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New Music by Karlheinz Essl

Karlheinz Essl

New Music by Karlheinz Essl

A daily Music podcast
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New Music by Karlheinz Essl

Karlheinz Essl

New Music by Karlheinz Essl

Episodes
New Music by Karlheinz Essl

Karlheinz Essl

New Music by Karlheinz Essl

A daily Music podcast
Good podcast? Give it some love!
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Episodes of New Music by Karlheinz Essl

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Free improvisation on a MakeNoise 0-COAST modular synthesizer controlled by a Doepfer A-174-4 joystick. Performed live at Studio kHz on May 9th, 2024. No edits, no overdubs, no MIDI, no sequencer, no arpeggiator - just manual control in real ti
Generative soundscape based on a two-dimensional random walk between four binaural soundscapes recorded in Dresden (Germany) in April 2024:1) People inside the Frauenkirche2) Café Algarotti of the famous Gemäldegalerie3) The main station of
The Maelstrom is a gigantic vortex in the North Sea, described by Edgar Allan Poe in his short story "A Descent into the Maelstrom" (published in 1841). Its power is so great that it can suck in even large ships and crush them to pulp.For my
Generative soundscape based on a two-dimensional random walk between four binaural soundscapes recorded in Monte (Madeira) on February 20th, 2024:1) Kids playing Futebol2) Monte Toboggan sleigh ride3) Japanese pond in the Monte P
Free improvisation on a Make Noise 0-coast analog synth, patched as a generative non-linear system. No edits, no overdubs, no MIDI, no sequencer, no arpeggiator - only manual control in real time!Recorded live at Studio kHz on 7 Mar 2024 in pr
Free improvisation on a MakeNoise 0-COAST. Performed live at Studio kHz on Feb 27, 2024. No MIDI, no sequencer, no overdubs, no edits.Part of the work-in-progress "Coastlines" (2020 ff.):https://essl.at/works/coastlines.html
Im Gespräch mit der transArt Künstlerin Astrid Rieder - aufgenommen am 11.11.2023 im Kunstraum Ewigkeitsgasse in Wien - spreche ich über einige zentrale Themen in meinem künstlerischen Schaffen:• Wie mich die deutsche Krautrocktruppe CAN zu Ka
A new addition to my no-input mixer project that I started in 2023. Performed live with a MACKIE 802 mixing desk on Feb 8th, 2024 at Studio kHz. No edits, no overdubs.https://www.essl.at/works/studies-NIM.html
Der Komponist Karlheinz Essl über seine Erfahrungen mit analogen Modularsynthesizern und No-Input-Mixern nach Jahrzehnten digitalen Musikmachens mit Computern und selbstgeschriebener Software. Veröffentlicht Januar 2024 auf der Plattform Soundi
Composer Karlheinz Essl on his recent experiences and experiments with analog modular synthesizers and no-input mixer after decades of digital music making. Published in January 2024 on the platform SoundingFuture.https://www.soundingfuture.co
Free improvisation on a MakeNoise 0-COAST modular synthesizer connected to a Doepfer ring modulator with two MATH function generators and a MakeNoise WobbleBug using frequency, amplitude and ring modulation. Performed live at Studio kHz on Jan
Free improvised live performance on a MakeNoise 0-COAST modular synth, two function generators (MATH) and a ring modulator (Doepfer A114). Recorded at Studio kHz on 4 January, 2024. No MIDI, no sequencer, no overdubs, no edits.Part of the work
Generative sound environment based on the paradigm of biorhythm: three independent temporal processes in the ratio of 23 : 28 : 33 change the level of three sound files with a recording of the famous Christmas carol "Silent Night" (Stille Nacht
Radiofeature von Jörg Duit über das Improvisationsduo OUT OF THE BLUE mit Agnes Heginger (Stimme) und Karlheinz Essl (Live-Elektronik). Erstsendung am 20.3.2018 im Zeit-Ton auf Ö1.https://www.essl.at/bibliogr/duit-sommerwellen.htmlDie charis
A granular de/reconstruction of two late madrigals by Carlo Gesualdo (1566-1613), who murdered his wife and her lover "in flagranti". Soundtrack for a live performance with the actor Markus Hering, premiered at the Basilika Sonntagberg on Octob
Binaural production - listen with headphones!Generative soundscape based on a two-dimensional random walk between four binaural soundscapes recorded in Graz, Austria on October 7, 2023 during the Steirischer Herbst festival:1) Carillon of
Concert version of Pandora’s Secret, a sound performance that Karlheinz wrote for Isabel Ettenauer's "Circus Lebasi", a music circus for the festival Linz09, when Linz was the European capital of culture. Scored for punch-tape-controlled music
Palindromic-canonic variations of the most famous Christmas carol "Silent Night"; the score was punched into a tape that could be played in different directions on a mechanical musical clock. It has been adapted for toy piano and organ. It cont
Karlheinz Essl's first piece for toy piano, composed 2005 for Isabel Ettenauer, became a signature piece for this instrument.The primary aim of this piece is an attempt to break up the restricted sound world of the toy piano - not by superfic
In this piece, Essl uses the inside of the toy piano for the first time. A contact microphone is attached to the instrument and connected to a custom-made computer program which acts as a kind of sonic ‘particle accelerator’. During their voyag
Since 2005 I have written a number of solo compositions for the toy piano, some of them together with (live) electronics. In my piece "under wood" I am confronting the toy piano with conventional instruments for the first time. It is used as an
This composition is a transformation of the original piano piece "Trois Cent Notes", in which the resonances of the sympathetic strings of the grand piano are simulated by electronic means. The toy piano becomes a new instrument with an artific
Recorded by Isabel Ettenauer for the CD "whatever shall be - music for toy instruments and electronics" (edition eirelav, 2013)Having written several pieces for the toy piano before, I dedicated Sequitur V to this interesting instrument which
On September 15, 1945, Anton Webern was shot by an American occupation soldier in alleged self-defense in Mittersill, where he had taken refuge from the approaching Red Army. Thus ended the life of one of the most influential composers of the m
Sequitur XIV was written for the Hamburg-based pianist and performer Jennifer Hymer and sets the thumb piano in focus. This instrument, named ‘Mbira’ in Africa, was discovered in the middle of the 20th Century from the British ethnomusicologist
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