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Why Can’t I Culturally Appropriate? (Cultural Appropriation) w/ K Mataōtama Strohl (They/Them)

Why Can’t I Culturally Appropriate? (Cultural Appropriation) w/ K Mataōtama Strohl (They/Them)

Released Thursday, 19th October 2023
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Why Can’t I Culturally Appropriate? (Cultural Appropriation) w/ K Mataōtama Strohl (They/Them)

Why Can’t I Culturally Appropriate? (Cultural Appropriation) w/ K Mataōtama Strohl (They/Them)

Why Can’t I Culturally Appropriate? (Cultural Appropriation) w/ K Mataōtama Strohl (They/Them)

Why Can’t I Culturally Appropriate? (Cultural Appropriation) w/ K Mataōtama Strohl (They/Them)

Thursday, 19th October 2023
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Episode Transcript

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0:02

Hi my name is Kay

0:02

Montel Thomas straw My pronouns

0:05

are they them and in this

0:05

episode I wanted to talk about

0:08

why you shouldn't participate in

0:08

cultural appropriation. This

0:16

episode was inspired by a

0:16

comment left. My article

0:19

entitled Lin Manuel Miranda

0:19

needs to learn the word. Lin

0:25

Manuel Miranda has several

0:25

different films, plays and

0:30

appropriate several cultures and

0:30

never takes himself out. And

0:36

never takes himself out of

0:36

projects, even if he isn't a

0:39

part of the culture displayed in

0:39

those projects. The comment left

0:46

on the article describing this

0:46

goes to say so you're saying Lin

0:51

Manuel Miranda should live a

0:51

segregated life where he only

0:56

does things associated with his

0:56

answer. She's ancestries. What

1:01

next. He can't eat Chow fun

1:01

because he lacks Chinese

1:04

ancestry. No one can listen to

1:04

Mozart because they're not

1:08

Austrian. Where does this demand

1:08

to live segregated livestock?

1:15

Actually had an amazing response

1:15

to the article when I posted it

1:20

on LinkedIn. Marcus right

1:20

Watson, he him goes to say, he

1:25

says cultural expropriation.

1:25

presumptuously, the majority

1:30

think black people have

1:30

abandoned, abandoned the music

1:35

and style of Little Richard and

1:35

others like him for a rap trap

1:39

and r&b. So what does the

1:39

majority do? Take the presumably

1:44

abandoned black music styles and

1:44

reassigned to white artists, and

1:49

then wheels, these white artists

1:49

out as the real successors to

1:54

golden years of black music,

1:54

because it's quite diabolical.

1:58

When you dig in further. We've

1:58

seen this over time with Justin

2:02

Timberlake with Bruno Mars, so

2:02

on and so forth. People are a

2:07

flop at it when they partake in

2:07

the cultural appropriation, or,

2:12

as Marcus Wright Watson said,

2:12

expropriation of black music and

2:17

culture, but black people are

2:17

not reason. I don't applaud

2:24

people for taking part in any

2:24

sort of cultural appropriation

2:29

is because it's harmful. it

2:29

demeans the culture and never,

2:35

as in its definition

2:35

acknowledges the culture that is

2:40

being appropriated and allows

2:40

people in positions of power to

2:45

maintain that power because none

2:45

of that power is being spread to

2:50

the cultures that are being

2:50

appropriated because they're not

2:53

being acknowledged for the work

2:53

that they did. Well, this helps

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