New Haven Symphony Orchestra
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In Season 3, we explore the ways that music expresses that which often cannot be expressed in any other way, our human emotions. Hosted by New Haven Symphony Orchestra Education Director Caitlin Daly-Gonzales.To learn more about the New Haven S
In Season 3, we explore the ways that music expresses that which often cannot be expressed in any other way, our human emotions. Hosted by New Haven Symphony Orchestra Education Director Caitlin Daly-Gonzales.To learn more about the New Haven S
In Season 3, we explore the ways that music expresses that which often cannot be expressed in any other way, our human emotions. Hosted by New Haven Symphony Orchestra Education Director Caitlin Daly-Gonzales.To learn more about the New Haven S
In Season 3, we explore the ways that music expresses that which often cannot be expressed in any other way, our human emotions. Hosted by New Haven Symphony Orchestra Education Director Caitlin Daly-Gonzales.To learn more about the New Haven S
In Season 3, we explore the ways that music expresses that which often cannot be expressed in any other way, our human emotions. Hosted by New Haven Symphony Orchestra Education Director Caitlin Daly-Gonzales.To learn more about the New Haven S
In Season 3, we explore the ways that music expresses that which often cannot be expressed in any other way, our human emotions. Hosted by New Haven Symphony Orchestra Education Director Caitlin Daly-Gonzales.To learn more about the New Haven S
In Season 3, we explore the ways that music expresses that which often cannot be expressed in any other way, our human emotions. Hosted by New Haven Symphony Orchestra Education Director Caitlin Daly-Gonzales.To learn more about the New Haven S
How are our shared human experiences portrayed in music? In Season 3, we explore the ways that music expresses that which often cannot be expressed in any other way, our human emotions. Hosted by New Haven Symphony Orchestra Education Director
In Season 3, we explore the ways that music expresses that which often cannot be expressed in any other way, our human emotions. Hosted by New Haven Symphony Orchestra Education Director Caitlin Daly-Gonzales.To learn more about the New Haven S
In our season two finale episode, we explore syncopation, one of the most playful elements of rhythm. There are specific syncopation patterns that link music across a remarkable variety of cultures and genres – almost like a shared heartbeat or
Music has been used as tool of resistance efforts across the history, from the American Revolution to the anti-communist movement to #MeToo. In this episode, we examine the musical connections of these varying causes across multiple genres, inc
Jazz might be the musical genre that people think of the most when they hear the word improvisation, but it’s not just jazz musicians that make up things on the spot. In this episode, we unpack various styles of improvisation, from rap to Baroq
Even though heavy metal and classical music might look different on the outside, they are made of very similar stuff on the inside. In this episode we unpack the elements that define heavy metal and show you how easily they crossover into Class
What makes Dave Brubeck's "Unsquare Dance" so "un"-square? In this episode we dive into music that uses uneven meter. The effect can be unsettling, groovy, enlightening... or all of the above! Plus we are joined by Chris Brubeck, part of the le
Just like visual art, music is often described as having certain colors, but unlike visual arts, we don’t have an agreed upon vocabulary to describe them. In music we call those colors timbre [TAM-BER]. Timbre is one of the more elusive and int
Transcendence is sometimes defined as “collapsing the boundaries between the spiritual world and the human world through some sort of experience.” Listen to music that is used by people of different cultures and faiths around the world to conne
Cognitive neuroscientists have argued that the most common scales used around the world are actually so similar to human speech patterns that our ears are drawn to them naturally and can recognize different scale patterns as easily as we recogn
This season, we not only show you how to get more out of the music you love, but help you discover more music to love based on the music you already know.Season two was produced in partnership with Sacred Heart University.Support the show
Are you drawn to a song’s music or lyrics first? On this episode we’re looking at the relationship between text and music, and why they’re so powerful together. Musicians have been combining music and text for a long time...find out why and how
On this episode, we’ll solve the greatest mystery of ALL time... What’s the true difference between pop and classical music?To do this, we’re going to look further into the biggest breakup of all time – that of Adele and Wolfgang Amadeus Mozart
A few years ago, Rolling Stone magazine polled its readers about what they considered the best rock cover of all time. Without question, the leader in the poll was Jimi Hendrix’s cover of Bob Dylan’s “All Along the Watchtower.” This variation o
On our latest episode, we’re taking a road trip! Where are we going, you ask? We’ll be traveling through music! How will we get around? By following our musical roadmap, which we call musical form! As you travel through a song or piece of music
On this episode of Listen Up! we pull apart the threads that make up the texture of music and learn how musical texture can indicate what kind of culture you live in. We pay tribute to musical legend Leonard Cohen by taking a deeper look at a r
On our latest episode we’re taking a trip to Italy and talking about Tempo, Allegro, Andante, Adagio, Vivace, Piano, Forte, and Gravicembalo col Piano e Forte… all of the most delicious Italian parts of music! Plus we’re listening to a few of o
Do, A Deer, A Female Deer...On this episode of Listen Up! we listen to lots of music that you probably already know - but you may find yourself hearing brand new things that you didn't realize were going on behind the scenes! We'll pull apart h
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