
Ride for short, right, Welcome
26:16
back is always brother? What's that? Let's
26:20
get into it, man, what's going on out there?
26:22
What the folks need to be There
26:25
was some small talk we can make with these co
26:27
workers at the job this week for your
26:29
black co workers. Right
26:31
now, there's a beach brewing
26:34
in the tattoo and rap
26:36
world. Uh. Drake's
26:39
father, the famous Dennis
26:41
Graham, got a tattoo
26:43
done Drake back in two thousand seventeen
26:46
on his arm and didn't
26:48
too much look like Drake, And he
26:51
recently revealed it on Instagram,
26:55
and Drake come in it that he didn't
26:57
he didn't appreciate it and he thought it was fun step
27:01
and his dad agreed and
27:03
also said that, uh, he's
27:05
headed touched up sixteen times
27:08
trying to get it right over
27:10
the course of the last And
27:13
if you don't know anything about the tattoo
27:15
world, one of the cardinal rules
27:17
in the tattoo world is you do not work
27:20
on another artists
27:23
work. And the fact that this nick in the head
27:25
and touched up sixteen times by like nine
27:27
different people is not sitting well with
27:30
the original tattoo artists. And
27:33
there's some beef ru in between all three of
27:35
them right now. What
27:38
are you gonna do? Though? Why is that such a sin?
27:41
You know? If you did a shitty job
27:44
and I need somebody to fix this eyebrow,
27:48
run to find Drake daddy's tattooed
27:50
for us real quick, because it's like, how
27:53
do you I'm
27:55
fixing your fuck up? We don't supposed
27:57
to come back to you. That's taking a mechanic
28:00
fix you. I don't appreciate you taking
28:02
your car to another transmission
28:04
place. Bit you fucked up the transmission.
28:07
Think about like this, homie, Like if
28:09
you if you see
28:11
the Mona Lisa but you don't like her nose,
28:14
and you decided to go in the museum and pay
28:16
over the Mona Lisa, you will You
28:18
know, people say you sucked up the Mona Lisa. Cats
28:21
who do tattoos kind of look at it the same
28:23
way, like if they put something on you and
28:25
then you let somebody else work on that ship. It's like
28:27
letting somebody else work on their drawing and work on their
28:29
art. Okay, then let's let's so then
28:31
let's take it to something we talked about during art week.
28:35
Let's take it back to what we were talking about during
28:37
art week, um with your boy
28:40
about the murals and how a mural
28:43
is essentially a tattoo for a city
28:45
or for a building. Right right, right,
28:48
right right, Kobe died, Nipsey Hustle died.
28:51
Some of the murals did not look good.
28:53
Am, I supposed to just let a bullshit
28:56
Kobe Bryant mural that don't look like
28:58
Kobe. Just stay
29:00
there and let people laugh at me
29:03
while I walk around with this non Drake
29:05
looking motherfucker on my body.
29:08
I'm with you on that, Roy, You're you're you're
29:10
a big time baseball fan, and
29:12
I agree with that. He did
29:15
not look like drink. That's
29:19
real bad that he's
29:23
got Drake down to about the eyebrows. Once
29:25
you get below the eyebrows, it's
29:27
like, oh
29:30
wow, it was like
29:32
if Drake was a vampire. But
29:35
it's Drake upset with his dad for
29:37
altering it, or its Drake upset for his dad getting
29:39
the tattoo in the first place. Well,
29:43
Drake's not really upset, but
29:46
he just joked around about how you
29:48
know he didn't he didn't like the tattoo. I
29:50
think the quote was, you know, I can't. We're
29:53
supposed to be fair black. I can't believe that's
29:55
funny. Okay,
29:57
why the fun
30:00
audacity of the original artist to get
30:02
offended that I wanted to correct your work instead
30:04
of just telling everybody what the funk you did
30:06
to my arm? You fucking untalented
30:08
motherfucker, Like, how do you especially
30:13
when you live out of town? I can't keep flying
30:15
back and forth across the countin fucked
30:17
up my arm and I can't change
30:20
it. But then I also can't tell the world
30:22
that you did a bad job. What
30:24
the funk am I supposed to do with this? Then?
30:27
What about the people who get so I
30:29
don't know. I don't look much respect
30:31
to anybody with tattoos. I understand as an artist
30:33
you don't want nobody touch it and change it and tweaking your
30:35
ship. I get it. But if
30:37
it's a bad job, what the fund is that I'm
30:39
just supposed to live with that? Because you got a code.
30:43
I'm the one walking around with the ship on my arm. Nick, if
30:45
you give a bad tattoo, you should have to give yourself the same
30:47
tattoo. How about that? There's
30:51
got to be some sort of there's no accountability
30:53
for the bad tattoo artists in this scenario.
30:56
This is a truth two
30:59
things. One, what if the artist doesn't
31:01
think it was a bad tattoo, because
31:04
obviously he didn't what they
31:07
think? Yeah,
31:09
Like, it's customers always
31:11
right. It's just the same ship
31:14
with chefs when you go to some fucking
31:17
what are the fucking white table
31:19
claw fass fucking functions? And there's
31:21
no salt and pepper shaker on the table,
31:23
and then you've been chef seasoned
31:25
exactly how he wants.
31:30
All right, you need some more salt on this ship. Yeah,
31:33
I don't believe in that kind of ship. There's a lot
31:35
of unwritten rules that gotta go. Like you
31:37
know, like I would say, like you, you're a baseball fan,
31:39
and there's a lot of unwritten rules and baseball
31:42
that don't make a lot of sense and
31:44
are very intiquated. And I said, I support
31:46
this, this tattoo ship, like that ship about
31:49
you know, you're not supposed to let another person work on
31:52
somebody else's work. It's just like, look, bro, it's
31:54
my fucking stomach. I
31:56
asked for this. I don't like the way it looks.
31:58
I'm gonna go to somebody else. I really don't give a
32:00
funk about what you're gonna do bad me from getting tattoos
32:03
or some ship like get the funk out of here, like
32:06
these tattoo artists who misspelled
32:08
ship. That's my favorite brand of
32:10
tettoo. Motherfucker no
32:13
regrets, and it gives no regrets, no
32:16
regrets. I can't change
32:18
that. It's terrible. I can't change
32:20
that. I can't come back. I gotta come back to you only.
32:23
I mean, what did your tattoo say there's no regrets.
32:25
You can't go back, you know what I'm saying. That's the whole point.
32:27
You can't go back. You
32:30
gotta live with it. But they don't say no regrets.
32:33
You
32:33
can. But
32:35
you're gonna think about it the next time, ain't
32:37
you. You're gonna think about the next time. You gonna look at your
32:39
tests and be like, I shouldn't have done this this way.
32:41
I don't have any tattoos, so I'm wondering they
32:44
don't sketch it out first, like on a piece
32:46
of paper and say this is what I'm about
32:48
to tat on you or put on you. Yes,
32:50
they do, but but the thing is just, you
32:53
know, they could sketch it out, and if it's artistically
32:55
drawn and it looks right, you think it looks right.
32:58
And sometimes, uh, people
33:00
who do go in to get tattoos and they're inebriated.
33:03
You're not supposed to be. Then that's both to
33:05
tattoo on you when you're when you're drunk most
33:07
times, but like you know, you're supposed
33:09
to be sober. Now the dude who did this tattoo
33:12
said that Drake's dad was in pain
33:14
after four hours of the session, so
33:16
he rushed to finish it. And
33:19
I and I think that makes you sound
33:21
like artists on
33:24
your end, you know, like you should rather
33:26
just be like I'll stop and
33:28
you come back, rather than me rush it.
33:31
It's that person's
33:34
there's nothing worse than than somebody who
33:36
does some type of art that thinks
33:38
of themselves like an artist, because those are
33:40
the people that always ass wholes and
33:42
do a stupid ship, like that ship you were saying about the chefs
33:45
and all that, Like yeah, like, bro, I want some salt.
33:47
I really don't give a funk about what
33:49
you think it's supposed to. I'm the one eating
33:51
it. I'm putting the flavors
33:54
must contrast perfectly with
33:57
the Hollandais and the burn days and
33:59
then my lo shot lots my ship.
34:02
It's like those people who like you don't put steak sauce.
34:04
So if the steak is good enough, it don't need steaks.
34:06
I like, it ain't called fucking
34:08
apple sauce, nigger, It's called steak sauce.
34:11
It goes on some
34:14
fucking sneak sauce. I'm eating
34:16
steak sauce. That's
34:19
the end of it. Good barbecue doesn't
34:21
need sauce. Uh. If you've got great
34:24
vegetables, you don't need salad dressing. When
34:26
does the ship here? You give me a bad
34:28
tattoo? I'm going to somebody.
34:32
Why not plastic surgery? Right, same
34:35
nigga funked up your ass and plant. You
34:37
don't go back to them. That's art,
34:41
that's body art.
34:44
Oh, I'm sorry. One of your one of your
34:46
breast and plants went around the corner and rubbing
34:48
up against your red cage. How
34:52
the dare you go to another plastic
34:54
surgeon to get your titty repair? I'm
34:58
offended. Ridge know
35:00
they was
35:03
mad about the pain, so I rushed
35:05
a titty.
35:09
I rushed the procedure. And then
35:13
it's not my funk. Don't
35:16
fly out
35:20
of here. Let's
35:23
flip it up for him. Rock uh.
35:26
In the in the news for your
35:28
white co workers, we've got
35:30
another instance of
35:32
people attempting to arrest
35:35
animals and put them through the criminal justice
35:37
system and whatnot. San
35:41
Diego Sea
35:43
World, two
35:46
orcas a k a. Killer whales got
35:49
into a fight in one of the tanks. One
35:52
of them hurt the other one kind of bad and
35:55
now Peter is suing
35:58
and calling for an investing ation
36:01
the Department of Agriculture of the United
36:03
States of America. And I don't
36:05
understand what getting
36:08
the law involved it's supposed to do. Wales
36:11
got into a fight. What the fund does that
36:13
have to do with who who's supposed to stop
36:15
that? Is Peter going after
36:18
the whales. Is this like the monkeys
36:20
throwing the dogs off the roof and the monkey got
36:22
taken in the customers? Or it's Peter
36:25
arguing that Sea World put
36:27
to beef and when you put a cryplin and blood in the same
36:29
cell, and that's inhumane the
36:31
cryp and blood ORCA should have had separate
36:34
tanks. Is that with their argument? What
36:36
Peter's argument is is that this
36:38
is a symptom of them being in captivity
36:41
when SeaWorld retorted, which is
36:43
one percent right. This is
36:45
the ship that happens in the wild
36:48
every day. This has nothing to
36:50
do with them being here. They could have
36:52
fault in the fucking Pacific. Wales
36:54
fight, that's what they do. We're not
36:56
at fault for. This is an
36:58
insane kind of up to see. I tell
37:01
you should have put the animals in there, like animals
37:03
don't fight in the wild. I gotta give it
37:05
up to See World. They have really taken
37:07
some major blows p r
37:10
y s and fiscally, and they are
37:12
still determined to keep that god damn
37:14
park open. Like no,
37:17
goddamnit. People want to see
37:19
trap seals open.
37:22
Survive the propaganda that is
37:25
Freewheeling. If you can survive a
37:27
worldwide movie really
37:30
to destroy you, nobody's going
37:32
to stop you. If stee World was still open after
37:34
Freewheeling, ain't ship no happen.
37:36
It's gonna change the Sea World. Ever. Of
37:38
course, the documentary Black, which
37:42
is the one that came out about ten years
37:44
ago, and that was the one that
37:46
broke down all the bullshit that goes on the Sea
37:48
World and the mistreatment of all
37:50
of the whales and all of that that stuff.
37:55
Long live Tillicom and
37:58
people were going old Fox
38:00
see World. SeaWorld is an abomination
38:02
closed Sea World. Um.
38:05
These numbers are from
38:09
thank you down South, George girl. Um.
38:13
That fucking documentary came
38:15
out in h M
38:20
in eighteen. Sea World's total
38:22
revenue one
38:24
point three billion US dollars.
38:29
You ain't gonna shut us down. Motherfucker's
38:33
give it a loop billion, You're
38:35
not gonna win. People are never going to
38:37
care. In total, revenue
38:40
was a record three hundred and seventy point
38:42
eight million dollars. Wait,
38:44
no, that's fourth quarter. Just the quarter three
38:46
months See World made almost four million
38:49
dollars and three months at the end of twenty one.
38:51
You know what, shut that dad one a law suit. I mean, it's
38:54
good for the attentions there, but I just think
38:56
that we live in a country where eighty five
38:58
percent of people don't give a funk about much.
39:01
If you have to have an alternative them to get
39:03
people to stop some ship that's not harming
39:05
them, and unless you've got another way
39:07
for motherfucker's to see whales and dolphins
39:09
up close, Sea World will remain
39:12
open the same reason zoos ain't go nowhere.
39:14
People have hated them for a long time. But
39:17
just like my nigger, I ain't gonna see no line, no all
39:19
the way. I'm sorry, I'm going to the zoo. After
39:21
the documentary Blackfish negatively
39:23
impacted SeaWorld. The
39:25
park lost sixty
39:28
five million dollars in this settlement,
39:32
so that soldier says, take
39:37
sixty and shut the hell Up. Its
39:44
podcast is Uncle Rod Story Corner Rod.
39:46
I'll leave you back to smoke your purple
39:50
arcle and your jolly green jelly bean
39:52
or whatever the funk else. You and Ride have
39:55
been discussing off Anna
39:58
discuss that with himself. I
40:01
think I think it was this available
40:04
that their cupcake. You just right,
40:08
and Ride I didn't
40:10
say ship, No, you
40:12
did not. Maybe that's
40:19
why he went there. Jacolin what it was right?
40:28
Crispy Tree too, It's TC.
40:31
This is the original recipe
40:36
scam of a week time. Now
40:38
we know music is a duplicitous industry,
40:41
third is very much
40:44
a topsy turvy kind of place. We
40:46
have O G on the line now, who has seen
40:48
this industry evolve over
40:51
you know, a couple of decades, a couple of
40:53
iterations from physical copies to digital
40:55
copies and now you know, the streaming
40:57
world. I want to talk a little bit about the
40:59
evolution and that and how that's changed. And also I'm
41:01
sure he has some shitty jobs in his life before
41:03
he got in this game. J G. Who's on the line.
41:06
We are joined by hip hop DJ and
41:08
producer Dion Roster
41:11
Roots. Dion has held
41:13
a variety of titles throughout
41:15
his career to being a tour DJ
41:18
and manager for a
41:20
tribe called Quest Fight
41:23
Doll Yes
41:27
Forever o gez Um.
41:30
He's also held a position of
41:32
label head of his own imprints,
41:35
Smoking Needles, and most
41:37
recently adjunct professor
41:40
of Hip Hop Composition. Dion
41:42
will be talking to us today about his
41:45
impressive music career and
41:47
what exactly goes into teaching college
41:49
kids who cannot sit steal about
41:52
hip hop. Hi, Hi, good
41:54
to meet everybody. Thanks for having me. I was a pretty
41:56
impressive I hope I
41:58
said it. You can thank book
42:00
Ayat for that is always
42:03
digging up all the great black points for
42:05
sure. So let's start with where
42:08
you were before you got your music music. The
42:10
music industry always seems interesting because everybody
42:12
I know that's in music, at least from the time period
42:14
where you started. It started
42:17
with, well, motherfucker, was fun to do. I don't
42:19
know how, made no money, and then you look up a couple
42:21
of years later and you're making money. What
42:23
were some of those jobs that you had beforehand?
42:26
I was always doing music as a hobby.
42:28
The worst job I can think I had it was good and
42:31
bad. It was working as a deckhand for
42:33
a deck building company. What does a deckhand
42:35
do? You know anything that he doesn't want
42:37
to do? You dig the holes when they're building
42:39
a deck on the back of somebody's house. The good
42:45
issue with the job I had was the gentleman
42:48
that owned the company was also a bodybuilder
42:50
heavy on steroids. So
42:53
the royd rage
42:59
and row at the work.
43:02
It's my first time experiencing it. Man,
43:06
it's faster and like how fast you're bringing the plink?
43:09
Literally anything I did wasn't right. Like
43:13
there was one time I kind of
43:15
slammed my hand and started bleeding and
43:17
I went to him. He was like mess stop. He was like stop
43:19
bleeding on my deck, and it was like he didn't
43:21
care, like what was going on, Like yeah, it was like
43:23
a gash. Are
43:26
you talking about? What I mean? Your lucky.
43:29
The lady who owned the house who rebuilding
43:32
deck on was very nice and she kind of wrapped my hand
43:34
or like this is in Maryland, so she had
43:36
like a maid or something helped me wrap my
43:38
hand. But it was just Harden because he's thinking of like
43:40
the blood on the deck, I got to pull up the boards
43:42
and re apply those, so he's thinking
43:44
more money. But the roid rage was so crazy.
43:48
Nothing was right. I could bring coffee, it wasn't the
43:50
right amount of coffee and it was nuts. How
43:52
old are you? I was like maybe
43:54
twenty, Yeah,
43:57
that's wrong. Those are the young days though. Plus
43:59
of dude with the bodybuilding, I'm with you, I ain't really,
44:01
I ain't. Ain't there for that smoke, not at that age.
44:04
The kicker is at that time, I
44:06
think my car had broken down, so
44:08
I had a tool bell with my hammer and stuff,
44:10
and I would inline skate to work. So to
44:12
be like me skating for two miles
44:15
to get to work, to get abused, and then asking
44:17
you were as you was inline
44:20
skate on those little shorts. Yeah,
44:23
the site to roll.
44:29
But I'll tell you that that was the fittest
44:32
summer I've ever had because I was I was skating
44:34
five miles a day. So
44:37
how do you get from that into
44:39
music? How do you start tiptoeing
44:41
and finding time to do the gigs and
44:44
get into the production. Your
44:46
resume is so deep, we don't even have time
44:48
to unpack all of the legends that you've worked
44:50
with and been able to help architect their
44:52
careers. But just buying
44:55
large your entry point
44:57
into the music industry then, versus
44:59
how some I should be trying to get into it now,
45:01
what would you say? Sure, I was DJing
45:04
throughout college. That was like a hobby, but
45:06
it ended up being like a job pretty much
45:08
because I literally stopped
45:10
studying. It was just DJing the whole time. After
45:12
I graduated from college, I ended up
45:14
getting accepted to the JET program, which is a
45:16
japan exchange teaching program
45:18
in Yamaguchi, Japan. So
45:20
I went to Japan for three years and
45:23
that's where I kind of honed my DJ abilities
45:25
as far as rocking the crowd. Somewhere
45:27
in the middle of that, I ended up starting to produce
45:30
and then moved back to Atlanta because my mama moved from
45:32
Maryland to Atlanta. While doing my DJ
45:34
thing on the radio eight eight point five and You're a point
45:36
three point one for sure,
45:39
I kind of bumped into Fight
45:41
personally and started kind of working with him
45:43
in the studio, and then from there he asked me to do a show
45:45
with him at University of Maryland as his DJ,
45:48
and then it kind of sparked from there. But I was still
45:50
at the time working as
45:52
an interpreter for a railroad
45:54
company. Interpreting Spanish and
45:56
Portuguese for their railroad installs
45:58
in Brazil and Mexico. So you speak
46:00
a little French as well. I understand French.
46:03
I speak Portuguese, Spanish and conversational
46:05
Japanese. So when
46:08
we talk about the music industry,
46:11
I want to get you out of here on this. For the
46:13
new artists that are coming up, and
46:15
we talk about contracts and we talk about
46:17
streaming revenue, what
46:20
advice would you give to new artists
46:22
and producers such as yourself
46:24
who are trying to avoid getting scammed, I
46:26
would definitely say, you know, there are
46:29
two schools of thought as far as being independent
46:31
signing with with the label. I always
46:33
believe in meeting people where they are. So
46:35
if I'm coming to the table with a movement and
46:38
they're looking at the analytics of how many followers
46:40
you have, your engagement with your followers and your fans,
46:43
and ticket sales, and if I if I can bring
46:45
up package to the table that makes
46:47
them want me versus me just wanting them,
46:50
that could be definitely a beneficial relationship.
46:52
But if you're coming with nothing and they're
46:54
risking everything as far as putting up the money to put
46:56
out your project and they're gonna assume the risk
46:58
of that, then there's no real benefit to
47:00
the labor really or you, because they're probably not going to
47:03
push you if you don't already have one movement. I mean, as much as
47:05
I dislike six ninths in music, he
47:07
did a lot of that stuff on his own, which is
47:09
scary, scary good, you know what I mean, true
47:12
definition of being independent. Of course, there
47:14
was other things that went on, but he didn't need a label.
47:16
I don't think he was ever signed to a label for that matter.
47:18
If you're inner savvy and you know your fan base,
47:21
you know how to like have a call to action
47:23
for them to kind of move. When you see a movement, I think you're
47:25
good, and then a label will start beating and having
47:27
a bidding war for you. Dion hypothetically
47:30
speaking and very quickly talented
47:32
people, however, I don't have
47:35
any experience in those
47:37
corporate arenas whom
47:40
I call what do I do? I don't
47:42
want to be picked up, taken on this
47:44
world tour and then just drop back off
47:46
and the hood with the check of item down. What
47:49
do I do? George? Sure? I mean the first thing
47:51
you have to do, as much as it pains me to kind
47:53
of say and do this, sometimes you have to pay
47:55
to place. So that would include getting
47:57
an attorney, whether it's unretained
48:00
or someone you trust who's actually an entertainment
48:02
attorney, not just your boy's cousin who
48:04
did Maritle Low. It's got to
48:06
be someone who who's done entertainment and
48:08
knows the ins and out. It can be that you
48:11
thank you for sure.
48:13
Don't show up knowing nothing. And
48:16
I think a lot of people sometimes labels
48:19
catch you when you're on your down. So when they give
48:21
you a check with that's like a
48:23
new life for you. But at the same time, if
48:26
you kind of like stopping and position
48:28
yourself in a sense knowing that you know what they
48:31
want me for some reason, maybe this is worth
48:33
more in the back end. Let me take less on the front end,
48:35
and then my points in my partnership
48:38
with them will mean a lot more because you
48:40
know, there's there's there's more I p being
48:42
shared. You know, thank you so much for
48:45
coming on the show. Thank you. You have a shot out real quick
48:47
to that debt company. Well,
48:51
the funny thing it was called expertsbuddy,
48:56
my name's Jim. You need a death motherfucker,
48:58
come on down to Dutch to some money. We're
49:00
right off the freeway. It honestly,
49:04
no, I didn't after that day. I think it was a day or
49:06
two after I cut my hand. I never went back, but I
49:09
think I left it. I didn't even get a paycheck. I just
49:11
left with I was like more like, no,
49:14
it was bad. It was it was bad. Yeah,
49:18
Well, thank you so much for coming on the job, fab, brother.
49:20
We appreciate you. I appreciate you.
49:23
After the break, we're gonna get into the world of employment.
49:25
It's a job, Fab. We'll be right back job
49:35
fair bringing it home. So
49:38
we're gonna end this episode strong with a woman
49:40
who has had
49:42
a number of successful phase
49:45
into the world podcasting, but
49:47
more importantly does podcasting
49:49
with the heart and a soul and
49:52
wanting me to help people and help
49:55
your motherfucker's get your life together, get
49:58
your ship together. But she's also
50:00
been fired a whole bunch. I'm excited to
50:02
hear these stories. J G. Who do we have? We welcome
50:05
Bridget Todd to the show. Bridget
50:07
is the creator and hosts of the award
50:10
winning technology and culture
50:12
podcast There Are No Girls
50:14
on the Internet. Bridget got her start
50:16
in social change. Since then, she's
50:18
led training for human rights activists
50:21
and political operatives across the
50:23
globe. Bridget will be talking
50:25
with us about her career
50:27
and activism. Hi Bridget, Hi,
50:30
I'm so excited to be here with a warm welcome. Now
50:32
your arc interests me because
50:35
you know, everybody has done some level
50:37
of activism or claims to be an activist,
50:39
or they've posted a rainbow square
50:42
or purchased some June tenth ice
50:44
cream from Walmart, like we was talking
50:46
about a couple of months ago. But you have also
50:49
taught activism,
50:51
not just domestically but a board
50:54
over there in Australia. Is that
50:56
a good accent? Was that a good Australian name? Thing?
50:59
You will? Your framing this
51:02
against the Aborigine the racist. That's
51:06
such a little British to me. But that's
51:09
the only one I got. That's the only accident I
51:11
got it British colony. What
51:14
is the difference in messaging
51:16
to activate people in a country
51:19
that I'm ignorant. I've never set foot
51:21
on the continent of Australia, but I would assume
51:24
the aim is plugged into the wokety
51:26
wokeness as we are in the States. What is
51:28
that like, training people to
51:30
fight for what's right? You know, Australia.
51:34
So I had never been to Australia before.
51:37
I had never set foot there. I didn't know anything
51:39
about it. And how I wound up in Australia
51:42
for a month training activists is because
51:44
I lost a job. I had nothing else going
51:46
on. I was waking
51:49
up at one pm and someone
51:51
just called me and was like, hey, you're not You're like
51:54
a bum who's out of work and has no plan.
51:56
It's certainly not job searching right now, right? And I said
51:58
that it is correct. This is a brand, this
52:01
is a friend. And she said, well, you want to get on
52:03
a plane to Australia. And two
52:05
days later I was on a nineteen
52:07
and a half hour flight to Australia
52:10
to train human right activists.
52:12
And you know, it's Australia's
52:15
very different from the United States, but also very similar.
52:17
They definitely are interested in
52:19
sort of telling the story of how people can get
52:21
plugged in, especially around things like climate
52:24
justice. Um, so yeah, it was definitely
52:26
a very interesting experience. That was
52:30
the fire. They
52:33
burn like, they burn like California, do yes.
52:36
Yeah, they have some real serious climate and
52:38
drought issue. I was just saying the koalas,
52:40
but go ahead, you know, did
52:43
Koala's kind of assholes? Much like
52:45
the pen that's propaganda
52:48
that is also a poisonous
52:51
just like plants. You can't have a koala bite
52:53
your dad? Is that true? I
52:55
know, Bridget is that true? Down South
52:57
Georgia girl checked out? Down
52:59
South George A Garribon check that real question? Circle
53:02
back to the HeLa muster Kuala bite.
53:04
What is the first thing
53:07
you teach someone in another country
53:09
about activism? People come
53:11
to activism and organizing in all kinds of ways.
53:13
You can just learn it from your parents, learning
53:16
it from just having a passion and you know, connecting
53:18
with people who share that passion. Um For
53:20
me, I was plugged into like a formal
53:23
program to learn how to be an organizer run
53:25
by a dude called Martial gans Uh.
53:28
And it was like a real like crash course
53:30
into professional organizing for social
53:32
change. And I would say the most important first
53:35
step would really be that it has
53:37
to be about a story or
53:40
that taps into values. Right, if
53:42
somebody came up to you and they said, hey,
53:45
did you know, like if they threw you know,
53:47
scary facts and figures at
53:49
you about police brutality or climate
53:51
change. You would just shut down because who wants
53:53
to hear that. But if they told you a story that
53:55
tapped into your values, that's what
53:57
really motivates people to action. And so you can't
54:00
scare people are dooming gloom people. You've
54:02
got to give people something to root
54:04
for it, to hope for it, and to feel good about people
54:07
of your walk of life. I've always found intriguing
54:10
because there's something
54:13
I don't know if it's genetic or
54:15
whatever, but like just helping and trying to make
54:17
a difference. It's just in you because you didn't
54:19
just stop in Australia. You brought your ass on back
54:21
to the States and then you're like, yeah, let me go on
54:24
do a podcast real quick. Let me go on do a
54:26
podcast and just you know, making
54:28
a hit podcast, you know, real quick.
54:30
And then you know, I'm gonna do another podcast.
54:32
You know, I'm gonna help people and help people and
54:34
help people. Talk to us a little bit about
54:36
what you're doing now in the digital
54:39
sphere and with
54:41
regards to tech, because we don't get a
54:43
lot of black folks in
54:45
tech. First off, ain't the eight were
54:51
already booked one that was last year.
54:53
We win't no no other one.
55:00
You'll have all of us in a month. You
55:04
step out of one fight and step into another
55:07
fight? What drives you to
55:09
keep doing? So many of
55:11
the different issues I was working on, I realized
55:14
we were coming up against the same issue, which
55:16
is that if we don't have a digital landscape
55:18
where we can talk about these issues in a
55:20
way that is safe, in a way that is accurate, then
55:22
we'll never get anywhere on them, right. And so I
55:25
started to sort of zoom out and
55:27
see the health of our Internet
55:29
and the health of our digital spaces as really
55:32
critical to making any kind of progress
55:34
or headway on all the different issues
55:36
that are impacting black folks today. And
55:38
so that's really what I do. I advocate,
55:41
you know, I meet with leaders at platforms
55:43
like TikTok and Facebook to advocate for
55:45
better policies, and I want
55:47
to tell stories about how black
55:50
folks we have always been what makes
55:52
technology great, Like if it was if it wasn't for black
55:54
folks, Twitter would be the most boring place
55:56
on earth that no one would ever want to
55:59
spend time, right, So exactly
56:04
know, if it weren't for black folks. There would be no Sony
56:06
PlayStation, there would be no Xbox, there
56:08
would be no Dreamcast. The very
56:10
first console that was ever made was made
56:12
by a black man. That's right, right,
56:16
And I want to say that it was assisted at Hill
56:18
start the protocols for the Internet. That's right.
56:20
That's right. And it's one of those things where I've
56:22
always been like a big tech nerd type.
56:24
And the story I always told myself is that
56:27
the Internet and technology is a white boys
56:29
club, and people who look like me have been trying
56:31
to break through the real story. We've
56:34
been there all along, and if you didn't know our
56:36
story, it's because they were erased
56:38
or they were you know, not given the shine they
56:40
deserve. And so my work is really uncovering
56:43
all the ways that black folks
56:45
and other marginalized people we've been
56:47
there shaping what it means to show up in technology
56:50
into the Internet from the very beginning. And we
56:52
need to take up more space, like we
56:54
are so dynamic and
56:56
creative when it comes to how we show up on the Internet,
56:59
and it's time that heck leaders and white
57:01
tech bros really give us that shine. I
57:03
have one quick question about Australia when
57:05
you were there, Did you have to deal at all? Because you're dealing
57:07
with race and a place that it started like us,
57:09
but it ain't like us. But the whole
57:12
rabbit Proof Frience. I watched a lot about
57:14
the rabbit Proof Fences and how they separated
57:16
the Aboriginals from their families
57:18
in order to raise them like Australians
57:21
and then allowed those same Aboriginal
57:23
a ka Black Australians
57:26
who are raised by these white families and they tried
57:28
to take away Did you have to help when
57:30
you talked about dealing with activism and help, did
57:32
you have to explain or help with
57:35
that kind of a situation at all? Yeah. And so
57:37
the work that I was doing is focused mostly
57:39
around climate, and so just
57:41
the same way that it is here in the United States, climate
57:44
is, you know, a racial justice issue. You
57:46
know, Indigenous folks, black folks, brown
57:48
folks who are who are disproportionately impacted.
57:51
And so that climate work was
57:53
really linked to indigenous
57:55
and human rights work, and so you know it
57:57
wasn't It's so interesting how for
58:00
them there is the I
58:02
don't know, I guess here in the United States we have a hard time
58:04
talking about climate as a racial justice
58:07
issue and a race issue. Not so in
58:09
Australia because it could not be clearer
58:11
and it's like explicitly what's happening
58:13
and everyone can see it. Thank you, down South Georgia
58:15
girl. Third, you are right koalas
58:18
and all four types of koalas. There's a bacteria
58:21
known as long Panella
58:23
which if it breaks the skin barrier
58:26
in a koala bite, it can cause an
58:28
infection. Also koalas. Thank
58:30
you again, down South Georgia girl. Run
58:34
to see
58:37
nasty little tree rats, that's
58:39
what they are. Koalas
58:42
can transmit clamidia to humans
58:44
that come into contact with their urine,
58:46
and it is not unheard of for koalas
58:49
to urinate directly onto
58:51
people. They are assholes, Jacklin.
58:53
But you go ahead and pray for the koality bridgetide
58:58
the podcast the podcast ass
59:00
is there are no girls on
59:03
the internet. Thank you for everything
59:05
you do here in the States. Thank you for
59:07
everything you do over overseas.
59:09
Yeah, you're crossing the PISTI checking
59:13
out the racism. Too many donkeys over
59:15
there, you know, I'm gonna move some of these donkeys over
59:17
here with them. I'm
59:20
not even sure what accent that was about.
59:24
Bridget. Thank you so much, Thank you so much for having
59:26
me. This was a dream come true. Thank you.
59:30
That's the show. Royce job Fare is a product
59:32
of I Heart Media, Comedy Central,
59:34
Paramount in south Park, Prince and Entertainment,
59:38
Hawaii. Yes, I will
59:40
be there ship
59:42
When is it the
59:45
Blue Note downtown Honolulu.
59:47
Let's say, don't start me to line. I ain't going. I
59:50
don't know nothing about j J. You going, I'm
59:52
not going. You're not going ride
59:55
You're going to Hawaii? No, apparently
59:58
I can't go without Jack woman go
1:00:01
to Hawaii without her? Wait a minute,
1:00:05
to Hawaii, Jaqueline,
1:00:09
I ain't nobody nobody right, All
1:00:12
right, I'm
1:00:14
I'm gonna go, but I really I want to go to
1:00:17
I want to go to Korea and watch baseball, but I
1:00:19
gotta do this stopping
1:00:21
away so Korea had coming
1:00:24
at the time. Uh, that's the show.
1:00:28
It's Sunday, August that you're
1:00:30
going to be at the Blue Enail Comedy Series
1:00:33
in Honty and Saturday. I'll be there Saturday
1:00:35
too. We added a Saturday show. This
1:00:39
has been a Comedy Central podcast
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