Moth forms the next work in my exploration of exoskeleton and prosthetic architecture.
NASA moon photographs depicting a sole astronaut roaming next to his flimsy vehicle are evoked. Travelling on a sea of equations the journey into space is made. Similarly, all aesthetic judgements are born of number and calculus.
The language of numbers in Moth intersects with my obsessive-compulsive past.
Moth is about metamorphosis and the journey towards light or a solution.
Such is the short life of the Moth emerging from its exoskeleton carapace to fly its erratic vectors before succumbing to the strange attractor of pure light.
Moth is a central metaphor for the human condition, which combines a Moth Boat with the prospect of the viewer as a driver.
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