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0:00
Personology is a production of I Heart
0:02
Radio. Marilyn
0:13
Monroe born Norma Jean Mortenson
0:16
was one of the greatest female screen legends
0:18
of the Golden Age of Hollywood. An
0:21
actress, model, and singer, she
0:24
changed attitudes towards sexuality
0:26
in the nineteen fifties and sixties, eventually
0:29
emerging into a major icon
0:31
of popular culture. My guest
0:33
today is Charles Cassillo, the
0:36
author of two books about Marilyn Monroe,
0:38
The Maryland Diaries, a fictional
0:41
recreation of her lost diary, and
0:44
Marilyn Monroe The Private Life
0:46
of a Public Icon, a biography
0:49
that speaks to the many mysteries surrounding
0:51
the star. Marilyn
1:02
Monroe doesn't get more iconic
1:05
in terms of Hollywood movie
1:08
starlet sex, symbol of
1:11
the last century and
1:14
still of great interest today.
1:16
But she was born Norma
1:18
Jean Mortenson on
1:21
June one in Los Angeles
1:24
to Gladys Pearl Baker,
1:27
who was originally Gladys Monroe, who
1:30
was actually a poor Midwestern girl
1:32
whose family came to California
1:35
as many families did,
1:37
and she was
1:39
actually not her first child. So let's
1:41
talk a little bit about her her
1:44
family of origin. Gladys
1:47
being her mother. But Gladys was originally
1:49
married at age fifteen to four
1:52
year old John Newton Baker,
1:54
and that was not a good marriage. No
1:56
um. He was abusive and they
1:58
did have a daughter, and
2:01
Gladys Baker had emotional
2:04
problems too, but with the
2:06
information that's available, we don't
2:08
know if it was her emotional problems or if
2:10
it was his abusiveness or a combination of
2:12
the two that made the marriage not work.
2:15
So actually there was a child who didn't live that
2:17
long, Robert, I think a son and
2:20
Bernice, who actually Maryland
2:22
didn't even learn about as a
2:24
half sibling until she was twelve
2:26
and met as an adult, but really
2:28
had very little to do with. And
2:31
it is important to note what emotional
2:33
problems existed, because
2:35
when one's mother has mental
2:37
illness, basically it greatly impacts
2:40
their child. And so we
2:42
do know that there were probably already
2:45
mental health issues afoot, although
2:47
they didn't present until later in terms
2:50
of hospitalization in Gladys.
2:52
But maybe even important for the audience
2:54
to understand that mental
2:56
illness as a family history means
2:59
that one is genetically more
3:02
likely to experience. Doesn't mean you definitely
3:04
will, but you are more likely to experience
3:07
mental illness, and not only did
3:09
Gladys go on to be diagnosed
3:12
with paranoid schizophrenia, but
3:14
her mother reportedly had severe
3:17
depressions, including postpartum
3:19
depression, and even a great
3:21
grandfather on the mother's side who
3:24
actually committed suicide died by
3:26
suicide. So it's important
3:29
to know there's there's a real family history
3:32
of at the very least effective
3:34
disorder or depressions and even
3:37
schizophrenia. That is important to NOPE.
3:39
But this man who did abuse
3:42
Gladys and for whom she
3:44
divorced and left was not
3:46
actually Maryland's father, So
3:49
let's talk about actual
3:51
father, Martin Edward Mortenson,
3:54
who was Marilyn
3:56
Monroe Norman Jeans father. Gladys
3:59
left her first two children, Bernice
4:02
and the son with the first husband,
4:05
and then she tried to pull herself
4:07
together. She was working as a
4:09
film cutter in Hollywood, and
4:12
Mortenson actually isn't
4:15
Marilyn Monroe's father, Norman Jean's father.
4:18
That was as a result of an affair that
4:20
she had the name of her father
4:22
was Charles Stanley Gifford. It
4:25
was a brief affair. Gladys hoped
4:27
that she would be able to marry
4:30
him, but he did not want to marry her,
4:33
so after she became pregnant, he
4:36
entered the relationship and Marilyn
4:39
Norma Jean was actually born
4:42
out of wedlock, so I always say like she kind
4:44
of started her life on
4:46
the wrong side of the tracks or being an
4:48
unaccepted member of society, because
4:50
in the six when Norma
4:53
Jean was born, to be a legitimate
4:55
was like, you're starting off on the worst thing that
4:57
you could be. You know, you have a black stain on.
5:00
But Gladys, who was working
5:02
as a film cutter, was not mentally
5:04
fit to take care of young
5:07
Norma Jeane, and she put
5:09
her into foster care. And
5:12
actually it's really sad. I mean she she was really
5:14
struggling financially to make ends meet. Right
5:16
as you said, she was working as a film cutter, and
5:18
she tried. Initially it does sound like
5:20
she tried to keep
5:23
Norma Jean and be a fit
5:25
mother. She tried to. Basically
5:28
they got multiple people lived in a house
5:31
together, she and her daughter and
5:34
others, and she tried in
5:36
the early years to keep Norma
5:38
Jeane, but she she just couldn't really do it.
5:40
The story of that is after a few
5:43
days, her mother realized that she couldn't
5:45
take care of her. It was going to just be too much, so
5:48
she when Normajine was only a few days
5:50
old, she went over to stay with her first
5:52
foster parents. And then when she turned
5:54
five, Gladys felt that she was
5:56
in a better kind of place in her life and
5:59
that she was. She had these like ideas,
6:01
I'm going to get us a house. I'm gonna
6:03
buy a piano. I'm gonna be a mom. I'm going to
6:05
make Norma Jean give her a
6:08
life that she really really deserves.
6:10
But again the pressure only after
6:12
a very very very short time, she
6:15
couldn't take it. Like she would go to work, she
6:17
would draw Norma Geine off at the movie theaters
6:19
like the Grahama's Chinese Theater and just leave
6:21
her there for the whole day. And that was her
6:23
introduction to the movies, and she would
6:26
just watch. She'd start in the morning and then she would watch
6:28
the films one after another after
6:30
another, and then she would come
6:32
home and act them out. But she actually
6:34
witnessed her mother after just several
6:36
months. Well, a couple of important things happened
6:39
during her stay with her mom. Number one,
6:42
her mom had a picture of Norma Jean's
6:44
real dad, Charles Stanley Gifford, and she
6:46
would always show Norma Jean a
6:48
picture of him, this handsome guy in wearing
6:50
off a door hat, and she would
6:52
say, this is your real father. And
6:55
because up until that time, Norma
6:57
Jean's life had been so unhappy
7:00
be and she felt so isolated,
7:02
and she felt so much in need of rescuing,
7:05
she put all her hopes in her father
7:07
that this is a guy like kind of like a
7:10
night in shining armor type thing. He'll come
7:12
someday and he'll take me away
7:15
from all of this and he'll give me the home that I want.
7:17
So that just comes in later, when, like
7:19
most of her relationships were, she
7:22
was searching to find her father again. So
7:24
that was the first important thing. The second
7:26
important thing was that she actually saw
7:29
her mother be taken out by the men
7:31
in the white coats and straight jacketed and taken
7:34
away. So she she witnessed that.
7:36
And even though obviously it was because
7:38
her mother was seriously
7:40
psychiatrically ill and need
7:43
to be hospitalized, it's
7:45
still for a child, for a young child,
7:47
which she was like eight, it
7:49
still feels like an abandonment, whether
7:52
your mother means to or not is really not
7:54
the point. But to be so young and
7:56
to be removed from your mother, who
7:59
you're longing for and have just been
8:01
with, you know, in more recent times,
8:03
would be you know, as a trauma and as
8:05
an abandonment, especially as you point out,
8:08
in light of not having a present
8:10
father and in addition the family
8:12
that she lived with, the sort of
8:14
foster parents this is Albert and Ida
8:17
Bollander, who were Evangelical
8:20
Christians and tried to make a nice
8:22
home. But another thing that seems
8:24
to come up about Norma Jean
8:26
is sadly the question
8:29
of of having been sexually abused.
8:31
And it's not clear to me from
8:34
what I can find, whether there was concerned
8:36
that that happened in one of the foster home
8:38
settings or one of the houses
8:40
that she lived in where there were other people present,
8:44
or whether that didn't really happen
8:46
until she stayed with
8:49
the friend of Gladys. Basically once
8:51
Gladys was really institutionalized
8:53
and unable to come out, Grace
8:55
Goddard and her husband Dock guarded
8:58
whether that that is what happened
9:00
there. Well, it wasn't in her
9:02
first years with the devoutly religious
9:05
family. But that did scare
9:07
her, as we see in like some of her scribblings,
9:09
she never ever really kept a diary, but she would scribble. The
9:12
first thing was that she was taught that
9:14
loving movies or entertainment or
9:17
singing anything other than religious songs was sinful
9:20
and bad, and that the human body was
9:22
bad. And I think one of
9:24
the things that happened is that Norma
9:27
Jean had another foster brother who
9:29
that family actually adopted. They never adopted her,
9:31
but they were very very close. They looked alike, and they
9:33
used to be called the twins. And Ida
9:36
walked in on them playing
9:38
naked or what, experimenting like little
9:40
babies, you know, just looking at each other or something,
9:43
and she was livid
9:45
and she was Normalgine was
9:47
punished and told that this is sinful and
9:49
you'll burn in hell forever. And it it did
9:52
have an effect on her forever, because she
9:54
eventually she started dreaming about being naked
9:56
in church and walking down the
9:58
island, everyone looking at her in my hearing
10:00
her because she was so beautiful. And I think
10:02
that's a very very very important
10:04
and interesting fact about a child that
10:06
started having that dream as a result of
10:08
being told that it was wrong. Her
10:10
subconscious was telling her, no, the human body
10:13
is good, the human body is right, and I want
10:15
people to accept that in me. So
10:17
it's interesting that in these early years
10:21
she had these experiences
10:23
that on the one hand told
10:25
her or let's say, informed her
10:27
future feelings that, you know,
10:30
showing yourself as a beautiful
10:33
person, as a beautiful human, as a beautiful
10:35
woman physically is
10:38
okay, and in fact, she for the
10:40
times was really disinhibited in
10:42
some ways. And yet we then
10:45
see later in her career and wonder
10:48
why behaviors which we'll talk about later,
10:50
that insinuate low self esteem,
10:54
shame, even guilt,
10:56
and this perfectionism very hard on
10:58
herself. And you know, you have to think
11:00
about these early experiences
11:03
where on the one hand, she was admired
11:06
for being very beautiful, even
11:08
as a child, a beautiful child, her mother
11:10
was purportedly very beautiful. And at
11:12
the same time, as you're pointing out,
11:14
having these experiences where she's being told
11:17
to be admired or to show yourself
11:20
is sinful because you
11:22
would be bad in the eyes of God.
11:24
It started an enormous amount of conflicts
11:27
in her because she's you don't forget. She was in Los
11:29
Angeles, where beauty was
11:31
one of the most important commodities a person
11:33
could have, and you know, people
11:35
were telling you she was beautiful, and then on the other hand,
11:37
she was getting signals from the person that
11:39
was taking care of her saying that
11:42
it was wrong to be looked at and almost
11:44
wrong to be, you know, considered beautiful.
11:47
So it started very early planting
11:49
all these conflicting ideas of beauty
11:52
and acceptance and all
11:54
of those kinds of things, with these thoughts to parents,
11:57
and really from somewhere between the ages
11:59
of eight twelve she had this moving
12:01
around from an orphanage, which
12:04
albeit was considered a very good orphanage,
12:06
but an orphanage is still an orphanage. You know,
12:08
you don't have a family home of family
12:11
life. It's kind of like being in a school all
12:13
the time, or you know, it's an institution. And
12:16
then the family of Grace Goddard
12:18
and her husband, which apparently
12:20
she liked better certainly,
12:23
But did something happen
12:25
in that home? I think that's that's
12:27
been a question, whether some sexual
12:30
impropriety happened in that home, because
12:33
at that time she also started
12:35
to develop this stutter that she had
12:38
a shyness and a stutter. Actually,
12:40
the way she told the story, it was before
12:43
the first time she was sexually abused. She was around
12:45
seven. It was shortly after her mother was institutionalized.
12:48
She was shuffled into a foster home. And it was in that
12:50
foster home whose name of the people there
12:52
we don't know, but it was a woman who
12:54
was running a boarding house. And
12:57
she was staying with this woman who was running a boarding house,
12:59
and one of the tenants lured her into
13:01
his room and sexually abused her and then
13:03
gave her a nickel and told her not to tell
13:06
anyone. And when she tried to
13:08
tell the foster mom and she
13:10
usually called him Aunt so I. I
13:12
don't know if it was like Aunt Louise or whatever it
13:14
was, but she told him what he did, and she smacked
13:17
her and said, he's one of my best tenants.
13:19
Don't you dare say
13:21
anything about Mr So and so
13:24
so. Again, these deep
13:27
seated problems were being planted in her from
13:29
a very early age because this
13:31
woman was also religious. And when when they were
13:33
at service, she saw this guy at
13:35
the service praying fervently, you
13:37
know, about righteousness and all of those other
13:40
things. And here she was carrying this secret
13:42
that he abused her, and no one
13:44
would believe her anyway. But then she
13:47
was shuffled. She recounts so many
13:49
foster homes. It was like she went to different schools.
13:51
She was uprooted. She would get comfortable in one
13:53
place, and her mother's friend, Grace Goodard,
13:56
always would tell her, oh, you're so beautiful, you're gonna
13:58
be an actor. She would try to take her, uh. Her
14:01
Grace's life was number one, you
14:03
know so, and she was trying to be an actress herself,
14:05
and she was very theatrical. She
14:07
met a guy who was much younger. His name
14:09
was Doc, and when they briefly
14:13
took her in, and that's it said that
14:15
this guy Doc abused her too. But
14:17
she told people various things throughout her
14:19
life. But it was more than
14:22
just two people. It was because in
14:24
those days foster care it wasn't
14:26
really supervised the way that it would eventually
14:28
become. You're placed into a family,
14:31
a young, pretty child, with
14:33
these men who looked at her like I
14:35
said, she's a damaged commodity. No one wants
14:37
her. She doesn't belong to anyone. I could
14:39
do what I could do what I want with her. And
14:41
then in the end she learned that if
14:44
that happened to her, she was victimized,
14:47
it was her fault. I mean, that was right.
14:49
That was the message from the women in the home who
14:52
I mean, she's she's wishing for a mother,
14:55
and she gets women
14:57
who basically say either I don't want to know
14:59
or don't want to hear about it, or it's your fault,
15:02
and it's your fault for being seductive
15:04
or evil in some way, which
15:07
is really terribly traumatic. She
15:11
ultimately in school,
15:14
she is considered a pretty average
15:17
student, maybe like a mediocre student,
15:19
except that she is considered a good
15:21
writer. She writes for the newspaper. And
15:24
it's important to you know she, of
15:26
course, for most of her career was really portrayed
15:29
as dumb, as unintelligent,
15:32
and you might be an average
15:34
student, meaning not a superstar
15:36
student. But that's certainly she was not
15:38
a poor student. She was not a poor student, and
15:41
she did have this aptitude for writing. And
15:43
it's important to understand that because even though those
15:45
are the parts she portrayed in
15:48
the way that she ended up directing her
15:50
career, we have a lot of evidence
15:52
that she was a reasonably intelligent
15:54
person. She loved poetry, she
15:57
loved learning. She always said, I'm not an intellectual,
15:59
but I admire intellectual people. She
16:02
was very hungry for knowledge and bettering her mind,
16:04
which is why she gravitated towards you
16:06
know, people like Arthur Miller and very great
16:08
intellectuals or renowned
16:10
people. She always wanted to better herself.
16:13
I mean, she loved Carl Samberg. She had a great friendship
16:16
with Carl Samberg. But I think
16:18
that one of the reasons that maybe she was, you
16:21
know, in in school writing. Well, first of all,
16:23
I think she wasn't a good student, not because she was. I
16:25
think that when you come from a situation like her,
16:28
it's more about survival. You're worried about
16:30
surviving from day to day, getting through the day,
16:33
not being made fun of. She was very ashamed
16:35
of, you know, not having a family, not belonging
16:37
to anyone, and as you said,
16:39
she did start stuttering. She was made fun of. She was very
16:41
tall for her age. They used to call
16:43
the string being normaging. The human being
16:46
was one of the things that they called her. So she was kind
16:48
of I wouldn't say she was bullied, she
16:50
was she was separate, so
16:53
writing was also something that she could. You know, you can do that
16:55
by yourself. It's not a team thing.
16:57
So I think that may be one of the reasons why she excelled
16:59
it eating and now, and you bring up a great point.
17:01
Try being a great student when you essentially
17:04
are in a different home all the time, or in an
17:07
orphanage and don't have an ongoing
17:09
parent, don't actually have a parent today.
17:12
You know you that would be you could imagine
17:14
how difficult that would be. And she did
17:16
continue on one the lessons school until
17:20
the age of sixteen when Doc
17:23
and that's who she was living with it the
17:26
Godter got relocated his
17:28
job to West Virginia. When she was
17:30
fifteen, they they found out that they were going to be
17:32
relocating and there was an elderly woman who
17:35
was getting too old that they've tried, you know, they were going to
17:38
keep her with her. It was actually someone that
17:40
normal Gine loved very much. She called her aunt Anna.
17:42
But she couldn't take her. She couldn't
17:44
move with the Godards because the
17:47
Doc had children of his own, so
17:51
they couldn't afford it. They couldn't really afford to
17:53
take her. Yeah, so it became either
17:55
she was going to go back into an orphanage or she got
17:58
married. So Grace, being the resourceful
18:00
woman that she was, started looking around for a potential
18:02
husband for the fifteen year old, and she
18:05
literally went to the boy next door asked
18:07
him to take her out. They
18:10
got along, and his mother said it would be
18:12
really nice if you married her so she doesn't
18:14
have to go back to the orphanage. And
18:16
so they waited until she was sixteen, and two weeks
18:18
after she was sixteen years oldly married. Wow.
18:20
So this was James Doherty right. I
18:23
think he was a factory worker basically
18:25
at that point. He was like one years old,
18:28
so older than her. Not old,
18:31
handsome by all accounts,
18:33
a nice guy, perfectly
18:36
nice person. She called
18:38
him daddy, by the way, and that's a recurring
18:41
thing that always she always called her husband's
18:43
daddy. Okay, well that you
18:45
don't need a psychoanalyst to explain the
18:48
edible meaning of that to you. So,
18:51
yes, she was in search of a
18:53
father and romanticizing a father
18:55
who would rescue her, and in this
18:57
sense, James Doherty was rescuing
19:00
her from going back to the orphanage that he
19:02
was going to supposedly provide her stability
19:05
and someone to take care of her, and
19:08
that was it was the first time in her life
19:10
she belonged to someone. So it was in the first
19:12
i would say months, maybe to the first year,
19:15
she was content. She was content. His
19:18
expectation was that she would be
19:20
a homemaker, and so
19:23
she quit high school. She
19:25
dropped out of high school, which wasn't
19:28
was not that unusual for the times,
19:30
but still for someone who
19:33
wanted to learn and better herself, not
19:35
not exactly the path you would think she would
19:37
take, but she was sixteen and she really
19:39
had no options. So she
19:42
said she was happy. And then
19:44
about a year in he joined
19:47
the Merchant Marines their
19:49
stations at Santa Catalina
19:51
Island. Things are fine, let's
19:53
stay fine, stable, But then
19:55
in the next year he is shipped
19:57
out to the Pacific for two years. He's
20:00
gone, and she's alone, and it's
20:02
the war and she
20:05
needs to work and make money, and
20:08
so she moves in with his parents and
20:11
works at the radio plane company,
20:14
the munitions factory, as many young
20:16
women did. She worked in the parachute like
20:18
assembly line, packing the parachutes, which
20:20
was actually what a lot of young women did
20:23
during the war time. For the wartime efforts
20:25
and to support themselves. And
20:28
this is where she is first sort of spotted,
20:30
let's say, by a
20:32
photographer who comes to pictures really for the
20:34
for the wartime efforts, to you know, hear the
20:36
window supporting the boost morale and
20:39
show what women were doing for
20:41
the war effort. And she was a
20:43
pretty teenager really, and
20:46
so he asked her to pose and when he got
20:48
the photos, he said, you could be
20:50
a professional model. You
20:52
really have something. And
20:55
that started the wheels turning in her because it goes back
20:57
to that beautiful thing, Like you know.
20:59
The an interesting thing is like when she went from
21:01
eleven to twelve, a
21:04
very interesting thing happened to her life. People
21:06
started paying attention to her when she
21:09
was twelve because her body developed.
21:11
She became a pretty girl. She would walk to school
21:13
and guys would beat the horn. So
21:15
for her that was like it's really kind of the first
21:17
time she was accepted. So
21:20
I think it became important to her if
21:22
beauty is the thing that's
21:25
going to get me attention and make people
21:27
like me, then I'm going to be as beautiful as
21:29
I can be. Mm So,
21:31
so it's like an antidote to abandon
21:34
it. Right, Yeah, your father never wanted
21:36
you at all and never showed up. Your
21:38
mother marginally seemed
21:41
to and is incapacitated
21:43
and and in a shameful way. I mean in
21:45
those days, to be in a mental institution
21:48
was a total mark of shame.
21:51
And so she from
21:53
being completely unwanted and abandoned,
21:56
you would definitely desperately be
21:58
looking for any way to be accepted
22:00
and maybe even more importantly admired,
22:03
to be admired. So here
22:05
she was naturally very
22:07
beautiful and was admired.
22:10
Yeah, and so this was her ticket into
22:12
a life of being more accepted and more
22:14
just part of the world. Um. One interesting thing
22:17
about her father that I should say is like when she first
22:19
married and she was feeling secure with her first husband,
22:21
jim'derty, she called her father.
22:24
Her mother had by then told her what his name was,
22:26
and she called him and she said, you
22:28
know, I'm I'm, I'm glad he's Baker's
22:30
little girl, and and he froze
22:33
and said, call my lawyer and hung up.
22:35
So that was another rejection for her,
22:38
absolutely, especially if you've
22:40
been fantasizing that one day, right, he'll
22:42
come and be be thrilled. To have
22:44
you. But the interesting thing is
22:46
that David Conover, the photographer
22:49
who took these pictures, they didn't get
22:51
picked up and used for the purpose that
22:53
they were they shot. She was not one of the ones
22:55
selected to be used for the wartime
22:57
purposes. He just on the side said
23:00
to her, but you really have something, and I
23:02
personally would be very happy to take pictures
23:04
of you for modeling purposes
23:07
and for my friends who are also in this
23:09
business to do that. And I
23:11
just say that is there were a lot of risks
23:14
at that time and at all times,
23:16
I suppose for young women
23:19
to feel like they have to put themselves in risky positions
23:22
to make it, you know. And she, who
23:25
had no one protecting her, was lucky
23:27
in the sense that nothing terrible happened,
23:29
but that she ever talked about.
23:31
I'm pretty sure terrible things
23:34
happened to her by the wolves, as
23:36
she came to call them. I mean, they'd already happened
23:39
to her as a child, and so
23:42
her ability to
23:44
you know, her dealing with it so to speak,
23:46
or not being shocked by it is probably
23:48
true. But it sounds like this early experience
23:51
at least was really a man saying, hey,
23:53
you really, you really could be a model,
23:56
and I'm going to treat you like a model. Yes,
23:58
And he introduced to her to owner
24:00
of a modeling agency, the blue Book Modeling Agency.
24:03
This woman called Emmiline's snivey, great
24:05
name, and she went
24:08
to see her with photos that Conniver had
24:10
taken of her, and she looked at them and said, well,
24:12
she saw dollar signed. She said, we can you
24:15
know you're you're the girl next door and we can make
24:17
a lot of money on you. And she
24:20
one important thing that she said is but
24:22
you know, blond's make
24:24
a lot more money. So Norma
24:27
Jean became a blonde and she worked a lot.
24:29
Let's take a quick break here, we'll be back
24:32
in a moment. We're talking now,
24:35
she becomes Gene
24:37
Norman. She stops calling
24:40
herself Norma Gene, so
24:42
she's Gene Norman and
24:44
she makes her hair straighter and
24:47
blonde. And
24:49
also that particular head
24:51
of the modeling agency said that
24:54
she had never seen a
24:56
young woman worked as hard as
24:59
as norm magine, she really worked
25:01
hard at this and actually ultimately
25:03
over this time period was on like
25:06
thirty three covers. I mean, she was successful
25:09
at least for let's say the genre,
25:12
which admittedly were probably a lot of
25:14
men's magazines, etcetera and
25:16
moda, pin ups that that kind of stuff,
25:19
bathing suits and shorts,
25:21
and you know, it was like they had magazines
25:23
like they were called like Peak Peek
25:25
a Boot and things like that. And she did a lot of
25:28
negligent stuff and bathing suits stuff.
25:30
So she she was avidly working
25:32
something that apparently her husband,
25:35
James was not too happy about, not
25:38
what he envisioned as his homemaker, and
25:40
he wanted her to stop. So that
25:42
became a problem a because at this point
25:45
she basically felt the later part
25:47
of their marriage was I think she put
25:49
it incredibly boring, that they were just
25:51
they were just a mismatch, and she was bored
25:53
by him. And then in addition, he
25:56
was, you know, increasingly
25:58
pressuring her to stop, and
26:00
in fact, really at a time when not
26:03
only did she not want to stop what she was doing, but she
26:05
was really having aspirations for turning
26:07
this into something more like being an actress.
26:10
While he was gone, she changed
26:12
her name. She became Marilyn
26:14
Monroe. And he came back and she said, my new name
26:16
is Marilyn Monroe, and it was it just,
26:18
you know, he didn't. It wasn't what he boggained for. He didn't
26:20
marry into that. He didn't marry into a career
26:23
woman or an aspiring actress. It was
26:25
you know, Norma Jeane was this lonely
26:27
little girl basically that he
26:30
was going to take care of and they were gonna have children and raise
26:32
a family, and so um
26:34
they separated. You know, it's interesting
26:36
because at this juncture, just her saying
26:39
I'm out and I'm going to be more and I'm going
26:41
to be an actress is really interesting
26:43
in the face of all of the trauma that
26:45
she suffered, that she really
26:48
at this juncture at least shows
26:50
her willingness to stand up to
26:52
a man and say no
26:55
and aspire to even
26:58
in the face of a lot of uncertain t and unknowns,
27:01
that she had the resilience. I guess that's what I'm saying.
27:03
It's it's amazing that, you
27:06
know, with a severely mentally
27:08
ill and institutionalized mother,
27:11
and I think that she later does
27:13
talk about her fears that she
27:15
might have what her
27:18
mother had and end up
27:20
the same way, and despite
27:22
those fears and despite the
27:24
recurrent trauma, that she really
27:27
has a lot of resilience and
27:29
strength, an extraordinary ambition.
27:32
And I think what helped her is that now she
27:34
was starting to be surrounded by people that believed
27:36
in her. As much as she was rejected,
27:38
Like any up and coming actor or actress,
27:41
a model, you know, there was lots of rejections, there was
27:43
always someone from this point on who
27:46
really saw something different and
27:48
special in her. At this point,
27:50
she had started to be photographed by this
27:52
photographer name Andre d de Ennis, and
27:56
he took some of the most remarkable photos
27:58
of her while she was trying positioning from Norman
28:00
Gine into Marilyn Monree and he
28:03
was successful, and people
28:05
friends would go to his apartment and they'd
28:07
be the walls would be covered with photos
28:09
of Norman Gine and they look at her and say, she's very
28:12
pretty, but she's not that special. I
28:14
don't know what he saw something
28:16
in her, because he dealt with beautiful women
28:18
all the time, that's the kind of photography he did.
28:21
But he saw something in her. And I think that those
28:23
kinds of people, she had a knack for
28:26
finding them and surrounding herself
28:28
with the men and women who believed
28:30
in her, and that gave her a little
28:32
extra encouragement and just
28:35
she had really no confidence at all, so she had to
28:37
rely on other people's confidence to kind of get her through.
28:39
And people like that gave her
28:42
a little bit more of a backbone to stand up for herself
28:44
and to go on. So it's it's
28:46
interesting she sort of found like
28:49
mothers and fathers all over the place
28:51
to nurture her and
28:54
be proud of her and put her forward.
28:56
And as she said, she but she did have some
28:58
sort of rhythma and ability
29:01
to connect. Even though she's
29:03
described as shy. She is described
29:06
by others as a shy child. It's
29:09
not that she's outgoing or bubbly. But
29:11
yet she had some ability to
29:15
be charismatic enough to draw
29:17
in certain people. And
29:19
people were very attractive. See, it was like
29:21
she was I always say she was like a cocktail. There
29:24
was a combination of this vulnerability
29:26
and sensitivity along with her physical
29:29
allure, along with her ambition,
29:32
along with her she was very witty when she chose
29:34
to be in a hunger to know more, she's very
29:36
interested. It all combined together form
29:39
this charisma that really hasn't been duplicated since.
29:42
But and and the other thing that's very important
29:44
is that she was very shy, but
29:46
something happened when she was in front of a camera. The
29:48
shyness just dropped. She
29:51
had a love affair with the camera and it loved
29:54
her back. So it's interesting how many
29:56
actors and actresses and models
29:59
and people who do public
30:02
work basically are actually introverted
30:04
people who need their
30:07
private time, their quiet time. That's how they
30:09
recharged themselves. Its energy expansion
30:11
to have to Unlike for extroverts
30:14
who get their energy from being with people,
30:16
introverts right get their energy from there alone
30:19
time. And being an introvert
30:22
doesn't mean that you don't
30:25
find pleasure from
30:27
doing something that would be public in front
30:30
of other people. That actually is still
30:32
doing your own thing. It's not, you know, acting
30:34
isn't the kind of relating that a
30:36
social interaction is. It's different.
30:39
But what it does speak to is the pleasure
30:42
that she did get via her
30:45
exhibitionistic impulses, which which
30:47
we all have. We all have some amount
30:49
of enjoying showing ourselves
30:52
and looking the other side voyeurism,
30:55
look exhibitions and voyeris um so people
30:57
often have some enjoyment of both those things.
30:59
But she had a good dollar right
31:01
they being seen and being
31:04
appreciated, being looked
31:06
at. That was something that was clearly
31:09
enjoyable for her, and as
31:11
you said, she lit up doing it
31:13
in a certain kind of way that others found very
31:15
appealing. It was during this time that
31:18
she moves into acting. She signs
31:20
with twenty century Fox, but they
31:22
give her six month contract because really Zane
31:25
does not think much of her, but he doesn't
31:27
want someone else to sign her, so he signs
31:29
her but for this short term. But this
31:31
is where she becomes Marilyn
31:33
Monroe, Monroe being basically
31:36
her mother's maiden name and choosing that.
31:38
And she gets divorced, so she's
31:41
now a free agent and she's
31:43
off. But she really has her first
31:45
number of years, she doesn't make
31:47
much of an impression as an actress. They
31:50
dropped her after the six month option. She only
31:52
did a bit part where it was
31:54
no no way to judge her. I mean, she's seen in
31:56
the distance. She has one line which is hello,
31:58
So they didn't they didn't have any
32:01
belief in our respect her for her, and she
32:03
was dropped after the six month option. So then she
32:05
was sort of like like many
32:07
other struggling actor going
32:09
on auditions and being rejected
32:12
and looking for that break,
32:14
and that's what she was like. It was it was a tough
32:16
that this was a tough period for her because you
32:19
know, she was a successful model, but sometimes
32:21
there was dry spells and she couldn't pay the rent
32:23
or you know, there were oftentimes when
32:25
she felt very alone. She was looking
32:28
for, um, those substitutes that are the family
32:30
substitutes, the mom substitute, the dad's
32:32
substitute, the lover substitute.
32:34
You know, so she was floundering. It was a do you
32:36
know, she went through a lot of dark periods, and there
32:38
was a dark period in between her
32:40
modeling and before she started, you
32:43
really acting, working as an actress. Even
32:45
though these were hard periods, we don't have
32:47
reports really that I'm aware of,
32:49
of periods of depression that incapacitate
32:52
her. At the stage of her life. It
32:55
was hard, but she kept working, she kept functioning.
32:58
You don't hear about drug abuse in this period
33:00
of her life or you know, seeking out substanance
33:03
to you know, dull the pain.
33:06
She seems to be functioning, and you
33:08
don't none that doesn't really seem
33:10
to present until later in her life,
33:12
which is interesting because of course this on
33:14
the one hand, seems like a very insecure time.
33:17
But on the other hand, I suppose
33:20
she's not being judged in
33:22
the harsh way that later she will be
33:24
judged. That the she's not yet
33:26
presented with the possibility of feeling
33:29
the imposter syndrome that
33:32
she later, you know, a sort of I'm supposed
33:34
to be larger than life, but I don't feel like that
33:36
on the inside that she later experiences.
33:39
But she signed by William Morris Agency.
33:41
In forty nine, she meets Johnny
33:43
Hyde, whom she ends up having
33:45
a sexual relationship with an apparently
33:47
proposes marriage, but she does not accept.
33:50
But he he champions her. He really
33:52
champions her. If there wasn't a Johnny
33:55
Hyde, there wouldn't be a Marily Monroe. He
33:58
was a very powerful man in the industry. He worked
34:01
with all the big stars. And they
34:03
met at a New Year's Eve party and he
34:05
saw her from across the room and he's one of those people
34:07
that I was talking about that recognized something
34:09
in her that was extraordinary. And
34:11
he went up to her and he said, I worked with all
34:14
the big stars, Lana Turner, Rita
34:16
Hayworth, Betty Grable, and
34:19
none of them have what you have. And
34:22
he became very, very very more
34:24
than smitten, maybe less than obsessed,
34:26
or maybe I think he did. She did become this obsession.
34:29
He started calling the movie studios and saying,
34:31
I've got this girl and you've got to see
34:33
her, and it's Marilyn Monroe.
34:35
And they would say, oh, we we saw her, you
34:37
know, we we we saw and he would say,
34:39
look at her again. You know, there's really something,
34:42
there's something there. And he started
34:44
getting her big parts, but important
34:46
parts, parts that showcased
34:48
her and you know, the abilities that she had at
34:50
the time. And he did leave his family to
34:53
be with her, but she wouldn't marry him
34:55
because she felt it was dishonest because she wasn't
34:57
and she loved him, but she wasn't in love with
34:59
him in that way. So although
35:01
she would have been a very rich woman if
35:03
she married him, because he would tell her, Marilyn,
35:06
I'm not going to live long because he had heart,
35:08
very severe heart problems, and you will
35:10
be a very very very wealthy woman and
35:13
marry me, and she she said, no, I just can't.
35:16
She lived with him, they were a couple
35:18
and all those things which she would not marry him. Wow,
35:20
And she would have been a very rich woman. Because after
35:23
basically like weeks
35:26
after she signed the seven
35:28
year contract that he helped her get with
35:31
twentieth Century Fox, he died of
35:33
heart attack. I mean he died shortly thereafter,
35:36
did he In fact? Is
35:38
there actual evidence that he, you
35:41
know, sort of saw her through getting some plastic
35:43
surgery. There is evidence because
35:45
through the years, you know, many decades later her
35:49
the plastic surgeon was interviewed
35:52
and he gave away some of the things and this
35:55
is and this is the story that the plastic surgeon
35:57
told. When she was starting to
35:59
get pa arts, she was very
36:03
you know, it's it's she's always a diechonomy because
36:06
part of her was she was alive in the camera, but the other
36:08
part of her was that she was insecure, and
36:11
Johnny Hide thought that getting
36:14
something done to her face would
36:16
give her more confidence. He didn't think that she
36:18
needed it. So what the doctors
36:21
ended up doing is um trimming a little
36:23
bit off the front of her nose. People, there's this
36:25
rumor going around that Maril Monree had her
36:28
face redone um No, there's
36:30
enough photos of her as normal gine
36:32
when she was already a very successful model
36:34
and she had made a very low budget film
36:37
called Ladies of the Chorus before she
36:39
met Johnny Hyde. And that's as close
36:41
as you could see normal gine in action
36:43
with no plastic surgery just now. And she's very
36:46
lovely. She's a very lovely person, doesn't
36:48
There's nothing of Maril Monroe in that
36:50
particularly in that film. Um, she's
36:53
an ingenue, which she never played.
36:55
She said, I wasn't born to play an augina. Later on
36:57
she said that. So she
36:59
did have this minor plastic surgery
37:01
on her nose, and then later on
37:04
she had some cartilage injected
37:06
in her chin to make her chin more pronounced.
37:08
But in those days it was it was cartilage and it dissolved,
37:10
so it was that wasn't even a permanent thing.
37:13
So it's sort of like today is filler or
37:15
whatever. Basically that
37:18
okay, so interesting.
37:20
So he it's not that he thought she
37:22
needed. It's it's that he did that. He
37:24
encouraged her to do this, to feel even more
37:27
confident, to an extra,
37:29
an extra, yeah, more beautiful, more confident.
37:32
She then does go
37:34
on and he dies, and she
37:37
is working for twentieth Century
37:39
Fox. This is when she really starts doing films.
37:41
She's really doing films, and she's
37:43
really doing romances, she really
37:46
is. She gets involved with Kazan
37:49
and Peter Lawford and You'll Brenner
37:52
and ultimately Joe Di maggio. But
37:55
she's really in Hollywood at
37:57
that point, working but
37:59
not getting admired
38:02
really for her acting roles. She's
38:04
sort of there. Twenty century
38:06
Fox had no respect in her
38:08
acting talent at all. They didn't believe in her, and
38:11
they wouldn't have given her a contract if
38:14
it wasn't for Johnny Hyde's
38:16
belief and you know, kind of pressuring
38:18
them to do it. His power got her and
38:20
so they were throwing her away in these little bit parts. What
38:22
started to get her the attention, interestingly, was
38:25
the cheesecake photos that she kept posing for
38:27
and they were going to the newspapers, but even
38:30
you know, the studio didn't recognize her. But like she had
38:32
done while Johnny Hyde was still alive, he got her a role
38:34
in this film called The Asphalt Jungle, and
38:37
it was a gangster film
38:39
and lots of important actors, and then she had
38:41
a bit part, a couple of scenes and
38:43
it was an exciting film and people loved it, but they walked
38:46
out of the theater saying who's the blonde,
38:48
who's that blonde? So, as Marilyn
38:50
said, it's always like, if
38:52
anybody ever made me a start, it was the public. No
38:56
man, no film
38:58
studio, no photographer. It's
39:00
the public that made me a start because they're
39:02
the ones that recognize her. And then some studios
39:04
are money making machines, so they're like, well, if we
39:06
can make money on her, let's use her more. So
39:09
that's really basically how I grew. They didn't um
39:11
like they did with so many stories in those days, like sort
39:14
of sponsor them and groom them
39:16
for stardom. No, Marilyn was grooming herself
39:19
during those first couple of years under contract, and
39:21
really initially what she groomed herself to be
39:24
was the biggest sex symbol that
39:26
she just she emerged as
39:28
the as a gossip columnists
39:30
referred to her nineteen fifty the girl,
39:33
but the it girl in the form of
39:36
a sex symbol up a blonde bombshell,
39:39
and that's that's how she groomed herself.
39:41
It goes to what I was saying earlier
39:44
about when she started getting attention
39:46
for being beautiful, it was like, if this
39:48
is what's going to do it if this is what it's
39:50
going to make people notice me and love me, because
39:53
it was all about love. You know, she didn't have love. Now she's
39:55
being loved, she's being more. Then I am going to
39:57
be the sexiest, the
40:00
most beautiful, the most desirable.
40:03
And she basically threw
40:06
her attributes and her ambition
40:09
and canniness. She did it. She
40:11
did it. At the same time
40:14
that she did do it
40:16
was doing it on
40:18
set. She started
40:20
to develop this reputation of being
40:23
quote difficult to work with. And
40:26
you know, there are two sides to this coin. You could
40:28
say what was up that she she would
40:31
come late or not show up
40:33
or not fully know her lines. And
40:36
when you try to understand behavior, you know, why
40:38
was somebody who's trying to make it that
40:41
much and has been working that hard
40:43
to get there do do those things?
40:46
And you have to also then acknowledge that
40:49
the fear of screwing
40:53
up, of not being viewed
40:55
well enough, of the perfectionism involved
40:58
the low self esteem that she struggling
41:00
with, the high expectations that
41:03
she was facing, and that
41:06
one would develop a lot of anxiety about
41:08
being on set. It was all about fear.
41:10
It wasn't and co workers
41:13
have said this about her many of her co workers,
41:15
that it wasn't about being a diva or
41:17
a power trip or anything like that. She was fearful
41:19
of the camera because at
41:21
this point she was saying, Okay, now I want to be loved
41:24
and I want to be admired, and I want people to want
41:26
me. This is the moment that
41:28
I'm going to be judged on these few This
41:30
scene here that we're filming today is
41:33
going to be my make or break things.
41:35
So it was enormously intimidating
41:38
for her to um face the
41:40
camera because she and then when she started
41:42
to getting notoriety, it became each time it became
41:44
more difficult because she hadn't actually had to live up to something
41:47
exactly. And in addition, there
41:50
are a lot of reports or she reported really
41:52
being often sort of bullied
41:55
even or you know, treated not
41:57
so well by directors, by
41:59
by co stars who
42:02
didn't want to be upstaged or didn't
42:05
even want to be respectful to
42:08
her in her sex symbol role
42:11
that was an intellectual or that wasn't
42:13
you know what real actors and actresses
42:16
are, and so she was often treated
42:18
poorly, something that you
42:20
know, for as we talked earlier about
42:22
a young girl who is used
42:24
to being treated poorly, could
42:27
really undo, you could make
42:29
it. It could be very difficult to stand up to the
42:31
bully when you've been bullied earlier.
42:34
I think she developed a lot of hatred for
42:37
the studio people, the men in the studio
42:39
system, the directors and the
42:41
executives high up, because she
42:44
sensed and it was true, they did
42:46
have a low opinion of her because of her background
42:49
and when she came from and she had been she was
42:51
on the certain there was a thing in those days. It was called a party
42:53
girl, and there was these the
42:55
executives of the studios would have these like poker
42:57
parties on Friday nights, away from their families
43:00
and everything, and they would have the starlet's
43:02
come in empty ashtrays and get
43:04
their drinks, and they were treated very
43:06
disrespectfully. And one time,
43:08
m somebody just reached over and grabbed Marilyn's
43:11
gown and ripped the top off, and
43:13
they were all laughing at her, and she laughed
43:17
with them because that's what was expecting of her. But
43:19
you can only imagine the rage that
43:21
was building up. I mean, she didn't really have a voice,
43:23
She had no protection so she had to put
43:26
up with that kind of treatment to get to her to
43:29
you know, to her goal to basically
43:31
be abused. Yeah, they weren't. They weren't
43:33
respectful of her. This is the days of the
43:35
casting couch and the expectation
43:38
that you are an object
43:40
and you do
43:42
whatever the powerful man says,
43:45
or you won't have a job. There was no other way
43:48
in those days. You know. I think
43:50
it was Claudete Colbert who said, you know, every
43:52
almost every star, every
43:54
female star that came through, we had to go through the casting
43:57
couch. It was the days. Let's not forget I don't I don't
43:59
like to make you know, but political
44:01
talk or whatever. But it was the days before feminism
44:04
and women in Hollywood were treated like commodities.
44:07
It was horrible when you think about it, and Maryland
44:09
was you know, it was one of them. There weren't women
44:12
in leadership roles who would
44:14
be protecting you that. That's the other thing, that all of all
44:16
leadership roles were men who
44:19
protected each other. It
44:22
was then in ninety
44:24
two, at about this time when
44:26
she started developing insomnia,
44:31
difficulties with mood,
44:34
and somebody
44:36
well was giving her barbituates
44:39
and emphetamines to manage her
44:41
sleep difficulties. You know, barbituates to go
44:43
to sleep, emphetamines to wake up, which
44:45
is a vicious cycle. And and she started drinking
44:47
alcohol. So sometimes
44:50
you know, I mean the old terms
44:52
are referring to to sort of self medicating for
44:55
mood issues. And it wasn't in those days
44:57
difficult to get pills at all. You could just go to a studio
45:00
doctor and they would prescribe you, you know, something
45:02
to sleep, something to pep you up. I mean, so many
45:04
of them in those days, Judy, I mean a lot of
45:06
them got addicted to pills because it's like
45:08
you know, it was also like the
45:11
film studios in those days, it was a
45:14
grindhouse of like you have to get up in the morning, you
45:16
have to work a full day, you have to sleep at
45:18
night, look good for the cameras and and be peppy
45:20
and do the whole thing all over again. It was there
45:22
was costume fittings, and there was tests, and there
45:24
was there was a photo sessions,
45:26
and it was it was it was a really full day and
45:29
somebody like Maryland, who you know now, the pressure
45:31
is on her to deliver. So
45:33
she did self medicate of course,
45:36
what you know, what's sad about once someone
45:38
starts using barbituates
45:40
or amphetamines is you, over
45:42
time you need more of the same
45:44
thing to have the same effect. That's you
45:46
know, did you develop tolerance? And that's
45:48
when you develop a substance abuse
45:50
problem? And that, you know, ultimately
45:53
is what grew for Maryland over
45:55
the ensuing you know, decade
45:58
really until the end of her life. It's
46:01
interesting also at this time though, is when
46:03
she starts to really be
46:05
in films and and try to
46:07
be in films where she does
46:09
some of the best films of her life, you
46:12
know, Diamonds or Girl's Best Friend, Gentlemen
46:14
prefer blonds. And yes, they were
46:16
roles that she had issue
46:18
with in terms of wanting to play more
46:20
serious roles and and these being
46:23
still very kind of glamy roles, but
46:25
they are the roles that got her noted
46:28
as an important actress. I think
46:30
that at first she was okay with
46:32
the like I don't think she. I think she was glad to do
46:34
gentlemen for her blondes. And it does show
46:37
a lot of comedic skill, you know.
46:39
Then it was like how to marry a millionaire and there's
46:41
no business like show. But it was after she had done
46:43
several of them she started thinking like, I could
46:46
I do something else? I would like to do more. I want to She
46:48
was always interested in acting. She had studied
46:50
acting, and she wanted to do but
46:53
it was like if she was going to make
46:55
money this way, the studio only wanted to make
46:57
money. They weren't, you know. They were like, why can't
46:59
you be happy? Any One of the things they said to her
47:01
is like, people want
47:03
to be Marrily Monroe. You are Marilyn Monroe.
47:05
Why can't you just be satisfied with that?
47:08
Of course they were at the same time they were saying that to
47:10
her. They were making a lot of money, but because
47:12
she signed a seven year contract, she wasn't
47:14
making anymore. She wasn't making him more money. She didn't even
47:16
have a dressing room. She had a fight for a
47:18
ddressing room during Gentlemen for Blondes. I mean Jane
47:21
Russell, her co star, had addressing
47:23
room to herself as a star should. Marilyn
47:26
was in with the you know, the supporting players,
47:28
and in a big so she finally
47:30
she went to them and she said, gentleman, I
47:32
am the blonde. Whatever else you think
47:34
of me, I'm the blonde and I'm in gentleman prefer
47:37
blonde. And they finally gave her addressing room. She said,
47:39
it came to that I had to do that. They never offered
47:41
it to me. She really had to fight for equal
47:44
anything, and she did. She did ultimately
47:46
do that. She was helped by
47:48
she married Joe DiMaggio,
47:51
which really, let's say it
47:53
increased her brand, you know, made
47:55
her even more popular. He was so popular.
47:58
And she shot seven
48:00
Year Itch, which uh
48:03
with the with the famous skirt scene that
48:06
is iconic, and you know, but she was
48:08
really noted for her acting in that film,
48:11
which did change the game for her, although
48:13
unfortunately it also impacted her marriage.
48:16
Joe DiMaggio was rethinking
48:18
his love of being married
48:20
to a sex symbol. He really did
48:23
love her. I think he's one
48:25
of the few people that genuinely loved
48:27
her. But he wanted her
48:29
to be again. He wanted her to be a housewife like the
48:31
first husband. Like he wanted her to give up the career cook
48:34
Italian Dennis for her, have him have
48:36
children and sit in front of the TV
48:38
set. And that wasn't
48:40
for her. That wasn't for her. Well, that wasn't who
48:43
he married in the first place. Also
48:45
interesting is how she turned to
48:48
Lee Strasburg and the Actors Studio
48:51
and she really studied
48:53
acting. She really wanted
48:55
to be serious
48:58
and learned method acting. And
49:00
the one thing that was difficult about this is
49:02
so all of them were recommended to
49:04
be in psychoanalysis, which I find so interesting
49:06
is the psychoanalyst in order to actually
49:09
dig up and process and understand
49:12
their past traumas and then be able to harness
49:14
them and use them in the service of acting
49:16
that they weren't when they were acting. They weren't
49:18
supposed to be acting. They were supposed to be
49:21
reliving the difficult
49:23
emotions that they had experienced from their
49:25
past. That was method bringing,
49:28
bringing up the feelings that relate to a scene
49:30
that she was doing, digging and bring it
49:32
up and use it, use those emotions for reality
49:35
to enhance the performance. Marilyn
49:37
left after the seven year edge. She
49:40
left Hollywood and moved to New York to study with
49:42
a Lie Strasbourg and also
49:44
to start her own film company because she at this
49:46
propite this point, she had realized the studio
49:49
wasn't going to give her the kinds of roles she wanted
49:51
to play, and if she was going
49:54
to broad in her career, she was gonna have to do
49:56
it herself. So she found
49:58
a photographer who was very intelligent and
50:00
resourceful and believed in her. One of these people that saw
50:03
what she was and what she could possibly do, you
50:06
know, what's her potential. His
50:08
name was Milton Green, and she formed a
50:10
company with him, and their intention was
50:12
to make great films. Let's take a quick
50:14
break here, we'll be back in a moment.
50:17
Amazing that she in some ways
50:19
was a savvy businesswoman at a
50:21
time when you know, certainly no one taught her
50:23
that, and no one to her where she came right,
50:25
No one taught her anything. She really was self taught.
50:28
She was really self taught. But the method
50:30
acting, you know, it caused psychological
50:34
turmoil for for many people. She
50:37
was damaged before, but
50:40
she was pretty wrecked after
50:42
the psychoanalysts that year in New York.
50:45
Digging down to all that and living with it
50:48
all the time, her dreams were horrible.
50:51
She was always in insomniac.
50:53
Now she never slept at all, and
50:55
her pill taking and and and drinking
50:58
increased enormously. It
51:00
was difficult to now
51:02
in the public eye, and every
51:05
move you made is examined under the microscope.
51:07
And then have all these childhood
51:10
traumas and these insecurities and
51:12
this damage and this you know,
51:15
we're living on a constant reel in your head.
51:17
It was almost an impossible situation.
51:19
So, you know, psychoanalysis is a
51:21
treatment. It's not supposed to be
51:23
used as an acting tool. And
51:26
so it's one thing to take out
51:28
all of this difficult material and
51:30
examine it in the service of
51:33
removing your guilt and removing your shame,
51:35
and getting rid of the conflicts
51:37
and and accepting who you are and
51:40
and building some some coping
51:42
tools. It's an entirely other thing
51:44
to say, I'm gonna examine this so
51:46
I can take it out every day and relive it.
51:49
So clearly that proved to
51:51
be not good open
51:55
a can of worms. But it didn't give her anywhere to go with
51:57
the can of worms other than just living it all
52:00
the time. So that was really tragic
52:02
and obviously made things worse for her. She
52:04
and Joe DiMaggio get divorced. She's
52:07
quickly involved with Arthur Miller, and
52:11
it's interesting to me that she marries
52:14
him converts to judaism
52:17
for him. Even as she's being so
52:19
successful. This is when she she wins a Golden
52:21
Globe for Best Actress. I mean she is
52:23
really soaring, but
52:26
still the men in her life, you
52:28
know, have the ability to say, you
52:30
know, be this for me. Be you
52:33
know, I'm telling you do this, and you
52:36
do this. So that's fascinating.
52:38
It does seem at that time that she wants
52:40
to have a child, and she
52:43
had nick Topic pregnancy, she had a miscarriage,
52:45
she had this terrible endometriosis, which
52:47
may have been why she has to have surgery
52:50
for that. But I think people
52:52
don't realize or know that,
52:54
you know, wanting to have a child at
52:57
a certain stage and having were current
52:59
difficulties like in a Topic pregnancy
53:01
and a miscaras those are tragic losses. Those
53:03
are really traumatic events in a woman's
53:06
life. She's unable to conceive
53:08
and has losses like that, and
53:11
I don't think people think about that. Marilyn
53:13
Monroe and that that's a big part.
53:15
I mean, that was enormous failure
53:18
for her and a source of pain. Another
53:20
thing with Arthur Miller, I dislike, like, you
53:22
know, bad mouthing people, but for the purposes
53:24
of this conversation. Arthur Miller
53:27
was not a good match
53:29
for her at all. He was ashamed of
53:31
her. He married her because
53:34
well, one of the reasons he married her was because
53:36
he was under investigation from
53:38
the House of American Activities
53:40
for you know, communism in those days could destroy
53:43
a career. And he announced
53:46
his engagement to Marilyn Monroe from the
53:48
steps of a hearing she he hadn't even asked
53:50
her yet. But he didn't
53:52
really have respect for her as
53:54
a woman. I think he saw her as a muse, like
53:57
someone his career was kind of like in in turmoil
53:59
he is looking for, you know,
54:01
it's kind of like a midlife crisis. And here
54:04
was this exciting, beautiful, interested,
54:07
interesting woman and he married
54:09
her. But he was ashamed of her past, her
54:11
past with men, her past with the casting
54:13
couch. And how do we know this? I mean, I'm not pulling this
54:15
out of thin air. First of all, he
54:18
kept a diary and she she read it. He
54:20
left it out for her to read how disappointed he
54:22
was in her. And then after she passed away,
54:25
everything that he wrote with her as a character is
54:27
very derogatory towards her. And he
54:30
almost wrote almost every play had a Maril Monroe
54:32
character in it, particularly After the
54:34
Fall. I mean, if if ever you really want to know
54:36
what off the Miller thought of Marilyn Monroe, it's
54:39
in the play that he wrote directly after she died,
54:41
called After the Fall, and the character
54:43
is not flattering it at all. So,
54:46
I mean, she looked to these men as
54:48
savers, as daddy, as my father. He's gonna
54:50
save me, He's gonna take me away from all of this, Arthur
54:53
Miller. He's so smart. I'm gonna be respected now,
54:55
I'm gonna be protected now, and
54:57
even even like I'm going to get some of this intell,
55:00
actual prowess for myself. You know that
55:02
desires she was always She loved poetry,
55:04
she liked reading. She wanted to acquire knowledge,
55:07
and acquiring a knowledgeable man
55:09
is another way of doing
55:11
that. Then to have that knowledgeable
55:14
man actually
55:17
basically say you know, you can't
55:19
have it because you're you're too unintelligent
55:21
and embarrassing, and to make
55:24
it known to her is in
55:26
that cruel way. Um
55:28
is an abuse of sorts. Oh sure it
55:30
was. It wasn't a happy marriage
55:32
for her. I think that they both Yeah,
55:35
she wasn't an easy person either. Let's put it. It can't
55:37
put her all the blame on Arthur Miller. I mean, but she
55:39
she was difficult to with her mood swings and
55:42
her demanding conditional
55:45
love every moment you have to show me you love me, you
55:47
have to. It was probably
55:49
for him a very, very difficult thing. So it
55:52
just wasn't a good match. And Marilyn's
55:55
career was never the same after that. She
55:57
shouldn't work as much, that's for sure. You
56:00
know, after their marriage, she everything
56:02
became more difficult, every partially because
56:04
of him, partially because of her fame
56:06
now was completely out of her control. It
56:08
was an impossible thing to live up to. It wasn't even
56:11
a person. It was this omnipresent
56:13
commodity, you know, thing
56:16
to live up to, completely out of
56:18
her control. And so it was
56:21
the marriage wasn't good for them.
56:24
After the divorce, I mean, her her health
56:26
takes a turn for the worse. I
56:28
think it's important for people to understand
56:30
that depression and
56:32
physical health. Mental health and physical health
56:34
are intimately connected, right, the mind body connection.
56:37
And she had gallstones, she
56:40
had surgery, as I said, for this endometriosis.
56:42
She was not feeling well. She was
56:44
taking a lot of
56:47
substances and using them
56:49
to try to probably manage
56:51
her moods, certainly manage her sleep. But
56:55
even though she was in treatment with Ralph
56:57
Greenson, she certainly had a
57:00
a psychiatrist and therapist. And
57:02
I think it's important that people also understand
57:04
sometimes, you know, when psychiatric
57:07
illness becomes severe, certainly if substance
57:09
abuse is involved, having
57:12
a treating doctor may not solve the problem.
57:14
You know, someone has to be willing to to stop
57:16
substances and to be able
57:19
to really treat a mood disorder.
57:22
There's no evidence that I'm
57:24
aware of that she really at
57:27
any point presented like her mother, that she really
57:29
looked like she had schizophrenia or paranoid
57:31
delusions. Directly after her
57:33
divorce from Arthur Miller, they had made a film. He
57:36
wrote it for her, and it was a very taxing
57:38
film. It was made in the desert. It took a long time.
57:41
At this point, she was occasionally
57:43
suicidal. She had her during
57:45
the making of that film. She was put in a hospital
57:48
because she was too addicted to film.
57:50
You know, her eyes would not focus and
57:52
she overdosed and had her stomach pumped.
57:54
She made She made a few a few suicide
57:57
attempts with overture did Arthur
57:59
Miller and pulled her in from the ledge of
58:01
their apartment high up above Manhattan.
58:04
She was standing on the ledge and he pulled her in. She
58:07
was suicidal at times, and
58:09
she had a fascination, almost a love affair with
58:11
death. But she was institutionalized.
58:14
When she came back from that making that film
58:16
and started proceedings for Dwarf from Martha
58:18
Miller, she was seeing her doctor Daly. This
58:20
wasn't Greens and he was in l A. She was in New
58:22
York and it was Dr Maryann Chris, famous
58:25
psychoanalyst. Thought that she might kill
58:27
herself. She was so down and she was so depressed,
58:30
and she was She was hospitalized at Payne Whitney
58:32
near Presbyterian Hospital, which is actually by
58:34
hospital where I trained and where I'm on
58:36
the faculty. But sadly, she
58:39
certainly wrote about her experience there being
58:41
a horrible She was strait
58:44
jacketed, which must have been so traumatic,
58:46
having watched that happened to her mother, who never
58:48
came out of the hospital. Really, it was so traumatic
58:51
for her. She was put on the floor for the dangerously
58:53
and saying she was before
58:55
they straight jacketed her, she said, well, if
58:57
they're gonna think I'm an, I'm gonna act like a nut. And
58:59
she her door of
59:01
her room had a little window, and she started
59:03
she had there was a chair in the room, and she started throwing
59:06
it against the window and throwing it against the
59:08
window and it wouldn't break, but it like shards
59:10
started to come off, and she held when
59:12
and she waited for someone one's come in, and she threatened that she
59:14
was gonna damage herself, and that's when
59:17
they pulmitted her, and you know, they they
59:19
wrestled with her and got her in a straight jacket and brought her
59:21
to the next floor, which was really like for
59:24
the off the wall people. And
59:26
she said when she was talking about
59:28
it later, the orderlies and
59:30
the nurses and all they would come in and look at her. And
59:33
she told one of her friends that
59:35
they touched her. So
59:37
for her, it was
59:40
a really really horrible situation.
59:42
She wrote. She tried to get to her
59:45
teacher, the Strasbourg's
59:47
Lee Strasburg and his wife Paul, and she wrote a note
59:50
which exists, and we haven't about how horrible
59:52
it was there. I think it starts off they have
59:54
me locked up with all these nutty people, and if you don't
59:56
get me out of her, I'll end up a nut She she
59:58
must have had a terrible fear at
1:00:00
that point that she was her mother, that
1:00:02
she was you know, that that this had happened to her.
1:00:05
That was her biggest feary. Now she's in an institution,
1:00:07
she's straight jacketed, she's they're
1:00:09
not listening to her. They weren't they
1:00:11
She was trying to explain express that
1:00:14
she was seeing and she was cocaring, and they just
1:00:18
wouldn't. She felt they weren't listening to her. They were
1:00:20
obviously terrified that they had a giant
1:00:22
starlett who was going to kill herself on their watch.
1:00:25
That she's holding a piece of glass and saying she's going to
1:00:27
cut herself. And it's certainly nothing
1:00:29
about this hospitalization experience left
1:00:31
her feeling that there was someone in her
1:00:33
corner and she was being helped. Unfortunately,
1:00:36
quite the opposite, quite the opposite, And so
1:00:39
you know, then she comes out having
1:00:42
and you know, obviously people
1:00:44
who make repeated suicide attempts are
1:00:47
a really high risk for suicide,
1:00:49
and her mood issue continues,
1:00:53
the hospitalization really hasn't helped her, and
1:00:55
in fact, if anything, it's left her with the idea
1:00:57
that, you know, this safety net is
1:00:59
not a safety net at all. And
1:01:01
now she's divorced. She's
1:01:04
the movie The Misfits. I mean,
1:01:06
it sounds like it's going terribly. She's
1:01:08
often not showing up, she's coming
1:01:10
late, she can't remember lines, and
1:01:13
it just sounds like a real downward
1:01:15
spiral from there. She never made a film
1:01:17
again after The Pain Whitney. She never finished
1:01:19
the film. She started one, but she never completed
1:01:21
it. It's interesting too that the only way she got
1:01:23
out of The Pain Whitney was she was some A
1:01:26
nurse took pity on her and let her make a phone
1:01:28
call, and she called Joe Dimaggia
1:01:31
and he flew in, and he went
1:01:33
to the front desk and said, if you don't let my
1:01:35
wife out of here, I'll take this hospital
1:01:37
apart, brick by brick, and
1:01:39
you know you have a destroyed Joe DiMaggio standing
1:01:42
at the front. They released her the next day, but he wasn't and
1:01:44
they weren't married, but so he rescued
1:01:46
her from that. But the year and a
1:01:48
half that remained to her, it
1:01:50
was the darkest period of her life. So she was
1:01:52
depressed a good deal of that time. She
1:01:55
most of it, if not all of that. She was seeing a psychiatrist
1:01:57
every single day. And what
1:01:59
was playing in with all, you know, the marriage
1:02:02
that didn't work, not being able to have children.
1:02:05
All of her foundation of her career
1:02:07
was built on being beautiful. Now
1:02:11
she was thirty five years old. You know,
1:02:13
you do you say that's a baby? I say that's a baby.
1:02:16
But in nineteen sixty one
1:02:19
two for a sex symbol, and
1:02:22
they started printing this in the columns and
1:02:24
in the papers. She's over the help. What's
1:02:26
going to happen to her? You know? She's done
1:02:29
so that fear playing in with all
1:02:31
the other problems that she has. Now she's worrying about I
1:02:34
have all this love. Finally, everyone loves
1:02:36
me. Everyone wants to know me. Everyone wants to meet
1:02:38
me. Presidents, kings, you know, the
1:02:40
poets, the greatest people want to know me.
1:02:43
I'm going to lose that now. I have to give
1:02:45
that up now. Well, not only that, but in
1:02:47
all the wanting to know her, they want
1:02:49
to know her, but they don't want to love and stay
1:02:52
with her. Right So she none
1:02:54
of these marriages have worked out, she's
1:02:56
not been able to have a baby. From a
1:02:58
biological clock perspective of right,
1:03:00
that window is closing. And
1:03:03
that must have been just completely frightening. I
1:03:05
mean, because her biggest
1:03:08
fear, which had happened to her in her
1:03:10
whole growing up abandonment, right
1:03:13
becomes her reality
1:03:15
that she is alone and
1:03:17
her her body and her age
1:03:21
mean that, you know, her ability
1:03:23
to not be alone right
1:03:26
is dwindling, and
1:03:29
it must have been completely terrifying. And
1:03:32
you mix that with the unfortunate
1:03:34
reality that by this point she is
1:03:37
often taking pills and you
1:03:39
know, using substances, and
1:03:41
that she has made repeated attempts before.
1:03:43
She is a person who knows how to make
1:03:46
a serious and lethal attempt, not a
1:03:48
gesture. And ultimately
1:03:51
it appears that that that is exactly
1:03:54
what happened. There
1:03:56
was a lot of things going on in her life
1:03:58
that summer that she died, a lot
1:04:00
of it had to do with rejection. She
1:04:02
was looking to men, but she always looked
1:04:04
for herself forth through the eyes of men. And she
1:04:06
was involved that year, that last year
1:04:09
with Frank Sinatra, who
1:04:11
was like the epitome of entertainment
1:04:14
world and she had a flirtation.
1:04:16
There's a big debate about what her relationship
1:04:18
was with the Kennedy's President Kennedy.
1:04:21
She made it into more than what it was. It was something,
1:04:24
but it wasn't this big romantic
1:04:27
love affair with John F. Kennedy. It
1:04:30
was a flirtation. It was a flame. It
1:04:32
was a flame, but it was a well,
1:04:34
there's a different was it a flirtation as in they
1:04:37
talked in rooms and were flirtatious
1:04:39
to each other, But then they we
1:04:42
know at least one I mostly
1:04:44
there's one accepted undisputed
1:04:47
time when they spent a
1:04:49
couple of days together in Palm Springs at
1:04:51
being Crosby's Ranch, so
1:04:53
that that was at least once. I think
1:04:56
that there was maybe up to
1:04:58
three more times. But then
1:05:00
when he was warned by
1:05:02
several people that he could
1:05:04
no longer be involved with this. It was too dangerous,
1:05:06
she was too famous, he had to distance
1:05:09
himself, and I think that Bobby stepped
1:05:11
into be like a buffer for that
1:05:14
the rejection. But he, in
1:05:16
my opinion, really
1:05:18
did twelve under
1:05:20
her spell as men had before, and
1:05:23
there's became a little bit more intense. But
1:05:25
again, he had no intention of
1:05:27
leaving his family and being with her or anything.
1:05:30
But they were involved, and in her
1:05:32
eyes and this vulnerable,
1:05:34
fragile, dark
1:05:36
time, here's my savior.
1:05:38
This wonderful, brilliant, powerful
1:05:41
man haunts me. The
1:05:44
studio may not want me. She kept getting
1:05:46
involved in seeing these potential rescues
1:05:48
or even let's say, and accruing of
1:05:50
power for herself by getting
1:05:52
the powerful man. But at
1:05:54
the end they each used
1:05:57
her for a while. That was sort of what right.
1:05:59
Nobody left any wives
1:06:01
or wanted to be with her
1:06:03
in a permanent way. On that last night,
1:06:05
she was expecting to see Bobby at the
1:06:07
petal Orford Beach House and he
1:06:10
canceled. He was with his family in San Francisco,
1:06:12
and there were other things. There was a lot of contributing
1:06:14
factors, but she
1:06:17
was fired from her film. She was
1:06:20
thirty six years old. On
1:06:22
the news stands at the time of her death, they were
1:06:24
saying Marilyn Monroe desperate
1:06:26
poses nude because she had done a little
1:06:28
nude interlude in her swimming
1:06:31
and her film that she got fired from
1:06:33
for not showing up because she couldn't face the cameras
1:06:35
anymore. So she was in this really dark place.
1:06:38
What happened that night. Now we know her
1:06:40
doctor, her her medical doctor. She
1:06:43
was seeing her medical doctor and her psychiatrist
1:06:45
every day. Her
1:06:48
medical doctor has said she
1:06:50
was bipolar, and
1:06:54
the two doctors had this deal that they weren't
1:06:56
going to prescribe her any pills without conferring
1:06:59
with each other. But she lied
1:07:01
to the medical doctor and said that my
1:07:04
psychiatrist says, it's okay, you can prescribe
1:07:07
me twenty five nembutols. He
1:07:09
did prescribe it, and he forgot to tell
1:07:11
the psychiatrist that she
1:07:13
had them. So that day,
1:07:16
that last day, that Saturday, she
1:07:18
was so distraught. The psychiatrist went to
1:07:21
see her and he talked
1:07:23
to her and he said she was very depressed,
1:07:26
and he had a dinner party. So he left and
1:07:29
he didn't see any nembutol
1:07:31
on her night table. And
1:07:35
that's the that's the dose that killed her. So
1:07:38
it was it was the dose that the medical doctor had
1:07:40
prescribed her ostensibly for
1:07:42
sleep. For sleep, I think that would
1:07:44
happen that night. I think she
1:07:46
did intend to kill herself, and
1:07:49
then when she started to go
1:07:52
under, she changed her mind and
1:07:54
she started calling people to
1:07:57
help her, to come and rescue her and
1:08:01
there's a famous phone call that she called
1:08:03
Peter Offord and said, say goodbye to the
1:08:05
President, and say goodbye to Bobby Kennedy, and
1:08:07
say goodbye to yourself, because you're a nice
1:08:09
guy. And that set his alarm
1:08:12
off, and he started calling her. Now the phone was
1:08:14
off the hook because she started going under.
1:08:17
He never went into He should have at
1:08:19
least called an ambulance or something to go. But
1:08:22
I think that she went under before she could get the help
1:08:24
that she was trying to get. But
1:08:27
that being said, I in
1:08:29
my opinion, if she was rescued
1:08:32
that night, as she had been in the past, the
1:08:34
next month, or two months later
1:08:36
or the following year, she would have eventually succeeded.
1:08:39
Well. There had been a number of attempts
1:08:41
and and certainly things did not seem
1:08:43
to be improving for her psychologically
1:08:45
or psychiatrically speaking. The question
1:08:47
of bipolar disorders is difficult
1:08:49
to know, in the sense that there's
1:08:52
no evidence that she was treated for bipolar
1:08:54
disorder. You wouldn't just give them utal
1:08:56
to somebody with bipolar disorder.
1:08:59
Even in those I don't know how much they knew
1:09:01
about it. In nineteen sixty two, Engelberg
1:09:04
was her doctor, and Dr Engelberg he was
1:09:06
u a famous you know, Hollywood,
1:09:09
Beverly Hills doctor, and
1:09:11
he didn't talk until like thirty forty
1:09:13
years after her death. He's passed now, but like
1:09:15
he was an elderly man when he was talking about and he
1:09:17
said, we she
1:09:20
was manic suppressive. We don't call
1:09:22
that anymore. But I I like that term
1:09:24
because it really describes what she was. I
1:09:26
think what they were treating was her insomnia, because
1:09:29
that a lot of her problems stemmed
1:09:31
from that. If you have bipolar disorder, not
1:09:34
getting enough sleep can definitely precipitate
1:09:36
an episode of either depression
1:09:39
or hypomania romania, so
1:09:41
that on the one hand, that's understandable. On the other hand,
1:09:44
even at that time, lithium or an
1:09:46
attempt to stabilize the mood overall
1:09:49
would be the primary goal. And
1:09:51
in fact, there is an overrepresentation
1:09:54
of people with bipolar disorder in the arts
1:09:57
of all the arts because in fact, sad
1:10:00
Lee, it confers this possibility
1:10:02
of symptoms of depression alternating with
1:10:04
uh these periods of expansive mood
1:10:07
and flight of ideas and so on,
1:10:09
on the negative side. On the plus side, people
1:10:12
with bipolar disorder are often unusually
1:10:15
creative, unusual original
1:10:17
thinkers, have this
1:10:20
charisma and this incredible verbal
1:10:22
ability that has
1:10:24
been shown in studies. That is,
1:10:27
you know, beyond the
1:10:29
typical person that does not have bipolar
1:10:31
disorders. So there are particular strengths
1:10:33
that often come along, particularly with bipolar
1:10:35
disorder, that you see over
1:10:38
representation in the arts. So that wouldn't
1:10:40
be surprising. On the one hand,
1:10:42
it's just surprising that
1:10:45
there wasn't sort of a treatment
1:10:47
plan that would be more consistent with
1:10:49
bipolar disorder. I tend to agree that
1:10:51
she was bipolar from her behavior, Like she would
1:10:54
go through like a period of
1:10:56
being very upbeat and optimistic
1:10:58
and productive, like she would fly to Mexico.
1:11:01
She bought a house, and she would fly to Mexico and by
1:11:03
all the furnishings there and be
1:11:05
very social, and then she would like collapse
1:11:08
for two weeks. And it was the same thing
1:11:10
even when she was filming that last film that she never completed,
1:11:12
Like she'd go in for two days, work really
1:11:15
well, be very into it and everything, and then not show
1:11:17
up for another nine days. You know, it's interesting
1:11:19
because of course paranoid schizophrenia
1:11:21
looks completely different we understand
1:11:23
today from bipolar disorder, but sometimes
1:11:27
people with schizo effective disorder,
1:11:29
meaning they have some mood component ups
1:11:31
and downs that look like bipolar, but they
1:11:34
have more psychotic symptoms can
1:11:36
look like people with bipolar disorder who
1:11:39
in their mania also becomes psychotic,
1:11:41
have a break with reality, and so
1:11:43
you just sort of wonder. Genetically speaking, you know,
1:11:46
given her mother did have this
1:11:48
diagnosis, which could have been correct or incorrect
1:11:51
in those early days, you know that she
1:11:53
was institutionalized for you kind
1:11:55
of wonder about that. Her psychiatrist
1:11:58
did say that she had some paranoiac
1:12:01
episodes and things like she
1:12:03
had an assistant who put a blonde streak in her
1:12:05
hair, and Marilyn felt that she was trying to take
1:12:07
over her soul, you know, that kind
1:12:09
of a thing like she was. It became like a
1:12:12
lesbian thing, that this woman was obsessed
1:12:14
with me and she's trying to be me, and so
1:12:16
things like she did have behavior like that too
1:12:18
that was becoming questionable in those
1:12:20
last months. Unfortunately, even
1:12:23
in manic episodes or in major
1:12:25
depressive episodes, one can have psychotic
1:12:28
moments, psychotic thinking if it's severe
1:12:30
enough, and so you know, without
1:12:32
someone who really has gone
1:12:35
checklist by checklist, through her history
1:12:38
and through her symptoms, we you know
1:12:40
today, it would be hard for us to say what
1:12:42
was going on. And actually, if we did sit there and
1:12:44
do that with her, then we wouldn't be able to say
1:12:47
because of confidentiality, it wouldn't be appropriate
1:12:49
to say what was really going on with her. So
1:12:52
it's left open, but it's It is certainly clear
1:12:54
from both the symptoms that she suffered
1:12:57
in her later years and her
1:12:59
death that she certainly
1:13:02
struggled with some mental health issues.
1:13:05
And there's certainly discussion of character
1:13:07
logic issues that were
1:13:10
at that time referred to a sort of histrionic
1:13:12
personality disorder, the you
1:13:14
know, over sexualization, the
1:13:17
overexpansive look at
1:13:20
me, look at me. I my life is
1:13:22
full of high drama all the time. I
1:13:24
gravitate towards high drama.
1:13:26
That used to be called we don't even do
1:13:28
this anymore. It used to be called histrionic
1:13:30
personality disorder, and there have been
1:13:32
wonderings about that as well. But to
1:13:35
have someone who had so much trauma
1:13:37
and difficulty in their early life, it would be
1:13:40
surprising to not have a
1:13:42
lot of the issues especially
1:13:45
as you ascended to such a public position
1:13:48
as Marilyn Monroe did so in that
1:13:50
respect not really surprising and not
1:13:52
really shocking, but certainly tragic. And
1:13:54
of course, even though she felt
1:13:56
that she was getting older, she died so young
1:13:58
at thirty six. We have no idea what she would have gone
1:14:00
on to do, right, but you know, the one thing
1:14:02
that I would like to look to was, like, how
1:14:05
commendable was that she did manage with all
1:14:07
of her things, that she achieved what
1:14:09
she did achieve in a short time incredible,
1:14:12
I mean, really a testament to
1:14:14
an incredible talent. And
1:14:16
as you pointed out, ambition and drive
1:14:19
and ability to connect, to
1:14:21
connect with an audience, to connect with others
1:14:24
that propelled her into this incredible
1:14:26
position, this gift of like you know, as dark
1:14:28
as she was on the inside, she gave a flight.
1:14:31
That's why people don't want to accept that she was
1:14:33
so troubled, because she makes them feel
1:14:35
so good. Yes, that's actually
1:14:37
that that's because often people shy away
1:14:40
from people with depression because they feel sucked
1:14:42
into it. They fell pulled into their depression
1:14:44
and they don't want to be with her, which
1:14:47
may have been part of the difficulty in her more
1:14:49
intimate life. You know that if you
1:14:51
really were in her inner circle, her lover,
1:14:54
her, you know, her close friend, that
1:14:56
you would have felt pulled into her
1:14:58
depressive episode. But for the public
1:15:01
at large, right in her performance,
1:15:04
she could transmit the
1:15:07
beauty and the light as you said,
1:15:09
and people felt pulled in. That
1:15:21
wraps things up for this episode. Thank
1:15:23
you to my guests Charles Casillo, And
1:15:26
if you want to know more information about Marilyn
1:15:28
Monroe, you should check out his books
1:15:31
The Maryland Diaries and Marilyn
1:15:34
Monroe The Private Life of a Public
1:15:36
Icon. If you'd like to know more about
1:15:38
the concepts in personology, my
1:15:41
book is The Power of Different The Link
1:15:43
between Disorder and Genius. For
1:15:46
psychological and mental health advice,
1:15:48
you might want to listen to my other podcast,
1:15:51
How Can I Help? Follow
1:15:53
me on Twitter at Dr Gail Salts
1:15:56
and until next time. Personlogy
1:16:00
is a production of I Heart Radio. The executive
1:16:03
producers are doctor Gayle Saltz and Tyler
1:16:05
Clang. The associate producer is Lowell
1:16:07
Brulante. For more podcasts from My Heart
1:16:10
Radio, visit the I Heart Radio app, Apple
1:16:12
Podcasts, or wherever you get your podcasts.
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