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Jam Logs, the Podcast of The 1937 Flood

The 1937 Flood

Jam Logs, the Podcast of The 1937 Flood

A weekly Music podcast
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Jam Logs, the Podcast of The 1937 Flood

The 1937 Flood

Jam Logs, the Podcast of The 1937 Flood

Episodes
Jam Logs, the Podcast of The 1937 Flood

The 1937 Flood

Jam Logs, the Podcast of The 1937 Flood

A weekly Music podcast
Good podcast? Give it some love!
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Episodes of Jam Logs, the Podcast of The 1937 Flood

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 Some songs in our repertoire we do only when “The Chick Singer” — Floodster emerita Michelle Hoge — is in the room. Our take on this good old Ivory Joe Hunter classic is at the top of that list. This track is from last December when Michelle h
 You never really forget the songs of your youth. Charlie was 10 years old in the summer of ‘59 when this tune hit the radio. It was such a hoot to take it for a spin at a recent Flood rehearsal.
 We’re late to the party on this tune. Bob Dylan wrote this more than a quarter of century ago, but we just started doing it a few weeks ago. However, it’s suddenly landed solidly in the repertoire. Here’s our take on “Make You Feel My Love.”
 We’ve been doing this song for a very long time, and it’s always different, depending on who’s in the room. In this rendition from a rehearsal a few weeks ago, our man Danny Cox makes it special with his signature guitar stylings.
 The Flood has been doing versions of this song for decades. This rendition was the first song of the evening at a Flood rehearsal a few weeks ago. Riding on the infectious rhythm laid down by Randy Hamilton and Jack Nuckols and framing the sol
 This song took a very long road on its journey to Floodlandia. The first time it was played in our band room was more than a dozen years ago on a mellow autumn night when our friends Randy Hamilton and Paul Martin dropped in to jam with us. No
 “Sweet Georgia Brown” entered The Flood’s repertoire soon after the band began in the 1970s and in the ensuing decades the tune has come back into the playlist again and again, serving as a sweet showcase for dozens of Flood soloists over the
 It was 15 years ago when Sam St. Clair brought us this tune, and it quickly became his theme song. Ever since then, “Ain’t No Free” has been a beloved standard in many a Flood show. So, of course, the song had to have a place in honor several
 Here’s a tune with some mighty deep roots in the Floodisphere. Two decades after our heroes, The Coasters, released this song in July 1957, The Flood started fiddling with it on another summer night. After that, though, it went to sleep again
 Whenever our old friend Paul Martin is back in the room — or, better still, on the bandstand with us, as he was for our big “Flood at 50” big birthday bash — we always get him to take us on a ride on is favorite Bob Dylan tune.
  Ever since it came together decades ago, The Flood has always sought a rich diversity in its repertoire. So late last year when Danny Cox asked, “Has the band ever done the song ‘Sunny’?” he heard an invitation in the enthusiasm of the answer
 Here’s a tune we always trot out whenever we feel a party coming on. So you can bet we’ll have it on the set list this weekend for our big “Flood at 50” birthday bash on New Year’s Eve at Alchemy Theatre. That’s a night we’re so eager for that
 Okay, we have a Christmas confession to make. Honestly, we don’t really care that much for Christmas music. Oh, we’re not scrooges or anything — well, a few of us are — but it’s mainly it’s just the nature of Christmas songs themselves. The ch
  When we roll in tomorrow night for our latest gig at Sal’s Speakeasy inAshland, Ky., we’re bringing with us one of our all time favorite partytunes. The song we call “You Got Me Slippin’” is loosely based on a classic Jimmy Reed tune fro
 Nominally, this is a traditional song about abandoned love, but back in the 1960s when she reworked it, the late Jean Ritchie wrote new lyrics that went well beyond that to the larger theme of loss in general. Because of those deeper expressio
We started doing the song in the mid-1990s, right after we heard it on a then-new Bob Dylan album. We were looking for an easy, happy little tune that we can warm up on, letting everybody just stretch out a little. Well, nowadays it just as lik
It’s a kind of counter-love song — a great anthem to angst — and George Gershwin’s “But Not For Me” was ahead of its time. He and his brother Ira wrote the thing in 1930 for a popular stage musical called “Girl Crazy.” But it didn’t make the Bi
 Charlie played this song for Dave Peyton on the first night they jammed together at a New Year’s Eve party 50 years ago. It was the one of the best tunes in their repertoire for their earliest gigs. After that, though, the song dropped out of
 We have several new tunes to bring tomorrow night  for our latest gig at Sal’s Speakeasy in Ashland, Ky., including this one that the great Ray Henderson wrote almost a hundred years ago. This song  was first recorded by Paul Whiteman and his
 There’s a reason why The Flood’s rendition of this Dylan classic sounds different from Bobby’s version — or anyone else’s take on the tune, for that matter. That’s because back in the early 1980s, when Roger and Charlie started playing around
 This sassy Lonnie Johnson song was written and recorded 80 years ago as a rhythm and blues hit, but we owe our version to our folk music heroes of the 1960s. To this day, it’s one of those perfect warmup tunes for us, because it provides plent
 Wow, Jack Nuckols’ drumming has brought a whole new class of cool to the old band room. Whether it’s his tasty solos, or rocking along with Randy Hamilton’s bass under Charlie Bowen’s vocals, or making his wise and witty contributions to the e
 This Bob Dylan classic has been in the Floodisphere forever — Roger and Charlie used to sing it together a half century ago — but only recently has it made a move to be in the regular repertoire. That’s when Randy stepped to sing his signature
 It’s the end of a fun evening at the Bowen house, but nobody is quite ready to quit yet. Jack starts padding a cool swing rhythm on the house bongos and Randy jumps in with a bass line that fits it to a T. Charlie gets the chords going, just a
 When our friend, the remarkable percussionist Jack Nuckols, dropped in to visit with the band last week, we immediately drew him into the circle. First, we passed him the house bongos to play, but when a jug band tune came around, we put spoon
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