James R. Hull
Narrative First: where story is always king
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James R. Hull
Narrative First: where story is always kingEpisodes
James R. Hull
Narrative First: where story is always king
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Episodes of Narrative First
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Is the process involved in the analysis of a Dramatica storyform truly objective, or is everyone fooling themselves? Jim answers these questions as well as giving an update on our app, Subtext.(Note: This episode was recorded April 11, 2018--a
A deep-dive into the two narrative structures driving the classic action/adventure Raiders of the Lost Ark.While many consider Raiders to be evidence of a "5-Act" or "6-Act" structure, the truth is the presence of two completely different 4-Ac
An in-depth look at the narrative thematics driving these two classic films.For this, our special 64th episode, we explore the storyforms found in The Empire Strikes Back and Return of the Jedi. Using the Dramatica theory of story as a basis f
In this episode, we take a look at the key story events that shift a narrative from one contextual Act to the next. In addition, we discuss what the Dramatica theory of story identifies in a story--namely, the subtext of narrative conflict. If
If you want to make meaning out of the meaningless, if you want to ensure that you don't write a pointless story, a Dramatica® storyform ensures that what you have to say promises purpose and a reason for the audience to listen. With that in mi
This episode explores the connection between a high score on Rotten Tomatoes, nominations and recognition for great writing, and a complete Dramatica storyform. More than correlation, a solid storyform guarantees favorable critical response.In
A look at how you can dramatically improve the quality of your storytelling by thinking of the central relationship as a character. I follow-up with listener email regarding the difference between Wisdom & Enlightenment within the Dramatica the
In this episode, I cover the importance of connecting the Main Character's problem with the Overall Story problem & a method for constructing the Narrative Argument of your story. The former explains the difference between an OK story and an am
In this episode, we catch up on all things Narrative First from the past three months and kickstart our year of plenty. This includes everything from updates to the Narrative First Atomizer, new Dramatica analyses, the site redesign, building a
In this, the final--and most epic--episode of Season 2, I finish off the initial development of my story and introduce the various features of the new Narrative First Atomizer.But first I kick things off with an analysis of Thor:Ragnarök--NOTE
If it sounds like this episode was recorded before Thanksgiving, that’s because it was. Facilitating the initial release of the Narrative First Atomizer consumed most of my waking days and nights these past two months—but the show must go on.I
A great story employs its own unique approach to narrative structure. The Plot Sequence Report found in Dramatica grants writers an insight into their story's foundation.Some contend that every story is the same--that the same set of story bea
While some maintain that all stories carry the same structure (they don't), these two films actually do share the same exact storyform.After answering questions about the difference between the Past and Memory and the right way to think of Sig
A guy stuck in a well, The Sixth Sense, and Blade Runner:2049 top the list for this week's in-depth story structure podcast. Everything from inequities and perspectives to Throughlines and context, this episode explains the best way to find the
In this episode, I wrap up the Dramatica Users Group analysis of Jon Favreau's Jungle Book and then relate some helpful tips when it comes to weaving subplots into your narrative. In addition, I dive into #storytelling and talk a bit about "nar
Roll back to the original terminology in order to gain more objectivity in your analysis and writing. That's the best way I know how to supercharge your understanding of Dramatica. In this episode, I cover my push for Dramatica 1.0 and answer e
Why do established story gurus find it necessary to prevent progress? The base instinct for survival sometimes overrides rational thought--in this case, it leads one guru to bully theorists through name-calling. In addition, I discuss the push
In this episode, we take a look at Quantum Theory and how it helps to explain how an Author projects a story into existence. You'll want to put on your thinking caps for this one as we transform the endless speculation and infinite possibilitie
The return of Throughline Thursdays, an unexpected analysis of The Prestige, and an explanation of the difference between a problematic Situation and problematic Activities.Dramatica's terminology stumps even the most talented writers. The und
This week I discuss a method for Authors to connect the Characters in the story with the mechanics of Plot by crossing over through the family of Thematic Issues congruent with their story's meaning. In addition, I discuss at length my analysis
This week I take a gander at Okja and discuss the reasons why many swayed by this film's message ultimately reverted to their old ways. Propaganda fades--complete stories last. With that in mind, I then cover the Dramatica storyform and how it
Wrapping up the month long discussion on this superhero epic, I explain the purpose of an Influence Character perspective within the context of a complete story. I also dive into an extensive analysis of The LEGO Batman Movie. This latest anima
Continuing the series on Identifying the Key Story Points of a Narrative, I explain a method for singling out the various perspectives within a complete story. For each Throughline, conflict appears as either a Situation, an Activity, a Fixed
In this episode, I continue the discussion surrounding Captain America: Civil War focusing this time on the Protagonist and Antagonist of a complete narrative. The visual planning tool Milanote makes an appearance, along with a brand new analys
In this podcast, I go into a deep thematic analysis of Logan and Dunkirk, and then begin the first in a series of conversations surrounding Captain America: Civil War. If you have ever been interested in how the Dramatica theory of story works
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