Episode Transcript
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0:01
My name is John Cullen and
0:03
I want to tell you a
0:05
story. It's a story about a
0:08
scandal, broken relationships, gossip, rumors, money,
0:10
corporate rivalry, and... curling.
0:13
It's the story of Broomgate, how
0:15
a single broom, yes, a broom,
0:17
turned friends into foes and almost
0:20
killed the 500-year-old sport of curling.
0:22
It was a year I'd like
0:24
to forget. Broomgate.
0:27
Available now. This
0:31
is a CBC Podcast. Hey,
0:37
I'm Tom Power. You're listening to Q. I'm sure
0:39
you might have had a job when you were
0:41
a teenager. Maybe you worked at McDonald's, maybe you
0:44
delivered papers, maybe you stocked shelves at Mark's Work
0:46
Warehouse. The Canadian twin
0:48
siblings Mercedes and Phoenix Arnhorn,
0:51
their first serious job when they
0:53
were teenagers was a pretty successful
0:55
Canadian emo band called Courage My
0:57
Love. Pretty
1:08
good. Unlike you and I, who get
1:10
to move on from McDonald's or the paper route and
1:12
the very privacy of our own lives,
1:15
Mercedes and Phoenix found themselves tied to the job
1:17
they had as teenagers to the sound of that
1:20
band you're hearing right now. Mind you,
1:22
that band Courage My Love did really well, you know, millions
1:24
of views in their videos and a bunch of big tours.
1:27
So when they decided to move on from that and do
1:29
something else, it was a big deal. After
1:31
they disbanded Courage My Love, the siblings
1:34
stayed together, created a new band on
1:36
their own terms. The band's called Soft Cult
1:39
and we've been listening to their music here on Q
1:41
over the past couple weeks and it's really, really
1:44
beautiful, powerful music.
1:47
It's not quite pop punk though, it kind of
1:49
sounds like this. It's
1:57
not quite pop punk. The
2:05
weepy heaven is that May Twenty fourth
2:07
Phoenix The Mercedes came into the studio
2:09
to talk about it. I asked them
2:11
what it was like being teenage twins
2:14
grown up in the super hyper masculine
2:16
seen. Phoenix
2:20
now. We're always like kind of the
2:23
odd band out on the Dell and
2:25
back in those days when leave her
2:27
only like thirteen fourteen, we really didn't
2:30
see a lot of people that looks
2:32
like us. Represented. On your.
2:34
Age your even hot the so as he
2:36
was a dude. Heavy punk scene? Yeah yeah,
2:38
we. Know like even ten years ago I'd
2:41
say yes and that is a lot different
2:43
than how it is now so it is
2:45
really inspiring to see how that has evolved
2:48
and scenes in there is a lot more
2:50
represents his and nowadays but it is. It
2:52
taught us alive and I think said. The.
2:55
Evolution for us was sort of like we learned
2:57
early on that we would have to become really.
3:00
Persistent at our craft and you know if
3:02
we're going to step on stage and I'm
3:04
going play guitar and Phoenix is gonna play
3:06
drums. Were gonna have to really know what
3:08
we're doing and sort of. Prove.
3:11
ourselves in away and so now.
3:13
We're. Very confident in our abilities
3:15
and you know, as musicians and
3:17
songwriters. A Phoenix let's let's talk a little bit
3:20
of occurs. Memo does for a second sit at the ban
3:22
starts when when you're hold. Of in
3:24
were so I did. They get started. Like
3:26
relax and fourteen. As a
3:28
way yes we're at. yeah So here's think
3:30
I like local. A bottle of the bands
3:32
and stuff and then that been ended up
3:35
going for like ten years. Before it which
3:37
is pretty wild yeah what what what What
3:39
was the experience like only so much as
3:41
you probably can say hear what was experience
3:43
of like of taking this thing that was
3:45
born out of the pumpkin be i was
3:47
seen him to wh kitchener and and. Go
3:49
into that major label thing missing signed me to
3:51
label that was going. Ah it I
3:54
mean it is Cowlick the classic where
3:56
you know we were really and then
3:58
we got signed were really excited and
4:00
it's like ah you know on this
4:02
is so exciting so the gray and
4:04
then it. Being. On a major
4:06
label? Obviously over time it's it's you're
4:08
expected to start paying back these costs
4:10
and the recouping this money is that
4:12
these sunken to. Usurp the money to bail
4:15
put in for promotion the money they earn for
4:17
a studio time to monumental put in her producer.
4:19
All that stuff like you know at music videos.
4:21
All that stuff that you know. They.
4:23
Just costs money and then ah,
4:26
then the creative choices. you know,
4:28
like. They. Searched say
4:30
kind of want to have ahead and not be
4:32
like well I think if you do this and
4:34
you do that then you'll be able to recoup
4:36
that money and will the all this and it's
4:39
like it starts to get a little bit murky
4:41
and it it's a it's You know? It's kinda
4:43
like taught us a lot about lake labels I
4:45
think so I I look back on it fondly.
4:47
There's a lot of good times, but I'm definitely
4:49
glad that we're not so much and that major
4:51
label space anymore. But movement Mercedes or must
4:53
have been a to be able to go to that
4:55
which siblings are most most been able to move to
4:57
be able to go through all that strangeness we have
5:00
family member you know. Yeah. I feel
5:02
lucky to go through my life with
5:04
Scenic Ruinously and to go on tour
5:06
and travel the world and have all
5:09
these experiences together. It is like having.
5:11
My. Buddy with me How times has
5:13
hit us. Up Simic talk me through the
5:16
the evolution of the South has got. I remembered
5:18
my love. I remember I remember your band and
5:20
it was. It was. Him
5:22
always yeah yeah I think that's a good
5:24
way to put on a moment. I would
5:26
even say may blow up on the most
5:29
ask. Me:
5:39
What the evolution have you go from that? Santa doesn't.
5:41
Want you know I like we
5:43
said before, I like that. Then
5:45
we started. when are teenagers So
5:47
ah now that were like thirty
5:49
obviously were inspired by lot of
5:51
different muzak. And is that an end to that?
5:54
does up an end at some point? Yeah. We kind
5:56
of called it in twenty funny and
5:58
then that's kind of when we started
6:00
this new project and it was the
6:02
right time. And it was. Cook has
6:04
like that Bends through the years had
6:07
strayed away from guitar music which we
6:09
weren't really. if we kinda like lost
6:11
the plot loader and then now like
6:13
when we called that bends or when
6:15
we have called that been quests then.
6:18
We. Kind of came back to roots with
6:20
and yeah, Mercedes especially was really inspired by
6:22
Riot Girl and a lot of Shoe Days
6:24
artists and then that was a cool time
6:26
just finding out how to like merge those
6:29
two passions. I guess we're receiving. Talk
6:31
to me about that cause I also
6:33
mentioned you when you set and we're
6:35
Kathleen Hanna talking about right girl. Your
6:37
area study was pretty exciting. But
6:40
I think is a boot. What? What was? what? are
6:43
you listening to? The biggest can Kill. Yes,
6:45
definitely bikini kill and. On
6:48
I was exposed to Bikini Kill
6:50
for the. First time the through the
6:52
punk. Singer documents. On
7:02
What really drew me to them was the.
7:06
And their feminism and the empowerment on
7:08
and it honestly felt like a switch
7:10
was just turned on in me like
7:12
I just felt a. Spark. And.
7:16
I wanted to be a part of that. And
7:18
I wanted to bring that. Spark.
7:21
To other people. So that's why
7:23
I want to infuse semitism and
7:25
riot girl he says in sea
7:27
sauce called and it's kind of
7:29
cool I feel like we are
7:31
bringing that salmon is punk vibe
7:33
see the shoe days. Yelled here in
7:35
our own way. yeah I'm I'm What's interesting
7:37
is that Kathleen a sort of like a
7:39
distance herself another for my girls because he
7:41
feels like that move that movement as the
7:44
time was sort of a street says blade
7:46
Woman movement. So I find really interesting in
7:48
the way that you talk about your music.
7:50
Yeah it's about bringing right girl to two
7:52
and a new generation but also make sure
7:54
it's it's It's a tough free space for
7:56
my girl and. He said it yeah because
7:58
it is right. Girl is not slot. Like
8:01
clearly, it wasn't intersectional
8:03
enough. And what
8:05
it did do was bring women
8:07
into these spaces where women typically
8:09
aren't very welcome, were made to
8:11
feel powerful or equal, but
8:14
clearly it needs to evolve. Just
8:16
like we as human beings evolve. So
8:20
we're trying to bring Riot Girl
8:22
into a modern age where it's
8:24
more intersectional movement and just more
8:26
inclusive in general. So put
8:29
me into the room because I want to, for
8:31
what Phoenix is talking about there Mercedes, so like
8:33
you're listening to Courage My Love Breaks Up, you're
8:36
listening to Bikini Kill, listening to, I don't
8:38
know, my shoegaze knowledge is not great. Like
8:42
my bloody Valentine's flow dive.
8:56
And even modern bands, you know, like
8:59
Dive and Blow Crush. I
9:02
just really love the dichotomy of
9:04
shoegaze. There's like this wall of
9:07
sound, like massive,
9:10
heavy guitars. But
9:13
then it's like macerated in this ambience
9:16
of reverb and softness and
9:18
ethereal. Like I just
9:20
feel like it's a really great metaphor
9:22
almost for femininity in a way. You
9:24
have this duality of rage and power,
9:27
but then also a nurturing soft side.
9:29
That's powerful. So are you in with a
9:31
guitar writing this or are you? Yeah,
9:35
guitar is like probably my first love as
9:37
an instrument, but I also record the bass
9:39
and keys and stuff.
9:41
And then Phoenix is the drummer
9:44
and producer and engineer when
9:46
we're in the studio. So Phoenix, is
9:48
there a moment where after years of being in
9:50
Courage My Love, does Mercedes come to you and
9:52
say like, hey, I'm trying something different. I'm working
9:55
on something different. Does that moment exist? Yeah,
9:57
it kind of happened that way where we
9:59
were just like, you know, in the pandemic,
10:01
like writing some new songs, and it's like,
10:03
damn, yeah, this really doesn't sound like our
10:05
old band. And we're realizing like, we probably
10:08
should just make a new project, you know.
10:10
And then yeah, it
10:12
just kind of took shape, like, you know, the
10:14
more that we would write and especially the more
10:17
Sades would kind of show me some music. It's
10:19
like, yeah, okay, I can really like get this
10:21
vibe. And it was kind of cool having that
10:23
time, because I got to learn a lot. I
10:26
watched like 5000 million trillion YouTube
10:29
tutorial videos on record. Oh my god,
10:31
home recording. You were doing any home recording before
10:33
2020. A little here and there,
10:35
but it was demoing. We're demoing. We're doing at
10:37
home. But then now, like, in
10:39
2020, obviously, it was like, okay, we're stuck at
10:42
home for a while now, we can't really go
10:44
to a studio and do stuff. So it's like,
10:46
let's just do it to the best of our
10:48
ability at home. And now it's like, yeah, we
10:50
just love doing it that way. And I think
10:52
now that we could go to a studio, we
10:54
actually prefer just recording at home now. So I'm
11:00
Tom Power. You're listening to cue coming up
11:02
more of my conversation with the band soft cult.
11:05
Hi, I'm Jesse Crookshank. I'll
11:11
host the number one comedy podcast called Phone
11:14
a Friend. Not
11:17
only do I break down the biggest stories
11:20
in pop culture with guests like Dan Levy
11:22
and members of NSYNC, I do it with
11:24
my own personal boy band singing jingles throughout
11:26
because it's my show. It's your show,
11:28
girl. New episodes of Phone
11:30
a Friend. Yes. Drop Thursdays
11:32
wherever you get your podcast.
11:35
Okay, that's enough. Phoenix,
11:43
I want to stay with you before we go to Mercedes
11:45
for the song, but but it's been really amazing to see
11:48
soft cult really take off. I mean, just before I came
11:50
in, I was looking at your streaming numbers and it's massive.
11:52
And a lot of people are talking
11:54
about your band right now. And it's, and also it's
11:56
just stunning music. I can imagine not to lead you
11:58
here, but I can imagine that's meaningful after everything
12:01
you've gone through giving control to somebody else.
12:04
What happens when you took it took it yourself? Yeah, that
12:06
I mean, you kind of put it in a
12:08
way that I feel like we it's like hard
12:10
for us to say. But yeah, it does feel
12:13
good to be like, okay, all
12:15
those years where we maybe didn't have as
12:17
much creative control as we would have liked.
12:19
Now it's like, oh, we get to do
12:21
it all ourselves, our own vision. And it
12:23
is still like we would have done it
12:25
regardless. But it's it's reaching those cool milestones
12:27
that we weren't really expecting it to. So
12:29
that's a cool it is validating to have
12:32
that proof that you can do it yourself.
12:34
Like soft cult has been an empowering experience
12:36
even just for us, because
12:38
it's taught us new skills like Phoenix
12:41
learned how to be a producer. I've
12:43
learned how to be a cinematographer. Phoenix
12:46
is a really talented visual artist
12:48
as well as like mixed media
12:50
and stuff and designer and yeah,
12:54
betting on yourself without a major label
12:56
backing you and then still reaching the
12:58
success that you always hoped for and
13:00
reaching those milestones. Like Phoenix said, it's
13:03
proof that you should always just bet on yourself
13:05
and believe in yourself. It's a beautiful thing.
13:07
Mercedes, can you tell me about the song we're gonna hear
13:10
today? I think it's one of the pack. Yeah.
13:12
So we just put this one out.
13:14
It's brand new. Great song. Thank
13:16
you. I'd love to hear what it's about.
13:19
It's about sort of what we were
13:22
talking about before, like the world can be
13:24
a very unwelcoming
13:27
place in a lot of spaces
13:29
where women are made to feel
13:32
unwelcome, but especially transgender women, women
13:34
of color, non-binary people.
13:37
And so this song, instead of
13:40
writing, we have a
13:42
lot of songs that call
13:44
out that sort of mindset
13:46
and behavior, but
13:48
we wanted to write one
13:51
that celebrates women supporting women
13:53
and including all women in
13:55
that statement. And
13:57
we wanted to write an anthem that's
13:59
like... Hey, I've got your back
14:01
if you need me like you're welcome in my
14:03
space. You're welcome in my circle You're part of
14:05
my girl gang. You're one of the
14:07
pack one of the pack meaning. Hey, we're up. We're
14:09
all in this Yeah, we're on this. Well, I mean
14:11
it's great. Thanks for coming in. Thank
14:13
you How much who wants to do the hey,
14:16
we're soft cult. You're listening to cue here's you
14:18
want to do it We do this together
14:20
and you got to do and you got to do at the
14:22
end. Here's our song one of the pack Okay, so
14:25
I'm excited about this. Okay, it's meant
14:27
they're holding hands, which is great. I
14:29
love that you're holding hands Very very
14:31
sweet. Hey, we're soft call and you're listening
14:33
to cue. Here's one of the pack Music
15:21
From their upcoming EP heaven that was soft
15:24
called with one of the pack They really
15:26
did and hold hands when they do that.
15:28
It was very sweet before that you heard
15:30
my conversation with Phoenix and Mercedes Arn horn
15:32
from the band soft cult Alright,
15:35
that's it for us today. The other conversation we have of
15:37
today is my chat with Jerry Seinfeld Cool
15:40
to talk to Jerry cool. Did whenever I you know
15:42
cool to say his first name to be honest We
15:45
talked about his new movie unfrosted, which is the story
15:47
of pop charts We talked about and we played
15:49
for him and he said it was the first time he had ever heard
15:51
it One of his
15:54
first ever appearances on the tonight show with Johnny
15:56
Carson Talk a little bit about that and
15:59
we talked a little bit about his tendency
16:01
to, or like maybe the story of his
16:03
comedy, is taking
16:05
really silly things and taking them very... Okay,
16:07
good job guys. See you soon. Yeah,
16:30
sure.
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