0:04

Well , here we are , episode

0:06

140 . It's

0:11

kind of a milestone , but you know , I think it's the

0:14

150 , the 200 , 250

0:16

, the 300 , those are the milestones

0:19

, but welcome to episode 140

0:21

. On this episode , myself

0:25

and the wrecking two , mark Smith and

0:27

Lou Calico from the Music Reller show

0:29

, find them on YouTube . We're

0:31

going to be finishing up 1980 . We're

0:34

going to be talking about some albums from 1980

0:38

, tv shows from 1980

0:40

, and

0:43

a bunch of other things . 45 Proca

0:45

. You make the call , you know . So

0:48

sit back , relax

0:50

, put

0:53

on your leggings or

0:55

your mommy jeans and

0:57

enjoy the show .

1:18

A music discussion podcast hosted

1:20

by Scott McLean . Now

1:23

let's talk music . Enjoy

1:26

the show .

1:32

Thank you , amanda , for that wonderful introduction

1:34

as usual . Welcome

1:36

back , my friends , to the show that never ends

1:38

. We're so glad you could attend . Come

1:41

inside , come inside and welcome to the podcast

1:43

. I didn't say that last week . I noticed

1:45

that I didn't get my little

1:49

one liner at the beginning , my

1:51

little intro at the beginning , so

1:53

I had to kind of make . I was like , oh , got to pay attention

1:55

to that stuff . That's the stuff people want

1:57

to hear . Right , that's what people

1:59

want to hear . Well , not really , but

2:01

I want to hear it and that's all that matters

2:04

. So , yes , we're

2:07

streaming live right now over Facebook

2:10

, youtube X

2:13

, twitch , d-live , instagram , yada

2:16

, yada , yada . We got a good show tonight

2:18

, as you just heard

2:20

. Oh , big Head Todd

2:22

the Wet Sprocket just commented in for the listeners

2:24

. You'll

2:29

hear me throughout the podcast talking to the people during the live stream . Well

2:32

, Allison Lundy , I'd rather talk

2:34

to you than Big Head Todd the Wet Sprocket . So

2:37

, hi , allison , glad you're here . Allison

2:39

, watching on YouTube , yep

2:44

, yep . So we got an interesting

2:46

show tonight . We're going to be talking about the no , the

2:48

albums of 1980

2:50

. We're picking up where

2:53

we left off last week . We

2:55

had a lot going last week and

2:58

we missed out on the albums . Hold

3:01

on , I am in activate . There

3:03

you go , and

3:06

yeah , we're going to pick up

3:08

right where we left off and

3:11

without any further ado , let me introduce the one

3:13

, the only the professor .

3:16

Lou Coletteo

3:18

Howdy , howdy Scott

3:20

.

3:22

What's up , buddy ?

3:23

You're not much man .

3:24

All right , ready for a good show Always always . Who's

3:27

the other guy ?

3:29

Um Mark

3:31

Spive

3:33

.

3:35

I finally got a good intro . It's only you

3:37

.

3:38

I hit the wrong button . Lou

3:42

, get out of my space . Lou's

3:44

in my space , the

3:47

garage the square . Good

3:49

evening , patty Yasi . Good evening . Welcome

3:53

to episode 140 . Ah

3:56

, one so well , you

3:58

guys have been on for

4:00

about a year now

4:02

. Right Steady Lou

4:06

looks all of .

4:09

Well , thank you , Todd .

4:10

He's back . He's back in his

4:12

hostel in Paris With

4:15

the absent . Good evening

4:18

, Dave Phillips , King of the 45s . He's

4:21

here , as usual

4:23

. We're going to be talking about the albums

4:25

of 1980 . We're going to talk

4:27

about some TV shows of 1980

4:29

. Like I said , I'm

4:31

starting to inject some pop culture

4:34

into the show . Also

4:37

, I have the top 10 list of

4:40

80s fashion trends that

4:43

we'll be doing . You know , this day in music , but

4:45

you know it comes first , oh

4:49

, when are we going to have ? ungrateful

4:51

sacks . Hello , sorry for bothering

4:53

you . I want to offer promo . Get

4:55

the Check . Yeah

4:58

, block that one right there

5:00

. Get ready , there you go

5:02

.

5:03

It might be real , it might be a good opportunity

5:05

, I know . Imagine that .

5:06

Yeah , you're talking . I think I'm just drab

5:08

.

5:11

Just drab Lou's stuck

5:13

on the green thing .

5:15

There's nothing green in here . That's

5:17

the whole issue . It's the lighting in this fucking

5:19

room . It repelled any kind of lighting Mark

5:21

how ?

5:21

long have we been ? Didn't we tell him he looked

5:23

better in his kitchen last week ? I couldn't do the kitchen

5:26

it was .

5:27

It's a mess , it's a mess , it's a mess . That's even

5:29

funnier , that's even better . Yeah , I know

5:31

You're gonna see like dirty dishes

5:33

on the table .

5:34

That's what makes it whole . That's great . That's great

5:36

. Do you have a cut

5:38

of ragout simmering on ?

5:39

the stove there . No , I grilled

5:41

burgers and asparagus .

5:42

That's what we did Imagine if Lou did it from

5:44

his kitchen and in the background you

5:47

see a fucking jar of

5:49

ragout lit like the brand

5:51

. Ragout like which ? Is the

5:53

bottom of the line . Like sauce , you

5:57

get prego before you get ragout .

6:00

I think Francesca Rinaldi is below ragout

6:02

. Even what's that ? Francesca

6:04

Rinaldi is a step below ragout . Yes , I

6:06

agree . Of course , if that did happen , there would be a

6:08

hit put out on me .

6:10

Lou Lou hunts in a can

6:12

hunts oh that's diggin deep

6:14

and it doesn't even have the flip open , you

6:17

have to use the can open and open .

6:19

You know my brother calling he dogs me all the time

6:21

he laughs at me and he says

6:23

it's his ghetto as it gets . I

6:26

love Fanta Orange , drink the

6:28

Fanta Orange .

6:30

That is ghetto as it gets . No

6:33

, it isn't Fanta . Grape .

6:36

Yeah , sure that's

6:38

been around forever it's been around forever .

6:40

Yeah , I think there's something fresco .

6:42

Oh , I like fresco though .

6:44

Fresco is very refreshing . I

6:47

don't remember it . It's like it's almost

6:49

like a what

6:51

do you call it ? Not an orange

6:53

, but a grapefruit . It's got kind of a grapefruit

6:55

citrus flavor to it . Yeah

6:57

, it's really . It's fresh Cause , actually pretty good

6:59

, I love grapefruit . All right

7:02

, Well , let's get into the show . 45 poker . For those

7:04

that might not know , you might be listening

7:06

for the first time . 45

7:08

poker . Yep

7:10

, is we

7:13

going to play 45

7:15

poker ? How we do it is I pull

7:18

a 45 out of my box

7:20

of 45s , mark will pull

7:22

one out of his . Like I'll pull

7:24

the first one , mark will pull the second . Is that how it

7:26

goes , or do I pull the first three , you pull

7:28

the second three ?

7:29

You make the rules .

7:31

I always forget .

7:32

I think you did the first three , didn't you ?

7:34

I'll do the first three , then Mark does the second three . Okay

7:36

, here we go . I have not refreshed this box

7:38

, and so , at the end of this third

7:40

45 , whoever has

7:42

the best trio of 45

7:45

records wins the game . I am on

7:47

a three game winning

7:49

streak here . Lou is

7:51

coming last three weeks in

7:53

a row . After my initial

7:55

two wins after initial and

7:58

you swamped them in those two wins

8:00

like you . Like God , the best

8:02

of the best , All right , I'm going to pull it out . I'll

8:04

stop with Lou . There you go , Lou from

8:07

. What's wrong with that ? But

8:10

more than brother records , one

8:12

of brother's records , Sorry

8:15

Lou .

8:17

Should I just stop now ?

8:19

Let me see , sayer

8:23

, you make me feel like . You make

8:25

me feel like dancing

8:27

. You're going to dance the night away . You

8:30

got a disco head here , buddy , that

8:33

was a big head . Yeah , you make me feel like

8:35

dancing . Almost sounds like Leo

8:37

. It is Leo . It is Leo . Is it really

8:39

? Yeah , say , that's right , that's

8:42

right .

8:43

I thought it was a knock off , like a bootleg or something

8:45

. Yeah Leo , All right

8:48

here we go .

8:48

This one's mine right here . Okay , all

8:51

right , I'm reaching into my box of 45s

8:53

, I'm pulling out Casablanca

8:57

records , casablanca Nice

8:59

. Yeah , that

9:01

could be a real hit or miss right there . This

9:04

could be a good hit or miss . Let

9:06

me see oh , donna summer

9:09

, donna summer , demo

9:12

the lights , baby gonna

9:14

dance the night away . That

9:17

was on a fright , what was it ? What

9:19

was the movie ? The disco

9:21

movie for a Friday night

9:23

, or something like that ? What was it ?

9:26

Yeah , I came out of the village people .

9:28

No , it was um . Let

9:30

me see me and dad are watching little Scotty

9:32

. Oh the old Viking

9:34

. The old Viking . All right

9:36

, I got to blow myself up , so my father's never seen

9:39

me . Here we go . Yeah , what's

9:43

up , daddy ? Oh yeah

9:45

, he's like . My son is on

9:47

television . Let me get rid of the overlay . Yeah

9:50

, look , I got Iron man

9:52

over here . I got Spider-Man

9:55

over there . I got the three TVs . I'm

9:57

describing this to my father's 90s

9:59

Watch this . The old Viking . Yeah

10:01

, all right , that's enough of me . That's

10:05

enough of me . Let's get back to the

10:07

show . All right , yeah , yeah

10:10

. Let's do the watch .

10:12

Watch your mouth .

10:13

I'm Mr McClain George

10:16

. So yeah , George .

10:18

Cool , uh , demo of the Lights . What

10:20

was that disco movie , that big disco

10:22

movie ? Um , I

10:25

know what you mean . You know what I'm talking about .

10:27

Well , can't stop dancing , or something like that . No

10:30

, no , it was a big one .

10:31

It was a big one , hey , all right . Anyways , mark

10:33

, here you go . Saturday Night Fever no

10:36

, no . It was a little

10:38

bit of a ripoff All

10:40

right , here you go All right

10:42

From far

10:44

out records or

10:47

grunt grunt records , okay

10:49

, Okay , lou , you familiar with grunt records

10:51

Could be Jefferson airplane or starship Right

10:54

. Could

10:56

be what .

10:57

No , Todd Runger . No , he wasn't . No

10:59

.

10:59

Well , Lou said it , he said Jeffson's

11:01

not . Oh , this is a good one , buddy Mark

11:04

at the lead . Jefferson , starship miracles

11:06

, oh man yeah

11:08

.

11:09

And I stole that from you , Lou , because that's one of your favorite

11:11

songs .

11:12

It is a good one , it is .

11:13

All right , Mark , you throw the next three .

11:16

All right , this

11:18

one's for Lou Motown

11:25

, motown records .

11:28

There's no guarantee there .

11:30

As I find out , there's no guarantee Diana

11:32

Ross and the Supremes and the temptations

11:34

, with a place in the

11:36

sun , and I'm going to make

11:39

you love me . Do

11:42

you know those songs ?

11:44

Stevie Wonder made a place in the sun . Well

11:46

, no , it's not this one .

11:47

No , so it's another

11:49

piece of crap . Yeah , what

11:52

was the second ?

11:53

one . I'm going to

11:55

make you love me . Written

11:57

by gamble and rose .

12:00

Not even gamble and Huff . You know , it was gamble and

12:02

rose gamble and rose . Who

12:04

the fuck was Rose ? What is

12:06

it ? Was that his maid or something ?

12:10

All right , ready this one's for Scott . Damn

12:15

it . Oh

12:19

, this is a winner .

12:20

Bring it .

12:22

Oh this , I can't even tell you

12:24

the label . Oh , it's a gas and electric

12:26

. It's

12:28

either stag Oli

12:31

or are

12:33

you ready ? You guys familiar with that ? Stag

12:36

Oli , stag , oli

12:38

, stag .

12:38

Oli Like

12:41

a bag of glass . There's

12:43

no artist attached to this .

12:45

The artist is a specific gas and electric . Oh

12:49

the .

12:50

Pacific , yeah All right , all right , mark

12:52

, yeah , I can count that one .

12:54

It's good .

12:56

Yeah . All right , who's next ?

12:57

Me . I'm

13:02

picking for me . Oh

13:04

, that feels like a hot one . All right , cast

13:10

a blank of records . There you go . Do

13:13

that to me one more time by captain and

13:15

Tino .

13:16

That's . That's

13:20

70s cheese at its

13:22

best . Yeah

13:25

, yeah , lou , you got . You got your 45s

13:28

no .

13:29

No , I'll do it next week .

13:31

I'm doing the flop , then here we go , there

13:35

we go . All right , this one

13:37

is loose . Right here

13:40

, let me see . My brother said I'm saving

13:42

this for patched on walks and don't fuck

13:44

it up . Why are you swearing

13:46

in front of dad ? What

13:50

is up with that ? All right

13:52

, here we go . This is

13:54

the flop card for 45 poker

13:56

. This is loose . Oh

13:59

, this is kind of a funky . It's A&M

14:01

records , it's a I haven't seen . This is the front

14:03

of it .

14:04

Brothers Johnson .

14:06

Yeah , the brothers Johnson , I'll be good to

14:08

you . Ooh , that's a good one . That's

14:11

a good one , the devil

14:13

and I'll be good to you , I

14:16

don't know that's that's .

14:17

That's kind of keeps you in the somewhat

14:20

it's only got marks

14:22

, only got one good song right now .

14:25

Who had you make me feel like dancing ? I

14:27

did , you did . Okay , all

14:29

right , mark , here you go .

14:31

All right .

14:32

There we go . Ooh

14:35

, this is a good one . I think I caught a glimpse

14:38

. I caught a glimpse War

14:40

. Why can't we be friends ? Yeah

14:43

, mark , he's got it so

14:45

far . He's got Jefferson , starship , miracles

14:48

and war . Unless I pull a

14:50

mega

14:52

hit out of this , mark

14:55

might have this one and

14:57

lose again .

14:59

I'm not coming second place .

15:00

All right , here we go . Here we go

15:03

. Come on dog shit

15:05

. Come on

15:07

dog shit . There we go From

15:11

Sussex Records .

15:13

Sussex County , new Jersey . Right , you

15:15

tell me you know the professor . No

15:18

, I don't know .

15:18

Sussex Records . That's English , that's .

15:20

English .

15:22

Uh , the name of the group

15:24

is gallery . Oh , ginger

15:28

haired man , nice

15:32

to be with you .

15:34

Oh , it's so nice to be with

15:36

you . It's not like Neil Diamond

15:39

, doesn't it ?

15:39

Yeah , I guess , mark might have this one

15:41

.

15:42

That's not a bad song .

15:43

But well , I'm

15:46

getting tired of winning .

15:48

Let me see I got it

15:50

. Was that mine ? That was mine , right , yeah

15:52

, yeah .

15:53

Actually , scott . Scott

15:55

, I'm going to be honest here . You went out

15:57

of order . You did Lou me and then you

15:59

. You should have been the second . So really

16:01

I should give war to you .

16:03

Oh , you're an honest man . Okay , so

16:05

brother Johnson was .

16:06

Lou , yeah , you said

16:08

me and I just totally forgot . I thought I went out of order .

16:11

I was like how ? Did this go so far and you get

16:14

gallery . Yeah , so all right

16:16

. Well , this changes things a little

16:18

bit , changes the dynamic . Lou

16:20

.

16:20

Not for me . You're out .

16:23

So , once again , lou is the judge . So

16:25

Mark has gallery

16:28

. Oh , it's so nice

16:30

to be with you . Right , he

16:33

has Jefferson Starship miracles

16:35

. Only you believe , like

16:37

I believe . Your favorite . Like

16:39

God . That's a great song , but what's

16:41

your third one , mark ? Do that to

16:44

me , one more .

16:45

Seven pieces .

16:45

She's , I have war

16:48

. Why can't we be friends ?

16:51

Dim all the lights by Donna summer Big

16:54

hit and Pacific

16:56

gas and I , like I don't even know the name

16:58

.

16:59

Well , the thing is that could be a worse song than the captain

17:01

to know . We don't know .

17:03

I could put it on .

17:05

There's the judge Well

17:08

based upon , we

17:11

know of it .

17:13

I'll give it a shot . Yeah

17:15

, take that mother .

17:18

Captain , captain , captain , it's just too bad

17:20

.

17:20

No cursing your dad's watching

17:23

. Yeah

17:25

.

17:30

Not for that .

17:32

All right , 45s until next week

17:34

.

17:34

Four in a row . So what was

17:36

that ? Ps Public service

17:38

elected .

17:42

You put it away , I got it All right .

17:44

Well , I'm sure they don't have a whole bunch of hits either .

17:47

You know , lou . If you didn't know it , nobody knows it

17:49

, because you know everything . I've heard of

17:51

the band , though , yeah .

17:53

Yeah , all right . So we got that out of the way . Let's

17:56

jump right into the albums of 1980

17:58

. Yeah . Albums

18:00

of 1980 . There

18:03

it was . It was a really

18:05

good year for albums . I'll tell you that yes .

18:07

Yep yes .

18:09

Really good year . So

18:11

the

18:14

first album . I'll just jump in with the first

18:16

album that came out in 1980

18:18

. The Romantics debut

18:21

album . The Romantics Now

18:23

I know they get they catch some flak

18:25

right , but when they

18:28

first came out , they , they , they

18:30

were putting hits out on the radio Hell

18:32

yeah , you still hear what I like about you

18:34

. Exactly , you

18:37

still hear , and I hear secrets that you keep when

18:39

you're talking and you sleep , you know . So

18:43

that came out on January 4th 1980

18:45

. Oh , wow , yeah , right away

18:48

. Like these , some of these record companies

18:50

I guess , probably it's like movies they

18:53

just like we have a release date and we

18:55

want to be the first ones to put it out . Yeah

18:57

, you know who knows ? Yeah

18:59

, but Mark , what do you have ? Give me an album from

19:01

1980 .

19:03

I'm going to go with their transition over to

19:05

pop , and they did a damn good job . Genesis

19:07

Duke .

19:09

Yeah , well

19:12

, that has my favorite

19:14

Genesis song on it . Yeah

19:16

, yeah . What do you think

19:18

it is Misunderstanding ? No

19:21

, no , it's on .

19:22

Duke On Duke , behind

19:25

the lines , no no .

19:29

I'm pulling up these songs .

19:31

Turn it on again . Yeah

19:33

, yeah .

19:34

That's on Duke Okay .

19:35

Turn me on , turn

19:37

me on , turn me on again . That's

19:39

a great song it is . If

19:42

you haven't listened to that song and you listen

19:44

into this podcast or watching it

19:46

, go listen to that

19:48

. Turn me on . Turn it on again .

19:50

And I used to love Genesis In the 80s

19:52

when they would do it as their encore . He would do a whole

19:54

Motown medley . At the end they

19:56

would just go on for like 15 . Yeah

19:58

. Really .

20:00

Turn it on . Turn it on . Turn it on . No

20:02

, that's

20:04

a pop song , but the time signature is in the playing . It's

20:06

not straight ahead . It's very those drum fills down

20:08

, down , down down . It's not

20:10

typical . No , it's not . Oh

20:12

, they crushed over the pop . It's still kind of proggy , it's

20:14

just in the unusualness of the rhythm .

20:16

Yeah , yeah , in

20:19

the keyboards , heavy keyboards in there . Yeah

20:21

, you know when it was like , when was the 80s

20:23

? That was the beginning of it .

20:24

Yeah , well , they were kind of a keyboard

20:27

band a lot of ways . Yeah , all right , lou , oh

20:31

, blue Oyster . Cult Cultosaurus

20:33

Erectus .

20:34

Yeah , no one here Like

20:36

you love that album , don't you ?

20:38

Yeah , I love that band . Yeah , I love it too

20:40

yeah . They have a new album coming out

20:42

.

20:43

Really .

20:44

Yeah , yeah it's . They took all these

20:46

older masters that they're redoing stuff

20:48

, so it's got a lot of original lineup on it Should

20:51

be interesting , Should be interesting .

20:53

Give them credit . Two years ago

20:55

they put out a new album , All New Songs . The Symbol

20:57

Remains . It's amazing , it sounds like a

20:59

young band .

21:00

It does , and the album before that was the one , scott , you mentioned

21:02

. One of the worst songs of all time . On it I've

21:05

got the name of this .

21:05

Oh , that album cover .

21:07

That album kind of destroyed them too . They didn't

21:10

make an album for like 20 years after that .

21:12

That was I said it was the worst album cover ever . And

21:14

then there was some song on it .

21:15

There was a song on it . Yeah , it was like what

21:17

the fuck ? Terrible From

21:20

a once great band .

21:21

There's no better way . It was probably

21:24

I don't know this band's

21:26

last big

21:28

hurrah . Maybe Jay

21:32

Giles loves Stinks , yeah

21:35

Right . They

21:37

came out with . Does that have a centerfold

21:39

on it ?

21:40

No , that was centerfold .

21:42

That was the name of the album . That was the name of

21:44

the album .

21:44

Yeah , stinks was Stinks . That was the big hit off

21:46

. That was a big hit .

21:48

Yeah , and it was Come Back , baby , come

21:50

Back .

21:50

Yeah .

21:52

So that came out in 1980

21:54

.

21:56

Mark .

21:58

I'm going to go with one of my favorites

22:01

of the David Lee Roth era , women and Children . First

22:03

, it's such a loose album More talking

22:05

on it than any other Van Halen album and

22:08

it just jam . There's really not

22:10

many songs on it . Great album , right . That's

22:13

a quick album , right . All of them are

22:15

30 , 35 minutes . Yeah , that's true

22:17

, I could never understand wow , it's

22:19

money . But why didn't they put Van Halen one

22:21

and two on one CD yeah , women

22:24

and Children First , and Diver Down on another ? They

22:26

could have easily done that , yeah .

22:28

Yeah , lou , the

22:31

Ramones Into the Century , produced

22:33

by Phil Spector . Okay , murderous

22:36

Madman , it's got a rock and roll high school Baby

22:38

, I love you on it . Do you remember Rock and Roll

22:41

Radio ?

22:43

Oh , yeah , yeah , yeah .

22:44

They were a poppin' .

22:47

Let me see . So

22:50

this band I

22:53

and this is going to be part

22:56

of our conversation of you

22:59

know new music that we've been trying the

23:02

Ramones suck Todd's right . So

23:06

I heard I caught this song and

23:09

it's from a group called the

23:12

Darudy column . You

23:14

know what a Darudy column is , lou

23:17

, I don't need that . I

23:19

never looked at it . I thought maybe you know . I don't know

23:21

what a Darudy is , but this song

23:24

right here is what caught my attention . So

23:49

that's kind of the undertone of the whole

23:51

song . Girls get a beautiful voice and

23:54

I was like huh , this sounds

23:56

like you know something current . No

23:59

, this band came out like 1978

24:02

. Wow , right

24:04

, and I'm like it's

24:10

pretty hot ahead of their time , even for the 80s

24:12

. Yeah .

24:14

Right , this sounds like a 90s

24:16

, or whether they're still around , but

24:18

yeah , it sounds like something would have been more modern

24:20

, or yeah that yeah

24:23

, and their first , the interest . The intro sounds familiar

24:26

.

24:27

It's a it's a great song . The song's called

24:29

future , perfect there

24:31

you go . It's a really good song . Yeah , right , but

24:35

yeah , this album came out , the return

24:37

of the Darudy column in 1980

24:39

. I was like , wow , wow , you know

24:41

you hear these bands . You don't really , you know , you don't think

24:44

much of it because you're trying to gauge it by the sound

24:46

. Yeah , yeah , you know and

24:48

you're like all right then . They've been around since that

24:50

for that long .

24:53

You know a long before that . Probably

24:55

too , because the first album came out in

24:57

80 or whatever . Yeah , yeah

24:59

, it's a Rudy column .

25:01

Where are they from ? Yeah , d

25:03

U R U T T I is

25:05

an American man or ? Yeah , yeah

25:07

, american man . All right , mark .

25:11

Mark His first solo album , but not my

25:13

favorite . The second was Ozzy

25:15

Osbourne , blizzard of Oz with Crazy

25:17

Train , of course . That

25:21

statement in heavy metal .

25:22

Yeah , that fucking launched him

25:24

into the

25:26

stratosphere and he never looked

25:28

back , never Like

25:30

Ozzy . No matter what he did , he never tumbled

25:33

, it seems to me . Lou

25:36

, would you agree ? Disagree , I

25:38

agree .

25:39

Yeah , he had a few stinkers on his in his

25:41

discography , but he always had a touch of them , though

25:43

it never , never comes back to haunt

25:45

. And he didn't put out a truly bad album

25:47

. They just didn't sell a lot , you know right

25:50

, he stayed through the whole grunge . When

25:52

metal fell out , he stayed popular .

25:54

Yeah Well , having the Osbons didn't

25:57

hurt your attention . You

25:59

know that was a train wreck . You know

26:01

every one of those families that

26:04

were on those reality

26:07

TV shows , like Gene Simmons

26:09

and his and his girlfriend there , shannon

26:12

Tweed , and they all

26:14

, like Jessica Simpson and her boy

26:16

. They all ended up breaking

26:18

up . Yeah , now

26:20

Ozzy and Sharon got back together , but

26:22

they did break up for a long time , did

26:25

they ?

26:25

Yeah , yeah .

26:26

He was . He was banging his

26:29

assistant , she

26:32

was banging him . One of the other

26:34

.

26:34

But yeah , that was a big thing that they were , they

26:36

were powerful like a year , and there was

26:38

a daughter that didn't want to do the Osborn

26:40

. There's another daughter , kelly

26:42

did it , but there was another one that refused to be a part

26:45

of it . She probably made a wise decision .

26:47

Yeah yeah . She's got

26:49

millions waiting for it . She probably got millions in

26:51

her bank account right now . Go

26:53

one of them , like black Onyx cards or

26:55

whatever they're called . Buy

26:58

a country with it .

27:00

What's the , what's the son's name ?

27:02

Jack , jack , yeah , yeah , he him , and

27:04

they did something together for a little while watching

27:06

A ghost show . A ghost show , yeah

27:09

.

27:09

There was a where they were traveling in a in

27:11

a Winnebago , and they remember did you ever see the

27:14

episode ? They went to where they make Tabasco

27:16

sauce on the road or something and Ozzy sneezes

27:18

in the vat and they well , my

27:20

vats gone .

27:21

Yeah , yeah , and the producers had

27:23

no problem paying for that whole thing . You

27:25

know , right , right .

27:26

Right .

27:26

Because reality is not real reality , right

27:29

, that's all there is to it , right

27:31

? Who's up ? It's

27:34

me , I just Lou .

27:35

Yeah , the second record by the neck

27:37

, but the little girls understand . Oh

27:42

, you know there was a single after

27:44

I thought was not a bad song , called can't put a price

27:46

on love , and

27:48

I was had like a Stones Stonesy

27:50

feel to others . A pretty good song from there , you know

27:53

it wasn't . No , the rest of the they get criticized

27:55

for their creepy lyrics , which they had , they had

27:57

, but it just it

27:59

didn't match the follow up and that's pretty much all

28:01

that was for them . You know they still made records but that

28:04

was considered a disappointing , considered the

28:06

first record was a smash and they were supposed

28:08

to be the next Beatles .

28:10

Yeah .

28:10

Yeah .

28:12

Um , that'll doom you . You

28:14

know what came out in 1980

28:17

? The monster , the monster , monster

28:20

song , and it's a song

28:22

that that affected an entire

28:24

generation of white

28:26

people , of

28:28

white people . All right , sugar

28:31

Hill gag gave you help

28:34

. Yeah , that

28:36

, that is what that . That didn't

28:38

. That blew up the walls to the suburbs

28:41

, Just blew them up every

28:44

, every party . You went to every

28:46

and they you know it was mostly white people

28:48

. I was with , yeah , that

28:50

they would play that and even the most hardcore

28:53

heavy metal dude would

28:56

be tapping his toes because , because

28:58

it was so original , it was just nothing

29:00

like we'd ever heard before in that sense

29:03

of music and , uh

29:06

, you know the lyrics and telling

29:08

the stories . That brings you right into the stories

29:10

. That's what . That's what was good about the writing of

29:12

that song . It was poetry . It put you right

29:14

there . Yeah , do you have a go to your friend's

29:17

house to eat and the food just ain't no good

29:19

. The macaroni soggy

29:21

, the chicken , the chicken's

29:23

all soggy and the peas just taste like wood

29:25

. Right , it just

29:27

puts you right there , you know , and it was

29:29

just a great , relatable song and

29:32

it's still , to this day , a monster

29:35

. People play in a club , people dance

29:37

. Yeah , it's timeless . Rap

29:40

is delight .

29:41

It's produced by Sylvia . I forgot

29:43

her last name . She was a , a Mickey and Sylvia .

29:45

Smart woman right there . Yeah

29:47

, that girl . Yeah

29:50

, she got that song for free . Dude

29:53

gave it to her . This , this

29:55

rapper in the neighborhood rapper . He's

29:58

like yeah , yeah , that was the writer of it . He

30:01

wrote the song , yeah , the

30:03

lyrics , and she

30:05

took it and got those guys to sing it

30:07

. Oh , okay , and then they , she produced

30:09

it with the uh , you have that album

30:12

from that year ? Yeah , yeah , todd sent

30:14

me his records , um , and

30:16

that's how that became like

30:18

. And then the dude was like yo , uh

30:21

, that was my song , like you gave

30:23

it to me . Well , yeah

30:25

, you gave it to me . So rap is delight

30:27

was a fucking . I mean that just prints

30:29

money for that lady . To this day she did some

30:32

other things too . She was a pretty shrewd woman . I

30:35

don't know if this is , wrote she wrote Love

30:37

is Strange .

30:38

You know that was a . That was a big hit single . We always searched

30:40

these .

30:41

Yeah , yeah .

30:42

Now Lou , I met her . She came up to CPI

30:44

in like the early nineties they tried to relaunch

30:47

that whole thing and

30:49

she came up and she handed me the . I held

30:51

the original mix down , you know the two

30:53

track and uh , but

30:55

it didn't go anywhere . It was the wrong time

30:57

in the nineties . It just was not

30:59

a good time to release something like . They should have waited another

31:01

10 years Probably . Yeah , yeah

31:05

, yeah .

31:06

Very nice , let's cut , said it was . It was a big thing for white

31:08

people .

31:09

Oh , that , that

31:11

again . That's what brought rap into the suburbs

31:14

. Yeah , that song was what brought rap into

31:16

the suburbs .

31:16

I think that invented the white guy overbite

31:18

dance Can

31:21

you show us oh yeah

31:24

, yeah , the bottom lip , the bottom lip

31:26

, the fist goes out and your

31:28

feet do not leave the floor ever , because you'll

31:30

fall I think I'm going to bring that

31:32

back .

31:33

I think I'm going to bring that style back . It went away

31:35

. I guess

31:38

it's in eight , in white people

31:40

, it's just in eight . Yeah , it's

31:43

in our DNA . Although

31:45

. I'm pretty smooth dancing because I always had

31:47

some of us white boys have some rhythm .

31:49

That's why we do , we do , we do , we do

31:51

. I'm a drummer man

31:53

.

31:53

There you go , buddy .

31:55

There you go . That was recorded

31:57

in West . Was that West Orange , new Jersey ?

31:59

Yeah , yeah Now when Sylvia

32:01

came up , they were living . Her and her husband were living in Anglewood

32:03

. They were actually no , they always lived in Anglewood and

32:06

so it was a quick trip . So a lot

32:08

. Yeah , that was local for us , you know all that

32:10

stuff .

32:11

Anglewood was a big town for a lot of Black celebrities

32:13

. Any questions ?

32:14

Yeah , and musicians Miles Davis

32:17

was coming over there early on and Stan

32:19

I can't remember the guy's name the studio , the

32:21

jazz studio , who was there ? It recorded a lot of

32:23

those Blue Note albums . It's a big

32:25

music town .

32:28

Oh , okay , go right .

32:31

Who's up Me Gonna

32:33

go with the first jam album I ever

32:35

heard . Sound Effects came out in 1980 , contains

32:39

a song that reminds me very

32:41

much of the

32:43

Taxman Start , and of

32:45

course that's Entertainment is on that album .

32:47

Yeah , yeah , another one of those songs

32:50

that has a happy kind of upswing

32:52

, but if you listen to the lyrics it's a little doc kicking

32:55

the balls , the little doc . Yeah

32:57

, not a happy song . Yeah , it

33:00

just tells it like it is .

33:01

And you know , someone gave me their record of it and

33:03

it was so scratch , but it didn't skip

33:05

. You ever have one of those records . Yeah . And

33:08

when I got a CD I didn't like it . I liked

33:10

the scratch version better .

33:11

Well , yeah , that's what you grew up with , right ? That's what you

33:13

got used to , lou .

33:15

Yeah , Rush . Permanent Waves .

33:17

Yeah , we talked about

33:19

that last week . We did , yeah , monster

33:21

that that launched

33:23

them .

33:24

Yeah , I think they were known for the term

33:26

at that point .

33:27

Salesman .

33:30

That was . That was what you heard

33:32

, spirit already . What

33:34

the hell was that ?

33:36

Salesman

33:38

Good call Salesman

33:41

. Echoes with a sound . Now I'm

33:43

never going to fucking hear that song right again

33:46

. You just built in an airworm

33:48

for me .

33:49

Good it leads into the guitar

33:51

solo too . Yeah , yeah .

33:54

Oh man , let's

33:56

see what do I got here . So

33:59

this album well

34:03

, he was already . This launched them into the 80s

34:05

. Bob Seeger and

34:07

the Silver Bullet Band against the wind yeah

34:10

, that was a big record . I've

34:13

heard like the song against

34:15

the wind and I've

34:17

heard talk of this before . It kind

34:19

of rivals night moves as

34:22

far as people you

34:24

know which one do they like better

34:26

. You know , night moves doesn't

34:28

have a runaway with that . I've just heard

34:30

people compare it . It's in

34:32

the same level against

34:35

the wind . It's one of those timeless

34:37

songs also .

34:38

Do you have a preference between the two

34:40

?

34:40

Well , I like night moves , that's

34:43

just you know that record

34:45

has a better time .

34:46

I like the time , the record is better and

34:49

I mean all the musicians on both records . He's a lot of Memphis

34:52

guys , yeah , on that in his

34:54

own band , but I mean , I just think

34:56

it's our main street .

34:57

Yeah , our main street , or the fire down below

35:00

, yeah , you know , but

35:03

then hook is , it's always

35:05

down a main street . About a stripper , right ? So

35:07

he was , yeah , he was digging his Detroit

35:09

, you know tight pants points

35:11

. Yeah , all the

35:13

room . Yeah , let's see

35:16

what do you got , mark .

35:17

Well , so Ozzy came out with his first

35:19

solo album and Black

35:22

Sabbath continued . They got Ronnie Dio

35:24

and they did Heaven and Hell Another

35:26

one that helped usher in the

35:28

metal in the 80s . These were just big

35:30

albums .

35:31

Yeah , yeah , lou

35:34

.

35:35

I'm going local here , local New Jersey , the

35:38

Phillies , the band the Phillies . The album was Crazy

35:40

Rhythms . There's their debut album

35:43

, quirky Record , indie Pop , very

35:45

Velvet Underground . They backed up Blue Read

35:47

at the bottom line in New York for

35:49

a bunch of shows . They're great bang . They're almost like

35:51

a guitar . They had guitar gems in Indie

35:53

Rock when it wasn't cool to do it , yeah , but

35:55

they were really good . So they had a couple like five minutes songs . They weren't

35:57

long epics but we're really good

35:59

. Their second record was produced by Peter Bach . Okay

36:02

, ram , good Earth , but yeah , they were really good . They're

36:04

still together , actually , but never got to see

36:06

them . I don't know Peron

36:08

, I were both fans . I don't think he saw them either . But good

36:11

local band , good New Jersey band . All

36:13

right .

36:15

Dave Phillips , king of the 45 , just commented

36:17

in off of Night

36:19

Moves Her Stret Great song . Just

36:21

love to watch her strut .

36:23

The way he wrote it is her strut , her

36:25

strut .

36:27

Should be an umla over that you . What

36:30

are they saying ? Should be

36:32

the umla .

36:33

The umla , the double dots , it looks like . It looks like German

36:35

, he wrote the

36:39

professor knew it was an umla

36:42

. Not talking to Western umla or Denver umla , we're

36:44

talking a regular umla .

36:45

Oh , this , this , this was

36:48

a biggie . This one was a biggie in 1980

36:50

and it's still today , is a big , uh , a big

36:52

album . And uh , scott

36:54

, let's see one , uh

36:57

, two , three , at

37:00

least three hits on it Glass

37:03

houses , billy Joel . Yeah , you

37:05

may be right , don't ask me why I'm

37:08

still . It's still Rock and Roll to me

37:10

, um , yeah .

37:12

Big transition form too , right . Yeah , there's

37:14

some good album cuts in there too . Yeah

37:17

, remember , all for Lena , all

37:20

for Lena .

37:21

Oh , yeah , yeah , yeah yeah .

37:23

That was his rock album . That was his . He was like a

37:25

rock album . Yeah , yeah .

37:29

Uh , what do you got , mark ? Uh , one

37:31

more metal album , another one big one for

37:33

Bridge Steel by

37:35

Judas Priest . I had Livin' After Midnight Breaking

37:38

the Law . Yeah , yeah , yeah , and

37:40

it was recorded in Ringo

37:43

Starr's house . He had a studio in

37:45

his house , I can't remember the name of it . It's kind of odd , you

37:47

know . Yeah , yeah .

37:49

Yeah , lou , the

37:51

police Zenyatta Mondara . Yeah

37:54

, my favorite police album .

37:55

Is it yeah ?

37:57

Yeah , that's , that's a good album

37:59

, that's a good album . Um , that

38:03

, that's the second album

38:05

, right , the third , my third

38:08

album . The second one was out . No , the first

38:10

one was out . Lando Stia Moore .

38:11

Regatta de Blanc was the second , then Regatta de

38:13

Blanc .

38:14

That's right . Yeah , you know , I

38:16

was up with all that .

38:17

Then it was Penne Regatta .

38:21

Geez Blanc blanc . Oh

38:24

man , all right . So

38:27

you talked about a local band earlier

38:29

. Right , I did . Yeah , the Phillies

38:31

, the Phillies . But we had our own local

38:34

release that year , 1980

38:36

. The Joe Perry project

38:39

came out and let the music do the

38:41

talking . Yep

38:43

, let the music do the talking

38:46

, I like his version .

38:47

I like his version better than the Aerosmith version .

38:50

Yeah , yeah Did they do it after him

38:52

or before him yeah .

38:53

After right , oh really Right .

38:54

I remember his , his he had a radio and

38:56

I got some radio play .

38:58

Yeah , yeah , he did he kind of

39:00

made a little bit of a movie . He was always touring around

39:02

New England and you know

39:05

, but never really caught

39:07

the national spotlight , you

39:10

know . But he I don't know how much

39:12

money he had at that point from Aerosmith . I'm sure

39:14

he had enough to

39:17

survive on ?

39:18

Probably survive him , didn't he probably

39:20

snorted most of it

39:22

. Probably , yeah , yeah , yeah , he had contracts

39:25

shot most of it .

39:26

Yeah , and I think that album only had that one

39:28

hit on it too . No other songs

39:30

from that album really were

39:33

released by the record company . I don't know

39:35

, I just remember it being

39:37

. You know , everyone was like the Joe Perry project

39:39

man , and I was like what's fucking 15

39:42

, you know 16 . So

39:44

you know , we loved it . But

39:46

not much longevity , though

39:48

Not not a lot of longevity with that one .

39:50

I remember the cover because I was like 11 years old

39:52

and I was with my sister in garden state Plaza

39:54

, went into Sam Goody and you

39:57

remember they used to an album came out . They would put like

39:59

20 of them on the wall . It just was like

40:01

it was an interesting album cover .

40:03

He's . He's in a board meeting , like right

40:06

at a big glass table Yep , right

40:09

. And all these guys in suits sitting

40:11

around and like cool Joe Perry

40:13

and his like denim shirt or

40:16

whatever . He was the coolest . He was pretty

40:18

cool dude . Yeah , yeah . Now he plays

40:20

with what the Hollywood vampires right ? Yeah

40:22

, yeah . So

40:24

all right , mark .

40:27

I got to stick with metal . Iron maidens first

40:29

album came out in 1980

40:34

. Ah , okay , Beginning of the new wave of British heavy

40:36

metal starting . You know , was it called

40:38

iron maiden ? Yeah . With

40:40

the song iron maiden , yeah

40:44

All right

40:47

look .

40:48

Bruce Springsteen the river yeah yeah

40:50

. Double album . Yeah yeah

40:53

, and the drumming is

40:55

all over the place at times , is

40:57

it really ? Oh yeah , oh

40:59

yeah , I noticed it after

41:02

the album max the great

41:04

drummer , but he had to address some . He

41:07

was in a slump . He said so

41:09

making that record . So the tempos go up and down and

41:11

we're here at Cadillac Ranch . If

41:13

you listen to the end , you can't rush it fast

41:15

enough . It's

41:19

that's the sax part of the end

41:22

. At the very end he just does these

41:24

three hits on it but it's just completely rushed . But

41:27

even out in the street it's

41:29

not that steady . It's very live

41:31

sounding . I think it's a great performance a lot of ways , but

41:33

it is very yeah , some things were just

41:35

a little little shaky there . He had playing

41:37

in the studio was a little

41:39

more difficult for him at that point of being live

41:41

drummers , you know he can rush things around . I've heard

41:44

live Springsteen from that period and some of the

41:46

songs are so fast . Well

41:49

, yeah , it's almost . Yeah , it's almost weird . I didn't like

41:51

the uh that live set . He put out the 75

41:53

, the first Bruce's first live set In

41:55

like that . No , no , I thought

41:57

the band sounded weird at times .

41:59

So is it not up to him to keep that under

42:02

under control ?

42:03

Well , it was once they were listening back

42:05

to tracks from when I I've read I guess it's they

42:07

said you know you're , he had a tendency

42:10

to rush the beat .

42:12

So he said , but they don't notice it . Like Bruce Springsteen

42:14

was supposed to be like this attention to

42:16

detail guy . He didn't catch it . He didn't

42:18

.

42:19

While they're playing it on , they said what worked live

42:21

did not work in the studio at that point

42:23

. So when ? But they put the album out

42:26

. But I don't know if you know how

42:28

would happen with that record . And you

42:30

know , I think when that came out , you know maybe he

42:32

didn't notice it , I would think they did , but they just did

42:34

what they could . I think , yeah , you

42:36

know , because that was he did it , bruce did that , and

42:38

then he did Nebraska , yeah , and

42:41

then didn't do much until born in the USA . But he

42:43

even said born in the USA , he goes . Max was the best

42:45

thing about it . So max went to , he took lessons

42:48

of , he said it with Bernard Purdy and

42:50

didn't you know other things , just to address

42:52

it . But he , max , said he goes . I was relaxed all

42:54

the way down to my wrists and then he started speeding up

42:56

. I know what it's like , you know some

42:59

it's a hard thing not to do . But he said it was the drum fills

43:01

. Where he was , he would start to rush the

43:03

beat and then it was . It was a runaway train . So

43:05

I think Bernard Purdy wanted to drum . I said when you do your fill

43:08

, keep your bass drum going . So max . So

43:10

when he do a fill , he would stop playing the

43:12

bass drum and then get into it and that was a problem

43:14

. But if he kept his foot steady , it's like a metronome , it kept

43:16

him in line . It's simple enough

43:18

idea , but you know yeah

43:21

implemented is

43:24

another thing .

43:24

Yeah , pete

43:27

Townsend empty glass record

43:29

so well . Probably

43:32

one of my favorite Pete Townsend songs

43:34

, rough Boys , it's a weird song

43:36

.

43:36

When you listen to the lyrics it's a little bizarre

43:38

, it's totally gay , isn't it ?

43:40

It varies very gay , yeah , even the

43:42

video even the video has like those gay uh

43:46

undertones . Yeah , yeah , remember the video

43:48

. He's just following this kid around the , you know

43:50

the thing , and it's kind of a creepy song

43:52

, but it's a great song . It rocks

43:54

, yeah , it rocks , and he's he's

43:57

in peak form with that . Yeah

43:59

, that also had let my love open the door

44:01

, right , right , um

44:03

, yeah , it's so the

44:05

album . I think they had like three songs that

44:07

were released off of it . But uh

44:09

, supposedly he

44:11

imagined if the

44:13

who did Rough Boys .

44:16

I can hear Dolter saying it Right .

44:18

So evidently he withheld

44:20

these songs from

44:23

uh because they did a who album , face

44:26

dances , face dances which

44:28

was what's that

44:30

? Oh Jesus , um

44:33

. And supposedly he withheld some

44:35

of these songs for his own

44:37

album . So it shows you where he was at , wow

44:39

, when Pete Townsend was at at that point in

44:42

you know , with the band and in his career

44:44

. Uh , he's like I need some

44:46

hits If I'm gonna go solo , I need some

44:48

hits .

44:49

You know and Lou compared

44:51

drummers . He had Simon Phillips on that album

44:54

playing drums who they should have drummer when

44:56

, when Moon died .

44:57

they should have got Simon Phillips , oh he played with the who

44:59

.

44:59

I saw him when they did . I figure what Torah

45:01

was , but he played one tour with him and who was

45:03

he explained to the audience Uh , simon

45:05

Phillips started . He was with

45:08

Jeff Beck and then he went

45:10

to . He played all over and

45:12

then , most recently , toto . He played with them

45:14

for about 20 years . He replaced Jeff Piccaro

45:16

. He's that good , um , and

45:18

he's can be fusion . He's like fusion gets

45:20

into that stuff , but he can play a good rock beat

45:22

, great rock beat .

45:24

So when he was on town

45:26

, that stuff after .

45:27

Yeah , Uh , no , the who . He

45:29

was with the who , like when they're one . I

45:31

think the fifth farewell tour .

45:34

Well , what I'm the Townsend do on

45:36

barefoot , there

45:38

were all the best cabbys of Chinese eyes . That might

45:40

be Simon Phillips on that .

45:41

Yeah , I think he's on that album .

45:43

He was a good album too , yeah .

45:44

He was Pete Strummer for a good long time

45:46

. Yeah , yeah .

45:49

You know what one of his best songs is and

45:51

it's never played on the radio , in

45:53

the video is fucking great for it and

45:55

the song is just gets like . If you're

45:57

driving and you hear

45:59

this song , put it on tomorrow when you come

46:01

. I'm telling you this fucking

46:04

song will get your toe tapping and

46:06

get your bouncing in your seat face

46:08

to face . Yes , yeah

46:13

, yeah .

46:13

You must have heard , and it's this

46:15

bill , right , yeah Right

46:17

. Who's the girl in there ? His daughter

46:20

. That's his daughter . Okay , that's his daughter . Yeah , watch

46:22

the flakes .

46:22

Yeah , watch the flex .

46:24

Yeah , and she's in the video too . Yeah

46:26

, he was on a bit of a roll right there at that point in the

46:29

early eighties , that song though gets

46:31

you that fucking get your pumping

46:33

man . It's a driving song .

46:34

Yeah , yeah . And then do gets hits in with

46:36

the harmonica and it just gets bigger and

46:38

bigger , like the song literally

46:41

grows , build , yeah , you know

46:43

, to the end it's just one big crescendo

46:45

. If you

46:47

, if you haven't heard it in a long time , people , and you

46:50

listen to this face to face by Pete

46:52

Thompson , and if you're not tapping

46:54

your toe or bouncing in your seat , then

46:56

there's something wrong with you , something

46:59

seriously wrong with you .

47:03

And don't dance like this .

47:05

Wait , if you have to , what

47:08

the white guy ?

47:08

overbite , the white guy overbite

47:10

.

47:14

I think I do it better . All

47:19

right .

47:19

Everybody do their version of the white guy overbite

47:21

doing it

47:27

. Whoa , that's

47:30

going to be an outtake right there . That's

47:34

going to be a clip That'll

47:36

be put out on Facebook tomorrow .

47:38

Oh boy , I

47:41

just look like a dead head .

47:42

I'll put some like I'll put some rap

47:44

song on and I'll just add on a

47:46

loop To make sure we're really out of time .

47:49

Yeah , exactly that's what's

47:51

going to the milk crates and turntables

47:54

presents the white guy overbite

47:56

dance party

47:59

. White guy overbite dance party

48:01

. All

48:05

right , who's up , I am .

48:07

All right , an

48:09

album that I can listen to all six sides

48:11

, and I don't get tired of it , but a lot of sides . Sandinista

48:16

.

48:16

I love that album . The

48:18

call up is one of my favorite songs

48:21

. A lot of people do

48:23

my call I

48:26

want to die . Yeah

48:28

, right , yeah . What else is on

48:30

there ?

48:32

I don't know songs by titles and owned by the rhythms

48:34

. It just it was had

48:36

a few dubs on it . And

48:39

that's what I love .

48:40

It was the rare three album

48:42

set .

48:43

Yeah Right , they did two in a row , though Didn't

48:46

yeah . Yeah .

48:47

Well , no , what was the ? What was the next one before

48:50

it ? Combat Rock , combat

48:52

Rock was that was , that was , that was after

48:55

.

48:55

Yeah , they

48:57

did a they didn't know three records , said I wasn't

48:59

London calling three records , or was London calling

49:01

was two . Okay , all right so , but they

49:04

did five records . When you think about it in a

49:06

couple of years , right , it's pretty

49:08

wild .

49:09

All right , lou Tommy

49:11

, two tone . Oh man

49:13

, with the hit , yeah A con

49:15

a conic at eight , six , seven , five , three or nine

49:18

.

49:18

One of the great one

49:20

hit wonders .

49:21

Check this out . Scott , I thought so too . Apparently

49:24

not . He had another song

49:26

in 1970 song it was

49:28

Angel say no . It cracked the top 40 . I

49:31

never heard it . I

49:34

don't remember hearing it no , top

49:37

40 is a hit Okay

49:39

.

49:39

Yeah . Let me see something

49:42

here , that that

49:44

that came out

49:46

. Yeah

49:50

, all right , it's my turn . Yeah , yeah

49:52

. Well , the clash London

49:55

calling that

49:57

came out on January 1980

49:59

.

49:59

That was an okay , I thought it was 79 .

50:01

No , well , it was released in the UK in 79

50:04

. Okay , in December of 79

50:06

.

50:06

So the same year on the cost

50:08

.

50:09

So they stopped the year off , with London

50:12

calling , and then they the same year they do

50:15

San D'Anise . So the five

50:17

, five album five albums right

50:19

there .

50:20

A real punk band wouldn't do five albums in that minute

50:22

.

50:22

They couldn't About a triple and a

50:24

double , but they , they start . They

50:26

see , they weren't . They got caught

50:28

up in that punk . That's like I always say Tesla

50:31

got caught up in the hair metal yeah

50:33

. But they're more intelligent than him .

50:34

They were more talented yeah .

50:36

And more talented they just got caught up in . So

50:38

the clash had the punk look

50:40

in , the punk attitude , right

50:42

yeah , but their influence

50:44

was punk , reggae

50:47

, rock , rock , like

50:50

they incorporated it all . So they were that

50:52

really their own animal . They were their

50:55

own . They were an island unto themselves

50:57

, and that's what made them great

50:59

, is they were that they had that

51:01

much . They can go in

51:04

any direction . They love scope and they had

51:06

rhythm . They liked rhythm . Yeah

51:08

, you know , I liked them .

51:09

They were very talented , but not slick .

51:11

Yeah , mick Jones goes on to do big auto

51:13

dynamite . That's all rhythm music . Yeah

51:16

, yeah , it's all got beat , you

51:18

know , and it's all . I mean , it's

51:20

just that's , and that's what made them so great

51:23

. So they

51:25

weren't real . A true punk band can't make two

51:27

album where they could think it just

51:29

go and release

51:31

an album . I

51:34

guess they could .

51:35

I always said real punk sucks . I don't like

51:37

punk music because it's got . You're supposed to be out of tune

51:39

, You're supposed to be at a rhythm . That's not my thing

51:42

, you know . Another band that got

51:44

lumped in was the jam . They got lumped in with

51:46

the punk scene .

51:46

Yeah they were , they were , they were lumped in with

51:49

punk Others more than they were .

51:50

Yeah , In the 70s they were . They were lumped in

51:52

with the punk . Yeah , it was that English movement

51:55

thing .

51:55

Yeah oh , everything

51:57

was was looked at and it depended on how

51:59

they dressed and how they acted . I

52:01

mean , punk was an attitude . Yeah

52:04

Right , they blondie was never punk

52:06

, right , but they were

52:08

in that group with , you know , the CBGB

52:11

gang , you know a long talking edge

52:13

would never have a punk , but they had

52:15

a punk attitude . They had that kind

52:17

of a wild streak in them . They did

52:20

to be different . They were going against

52:22

the norm of sound . You know what was going

52:24

on at the time , which was disco , and

52:27

you know and stand in pop , bals

52:29

and rock .

52:30

And talking heads were a total art school .

52:32

Really they were a total art school band , yeah , but

52:34

they were CBGB's regular

52:36

, which that's how they get

52:38

that label . But blondie was never

52:41

punk . I can't see that

52:43

. I never really agreed with that . They

52:45

liked it . They liked having that label because

52:48

it was publicity for the rock and roll band

52:50

. They were rock and roll band and they

52:52

put out pop hits . Yeah

52:55

, you know , when they wanted to stop making money

52:57

, they got smart . Tied his high Tied

53:00

his high Fucking hard to class Rapture

53:02

. I love Rapture , rapture . Yeah

53:04

, as campy as it is , it's

53:06

, it's . It's again one of those iconic

53:09

songs , yeah , just like the Tom

53:11

Tom club . You know uh and uh and her

53:14

husband from .

53:15

Chris Franz .

53:15

Chris Franz and they , they did , you know , uh

53:17

, then it , that , then

53:19

it . James Brown , yeah

53:22

, they went in that direction and that's that

53:24

was .

53:24

That was a weird song in our team and I was .

53:26

I'll tell you what there's still another fucking

53:28

song , just prints money for them .

53:30

Yeah , it was sampled by Gangster

53:32

of love .

53:32

Yeah , Gangster of love that's . I mean , that's

53:34

just prints money for them . What's his name ?

53:36

Miller , the gangster of love .

53:38

Yeah , you know , I saw a thing today , yeah

53:41

exactly . I'm going to get a little

53:43

bit off but I saw this

53:45

thing today , this little documentary on Massey

53:47

star , right

53:50

Fade into you , right , and so I'm always

53:52

curious . So , uh , the

53:54

guitar player , the guy that started the band he was

53:56

like eight years older than her , her name is , uh

53:58

, he's a Mexican girl , hope Sandaval

54:00

. Hope Sandaval Pretty little thing

54:02

but shy and you know very

54:04

, uh , yeah , yeah , and she

54:07

, they did it that way . They did a . They did a show

54:09

in Australia on time in

54:11

2018 and it was in

54:13

the dark , like they had a screen

54:15

on behind them and they

54:18

were just in the dark , like , so you had to be

54:20

there to listen to the music and they . They kind

54:22

of got beat up on social media . And then there was

54:24

other people that loved it , because

54:26

you're there for the experience . But so I got curious

54:28

. I'm like so Nasi star

54:31

never really made it . They had that one big

54:33

hit and that fucking song is one

54:35

of those songs , right , when everybody listens

54:37

to it , right , yeah , again , even the

54:39

most hardcore metalhead

54:41

listens will listen to that song and they're car

54:44

by themselves and

54:46

, um , she's worth

54:48

$3 million , wow

54:51

, and you know it's all

54:53

from that song , yeah

54:55

. Because they came out with . You know , they , they

54:57

, they took a break , they

55:00

, they made music together but then they

55:02

didn't want to release it A

55:04

very kind of very

55:06

independent , uh

55:08

type attitudes that they had . As

55:11

far as their music , um

55:13

, yeah , she's worth $3

55:15

million and it's not because of album sales

55:17

. Well , that

55:19

album , but that song that that song was on is

55:22

a good album .

55:22

Yeah , that's always a fade into you .

55:24

Yeah , in the nineties , all those overly

55:27

dramatic teenage soap soap

55:29

dramas that were on at night , you know , like

55:31

Dawson's Creek , they all use that

55:34

song , all of them , yeah , movies , remember

55:37

the video .

55:38

Yeah , she's just kind of staying in the desert

55:41

. It's very yeah , yeah , and

55:43

it's just her Nothing .

55:45

The band like they all died .

55:48

Really .

55:49

No , she's alive . They all died of cancer is weird , but

55:53

she's still alive , I think there was only her

55:55

and the guy I forget .

55:56

I forget his name . Yeah , the guitar player , but

55:58

there was .

55:58

There was like the backup . There was a drummer and there

56:00

was there was a core there . But yeah , there was a core

56:02

there . A friend of mine is a big fan of them and we're talking

56:05

about them and he goes . You know , they're all . Everyone in the band is

56:07

dead except for her . But you know

56:09

, and young , unfortunately .

56:11

Yeah , and she , she

56:14

was from a family of eight . She was the

56:17

youngest of eight kids

56:19

in LA . She

56:21

like grew up in like the most popular

56:23

drug street in LA . Her brothers

56:26

, some of her brothers , were gang bangers

56:28

so they never , she never got bothered

56:31

, you know . But

56:33

she , you know her father was like into

56:35

one type of music . The mother loved Mexican

56:38

music or sister loved father

56:40

loved jazz and big band . The mom

56:42

liked , loved her her Tejana

56:44

music and like her sister was

56:46

listening to like rock and stuff like

56:48

that . So she had all this music

56:50

going around and

56:53

nice girl Like she was just a shy

56:56

little thing you know with the , with the

56:58

very like mysterious

57:00

, a little mystique about her dark

57:03

hair dark eyes , yeah , just not

57:05

active on stage , like all about

57:07

her voice . Which kind of built that

57:10

?

57:10

whole thing and when you , when you hear

57:12

that on the radio and then you saw the video , you know you're

57:14

, she pulled you in .

57:15

She had this very , very alluring you

57:18

know it's again , she's not hard to look

57:20

at , which is another reason you just kind of it's

57:22

kind of mesmerizing yeah . You know

57:24

, she's not like Deborah Harry , who was one

57:27

of the most beautiful women ever to play

57:30

music in her , in her like prime

57:32

in her younger days , and I fucking

57:34

I know women get upset when I say

57:36

shit like that . I said something like that the other night

57:38

around some women that , some friends

57:41

of mine , and they I said something

57:43

about a girl . You know women

57:45

starting like in their fifties

57:47

they're older and it's and they all went what Like

57:49

I was like oh

57:52

, I really misspoke and they let

57:54

me have it , buddy . Five

57:56

of them . Let me have it . Oh

57:58

, what do you know ? You're a man .

58:01

Oh shit , that's

58:03

almost as bad as making Italian jokes

58:06

on Facebook .

58:08

Let's get back to

58:10

the albums . Let's

58:14

do a . Let's do a couple more .

58:16

Okay , the first time I heard them

58:18

on Casey Kasem's TV show

58:20

remember he had this TV show where he showed this

58:22

top 10 . Well Hall

58:24

notes . Voices came out , so I had kiss on

58:26

my list . You make my dreams come

58:28

true . You've lost that love and

58:30

feeling every time you go away . Then

58:33

there was an unreleased track called I'm going

58:35

to burn your house down someday . Never

58:37

been heard , but they just recently released it .

58:39

That's what John Hall is going to play when he burns Darrell's

58:41

house down for these royalty .

58:44

I was joking with that unreleased track

58:46

.

58:46

Are you ? Where are you ?

58:47

Yeah , they

58:50

did like good , good songs on it . That

58:52

was their big pop come . Yeah , they

58:54

just went total pop in eighties on that

58:56

.

58:57

Yeah , yeah

58:59

.

58:59

Lou . There's a shit ton of albums that came

59:01

out . There's so many good ones there , I

59:03

know , but we're already into an hour

59:06

here and right .

59:06

Never get out of it .

59:07

Right Diver straights making movies . Or third record

59:09

, yeah , produced by Jimmy Iovine

59:12

. That was , that was a good in New York

59:14

. And make a rock record with Roy Bitten of the East

59:16

Street band and it's got . It's

59:18

got a skate away on it .

59:21

Good rhythm , that's your favorite . Tune right , that's

59:23

my favorite . That's my favorite , that's my favorite

59:25

. Diastrates .

59:25

Romeo and Juliet

59:28

. There's one . There's one clunker on the album Les

59:30

Boys .

59:32

Yeah , yeah , yeah .

59:33

Not to be confused with rough boys . No

59:35

, rough boys kids , it's another kind of thing Not to be confused

59:37

.

59:37

That's what he mentions .

59:39

You know , it's about an old male dancing

59:42

troupe in Berlin in 19th .

59:43

This is weird . It says something in French . It's a clunker

59:45

. Les Boys , hey , john A or something

59:48

, yeah .

59:48

Yeah , it's like yeah , the album

59:50

is all great except for that one fucking

59:52

song . It's just terrible .

59:54

I hate that when you have an almost perfect

59:56

album . I listened

59:58

to Sinead

1:00:01

O'Connor's the Lion and the Cobra again

1:00:03

yesterday and

1:00:05

I , you know , even the worst song in the album

1:00:07

is a fucking good song , like it , just it's

1:00:10

. And I say it when I say it's a perfect album

1:00:12

to me , because every song is

1:00:15

a good song . Some are better than others

1:00:17

but they're all listenable and

1:00:19

in the way it was produced and the

1:00:21

way the tracks were put together it

1:00:24

fits , because it kind of takes you

1:00:26

on a little bit of a ride

1:00:28

. You know it's

1:00:30

just such a fucking great album but you

1:00:33

know you get those albums like Lou just said , and

1:00:35

the Dio Straits album great . And then there's that one

1:00:37

shit song , shit

1:00:40

song on the album and you're like , yeah

1:00:42

, you know if

1:00:44

you're sitting in a beanbag chair with fucking

1:00:47

headphones on eight feet

1:00:49

away because you got the long stretchy cord

1:00:51

you're not going to get up to

1:00:53

go change one song .

1:00:55

That's the thing you never get up from a beanbag

1:00:57

Once you're in the beanbag . I had an orange bean , my brother

1:00:59

was saying that the other days .

1:01:01

He said I was always in that orange beanbag chair

1:01:03

in our middle room with the headphones

1:01:05

on , with all the albums , and

1:01:08

I would just sit there and listen to music . When I was a kid

1:01:10

, he even admitted . He said I was pretty

1:01:13

advanced for a , you know , 10 , 11

1:01:15

, 12 year old kid . That's why you're doing what

1:01:17

you're doing now . Yeah , well , that's it . It all stored

1:01:19

up in my head .

1:01:20

Yeah , I was ridiculed by elder siblings

1:01:23

for singing Moon River around the house . It's

1:01:25

a beautiful fucking song , man , I wouldn't

1:01:28

have . I wasn't listening to Moon River , but I

1:01:31

knew about it . I'm a little older than you , Scott , like

1:01:34

seven years older than me . Now , no three

1:01:36

. I was 12 . That's

1:01:39

what you were saying the other day . I'm doing good for an eight year

1:01:41

old you know what came out in 1980?

1:01:45

.

1:01:45

What's that ? Tp , the

1:01:47

album TP .

1:01:49

Tom Petty Nope

1:01:51

.

1:01:52

Nope , one of the greatest

1:01:54

voices of a generation , teddy

1:01:58

Penegras . Oh yeah

1:02:01

, he left Harold Melvin in the woods when Soul came

1:02:03

out with TP right and

1:02:06

the name of the album and the song off the album

1:02:08

, the big hit , looking for

1:02:10

another love TKO , love

1:02:15

TKO . With the great Bobby Womack on there

1:02:17

, right , bobby Womack , yeah

1:02:19

, buddy , no

1:02:21

, so underrated . Bobby

1:02:23

Womack does not get , he gets the

1:02:25

credit in the in , like you know that songwriter

1:02:27

, songwriter category . I think . But

1:02:30

his voice , that dude's voice

1:02:32

, was giant .

1:02:33

He wrote a voice . J

1:02:36

Gallo's covered looking for a love . That's a Bobby Womack

1:02:38

song .

1:02:39

Yeah , listen to Gorillaz . What's

1:02:41

the name of the song ? I'll

1:02:44

send it to you . I'll send it to you guys . The video's

1:02:46

good . The video's got Bruce Willis in it . But

1:02:49

that's one thing that

1:02:53

Damon Albin is good for . He'll

1:02:55

bring in these like legends

1:02:57

, and he came in and had it in Bobby

1:02:59

Womack's like , yeah , man , I'll do a song in your album

1:03:01

, you know he goes

1:03:03

by Hamdog .

1:03:05

What's that ? He married Sam Cooks widow

1:03:07

.

1:03:08

Did he really ?

1:03:09

Yeah , and then then married the daughter

1:03:11

after oh shit , Wow . I

1:03:15

didn't know that I . I was wondering who Bobby Womack

1:03:17

was . I remember like hearing about him in all

1:03:19

these R&B circles and I knew that J

1:03:21

Gallo's covered that song . I read about him . I

1:03:23

don't know if he was in Sam Cooks backing band or like so

1:03:26

. He married the wit is Sam Cooks widow , I

1:03:28

think not long after Sam Cook was . Sam Cook was

1:03:30

a hand dog too .

1:03:32

That sounds like something off the off

1:03:34

the podcast . Disgrace Land . Right

1:03:36

, it sounds like a story off of

1:03:38

that . You know , like how he . You know it's always

1:03:40

that one moment . That's what I love about that podcast

1:03:43

Disgrace Land . It's always one

1:03:45

moment in the career , not the career . It's

1:03:48

like one moment in time in that

1:03:50

career . You know , he said they

1:03:52

did a great heat . The guy did a great Sam

1:03:54

Cook episode .

1:03:57

You know , does he believe

1:03:59

there was a conspiracy in Sam's death ?

1:04:02

I heard it a while back , but you gotta

1:04:04

go back and listen to it , it's , it's a good

1:04:06

. He breaks it down pretty well , he tells

1:04:08

the story and he , you know , and

1:04:10

it's done really , really well . That's an admirable

1:04:13

podcast in my eyes . But you

1:04:15

get , you know , podcasts like that you need money

1:04:17

. You're really doing . You need people

1:04:19

that are like . You know , you got to

1:04:21

strike lightning , yeah , yeah

1:04:24

, like that , when my buddy , phil

1:04:26

Kelly , told me about that . No , this was

1:04:29

six years ago , Right , and

1:04:32

for a while , uh , disgrace Land had a , had

1:04:34

a like a singular contract with

1:04:36

Spotify , I believe it was . And

1:04:38

, um , like that , one

1:04:40

got like podcast , best podcast of the

1:04:42

year . Like it really like skyrocketed

1:04:45

, yeah .

1:04:48

Um , so they got sponsors now and then the whole .

1:04:50

Oh yeah , I mean it's it's , it's a big , it's

1:04:52

a big podcast , yeah it's , and it's

1:04:54

done really well and they're not like over

1:04:56

the top it's . He found that niche

1:04:59

, yeah , and they're like that

1:05:01

one story which I mean we could

1:05:03

go in a direction one episode and say give

1:05:05

me a story about you know whatever

1:05:08

.

1:05:08

You mentioned buddy Holly's glasses . Yeah

1:05:11

, you know like that . They fell

1:05:13

off his face in a plane crash and went

1:05:15

to a field , ended up in a file and

1:05:17

they're back in his ex-wife's , his widow's

1:05:19

, rather his . Uh yeah , and it's

1:05:22

been a museum , I mean Yep

1:05:24

.

1:05:24

Yep .

1:05:24

All right , Mark , what do you got ?

1:05:26

Well , this is how I sneakily put two

1:05:28

into my final . I was going to say

1:05:30

Goucho from Steely Dan , cause Lou loves

1:05:32

the bass drum sound on it so much

1:05:34

. But I'm going to say another

1:05:37

album that announced the beginning

1:05:39

of some new , something new in the eighties , with Dirty

1:05:41

Mind from Prince Uh

1:05:44

, that was to Ian , an album before

1:05:46

that .

1:05:46

That's a good album . That's a great album .

1:05:48

Part of the Prince say eighties was here .

1:05:51

Uptown is on that album . Um

1:05:53

, let me see . Uh , what

1:05:57

is it Dirty Mind Uptown

1:05:59

? Uh , what's the track

1:06:01

listing ?

1:06:02

Uh , held on , that's what I'm getting to . I shoulda Dirty

1:06:05

Mind .

1:06:06

That's when he really started like getting attention

1:06:08

when he has the duster jacket on and

1:06:11

the fucking stockings .

1:06:12

It's a picture on his first album isn't too good .

1:06:14

No , no , no .

1:06:16

Dirty Mind . When you were mine , do it all night

1:06:18

. Got a broken heart again . Uptown

1:06:21

head yeah , they used

1:06:23

to play that a lot in Boston .

1:06:24

Uh , party up and got

1:06:26

to , got to got to party up .

1:06:29

Yeah , yeah , only 30

1:06:32

minutes long , only 30 minutes yeah .

1:06:33

Dr Fink is the only guy the

1:06:36

keyboard player that stayed with him through

1:06:38

all those transitions .

1:06:40

Did he have the surgeon mask ?

1:06:42

Dr Fink , look him up , he was ahead of his time , wasn't

1:06:44

he the dude ? The dude was talented

1:06:46

, evidently , if Prince is keeping you around , then

1:06:48

you . Then you got some talent . Yeah , like

1:06:51

there was some there was . He had probably

1:06:53

a little bit of say on how things went also

1:06:55

. Yeah .

1:06:56

You know cause Prince would go through these bands ? Yeah

1:06:58

, A lot of keyboard guys put

1:07:00

things together .

1:07:02

Yeah Well , Dr Fink did pretty

1:07:04

good with Prince . But whatever , I'm gonna desk

1:07:06

Dickerson Not after after

1:07:08

. He kind of left that nothing .

1:07:11

Really Nothing , yeah , studio work or

1:07:13

something .

1:07:13

Yeah , probably studio work .

1:07:15

Yeah , so

1:07:18

his voice was kind of cool , contrasted to

1:07:20

Prince's . Yeah , he had that

1:07:22

low gutter roll . Yeah , that low voice

1:07:24

yeah .

1:07:25

Yeah On a party on 1999

1:07:28

, right .

1:07:28

Yeah , yep .

1:07:30

In controversy . He played on controversy too

1:07:32

.

1:07:33

I totally didn't realize something . I totally slipped

1:07:35

there , Dirty Mind . I thought it was the second album . He had

1:07:37

two albums before that . For you was his

1:07:39

first album in 1978 .

1:07:41

Yeah , yeah .

1:07:42

Wow .

1:07:43

Yep , did all his own music

1:07:45

, did everything , yeah , all the instruments , everything

1:07:47

. What do you got Lou ?

1:07:50

Let's see Peter Gabriel's third solo

1:07:53

album , just called Peter Gabriel , known as Three with a

1:07:55

Melting Face .

1:07:56

Oh , is that Sprat Okay .

1:07:57

With Games of that Frontiers . That was

1:07:59

a big song in 1980 .

1:08:02

Oh , it really was . Yeah , yeah , yeah

1:08:04

.

1:08:06

I just thought that when I heard it and I was a kid , I thought they were saying

1:08:08

she's so fucky . I

1:08:10

thought they were cursing on the radio .

1:08:12

Sure Sasha

1:08:14

plays with Britt .

1:08:15

Yeah , all right , I'm going

1:08:18

to end this segment with

1:08:20

one of my . This is a tough call

1:08:22

Now . The first B-52's album was fucking

1:08:24

great , right , a

1:08:27

great album . But

1:08:30

the second one that came out

1:08:32

in 1980

1:08:34

, wild Planet , it has

1:08:36

Potti Out of Bounds . Give

1:08:38

Me Back my man , which is my favorite B-52

1:08:41

song , private Idaho

1:08:43

, right , oh yeah , yeah , strobe

1:08:46

light , but

1:08:48

this song , this song right here , this is one of the greatest

1:08:50

songs ever .

1:08:54

There we go . The

1:08:59

Skies Are Charcoal , gray

1:09:01

, fred , it's

1:09:03

a dreary downtown day

1:09:05

, but

1:09:09

at the end of my 30-foot

1:09:11

leash my

1:09:13

little friend Keesh . Keesh

1:09:18

La Poodle is her

1:09:20

name .

1:09:23

And having a

1:09:25

good time on a grumpy day

1:09:27

in our game . Keesh

1:09:33

La Rae , keesh La

1:09:35

Poodle my 30-foot leash

1:09:38

has anybody seen ? Let me see

1:09:40

I got to get that part on . This

1:09:42

is definitely getting

1:09:44

taken down . I'll

1:09:49

probably get a strike from you two .

1:09:52

All this work into the show for nothing . I'm

1:09:54

sure .

1:09:57

Let's see they

1:09:59

usually just they block

1:10:01

that part out . I think yeah .

1:10:04

So they're going to see us with no noise gone . That

1:10:07

guy , you're right , that's part of it .

1:10:10

Mark did you read that pitchfork article I sent you

1:10:12

, michael Stite . No , I haven't read it yet , I

1:10:15

can send it to you too . He talks about records

1:10:18

that influence him , and he mentioned the B-52s

1:10:20

. He goes they couldn't do Run Touchable

1:10:23

.

1:10:24

Who said that ?

1:10:25

Michael Stite oh yeah . Yeah

1:10:27

, he's talking about early records . You know

1:10:29

, patty Smith , he mentioned the B-52s . He goes

1:10:31

. They had such a huge influence on R-E-M and that whole

1:10:33

scene . You know they were .

1:10:35

They need to be in the Rockwell Hall of Fame . I

1:10:37

agree , I agree they need to be . I

1:10:40

think the time of that everyone you know the quirkiness

1:10:42

and other they have to be kind of thought

1:10:44

about as influential . They

1:10:47

toured for a long time . They

1:10:50

still put out albums , they're

1:10:52

relevant . They're relevant .

1:10:55

They survive tragedy . They survive , tragedy .

1:10:58

They have record sales they have

1:11:00

. I mean , there's no reason . Again

1:11:02

the time for them to say

1:11:05

, oh , you know the

1:11:07

people like , oh , it's just , it's kind of kitschy

1:11:09

and it's kind of like no , they need

1:11:12

to be taken seriously , because the music is really

1:11:14

good too .

1:11:15

They have to be a great party band .

1:11:16

Greatest party band in the world . That's the role of that

1:11:18

. All right , we've

1:11:20

done with that . Done with that segment

1:11:23

. Let's move on . Let's do this

1:11:25

. All right , I'm going to need one

1:11:27

of you guys to keep . I'm

1:11:30

going to need for you to keep tabs , because

1:11:32

you make the call , you

1:11:34

make the call . It's

1:11:37

kind of changing it up a little bit this week , so

1:11:40

let me see when is

1:11:42

it . Here we go , all

1:11:47

right . So I'm

1:11:49

going to give , I'm going

1:11:51

to give you guys a or

1:11:55

the three of us , a

1:11:58

choice of four picks

1:12:00

. All right ? No

1:12:02

, I'm going to . I have four picks , four

1:12:05

choices . I'm going to do two at a time

1:12:07

and the winner of each one . Then

1:12:09

we go into the final round . So

1:12:12

for instance , the first category

1:12:14

is best director , to

1:12:17

never win an Oscar . You

1:12:20

make the call . Okay , I'm

1:12:22

going to start Mark and

1:12:24

this is the . I have four names . This is the

1:12:27

first two and the winner will go .

1:12:28

Are you ? Are you saying that some of these are wrong answers ?

1:12:30

No , none of these are wrong because they none of them

1:12:32

. These are always . It's never a wrong

1:12:34

answer , okay , and you make the calls

1:12:37

Never a wrong answer . So you

1:12:40

make the call best director , to never

1:12:42

win an Oscar , and

1:12:45

you make the call for the Hitchcock or

1:12:47

Stanley Kubrick Best

1:12:51

directed

1:12:54

to never win an Oscar mark .

1:12:56

I'm gonna say a lot of people

1:12:58

would say Stanley Kubrick because of the movies he made , but

1:13:00

Hitchcock set a

1:13:02

precedent as a director . So I'm gonna go with Alfred

1:13:05

Hitchcock .

1:13:06

Okay , Lou , I

1:13:08

agree . Did Hitchcock ever make a clunker ? Kubrick

1:13:13

did I ? Think . I think I was right . It shows bad

1:13:15

, really awful . It's kinky , whatever

1:13:18

. No sexual chemistry between the

1:13:20

two stars .

1:13:22

And they were married .

1:13:23

Yeah right sure they were . So

1:13:26

you're going with Hitchcock . So you're saying that

1:13:28

the birds is better than 2001

1:13:32

?

1:13:33

I think all you know what I mean Like so I

1:13:36

think all body of work , I mean you know

1:13:38

they're both iconic , but

1:13:40

Hitchcock came around the television

1:13:42

show . Remember Hitchcock presents .

1:13:45

Right , but he was just a presenter in

1:13:47

those .

1:13:48

Yeah , but he was the director of them . Influenced

1:13:50

by him , though .

1:13:53

I mean , I'm just throwing it out there . It's

1:13:55

tough Full metal jacket is probably

1:13:58

better than any Alfred Hitchcock movie

1:14:00

.

1:14:01

I think there's . Well , you have to go back to that .

1:14:03

Different types of movies , so

1:14:05

I shouldn't really say that I would just say for

1:14:07

the time that Hitchcock was making movies like Psycho

1:14:10

.

1:14:10

when I was little I saw it in a freak V-Out

1:14:13

, but I can only imagine what people said when

1:14:15

it actually came out that year . That was gore

1:14:17

, that was gory . Same with the birds

1:14:19

. That was pretty heavy stuff for the time

1:14:21

it came out .

1:14:22

Yeah , imagine if Hitchcock was around

1:14:24

when the shining could have been made

1:14:27

. Think of that . Yeah

1:14:30

, right Was the shining

1:14:32

, you know because there's Stanley Kubrick .

1:14:34

There was good things of the shining too , from

1:14:36

.

1:14:36

Stephen King . Well , Stephen King didn't like that version of it

1:14:38

.

1:14:39

Did you ever read the book ? There

1:14:41

is a lot more in the book than the movie , but that's usually the

1:14:43

case .

1:14:44

Yeah , I'll go with Hitchcock

1:14:46

. I'll go with Hitchcock again . Psycho

1:14:50

is the the

1:14:52

like , the horror movie

1:14:54

, right , all right . Part

1:14:59

two here , best

1:15:01

director and now the winner of each

1:15:03

one . So Hitchcock is gonna face off against the winner

1:15:06

of this . You see where I'm going .

1:15:07

I see where you're going , okay .

1:15:09

Gotcha All right . You

1:15:11

make the call , best director , to

1:15:14

never win an Oscar , quentin

1:15:17

Tarantino or

1:15:20

Ridley Scott .

1:15:21

Is this for best , best director .

1:15:23

Best director to never win an Academy

1:15:25

Award .

1:15:29

Tarantino , and who's that one ?

1:15:32

And Ridley Scott , ridley Scott .

1:15:37

I love Ridley , I do . I love his

1:15:39

movies . You know I , Quentin Tarantino

1:15:41

, made my favorite movies of all time some of

1:15:43

them and I was late in life when

1:15:45

he made some of those movies , you know . So

1:15:47

I'm going to go with Quentin Tarantino .

1:15:52

Lou . So let

1:15:55

me just get a , let me see

1:15:57

, let me do this first . All

1:16:03

right , so Ridley Scott

1:16:05

, his movies

1:16:07

, like he made , let's see Alien

1:16:10

, just so we can get it . So

1:16:15

we did the dualist alien

1:16:17

, blade Runner , legend

1:16:19

Black Rain , dalmar and

1:16:21

Louise Gladiator

1:16:24

, hannibal , black Hawk Down

1:16:27

, kingdom of Heaven , american

1:16:30

Gangsta , prometheus

1:16:33

, the Councilor , the

1:16:35

Martian Alien , covenant

1:16:38

House

1:16:40

of Gucci Napoleon . They're

1:16:42

coming out with the Gladiator too . That's a fucking mistake

1:16:44

. What . That's another conversation for another

1:16:46

time so he came out with those movies

1:16:49

, never won an Academy

1:16:51

Award for Best Director , right , and

1:16:54

so let's go back

1:16:56

. And I probably should have done this with

1:16:58

the other . Well , we know the other two and

1:17:01

let's go with . So we

1:17:03

have a reference , right , oh sure .

1:17:06

You give Lou all this reference before . Yeah , yeah

1:17:08

, sure , I know , I know Thank

1:17:12

you , I probably should have done this . In

1:17:14

the first round .

1:17:15

We're gonna do more of these , though There'll be more

1:17:17

of this . I like this kind of so . Then

1:17:20

you have Reservoir

1:17:23

Dogs , pulp Fiction , jackie

1:17:25

Brown , kill Bill Volume One

1:17:27

, kill Bill Volume Two , death

1:17:30

Proof and Glorious Bastards

1:17:32

Jango and Shane . Hateful

1:17:34

eight , very underrated movie , yes

1:17:36

, and Once Upon a Time in Hollywood . I mean

1:17:38

this is fucking hard

1:17:40

.

1:17:41

That's Once Upon a Time . Not really something

1:17:43

I did more , but so you're

1:17:45

going with Quentin Tarantino , I think , in

1:17:48

of all his movies , Jackie Brown's my favorite of his

1:17:50

, but I think Once Upon a Time

1:17:52

in Hollywood is one of the best movies ever made

1:17:54

. Hands down , just love it .

1:17:56

So you're saying that's better than Gladiator ?

1:17:59

I like it better . Do I not entertain

1:18:01

you ? I love Gladiator

1:18:03

because it gives Lou his little thumbs

1:18:05

up thing .

1:18:07

Did you know that's backwards ? Did you know it's backwards

1:18:09

? You know , we always look at thumbs down

1:18:11

means to kill him . Right

1:18:13

, the thumbs up meant to kill

1:18:15

him .

1:18:16

Oh yeah , thumbs down means don't kill him . It means spare

1:18:19

. It was a positive to kill him

1:18:21

.

1:18:21

Yeah , but we do this like thumbs down , like

1:18:23

kill him , like that's how you know

1:18:25

that whole Mandela effect . Yeah

1:18:27

, anyway , that's right . Yeah , so you're going with Ridley

1:18:29

Scott ? Yeah , mark no .

1:18:31

Quentin .

1:18:32

Quentin Tarantino . Lou , I

1:18:34

haven't seen a little Quentin Tarantino's movies . I've

1:18:36

not seen the Kill Bill movies , but

1:18:39

I'm thinking on of all

1:18:41

that list that you said of

1:18:43

Ridley Scott's . I'm going Ridley Scott just

1:18:46

on output Only , because I've not seen I've

1:18:48

seen most of his movies . I've not seen most of Tarantino's

1:18:51

movies , although , like , there are a couple of my like . Once Upon a

1:18:53

Time in Hollywood is my new favorite movie right now . You

1:18:55

guys see , I mean it's so entertaining . I watched

1:18:57

it with my son last night . It's a great movie . It

1:19:00

is a great movie , yeah , great . But I mean

1:19:02

you think about the impacts . A lot of those things

1:19:04

I saw in the theater too , but Ridley Scott's , that

1:19:06

even I never saw . I never saw

1:19:08

a film on the movies . But I understand how important it is . But

1:19:10

I think , just on what I know

1:19:12

of him , even though I'm kind of going against my instincts

1:19:14

, I think Ridley Scott , okay

1:19:16

, okay .

1:19:18

I love Tarantino but I got to go Ridley Scott's

1:19:20

movies . I got to . I just have

1:19:22

to . Tarantino's

1:19:24

a very entertaining and

1:19:26

that they can be thought provoking . There's

1:19:30

no better dialogue than in a Tarantino

1:19:32

movie . I get Good point . Nobody

1:19:34

can top the dialogue because that's

1:19:36

a big part of what he does . That's

1:19:38

why he tells these actors do

1:19:40

not deviate from the script . He

1:19:43

will not let it happen , but I told you last

1:19:45

week .

1:19:46

He doesn't really know improv lines .

1:19:47

Not improv , but there was a few improvs

1:19:50

in Once Upon a Time in Hollywood . Yeah , you

1:19:53

know .

1:19:53

one of them was when Quentin Tarantino , when Brad

1:19:55

Pitt said Beena from Boston , or whatever that one

1:19:57

.

1:19:58

No , when Brad Pitt was in the car and

1:20:00

Leonardo DiCaprio was walking away

1:20:02

and he was , all you know , all upset and

1:20:04

all nervous . And what was his name ? Rick

1:20:06

, what ? Rick Dalton he goes , your

1:20:09

Rick , motherfucking Dalton , that's right . Don't

1:20:11

forget your Rick motherfucking Dalton . That

1:20:13

was because that whole character and I think

1:20:15

I said this was based on

1:20:17

Kurt Russell and his bodyguard

1:20:20

and the story goes

1:20:23

that's what Kurt , his

1:20:25

stunt double , that's

1:20:27

what his stunts

1:20:29

double said to him , to Kurt Russell

1:20:32

, your Kurt motherfucking Russell . That

1:20:34

wasn't in the script but Tarantino loved

1:20:36

it . And the other one was when DiCaprio

1:20:38

goes into the trailer and he had fucked

1:20:40

up the lines and he starts starting to

1:20:42

fuck I fucking and

1:20:45

he tears the whole thing apart , that was

1:20:47

Ad Lib . That's a very rare moment in a Tarantino

1:20:49

movie that he let that go .

1:20:52

Wow , yeah , Good thing he did , because you

1:20:54

know , watch with my son , and that's

1:20:56

. I said what Cause when Rick Dalton's

1:20:58

off camera he has a stammer .

1:21:00

Yeah .

1:21:01

And they never addressed the swore .

1:21:03

That's the beauty of that . They never addressed

1:21:05

that .

1:21:05

No , they don't . There's no reason why they don't .

1:21:07

There's no reason why they just fucking . That's

1:21:10

the brilliance of that . So and he

1:21:12

goes , I'm gonna stop drinking .

1:21:14

And he takes a sip of the flask , throws it out the door

1:21:16

of the trailer , but then when he looks in the

1:21:18

mirror he goes I'm gonna

1:21:21

blow your motherfucking head off . It's totally intense

1:21:23

. You know it is . It's not

1:21:25

.

1:21:26

If it's things in a movie that you say what

1:21:28

read the book . Quentin wrote

1:21:30

a novelization and he opens up a lot of

1:21:32

things that you don't know in the movie . My

1:21:35

little touch that Leo did that I like is

1:21:37

, if you notice , cause he smoked a lot , when he coughed

1:21:39

his lips were like he

1:21:42

was like gagging . Every time he coughed , like

1:21:44

either he was dying of emphysema or

1:21:46

those red apple cigarettes were just like really

1:21:48

bad .

1:21:49

Yeah . The one that was

1:21:51

in the truck was hey , whiskey sour

1:21:53

, just just get it . Just get it .

1:21:57

I evidently Bruce Lee's daughter did not

1:21:59

like this portrayal . Oh

1:22:01

no , she didn't , she didn't like that at all . She's

1:22:03

like that never would have happened , but

1:22:06

you know that's

1:22:08

the legend . So all right , you're going

1:22:10

. Goodnight , gentlemen .

1:22:11

Thanks for keeping me company on my drive home Big head

1:22:13

talk .

1:22:14

It's rocket , my buddy , my friend

1:22:16

, I love you , my friend , I'll talk to you

1:22:18

soon . Enjoy the second half of the show and

1:22:20

you're right into work tomorrow , Even though you are

1:22:22

a pain in my ass . Yeah

1:22:26

, so okay . So we , ridley

1:22:30

Scott wins that one , cause it's two to one vote

1:22:32

.

1:22:33

Tarantino's movies are kind of similar . He's

1:22:35

not done a science fiction or anything I mean from Dustle

1:22:37

Dawn .

1:22:38

He wanted to do Star Trek , remember ? No

1:22:41

, he did . He offered to do that . That

1:22:43

never made .

1:22:44

He didn't direct Dustle Dawn , he

1:22:46

wrote it . Yeah , he didn't direct

1:22:48

it .

1:22:49

He was in it . There's this other song that says did

1:22:51

Klingon storage .

1:22:53

Yeah , Robert Rodriguez directed

1:22:55

Dustle Dawn .

1:22:59

Okay , let's see . So

1:23:02

it comes down to this . Mark you make the

1:23:04

call . All right , best actor to never

1:23:06

win an Oscar , alfred Hitchcock

1:23:08

or Ridley Scott Actor

1:23:13

, I'm sorry , direct

1:23:15

Too much coffee .

1:23:20

You know what , at this point I

1:23:24

feel bad saying this . I think at this point I'll

1:23:28

have to go with Ridley Scott .

1:23:28

Okay , lou you smoking them red apples

1:23:30

, over there you

1:23:34

coughing all of a sudden .

1:23:35

Yeah , lou , you want to . You want to bowl of ice ? Yeah , I was

1:23:38

like and there's less throat burn too .

1:23:39

I was like I'm not

1:23:42

gonna do it . I'm not gonna do it . I'm not

1:23:44

gonna do it . I'm not gonna do it , I'm not gonna do it

1:23:46

. Let's , let's go

1:23:48

. My

1:23:50

name is Leslie Harwinkel . All right

1:23:52

, lou , I'm calling for Ridley Scott

1:23:54

, ridley Scott .

1:23:58

I'm going to say Alfred Hitchcock , I

1:24:00

lose . You guys got the two to one because Hitchcock

1:24:04

. Hitchcock was doing what he was doing

1:24:06

in an era when nobody was

1:24:08

doing it . Nobody could come

1:24:10

close . He was so

1:24:12

dominant in those years

1:24:15

of making those nobody

1:24:17

can make a horror movie or

1:24:20

a very um , uh

1:24:22

how can you put it ? Like , uh , psychotic

1:24:25

thriller . You know , uh , nobody

1:24:27

could keep you on the edge of

1:24:29

your seat better than he

1:24:31

did . Uh , the camera angles

1:24:33

, the whole thing , and so I think

1:24:36

he dominated more

1:24:38

in those days . I

1:24:40

just don't think the genre got the

1:24:42

respect .

1:24:44

Yeah , it was from the .

1:24:45

Academy you

1:24:48

know , psycho was so , uh

1:24:51

so shocking . You'd think that would have won

1:24:53

something , but you know what ? It revolted a lot

1:24:55

of people . The birds , Birds

1:24:58

.

1:24:58

Yeah , like this is Stephen King

1:25:00

before Stephen King , you

1:25:02

know what I mean , by the way , worth worthless

1:25:05

remake , was it ?

1:25:06

was Vinsvahn's .

1:25:07

Vinsvahn's uh uh psycho

1:25:09

. It was . It was like every

1:25:11

scene was exactly the same . So why do it ? And

1:25:14

nothing against Vinsvahn , but why ? Why ?

1:25:16

Lazy .

1:25:16

Yeah , it wasn't hey , most of the .

1:25:18

They tried to appeal to a new generation

1:25:20

, and the new generation can just watch the old movie

1:25:22

.

1:25:23

Yeah , it's like it's not .

1:25:25

It was anti-cashable , you know .

1:25:27

I will say that prequel with Norman

1:25:29

as a kid was really good . Did you ever see it

1:25:31

?

1:25:31

No , I won't see those .

1:25:33

Uh , it was good . No , it was a series . Uh , I

1:25:35

forget what station was on , but I showed him as a kid growing

1:25:37

up with his mom and he saw the beginnings of his

1:25:39

issues . Right and it was really good . And

1:25:42

then the end of it is when he actually , you know , kills

1:25:44

his mom . I just gave it away , but um

1:25:46

.

1:25:47

Did you ever see ? Psycho too ?

1:25:50

No , I think I did , I think I did and

1:25:52

it's not memorable , so it's pretty fun .

1:25:54

Somebody hits his mother and he has a shovel at the end of it . You

1:25:57

know his , uh , his wife , his first wife , was one of the

1:25:59

people in one of the World Trade Center , the

1:26:01

second tower . Oh , yeah , it was

1:26:03

Marissa Berenson . Yeah , oh , wow

1:26:05

, whose wife ? Uh , anthony Perkins

1:26:08

. Oh , okay , it was . They were divorced at

1:26:10

the time . Yeah , she was . She was a lot

1:26:12

of movies . She just had a pretty good yeah

1:26:14

, I can career .

1:26:15

All right , here we go . Best

1:26:17

blonde bombshell

1:26:21

. All right , I'm

1:26:23

going to go with , uh

1:26:26

, the first . I have four names . The first

1:26:29

two best blonde

1:26:31

bombshell Marilyn

1:26:33

Monroe . Or

1:26:36

Farrah Fawcett Mark

1:26:41

Marilyn

1:26:44

Monroe , you make the

1:26:46

call or Farrah Fawcett , best blonde bombshell

1:26:48

. Oh

1:26:53

, I think he's muted .

1:27:02

I'm gonna go sorry about that . I was pouring wine

1:27:04

. I'm sorry , you know , I'm like a guy

1:27:06

calling into a radio show .

1:27:07

Sorry , I was on mute . Why in this

1:27:09

point , are you fucking shy about pouring wine

1:27:11

? It's been a year . We've done a lot

1:27:14

worse on this show .

1:27:15

It's only my second glass , colin . I'm

1:27:19

gonna go with Marilyn Monroe because she set the standard

1:27:21

for Blonde Bomb shell . She , to me , was yeah

1:27:23

, so yeah , and I genuinely liked

1:27:25

her more Lou .

1:27:26

I wasn't a big Farrah for us , the

1:27:28

guys . I was Jacqueline Smith .

1:27:31

So I like Jacqueline Smith too .

1:27:34

I'm going Marilyn Monroe , I think iconic . Yeah

1:27:37

, I just think , if you want to go just by bombshellness

1:27:40

, I think she was more of the bombshell

1:27:42

than Farrah . Farrah was a poster girl . I Don't

1:27:45

right I think , but you know she

1:27:47

had a blonde bombshell .

1:27:48

It's kind of like you know . So she

1:27:50

was the blonde of the 70s though . Yeah , oh

1:27:53

yeah , farrah Fawcett was .

1:27:55

She was Derek , who's a ?

1:27:57

bow Derek to Bo . Derek came later

1:27:59

, though that's later in the , but Farrah like

1:28:01

really set me For

1:28:04

the 70s need .

1:28:05

Neither was great , and then .

1:28:06

Cheryl T that poster .

1:28:09

Right , you know that's right .

1:28:10

Yeah , neither was great at acting , but

1:28:12

Marilyn could do the acting

1:28:15

, I think , better Farrah Fawcett Logan's

1:28:17

run .

1:28:17

She was horrible as the new you remember

1:28:20

she wasn't in it for long , right .

1:28:22

Yeah , yeah , no , she just , but still it's

1:28:24

like her acting was very flat . Yeah

1:28:26

, yeah .

1:28:28

But Marilyn was no , she wasn't fucking

1:28:31

winning any award .

1:28:32

No , but she was the same character

1:28:34

every time . Bubbly , yeah , I banged the president

1:28:36

.

1:28:38

Yeah , that going for , and then they killed her for

1:28:40

it .

1:28:40

So and then attorney general too , yeah

1:28:42

, yeah , but yeah she . You know

1:28:44

, I just think , as far as sexiness I I

1:28:47

mean , farrah Fawcett was beautiful and stuff I think overall just

1:28:49

earthiness , so that allure , that , what

1:28:51

they call it , the the screen charisma , I

1:28:53

think was Marilyn . Okay , all right

1:28:55

, that's yours .

1:28:58

Although I gotta say Farrah was like

1:29:00

the and I just said it

1:29:02

a minute ago , the the Poster

1:29:05

girl , for she set that

1:29:07

whole trend For

1:29:09

for boys to put up those

1:29:12

posters in their room . That's that poster , yeah

1:29:14

, that poster . And that set off

1:29:16

, like I said , the Cheryl Teague's poster with

1:29:18

her kind of , with that little bikini on , standing

1:29:21

there with her hand on her hip , you know .

1:29:25

Mom clean a lot more sheets than she should . Because

1:29:27

of that , yeah and Bo . Derek you know came

1:29:30

along .

1:29:31

Though Bo Derek was just another Farrah

1:29:33

Fawcett , right ? So yeah , I mean , yeah

1:29:35

, farrah , kind of . Hey , you know how

1:29:37

. You know how Farrah Fawcett got that role

1:29:39

in Logan's run , how ? What's

1:29:42

his name ? The star , the British

1:29:44

dude , david York , michael

1:29:47

York . Michael York Saw

1:29:49

her . He was , he was somewhere at a like

1:29:51

in a restaurant or something , and

1:29:53

she walked by and he's like that

1:29:56

is one amazing

1:29:58

Looking woman and

1:30:01

he was just like infatuated when he

1:30:03

said she's got to be in this movie because he

1:30:05

was making Logan's run . So they

1:30:07

contacted her and that's how she got the role

1:30:09

. Michael York , he

1:30:11

had a term for her , but I forget what it was , but

1:30:13

it was because he saw her

1:30:15

just like kind of walking by . So

1:30:17

you know , we saw our own posters

1:30:19

on TV . We never saw her in real life , so you

1:30:21

never really know . But Marilyn

1:30:24

Monroe was the the

1:30:26

Well , you know what ? She wasn't

1:30:29

rich , all right , she Dominated

1:30:31

the 50s , like now , like Farrah

1:30:33

Fawcett dominated the 70s . In that respect

1:30:36

, I Guess

1:30:38

I , but I got to go Marilyn . I guess Marilyn

1:30:41

was . Does that iconic shot of her

1:30:43

and the subway Great

1:30:45

? Yeah , you know , when the wind blows up

1:30:47

the skirt , I mean that's it .

1:30:49

So that was risque for the time yeah

1:30:51

well , anyone ever read a song about Farrah Fawcett

1:30:53

?

1:30:55

No , yeah . How can we sleep

1:30:57

when our beds are burning ?

1:31:08

Talk about a power couple , lee majors

1:31:10

and Farrah Fawcett . What are ?

1:31:11

fussing majors . Yeah , the four guy

1:31:13

, all right . Pot two yeah , best

1:31:16

bond blonde bombshell

1:31:19

, you make

1:31:21

the call Pamela Anderson or Mago

1:31:25

Robbie .

1:31:29

Where's Margot Robbie from ?

1:31:32

From side squad . She

1:31:35

played Holly Quinn .

1:31:36

Barbie . She played on . Barbie

1:31:39

she was Sharon Tate , and what's upon a time on .

1:31:40

Halloween , sharon Tate once upon a time in

1:31:43

Hollywood . Yeah , oh .

1:31:46

Then I'm going with Margot Robbie . I

1:31:48

don't have to think about it , I'm going . Really

1:31:50

, yeah , I think that she has a way

1:31:52

of Winking at you on the screen

1:31:54

. She's got that cute demeanor . No , she's

1:31:56

adorable , there's no doubt about it . And Goal

1:31:59

me real , I never thought Pam . I

1:32:01

know Pamela Anderson . She was doing a different

1:32:03

kind of blonde bombshell , was a Little

1:32:06

skivvier , you know , yeah

1:32:09

, yeah , silicon . But

1:32:12

Margot to me , this is my personally I

1:32:14

think that she likes boats .

1:32:21

Hey , I saw the video . I saw Margot Robbie

1:32:23

.

1:32:24

Yeah , I'm going with Margot Robbie .

1:32:25

Lou , I say Margot Robbie , I .

1:32:28

Gotta go . Pamela Anderson really , anderson

1:32:31

, was you ? You like boats

1:32:33

? Oh man , you see the movie barbed

1:32:35

wire ? Yeah , she's just in

1:32:37

latex and high boots . The whole , I mean

1:32:39

Pamela Anderson , was a

1:32:41

smoke show . She just did

1:32:44

a photo shoot with no makeup . Like

1:32:46

no makeup . If she's in her

1:32:48

, maybe late 50s now , no

1:32:50

, maybe right late 50s still

1:32:52

looks good . She still looks good . Yeah

1:32:54

, that's good . Yeah , oh , dean

1:32:57

Farron's hand , when now he's doing what

1:32:59

big head Todd the wet spark does . Oh , you

1:33:01

can start the show now . Thanks , thanks

1:33:03

. I'm ready to go to bed with

1:33:06

Dean . Farron , who's the best bomb ? Blunt , the

1:33:08

blonde bombshell from porno movies

1:33:10

. But

1:33:17

I guess so it's two to one . So you guys get

1:33:19

Margot Robbie , and so Comes

1:33:23

down to this who's the best

1:33:25

blonde bombshell ? Would

1:33:28

it be Margot

1:33:31

Robbie or Marilyn Monroe ? Who's

1:33:35

first ? I go with Lou

1:33:37

this time .

1:33:39

Hmm , I'm gonna Margot Robbie Mark

1:33:43

, just based on my own preference . I .

1:33:47

We can't go by acting . Because it was acting

1:33:49

, I'd go with Margot Robbie , but as far as just

1:33:51

the blonde bombshell , I got to stick with Marilyn

1:33:53

Monroe .

1:33:56

I'm gonna go up Margot Robbie . I just she

1:33:58

is , there's something about her .

1:34:00

I get a hotty man . Yeah , she , they

1:34:02

said when she did once upon a time in Hollywood . I said

1:34:04

why does she have more lines ? And Tarantino

1:34:06

said he didn't want her to show what

1:34:08

she was like without you know well the dialy she had dialyped

1:34:10

with just how she went about her day . Yeah

1:34:13

, you know , just there's a side to Sharon

1:34:15

tape , but you know she was like a sunshine

1:34:17

girl , she was looking like a happy person , but yeah

1:34:20

, yeah , yeah , I think that really came across

1:34:22

, but there's a certain charm to her and

1:34:24

then Dean Farron said Terry got , I

1:34:26

loved . Do

1:34:29

it . I had a fucking then

1:34:31

, but she's not a bombshell , though she's

1:34:33

beautiful , she was beautiful .

1:34:35

She's , really she's . Terry guy had a really

1:34:37

natural , like very

1:34:40

nice girl , wholesome

1:34:42

, nice body , nice

1:34:44

fit , like she wasn't like Pamela Anderson

1:34:46

with the big lips and the no

1:34:49

. But I really like meeting this girl and

1:34:52

dating her for a while , who looked fucking just

1:34:55

like her Hmm , like I'm

1:34:57

not making this up she could have been her sister