Channa Horwitz’s conceptual series Sonakinatography comprises drawings, performances and musical compositions. She includes sound and movement, in other words temporal structures, in her minimalist notational system. By means of a mathematical
Since her first appearance in the context of the “New Art Practice” in Yugoslavia of the early 1970s, in her works Sanja Iveković has transformed the medial construction of images and the constellations of power which they conceal. Here the art
In 1968 Graciela Carnevale took part in the Ciclo de Arte Experimental, organized by the art group of the same name, with “Acción del Encierroa”: without being informed in advance, the public was locked in the exhibition space for over an hour.
Since she was created in 1972 by Lynn Hershman Leeson, the figure Roberta Breitmore moves and reproduces herself much like the ghostly double of the artist through the various realities and media formats. One could say Roberta Breitmore, perfor
Topographic reading points, which Simone Forti noted when travelling through urban areas, encouraged her to produce the work Face Tunes in 1967. In this work, she transfers the outline of human portraits in codified contoured lines. As musical
In her earlier solo pieces, Reinhild Hoffman confronted concrete materials which at once limit and accentuate her movements. By way of a sculptural, artistic access to the material of dance, Hoffmann composes movements like picture sequences. A