Episode Transcript
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0:34
Hello, and welcome
0:38
to the best of
0:41
my dad Rota Porno. This
0:49
is gonna be short, isn't it? That's
0:52
it, thank you so much. I mean, you can just listen
0:54
to the whole back catalogue, we'd love that. Am I right in thinking this
0:56
is due to overwhelming popular demand, James?
0:59
Well, you know, I love the social medias.
1:01
You do, all of them. I don't do. I
1:04
still like to check what's going on on there and
1:06
people keep- It's not illegal, you can
1:08
do that. I still check Twitter even though,
1:10
you know, it's going to the docks. X
1:13
now, no? X. Thank you, Cardin. X
1:15
can't give it to you.
1:16
And yeah, people are constantly telling us their
1:18
favorite moments, their favorite memories of the show, whether
1:21
it's Jamie's accents, you
1:23
saying fuck off. Fuck off. Me
1:26
and my talking cat, which people always
1:28
even want me back. Hello. So yeah, we thought wouldn't it be
1:30
fun to have all those best moments
1:32
in one place?
1:33
I couldn't agree more. Also, you just reminded
1:35
me that Logan Roy has stolen
1:38
my catchphrase. Now I would say
1:40
Logan Roy is a more famous fuck off than me.
1:42
Yeah, that's true. Are you saying that
1:44
the fuck offs in Succession is an Easter egg
1:47
of my dad's rate of order? Look,
1:49
I didn't say it, you said it, but it
1:51
seems to make sense. The way that Chris
1:53
and Scott Thomas in Fleabag is clearly
1:56
an homage to Belinda. What's that? Well, she
1:58
plays Belinda who's like a water.
1:59
businesswoman though? Are they meet at the bar
2:02
after the event? Yes, I never thought about
2:04
it. So you're saying all of culture are nods
2:07
to, your head's got too big for your body,
2:10
my darling. Literally
2:13
impossible. I'm surprised you get a hat on that head these
2:15
days. But
2:17
yeah, so we thought that we'd do some kind of better episodes
2:20
and kind of starting in the most logical
2:22
place which is the most embarrassing childhood
2:25
stories of the three of us. We
2:28
really overshare on this show.
2:29
You've often talked about this podcast being instead
2:32
of therapy Jamie, and I feel like when
2:35
you do therapy you go back
2:37
to those early years. Yeah, exactly. And that is what we've done
2:39
here.
2:39
And we're going to be releasing an episode every month
2:42
with a different theme. That's the idea,
2:44
isn't it? Yeah, really loose,
2:47
awkwardly crowbarred in themes, absolutely.
2:49
And stuff that's not just Belinda stuff, like
2:52
the stuff that's like our stories,
2:54
weird things that have happened. Yeah, because we did
2:56
a best of book for every series.
2:59
So if you want your like favourite
3:01
lines, they're still there as well. Go and listen to those.
3:03
Listen to whole episodes maybe. And
3:05
for those that know it, Inside Out,
3:07
Back to Front, 69, The Shape of Two
3:09
Naked Women, there's also... Oh,
3:11
Alice, One Naked Lady. Oh,
3:13
it's even more confusing than I can.
3:16
It's just One Naked Lady, how quickly
3:18
she forgets. Then there are some
3:21
new bits too. Yeah, if you keep listening to the end
3:23
of the episode, we might have slotted in something we have
3:26
never played before. I wonder why
3:28
I didn't make the cut.
3:32
No,
3:32
do you know what? Kind of constraints, actually. Honestly,
3:34
it is. Because when I've been editing this show over the years, there've
3:37
been so much stuff that I kind of did want to
3:39
include that was funny, but the shows kind
3:41
of got longer and longer as the series
3:43
have gone on. And we've always been quite
3:45
kind of judicious. Yeah, and just like wanted
3:47
to put the best stuff in it. So
3:50
it isn't that it's just crap that wasn't good enough. It's
3:52
just that there really was no place for it. So I
3:54
think it's gonna be quite fun for people to listen to stuff that didn't
3:57
make it.
3:57
So you mean all those emails I sent after every episode
3:59
about like... Where's my funny joke about this? Where's my funny joke
4:01
about that? You actually were listening and you were compiling
4:03
a little sort of like, I guess, scrap
4:06
spin.
4:06
Yes. So stay listening to the end for scraps.
4:10
Oh. What do they call it in a pub?
4:12
All that beer that- Swill. The
4:14
swill. The swishy swill
4:17
pit. And I'm just
4:19
so glad that, you know, people have been waiting for this
4:21
thing that we've been teasing that we're
4:23
not gone forever. This
4:25
isn't that. We should make that clear
4:28
as well. Oh, so this isn't that? No, this is just
4:30
something to whet your whistle in the
4:32
meantime, Alice. Keep your tip
4:34
wet. Thank you.
4:38
Keep it wet with that swill. Lovely. So
4:40
yeah, so this episode's gonna be all about kind of the childhood
4:43
trauma, really, that we shared with you all. Cause
4:45
we talk a lot about being kids.
4:47
For a porn show, yeah. Well, that did
4:49
mostly come from you, Jamie, because you probably had
4:52
the oddest childhood of us all. The
4:54
most non-traditional. Yeah, unconventional.
4:57
I mean, we didn't get to
4:58
the half of it, Well, this is a
5:00
good opportunity to just scratch the surface a bit more, I suppose,
5:03
because we'll hear in this episode about your
5:05
friends, about your pastimes, but I'm trying
5:07
to picture you as a young
5:10
boy in school.
5:11
Yeah, set the scene. Oh, it will
5:14
amaze you that I was quite badly bullied. And
5:18
not just cause I was, you know, in the air cadets and-
5:20
In the what, sorry? Shut up. I was in the
5:22
air cadets. What? I don't know what that is.
5:24
Is that the red arrows? Is it? It's
5:26
like, yeah, like youth, I guess
5:28
like youth R-A-F camp,
5:31
I guess. No, no, no, no, no, no, no, no, no, no, no, no,
5:33
no, no, no, no.
5:34
Oh my God, how's it happening so quickly? Oh my God,
5:36
the swills at the front. There's
5:40
a thick head of swills. It was quite
5:42
big, I think, in like the 90s. Back
5:44
to differ, we grew up in the 90s, it was not. No,
5:46
no, like the TA, there was like the territorial
5:49
army. It wasn't in the territorial army.
5:52
But it was like you used- But most of my life in Burma. You
5:55
weren't there, man, you weren't there.
5:58
We don't talk about it, it's too traumatic. You know, I
6:00
remember there being like a youth branch of the army,
6:02
but the air cadets. Yeah, so that's, was
6:05
that for the, for the air cadets? Sorry,
6:06
you know how to pilot a plane. Right, so now
6:08
I left before any of that kind of substantive
6:11
stuff was learnt, but yeah, I was a member of the air
6:13
cadets. What do you do in the air cadets unless you're
6:15
flying? It was very kind of like training
6:17
camp kind of vibes, which obviously
6:19
I wasn't very well equipped for. When
6:22
did you have time between your life drawing
6:25
and your theatre pass? Like where did you have
6:27
time for air cadets?
6:28
To serve the country? Bear in
6:30
mind, I am one of... She was salute Alice.
6:32
We were in stardom... I didn't even know you were a captain in
6:35
the Air Force. One of four kids. I think my
6:37
parents just wandered us out of the house for as much
6:39
time as possible. So we kind of had to do things
6:41
every night of the week. Oh
6:42
my God, please tell me what you wore. What
6:44
did you wear? There was a unicorn. What
6:46
did you... There was a unicorn. What? Have
6:49
you got pictures of this? I don't know. I've
6:52
never even gotten a plane. That's the worst thing about
6:54
it. How did you do? I don't really know. I
6:57
remember going to this kind of hut outside
7:00
of the town that we lived in, Manchester,
7:03
and we would just like go there after school and like do drills
7:05
and stuff. And I guess we learned... Drills
7:08
of what? We like learn about things like
7:10
survival techniques and...
7:12
To be fair, he has survived.
7:14
He was going to say he's alive to this day, so training's
7:17
worked. But like, you know, you'd like...
7:20
Teach us some tips. And
7:22
like navigation and stuff and like you
7:24
do... Was it like Top Gun? Hang on.
7:27
I'm just going to Google the air cadets because it was obviously
7:29
years ago. The
7:30
fact that this has spilled out of his mouth
7:32
so quickly. Yeah, the Royal Air Force air
7:34
cadets. Oh, he's added that. So like
7:36
this isn't me. Oh no! That's
7:40
even worse than I imagined. It's
7:42
a beret. It's a beret. Bring
7:44
that closer and hang on. I'm not sure... Obviously
7:47
that's the modern uniform, so like back in the 90s. Did you
7:49
have all those badges? I don't think I
7:51
had badges. That's when he could fit a hat on his
7:53
head before it got too big.
7:56
Anyway, this is a real tangent. I didn't
7:58
even mean this to be a massive thing, but yes.
7:59
How long were you in the Echidet? Oh, a couple
8:02
of years. I think it was kind of, you know, I
8:04
don't know if you guys did
8:05
cubs and beavers and stuff. It was kind of like the next
8:07
thing along from that because I was never a scout.
8:10
The Echidet sounds way more prestigious
8:12
than cubs. It was a proper thing, yeah.
8:15
I don't think I was that well suited to it, but I'm
8:17
glad that I did it. I was really reluctant
8:18
to come today, but this has already paid dividends.
8:20
Like, if we just get this, I'm thrilled.
8:23
There's always something, isn't there? He's
8:25
an endless well of just like random
8:27
facts. There's always more biography. There's always more
8:30
biography. I mean, I'll be honest with you, there's more than
8:32
even I know. Do you know what I mean? Like,
8:34
I forget things like this. Like, I
8:36
used to sing in the choir, the local church,
8:39
having to have to do like funerals
8:41
and things. James, I can't. I
8:43
can't. I just don't want to. I just
8:46
don't want to. I just don't want to. I
8:48
just don't want to. I just don't want to.
8:50
And the worst thing about that was, I didn't
8:52
read sheet music, so my first day,
8:55
he like, the choir master like
8:57
gave me this song and he was like, so
8:59
just sing the first note.
9:02
Didn't know what the fucking song was. So I
9:05
went,
9:06
Lord. It
9:08
was meant to be like, Lord. So
9:11
I didn't even know anything. I feel weak.
9:14
Anyway, yeah, look, read
9:16
my autobiography. Jamie singing Lord
9:18
at a funeral. How
9:21
many funerals must I have ruined? I do worry
9:23
about that. God singing, running away from the book to stalker,
9:26
somebody's coughing gets carried down the aisle.
9:28
Man, it's like how Whitney Houston started. Anyway,
9:33
so yes, this is an episode about
9:35
our child. I think we just ended there. Tip
9:39
of the iceberg.
9:41
I don't know this man. I couldn't stand
9:43
in a court floor and say I know this man. Well,
9:48
Al, if you like that, there's plenty more where that came from. Should
9:50
we get going with the best of? Yes. Yeah.
9:54
And stay tuned at the end for this unheard. Swell.
9:56
Piece of swell.
10:04
When I was a kid, we had a family friend
10:07
who'd like humiliate you by going, Little
10:09
finger laugh at you, little finger
10:13
laugh at you. And he'd like
10:15
wiggle his hair, he'd wiggle his little finger
10:17
your way, and he'd be like, little finger
10:20
laugh at you. And we're like, Carl,
10:23
get that little finger away from me. It's
10:26
a strange boy. Have you ever been laughed at by a little
10:28
finger? It's one of the most humiliating
10:30
experiences.
10:31
Was he a grown man? He was
10:33
a grown... He's my dad's friend. What? I thought
10:35
he was another child. No, he's my dad's friend. And
10:38
then my sister would join in, so it's like a chorus
10:40
of, Little finger laugh
10:42
at you. But why were they laughing at you? Because they're
10:44
probably just titting around about something.
10:47
Little finger laugh at you. Let's
10:49
see if he still reacts to it, Jamie.
10:51
Little finger laugh at you.
10:54
No, don't. So
10:56
do you have to waggle it like that? Like
10:59
the little finger is belly laughing. Oh,
11:01
my God. That's awful. It's kind
11:03
of really creepy and sinister, isn't it? Little
11:05
finger laugh at you. You do a strange voice
11:07
with it. That's the voice you do. Little finger
11:10
laugh at you. Are you still friends
11:12
with this gentleman? Is he in your life? No,
11:15
not anymore. And I'll never forget it, actually.
11:17
It really, really bothered me. It's got that Pavlovian
11:19
effect to it, like when you guys did it then.
11:22
What happened? Deep, deep shame. What's
11:24
weird about it is it's not the little
11:26
finger laughs at you. The conjugation of the phrase
11:28
is confusing. Little finger laugh at
11:30
you. Yeah! Little
11:33
finger laugh at you, Carl. You're
11:35
terrible at grammar. Would this be worse? Index
11:38
finger laugh at you. No, it's the little, isn't it?
11:40
It's like, what have you got to be so happy
11:42
about? Even the little finger's laughing at you. Even
11:45
the run to the fingers. Yes, you're right. It's that, isn't
11:47
it? It's that belittling. With this lovely manicure, does it
11:49
make any better? HE LAUGHS
11:55
When I was a kid, we had some friends
11:58
who had all daughters. And we were around playing
12:01
one day, maybe like dressing up as like a clown or something,
12:04
with makeup and things. Yeah. When
12:06
it was time to go home, I went to the bathroom and found
12:08
a flannel and started to wipe my face
12:10
with it. And then one of the girls
12:13
rushed in and said, no, stop
12:15
Jamie, that's the bottom flannel.
12:21
What a bottom flannel. Don't think
12:23
about it too long. It was the flannel that they used
12:25
to wash their bottoms. All of them.
12:27
Collectively as a family. The bottom flannel.
12:29
I don't think they had individual bottom flannel.
12:32
Not one of the bottom flannels. Not that's Gillies
12:34
bottom flannel. That is the bottom
12:37
flannel. Yeah. So I was obviously mortified,
12:40
dropped it and I was like, the
12:43
bottom flannel. Honestly, and now the word flannel, I can't
12:45
hear it without having flashbacks,
12:47
much like Blended with a Trellis. You had bottom
12:50
all over your face. James. I
12:53
know the feeling. Tastes
12:55
like
12:57
so far so good. When's
13:00
the punchline? I
13:03
love that story. The bottom flannel.
13:05
Isn't that right? Can we try and get hashtag
13:08
bottom flannel trending this week? Oh my God,
13:10
that would make my life. Did
13:13
you have a bottom flannel growing up? Yeah. If
13:15
anybody had a bottom flannel growing up, please do get in touch.
13:17
It's the main reason I use a hot cloth or
13:20
muslin on my face. I could never go there
13:22
again with a flannel.
13:27
Okay, right. What is that? This is
13:30
niche. So when we were... James,
13:32
you sound like you knew. I do know this one. You've
13:35
told me about this before. So when we were kids,
13:38
the parentals were like, right, we're going to go for like a
13:40
week away. So we thought Santa Parks, Oasis.
13:43
Any of the go-tos. Ho Seasons. That
13:45
would be very appropriate for the line. It really would. No,
13:48
we rocked up at Sandy Balls.
13:51
Which is kind of like a Santa Park. No,
13:53
you didn't. No, we really did. Sandy
13:56
Balls is real. Yeah. Is
13:58
it? Yeah, it's real.
13:59
it's still around but it was around. No no it is,
14:02
I saw adverts around the tube like last year. No! There
14:05
you go. Did Rocky find the card in a kind
14:07
of disused telephone box? How did he
14:09
find out about it? So weird right but it was
14:11
actually a really nice place but just what a name.
14:14
Is it deliberately a bit silly? Um it
14:16
wasn't knowing at the time, well I mean I was so little I don't
14:19
really know but maybe it was kind of a bit of a
14:21
aye-aye. Is
14:21
it a chain of sandy balls? I think there's only one sandy ball.
14:24
There's only one sandy ball? There's one sandy ball.
14:26
So she's like oh oh really? Oh no she's
14:28
had all the entertainment value of a week of sandy balls. Is
14:30
that a lot of entertainment value? Oh it's very very well
14:33
done all the entertainment. What sort
14:35
of things are we talking? Cabaret nights? Cabaret
14:37
nights? You know paints? Paints?
14:41
Paints? Wow!
14:42
Paints?
14:45
Oh my goodness! Cabaret nights we had paints.
14:47
Tonight ladies and gentlemen paints. I
14:50
see all
14:53
the paints you can imagine. We've got red, we've
14:56
got blue and ladies and gentlemen we've
14:58
got green. We've got canvas.
15:03
No you bring the canvas, probably the paint. No
15:06
we um we painted plates.
15:08
That's worse.
15:10
I like the sound of paints night.
15:14
I imagine they just showed you. I like
15:16
to think they had a series of tins of
15:18
wall paint and then they'd open them and go
15:20
oh it's a big one. Guess the colour, guess the colour,
15:23
guess the colour. It's called
15:25
Midnight Express. What colour ladies and gents?
15:28
That's gotta be a blue. It's gotta be blue. Do you know what?
15:30
It was a blue. I did so well at paint.
15:33
Oh it's like a bingo card. You've got all the samples
15:36
and you have to get them all.
15:37
And all the Flintstones are like oh what a great paints
15:39
night. Oh my god just went back every year for paints. Guys
15:44
what is this? Ooh acrylic.
15:47
It's acrylic. It's acrylic you guessed it.
15:49
It was eggshell sorry everyone.
15:52
My name's Matt. Just a little joke.
15:56
My name's Matt and this has been paints. I
16:00
think we really struck on something. It's
16:02
the glossiest night at Sunday Ball. LAUGHTER
16:09
Oh, my God. Oh, my God.
16:11
Watch out. MUSIC PLAYS
16:17
My brother used to laugh in his sleep. Oh,
16:19
that's creepy. I know. Also, one
16:22
time, I had a cabin bed. You know, like a bunk bed, but
16:24
it's raised, nothing underneath. I had a small
16:26
desk for my eight-year-old needs in the
16:28
kind of admin department. But
16:30
I had one of those, and one night, I
16:33
was laughing hysterically. My dad heard
16:35
it, woke him up. That's how loud I was laughing, like
16:37
down the hall, came in. I was running
16:39
up and down the bed, knowing
16:41
when to turn around. Weird.
16:44
Like, laughing hysterically. I
16:46
always thought you were a demon. Running up and down,
16:48
Dr. Robin style, like, BLEH, BLEH, BLEH! They
16:51
were worried I was going to, like, fall off the end of the bed and
16:53
break my neck. So my dad lifted me down, just
16:55
pissed all over him. He
16:57
didn't see that twist, did you?
16:59
That is some exorcist shit. Did your head
17:01
rotate? Yeah, why?
17:08
Well, I think what you both forget
17:10
about me is that I'm actually an award-nominated
17:13
actor. Oh. So,
17:15
you know, this is all a bit of a breeze to me. What was this?
17:18
What was the role again? I was, Alice,
17:20
I don't know if you know this about me, I was nominated for
17:22
Best Actor in a Leading Role at
17:24
the Cheshire One Act Festival for playing Toad in Toad
17:27
of Toad Hall in 1996. This makes so much
17:28
sense. Brilliant. Alice,
17:32
poop poop. Hang on. I see it, I see it. Nicely
17:35
arrogant toad. And that is what we call
17:37
you behind your back, and now I know why. 1996, you
17:39
would have been like 10? Mm. And
17:42
you were already nominated, did you win? I didn't win. Oh,
17:45
I was really upset. Oh, I was robbed. I
17:47
know, I was robbed. Who won? I think an old
17:49
man.
17:49
Wait, was this all ages? Yeah. Jamie,
17:52
he needed an award before he died. He was
17:54
a veteran. And also somebody
17:56
was like, who let the 10-year-old enter? No,
17:59
it was the Cheshire One Act. at the Cheshire One Act Festival. Everyone
18:01
could answer. Everyone's welcome, famously, at the
18:03
Cheshire One Act Festival. Absolutely. So
18:05
you're used to the stage. I mean, this is nothing
18:07
new to you. Well, I haven't tread the boards in many
18:09
years, but... Shut
18:11
up! Well, actually, now
18:13
you mention it, I should also draw on some stage experience.
18:16
I don't like to brag, but I was cast,
18:19
because of my portly frame in year five,
18:21
as the butcher in Oliver. Oh,
18:24
my God.
18:24
What did you have to say, anything? I've
18:27
seen more meat on a lamb chop, Mr Bumble.
18:30
Oh, that's very good. Thank you. Did you have a song?
18:32
No, no, just that was it. And then I scuttled
18:34
off. Oh, no, actually, now you mention it. I
18:36
did join in in the chorus of Consider Yourself, but
18:39
I didn't realise the second time you sang it, you only sang
18:41
it once. So I went, Come
18:43
on! And nobody else sang along.
18:46
It was awful.
18:46
I was the butler
18:48
in Joseph and his Technicolor Dreamcoat. The butler?
18:51
There is no butler. There is a butler
18:54
in Go Go Joseph. So you like play servants?
18:56
Honest, honest folk. And you were the... The
18:58
working class. The master of the
19:00
manner.
19:06
When I was a kid, we used to... My mum just used to
19:08
take us to all the party places for holidays.
19:11
I'd be like 12 when we'd be in Iron Appa. Magaluf.
19:15
Magaluf. Cavos. We went to Cavos. Did
19:17
you? It's a shithole. Is it alright?
19:20
And especially when you're 12, you're like, What do
19:22
I do here? Everyone is naked
19:24
and kissing each
19:25
other. Mummy, why did those two men hug
19:27
for so long? Why are those people
19:29
hugging on the beach and shaking? Shaking?
19:34
Is that where you learnt some of your tricks of the trade? No,
19:36
famously not. As a fat kid and also I
19:38
was a kid. Mainly
19:41
the first one.
19:47
Well, I've never trained in the dramatic arts.
19:49
James, you have, I imagine. When I was a kid, I
19:51
did do free Saturday morning
19:53
drama near my house. Actually, I did something
19:55
similar, like just in the Methodist Church.
19:58
I mean, it wasn't Methodist acting, it was just... to
20:00
be in the Methodist Church. It wasn't very good, I just giggled
20:02
a lot. I obviously grew up in the theatre.
20:04
Yep we know, we know, we know, we know. Most
20:06
of my youth backstage at the theatre, the club theatre
20:09
in Oxfordham.
20:10
Not most of his youth on stage, most of his youth backstage.
20:12
Doesn't tell you everything you need to know, swilling
20:15
and vodka tonic backstage.
20:17
Lingering around. Cigar
20:19
in hand year four. Why are you backstage
20:22
at the theatre? I used to hang out at the theatre because
20:24
all the mates were there.
20:24
You didn't just hang out at the
20:27
theatre. We were my sister, we did and our
20:29
friends. What do you mean all your mates were there? At the weekend.
20:31
What do you mean? Well all of your 40
20:34
year old actor mates. Hi mum, can
20:36
my friend come over for dinner? Yes sure darling, who is
20:38
it? It's 50 year old Michael
20:41
Smith.
20:42
Oh my god, that was a very
20:44
camp old man called Mike. Oh god.
20:46
He used to walk with a cane. I don't know whether it
20:48
was for a prop or he actually had a limp but
20:50
he really made that cane work for him. What
20:53
and
20:53
you'd just hang out the tour view? No, no, no, he
20:55
was in the club theatre but we would
20:57
go. There was like a Saturday
20:59
school, so confused.
21:02
Why were all your childhood friends 50 year
21:04
old men? They weren't. A lot of
21:06
my friends were just kids that were my age.
21:09
Yeah. But then there was an upper tier
21:11
of um. But why were you all hanging out backstage
21:14
at the theatre? That's what I don't understand.
21:15
You can't just wander around. No you can,
21:17
that was what was great about it and we would just write plays
21:19
and we'd write plays. What are
21:22
you doing? Wow! We'd write plays. Oh you
21:24
know that I was Toad of Toad Hall. We've
21:26
talked about this. You were in a play where you were Toad
21:28
of Toad Hall. We've heard that till the cows come
21:30
home. But I'm with James, very
21:32
unusual behaviour to just be wandering
21:35
around aimlessly backstage.
21:36
Wandering around aimlessly. I was hanging
21:39
out, you know. Right at seven years old writing plays
21:42
backstage with 50 year old Michael
21:44
Smith on his cane. Me and Mike were
21:46
wild. What were you living in? We
21:49
weren't friends Mike and I. We weren't not friends but
21:51
you know it would have been weird to hang
21:52
out. Did you invite Widow to anchor your birthday party
21:54
when you were eight? It
21:57
was actually really fun. Defensive, quite defensive
21:59
about Mike. That big Mike, about Uncle Mike. How
22:02
is Mike getting so much back in airtime? Who's
22:06
Mike? I haven't heard a
22:08
million yet. We
22:12
have Vicky Lane. She taught us. Val
22:16
Harris. These are made up names.
22:18
But they do sound like old
22:20
world John Peeps. Yeah,
22:22
Val Harris. They were great. They were really
22:24
fun. And Dad used to
22:26
pick us up. And then we'd
22:29
put on plays and Mum and Dad would come and see us in them. Why
22:32
is he acting so casual? It's all in a
22:35
bow. Why is he delivering it so straight? Alice,
22:37
some people sing in the choir, others bake bread.
22:40
I went out to the club theatre
22:42
as a child. This is
22:43
mind boggling that we've never heard this before.
22:46
That's bizarre. What a bizarre childhood. You
22:49
know how ridiculously eccentric my parents are.
22:52
Is it really a surprise? Everything's
22:54
starting to piece together. It's all starting
22:56
to make a lot more sense. You need to go
22:59
and be creative and express yourself.
23:01
I know, but I thought you had a grasp on
23:03
how batshit that was. But you don't because
23:05
you're delivering it in such a weird
23:07
way.
23:08
Why
23:12
won't you come back to us? I'm indoctrinated
23:14
at the club theatre, Alice. You know that bit
23:16
in Home Alone 2 where the homeless woman lives in
23:18
the roof of the theatre? That's what I'm imagining
23:21
for Jamie. He's
23:23
set up sharp at the back of a business. Anyway,
23:27
this is a whole, honestly, other side of Jamie I've never
23:29
heard about. He's way more thespy
23:32
than he ever let on. It's weird. Yeah,
23:34
it was an interesting time.
23:37
James, say something for the whole thing. I
23:39
can't wait to read his memoirs, honestly.
23:42
We know a fraction of
23:44
his life. You know when they say we know 1% of
23:47
the things that live under the sea? I feel
23:49
like we know the tip of the
23:51
iceberg about
23:51
this man. Yeah, what makes him tick? Why
23:54
is he so good at accents? Exactly!
23:57
I'm not, I'm terrible as everyone tells me on Twitter every day.
23:59
Well,
23:59
we know who to blame. I blame Val Harris. There you
24:01
go. R.I.P. Oh is she, has she
24:03
left us? Not with assuming so. I'm assuming. She's
24:06
pretty old when they were friends. It's been to so many funerals. Oh my
24:08
god. It's the curse
24:10
of being a 7
24:12
year old
24:17
with 8 year old
24:19
pals.
24:23
Anyway.
24:28
Who's your first girlfriend? Sixty. Veronica
24:30
Lane. She was a beauty. She left me her
24:32
entire fortune. Oh my god. Okay. Oh
24:35
my god. Why has he had us a whole other life?
24:37
Oh my god. You
24:39
might have met him. Patrick. He was the
24:41
chap in the corner in a wheelchair. I was like, oh my god. I'm so
24:43
sorry. I'm so sorry. I'm so sorry.
24:46
I'm so sorry. I'm so sorry. I'm so sorry.
24:49
I'm so sorry. I'm so sorry. I'm so sorry.
24:52
I'm so sorry. I'm so sorry. I'm
24:54
so sorry. I'm so sorry. I'm so sorry.
24:57
He was the chap in the corner in a wheelchair. He's the fella doing the Charleston. He
24:59
was in an iron man. He had some wonderful stories about the war. I hope
25:01
you managed to catch up with him. It's our age. Oh
25:03
my god. Too fucking funny. Val
25:05
fucking Harris. Jamie Morton, you have lived a life. And so have
25:07
you for the last 30 years. I have. I
25:09
have. I have. I have. I
25:12
have. I have. I
25:14
have. I have. I have.
25:17
I have. I have. I
25:19
have. I have. I have.
25:22
I have. I have. I
25:24
have. I have. I
25:26
have. I have.
25:28
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25:56
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25:57
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26:37
Have you ever had a pen pal? Yeah, I did actually. Did you?
26:40
On a few occasions. So weird. Oh
26:43
God. Wrote to... Imaginary friend.
26:46
Well, I was really sad to... No.
26:50
I was really sad... She's going red.
26:52
This is going to be a corker. Finally,
26:54
Alice's childhood is... Yeah, finally.
26:57
Jeez. I was particularly sad... Okay,
27:01
you were sad. We get it. To leave
27:02
one teacher's class
27:04
at primary school. And so
27:06
I wrote to her for a bit. Back
27:09
and forth? Or you'd just send them letters and they wouldn't reply? No, she
27:11
would reply. She replied. Oh my God, I honestly
27:13
don't know what sad I was. That she wrote
27:15
them or that she replied.
27:16
Quite long letters as well. Say
27:19
what? Oh my God. Were you just in the next class? I
27:21
think... So you'd see each other at lunch and you'd be like,
27:24
wait for the letter. I caught your reflection
27:26
through the window today. I miss you
27:28
ever so, darling.
27:30
It were love letters. Great
27:33
assembly the other day. I loved it. Oh,
27:37
see... Where did you get that skirt? I'd love
27:39
one myself. Love how
27:41
high-waisted it is. Yeah,
27:43
she was a much, obviously much, much older
27:45
woman. How old?
27:48
She was very old. Oh, so she wasn't like one of those
27:50
young teachers that you fell in kind of kinship with? No, it was
27:52
a very strange time in my life.
27:55
But yeah, we went back and forth a bit and then
27:57
I think it naturally
27:59
petered out. Yeah, it was a physical. When she just
28:01
stopped responding. What would you write to her?
28:03
What would you be saying? Just what was going on with us, you
28:05
know, just going on in our lives. And it ended
28:07
what when you graduated university or? Actually,
28:10
I'm due to write back. Um,
28:12
and then now I say it out loud. If my
28:15
kid was writing letters to their teacher.
28:17
I actually think like,
28:19
cause now yeah, it would be considered weird, but
28:21
I think it's quite sweet. It is quite sweet, I suppose. But
28:23
like, I also, um. Oh God, how
28:25
many she got? I had quite a few actually. It's the Alice Penpal
28:28
episode, everybody. I
28:30
won't go into them all because I don't want to betray
28:32
any confidences, but um, men, they were
28:34
all, they were all. Elderly. Much
28:36
older, much older. And you had
28:38
the cheek to mock my club theater
28:40
friends. Okay, but. You literally were
28:42
writing to old people. And
28:45
I, I at least knew these
28:48
people. I could just imagine her like
28:50
letter bobbing old people's homes and things.
28:52
Just hoping someone would love it. You don't get to like send those parcels
28:54
of tins on harvest festival. Alice just
28:57
slipped in loads of notes for all the residents. I
28:59
had a pen pal as well. Some of my age. Okay. My
29:02
year five teacher was a
29:03
bit weird. Like we'd go around to his house to
29:05
use the computer and stuff like that. It was all a bit.
29:07
What? Yeah, he was lovely. He was nothing
29:10
dodgy, but it was all a bit like stuff you wouldn't do now. But
29:12
he was a maverick. He's like,
29:15
I was a ball boy at a test match between England
29:18
and India because of him. He was a big cricket fan. So
29:20
I was a ball boy. Oh my God. Wow. And
29:23
what else did he do? He used to have music lessons with this. I know all
29:25
the back catalog of Sting in the police because of him.
29:27
He'd like play us a Sting song. Sorry.
29:30
He plays like message. I'm learning so much about you both. It's hard to
29:33
compute. He plays
29:33
like message in a bottle and have us like analyze
29:35
it. He's like, what do you think this is about? And I'm like, message in a bottle,
29:38
I guess. And he's doing the title. Do we need to listen to
29:40
the song? James has always been very literal. Yeah.
29:42
Anyway, so one thing, one of the things he did was
29:44
he partnered with a school in West Yorkshire,
29:47
Hebden Bridge, actually. Oh yeah. I
29:49
know it. And we'd all have a pen pal in
29:51
that class. Very sweet. I forget
29:53
the name of mine, but we then went to- Such
29:56
a bond. We then went to Hebden Bridge
29:58
for a week.
29:59
For a week. live with our pen pals.
30:01
Oh my God, at what, in year five? Yeah,
30:03
but the funniest thing is, so it was almost
30:05
like a cultural exchange with Yorkshire. I mean, we're in these
30:08
Midlands, like- I was gonna say, it's not very far. What are we teaching
30:10
them? So we had to prepare performances
30:13
to like show each other when we got there. Your culture.
30:15
Yeah, but we had to
30:17
learn West Side Story.
30:19
Oh wow, not really your culture, to be fair,
30:22
if anything, cultural appropriation. A completely cultural
30:24
appropriation. So yeah, I was
30:26
the lead dancer. Obviously.
30:29
I had to learn the dance off the videotape for
30:32
America. Do you know that one? It's quite
30:34
upbeat in Jazzyk. And another
30:36
track called G. Officer Krupke. Yeah.
30:39
This is so special. And we would learn the dances
30:42
off the video, and then we performed
30:44
them in front of the class in West Yorkshire.
30:47
So were you Tony? I was the lead in both.
30:49
I was the lead dancer. Because America is, well,
30:51
I think that they're the two different sides, both
30:53
those songs. I was the Puerto Rican
30:55
side.
30:56
Well, you were for America, but you were
30:58
also very much the American side for
31:01
G. Officer Krupke. It's very balletic
31:03
and very, you know, the people in the film
31:05
are amazing dancers. Jerome Robbins,
31:08
he was no slouch. So the Nottingham people
31:10
were doing West Side Story. Yes.
31:13
And what were the Yorkshire people doing? Oh,
31:15
I forget, I think they probably just read a poem.
31:17
Boring. We did like the long
31:19
dance routines.
31:25
If you ever got through security though, you're like, oh my God, I've got
31:27
this like pin. Why
31:30
have you got a pin? I don't know. But like,
31:33
if you've got through with something where you're like, probably shouldn't
31:35
be able to have this on a plane. I once went through
31:37
security with a cake fork in
31:39
my bag. Okay. Why did you have
31:41
a cake fork? I don't know. I was really lit.
31:43
Oh, let me guess from your time being a professional
31:45
patisserie chef at the age of five. You
31:51
and Val. I think I was just eating
31:53
all the cake, to be honest with you. But
31:55
no, yeah, they're really mean to you.
31:57
Why did you have a cake fork? in
32:00
my bag I think what is it what
32:02
is a cake for you okay but very very
32:04
long prongs that quite a lethal
32:06
piece of cake
32:08
did you insist upon a cake for anytime you
32:11
okay well I'd love to eat this red
32:13
velvet cake but I can't see a cake
32:17
mommy mommy I know
32:20
we're going on the big trip but don't forget to pack
32:22
my cake fork
32:25
cake for give my bag what a lot
32:28
of horrible people oh my god cake
32:30
for honest to God
32:31
every time you learn something like that about
32:33
him does it just make you question why
32:35
we've been friends so long I just imagine it when
32:37
he was a kid just this little Lord Fauntler
32:41
precious little dear feel like he didn't
32:43
walk he trotted around
32:47
nose in the air holding
32:49
his cake for writing plays
32:52
calling his mum or
32:54
mummy it's
32:57
incredible bullied actually but you amaze me after
33:03
a day
33:11
so my mum like called me in the summer
33:13
and she was like get all she basically wants me out
33:15
of her house completely she wants any memories out of
33:18
the house changed
33:19
you used to be the absolute golden child oh
33:22
that's long gone so she was like yeah there's
33:24
loads of crap in the loft of yours come and clear
33:26
it out I want I want it out but I found
33:29
something that is so lol I
33:31
thought I had to share it with you oh right
33:34
bit of context do you remember on like
33:36
a really random footnotes ages
33:38
ago I talked that I did drug
33:40
abuse resistant education at school
33:42
death oh yes yes didn't you
33:44
write a song or something I wrote a song a
33:47
rap I found the lyrics I found the lyrics
33:49
let me
33:53
get them out
33:53
oh wow it's typed it's simply called
33:55
dare song I'm just gonna really eat bit by bit maybe we can
33:57
do the same format as I don't know my dad or know why I read read
34:00
a bit, you give me your thoughts. Are you gonna do it to the
34:02
rhythm? I think you should do it as a performance
34:04
piece, really. I don't know what the rhythm was, but I'll
34:06
give it a try. Just go for
34:07
it. Oh, sorry, just for context, what was the
34:10
brief for the song? There wasn't a brief,
34:12
no one asked me to do this. But
34:16
this is about drugs. This is
34:18
about drugs. School. Have
34:21
everybody asked me to do
34:23
this? Story of James' life. Okay.
34:25
For 17 weeks, we've been learning about drugs.
34:28
17 weeks! That classic
34:30
period of time. For 17
34:32
weeks, we've been learning about drugs and what they can
34:35
do to you. Assertiveness alternatives
34:37
and drug abuse too are all in the lessons
34:40
by the dare crew. What an unusual
34:42
rhythm.
34:42
It's not iambic
34:45
pentameter, is it? Drug, abuse,
34:47
resistance, education, cannabis, speed
34:49
and the smoking population.
34:51
Yes! I
34:54
thought smoking population, they had drug users there.
34:56
Yeah, smoking's not drug users. No, they
34:58
did always say that was a gateway, didn't they? Oh, it's a gateway
35:01
drug, of course. Yeah, tobacco's a gateway drug. So,
35:03
cannabis, speed and the smoking population do
35:05
not know what's right, but do know what's wrong.
35:08
And that is the reason we're rapping this song. You
35:10
don't rap a song. James, there's no weir. It's
35:12
you on your own. Who's the weir? Like
35:15
I can rope any other fucking reason. So, did the Curtains'
35:16
Parton and the Gospel Choir come out? Yeah, exactly.
35:19
I'll see you. We've come
35:21
to tell you one and all, one little
35:23
important thing. So that's the verse, and
35:25
this is the chorus. Okay. That drugs are
35:28
wrong and drugs are right.
35:31
It's a very confusing message. So,
35:35
wait 17 weeks and you still don't know. Dare
35:37
cannot endorse this message, I'm afraid. Some
35:40
people take them to sleep at night. So, like, I
35:42
think I meant like a night nurse or something like
35:44
that.
35:44
Why are you putting that caveat in? Why do you need
35:46
to clarify that? I don't know. Some people
35:48
take them to cure their sickness and some
35:51
people take them for the heck of it. This
35:53
is the chorus. The little suckers. Sorry, we're
35:55
just losing the rhythm of it. So, just read this
35:58
chorus bit again, sorry.
35:59
Because it's an anthem. Think big, you're in a stadium. We should
36:01
all join in. That drugs are wrong and
36:03
drugs are right. Some people take them to
36:05
sleep at night. Some people take them to
36:07
cure their sickness. And some people take them
36:09
for the heck of it. We're
36:11
rapping this song. It won't take long. And
36:13
it's already taken ages. It's taking fast, good luck.
36:18
It's taken 17 weeks, it feels like. But we have
36:20
a question. Are drugs right or wrong? I
36:22
feel like I answered that at the start of the chorus. Well,
36:24
no, they were wrong and right. I
36:26
think this is my favorite song in the world. And
36:29
then it just says, I just want you to know one little important
36:31
thing. And then we go back to the chorus. That drugs are wrong and drugs
36:33
are right. Some people take them to sleep at night. I want you to know one little
36:35
thing. Drugs are wrong, drugs are right. You aren't
36:37
telling us anything.
36:38
Why are you still on the fence? And
36:41
then it's chorus twice. Wow, it's powerful.
36:44
It's like Stan, isn't it, by Eminem. It's one of those
36:46
songs that's going to... James, that was absolutely
36:48
incredible. Thank you so much. Isn't it absolute
36:50
nonsense? So can I
36:52
just say, I was 10 when I wrote that. Sure. OK,
36:55
so... That is a work of a 10-year-old. I know what you're thinking.
36:57
That's a professional. He's 10, so he's got two years of Santa
37:00
left when he wrote that. Just
37:02
to really put it in context for you. Oh, my God. All I would
37:04
say is that you have a lot of cheek mocking my dad. I
37:07
mean, come on. He was 10, Jamie, but
37:09
your dad's probably
37:11
nearly 70. He's 60, 10, yeah.
37:18
I did a... What
37:21
was it called? An NVQ? Is
37:23
that? You've done it... Oh, here we go. What? So
37:25
Jamie, why do you wait until the start of the podcast
37:27
to reveal all this weird... What have you done in NVQ
37:29
in? What? Life floor. No, no, no. This is when
37:31
I was a kid. When you were a kid,
37:33
you didn't NVQ. Just
37:37
for the international listeners, it's basically a degree.
37:39
Is it? No, I used to back a
37:40
lorry up when I was four. Doing life
37:43
drawing. You did an NVQ
37:45
in life drawing when you were a kid. What? It
37:48
was in... I think it was in year 10 or 11. And
37:50
we used to go to the next town along
37:52
for my school. It
37:55
was kind of like a night class. I can't look at
37:57
it. And it was night class. Why were you at school at night?
37:59
I'm just having a breakdown.
38:02
It was like an infocu-life-
38:27
I was a new worker. I
38:33
was a new worker. What
38:38
is your point? What is your point?
38:40
What is your point?
38:45
What is your point? You'd always go
38:48
for the rear. That
38:51
is the beauty of an NVQ, isn't it? What a fucking roundabout
38:53
way to tell us he has an NVQ in life, Jory.
38:55
This is where he tells us that you left school at 9 or
38:58
something. Yeah, honestly. I
39:00
haven't even started reading the bloody book. I'm so sorry. I've
39:03
derailed it twice with hot crumbly and an NVQ.
39:04
I never thought, I never thought, a
39:07
hidden qualification that he didn't know. I'm
39:10
like drawing. I mean, he's just
39:12
full of surprises. I think it was by a salt
39:15
museum, if I remember. Oh, shut up. Shut
39:18
your goddamn mouth. I've had
39:20
quite enough of you. He's trolling us. If
39:22
you're not reading the book, I don't want to see that mouth flapping,
39:24
all right? I'm just going to be real. Salt
39:27
museum.
39:27
That's it. When did I sign up to be part of a podcast
39:29
that's basically Jamie's autobiography? The
39:32
new slice of his life every week.
39:34
Why did he opt? 15, 15 years old.
39:36
You're interesting girls. You want to go out. You
39:38
want to get drunk illegally. Jamie
39:41
opts in
39:42
for a night class. Couldn't you
39:44
say it was one night a week. It was a school night.
39:47
I mean, I don't disapprove of anybody bettering
39:49
themselves learning a new skill apart from Jamie
39:51
and I, and that is my only caveat.
39:53
I thought that you would be an ally in this, Alice. You also enjoyed
39:55
what my choice is. It's the lies. It's the lies I can't
39:58
take. It's not even lies, is it?
40:00
How is it lying? Years of omission. Deceptions
40:02
and withholding. Exactly, it's just a web
40:04
of the hiding. How sin of an omission you feel. It's
40:07
just never came up. Who are you? You
40:09
know why he's so good at all the voices, don't you? He's
40:12
a spy. I think he is. I don't
40:14
think he's our friend at all.
40:21
So if you've made it this far, congratulations.
40:24
Snap. And as a little reward, we've
40:26
got a little unheard gem from the archives.
40:29
And uncut jam. And uncut jam. Yeah,
40:31
enjoy. Have I
40:34
ever told you my mugging story? No, I don't think
40:36
so. Is this going to be scary? Was it recent?
40:38
Terrified, no. I was like 13. Oh, God. Yeah.
40:42
Could you play some violin music? No. I had
40:45
a paper out. I posted the
40:47
free paper in the Nottingham, shout out
40:49
to the Nottingham Topper. Don't know if
40:51
it still exists. The Nottingham Topper. How appropriate for you.
40:54
Oh, rude.
40:58
Yeah, basically, weekly free newspaper.
41:00
I had a paper out. I had to deliver to 150 houses
41:03
in the local area. Yeah,
41:07
it took me about two hours. You also had to put the, you got
41:09
more money if you put the leaflets in the papers. Did you ever
41:11
dump them? I did actually.
41:12
I think you can say it now. Statue
41:13
of limitations. Statue of limits didn't
41:16
even move. Have you said that? Is this recording?
41:18
Yes, I did. I'm so glad I'm wearing a wire. We've
41:21
got him. So yeah, I was doing
41:23
it one day and I just hear
41:25
behind me. Oi!
41:26
Oh, God. Obviously, I ignored it because I know he's never,
41:29
you're not going to look behind me like, do you want this teddy? It's never
41:31
good, is it? No, it's never good. Do you
41:33
want this teddy? Well, if you look behind you, they're never going to like be offering
41:35
you something nice. What? Because you want a teddy.
41:37
What?
41:38
It's never going to be your biggest dreams
41:40
in the world like a new teddy. What
41:45
I mean is, if someone's shouting oi at
41:47
you, it's not going to be a teddy. Oh,
41:50
okay. Alright. He was 13 and that's
41:52
what he was
41:52
dreaming of. He's
41:55
like, maybe it's not beautiful
41:57
bear. I think about every night before I
41:59
close my eyes.
41:59
I couldn't be. Winnie the Pooh, is
42:02
that you? Do you want a cookie?
42:04
So I think we've established it wasn't a teddy.
42:07
Surely it was just someone who was like, will you stop fly
42:09
tipping my house? No, but
42:11
regardless, what I mean is like, if someone shouts
42:14
oi at you, you don't look back. You don't. You
42:16
get that Nottingham topper through the letterbox and you move on. Oh,
42:18
I'd have dumped those toppers. What, I just ran?
42:21
Yes.
42:22
Yeah, but then you'd have never known if it was a teddy. Alice,
42:25
I don't have that kind of look. You just spent your life thinking,
42:28
what if? Boy, you can dream. So
42:31
they'll always get closer. Oh God. Turn
42:33
around, this guy's like, give me 50p
42:36
for cigarettes or that Walkman,
42:38
because I had a Walkman on. Oh,
42:41
50p or my Walkman, like that's not a quibble
42:43
of value.
42:44
They don't usually negotiate like that, do they? I
42:46
presume, I mean, I haven't been mugged, but. Obviously,
42:48
Alice, I'm on my paper and I'm not carrying change. No.
42:51
All I've got is this Walkman. He only
42:54
travels with plastic. What's it like? You had to
42:56
use to pay 50p for one cigarette, remember that? I've
42:58
sold money though, so 50p. It's an old money,
43:00
I'm not that old. Jesus Christ. 50p
43:02
now, it's 10,000 pounds. It was like, give me
43:05
Thruppins. But you used to charge 50p
43:07
for a cigarette. What do you mean? So if you wanted to bum
43:09
a cigarette,
43:10
back it like school. Bum a cigarette, shut up. The
43:13
going rate was 50p. That's mad.
43:15
That feels so arbitrary though, like that's
43:17
not like the street rate, someone could just charge
43:19
you whatever they want for one cigarette. And there was
43:22
an etiquette thing, I think, it was like, if you have a packet
43:24
of cigarettes and someone wants one, they'll be like, I'll give you
43:26
50p for it. But
43:26
he was mugging James to be fair. So
43:29
there was no etiquette involved, I think. No, there was no
43:31
etiquette. And I was like. But you have to respect
43:33
that he was only stealing from you what the going
43:35
rate was apparently. Exactly. Okay, for one cigarette.
43:37
He wasn't fleecing you as well as mugging you. It's the
43:39
point. So in many ways, we're on his side. Just
43:43
bought him one cigarette, man. So he, as
43:46
he was confronting me, he was on the pavement and I was
43:48
on someone's drive having just inserted the topper
43:50
through their slot. So to speak. Stop saying
43:52
you inserted the topper. And I was like, well, I don't, I'm not gonna
43:54
give him a Walkman, it was a good Walkman. Yeah. Or
43:57
CD. Or the tape. Which I-
43:59
I always found it easier to cycle with when I did
44:02
my paper round. Yeah. See these
44:04
just jump. See these were jumping all the time on
44:06
the wall. So I'm like, okay, well I'm not going to go out in the pavement
44:08
because then I'll be like confronting him. So I cross
44:10
the front garden into the next front garden. I
44:13
start to cry. Oh,
44:14
James Cooper. Oh. Sweet
44:16
little James Cooper. All you need is a little cuddle
44:18
of your teddy, wasn't it? I'm like,
44:21
leave me alone. Leave me alone. And I think
44:23
I get so wound up and cryy that
44:25
he flees.
44:26
Oh, he's over... Because of toxic masculinity.
44:29
He's overwhelmed by the emotion. Yeah, he's like, this
44:31
guy's like too much, even too much for me
44:34
and just like runs off and leaves me and that's
44:36
kind of the end of the story. And was it a negotiation tactic?
44:38
No. Well, it was all I had, Al. I
44:40
mean, like, I always think like if
44:42
you're ever confronted with a situation, the crazier
44:45
you act, the more likely you're kind of to get out
44:47
of it. I had a very similar thing happen to me
44:49
once. Oh my God. Admittedly, much,
44:52
much older. I was quite
44:55
drunk in Brixton actually. I
44:57
was leaving a club and I'd like
44:59
had a bit of a rough night. I think I'd had a row
45:01
with a mate or whatever. And I was like storming through,
45:04
you know, the bit outside the Ritzy. I do.
45:06
Yeah. And this drug dealer was like,
45:08
mate, you want some gear weapon? I was like... Just
45:11
some drugs. And I just... 50p for a cigarette.
45:13
They're all the same. And I just turned around to him and
45:15
I was like, no, fucking don't, you fucking
45:18
prick. Whoa. Okay, he's
45:20
just a vendor. Right. And
45:22
then immediately realised who the hell I'd said that to and he
45:24
was so tall this guy,
45:27
he was a kingpin. And
45:30
I... Did Jamie think he's like a guy at Ritzy
45:32
Moo? No, it's so unlikely. I know. But
45:35
I literally, he was like, what the fuck did you say to me?
45:38
And honestly, I crumbled. You
45:40
cried. And I just started to cry. I was so
45:43
drunk and highly emotional. I was like, I'm really
45:45
sorry. I just had a round of my mate. And if he just
45:47
takes me, gives me the biggest
45:49
hug. Gives me the biggest teddy. James,
45:53
he was the teddy. He was the teddy
45:55
I was looking for. He did not
45:57
hug you. Gave me the biggest hug. I was like, shit.
45:59
sobbing into his t-shirt. His t-shirt was soaking
46:02
wet and he was like, look, do you want some weed? And I was
46:04
like, yeah. And then my friend
46:06
was like... No, you didn't take it, did you Jamie? You said, no, thank
46:08
you. Oh yeah, no. And I said, no, that's
46:10
fine. I've had a lovely evening and we
46:12
went on my way. So I can understand
46:14
that actually it does help in those moments.
46:16
It like humanises
46:18
people. Or just scares them off. Well, just, I think
46:21
you showing vulnerability is a good thing. So if you're ever
46:23
confronted again, we,
46:25
maybe take an onion out with you and just
46:27
like rub it under your eyes and you're going to be safe forever.
46:29
And you know who that man was? The
46:31
young boy that mugged Jamie. Oh my God.
46:34
Oh my God. It keeps
46:36
happening to me. He learnt his lesson
46:38
and he comforted me. Did he
46:41
try and run after you? How did it end? No, no, no. I
46:43
think I was just like embarrassing him. So he just kind
46:45
of walked off. Wow. Kept the Walkman. Oh, he
46:48
did take the Walkman. No, I kept my Walkman. It's
46:50
a success story. So
46:51
I thought that was going to just be a funny story, but actually
46:53
a genuinely useful one. So pop a little onion in
46:55
your back pocket. I'm excited,
46:57
Mo. You'll be safe. I think it's just a sign that don't
47:00
be afraid to show your vulnerability. I
47:02
think that is the lesson of that story. Although to be fair, vulnerability
47:04
is what got you in that situation in the first place. Yeah.
47:12
I mean, I kind of don't know why we didn't include
47:14
it now. It must have been a length thing. I don't know. Was
47:16
that just sat on a timeline somewhere? Yeah.
47:18
So in each episode, I would edit
47:21
stuff and then if I wasn't
47:23
sure about something, I'd put it at the end of the timeline. And
47:25
if there was space at the end. Okay. It's not your TED Talk. Each
47:28
thing you want, Steven Spielberg. Thelma
47:31
Schoonmaker, sort of. Yes,
47:34
that was fun. That was good. We should do more of these. So fun.
47:36
We'll be back in four whole weeks for
47:39
another one of these. And it will be a different theme. It will
47:41
be a different theme. I'm
47:42
thinking James' Best Bits.
47:43
Well, I mean, that's basically what the show is as
47:46
it stands. Thank you. James' tropical
47:48
bird laugh on a loop for half an hour. Rude.
47:51
Jamie's boring stories about how he edits the podcast. Oh,
47:54
okay. I think we need to go. If
47:57
you have some favorite bits of the podcast that you
47:59
think we should include,
47:59
Please do get in touch with us. Normal places,
48:02
mydadwroteaporno at gmail.com. My
48:04
dad wrote on Instagram, at dadwroteporno
48:07
on Twitter slash X. Do we
48:09
have threads? Are we on threads, James?
48:11
No, should I get us on threads? Should we? Should
48:14
I get on threads? Should I do us a
48:15
TikTok? Oh, for God's sake, do us a TikTok. Okay, I'll try
48:17
and figure out TikTok in the next few weeks. Okay,
48:19
fine, you said it now. And yes, thanks so much for listening and
48:22
see you next month.
48:24
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