Season 2 Episode #1 Title: The Non-Linear PathGuest: Senior Lecturer Andrea Keller, Head of Jazz and Improvisation at the University of Melbourne (MCM)OverviewThis conversation with Senior Lecturer Andrea Keller focuses on the topics of composi
Season 2 Episode #2 Title: Context, Understanding and EvolutionGuest: Dr. David Larkin, University of Sydney, (SCM)OverviewIn this conversation, David discusses two prominent aspects of his musicological research methodologies, historical and a
Season 2 Episode #3 Title: Composing, Teaching and Reconsidering Analytical PrioritisationsGuest: Prof. Elliott Gyger, University of Melbourne (MCM)OverviewThis conversation with Professor Elliott Gyger focuses on the thematic topics of composi
Episode #6 Title: Musician in the Museum: Display and Power in Neoliberal Popular Culture Guest: Assoc. Prof. Charles Fairchild (University of Sydney) Summary:In this discussion, Assoc. Prof. Charles Fairchild takes us behind the glittering faç
Episode #5 Title: Exhibitions, Music and the British Empire Guest: Dr. Sarah Kirby (University of Melbourne) Summary: In the immediate wake of the death of the longest serving British monarch, we sat down with Dr. Sarah Kirby to discuss the rep
Episode #4 Title: The Music of Nature and the Nature of Music Guest: Dr. Hollis Taylor (University of Sydney) Summary:Violinist and composer, zoömusicologist and ornithologist Hollis Taylor joins us to discuss her ARC Future Fellowship project,
The Art and Science of CanonGuest: Assoc. Prof. Denis Collins (UQ)SummaryIn their project, ‘The Art and Science of Canon in the Music of Early 17th-Century Rome’ (ARC DP180100680, 2018-2021), Denis Collins and Jason Stoessel explore the use of
Rocking in a Free World: Popular Music and the Politics of Freedom in Postwar America Guest: Dr. Nicholas Tochka (University of Melbourne)SummaryThis conversation traverses topics such as rock ’n’ roll’s association with notions of freedom, sel
Representing Australian Aboriginal Music and Dance 1930-1970Guests: Dr. Amanda Harris (University of Sydney) and Mr Tiriki Onus (University of Melbourne)SummaryAt the very moment when Australian art music composers were incorporating Aboriginal