History is full of bloodthirsty battles and dreadful wars. But does that mean games should play with history more - or less? And what makes some settings more acceptable than others?
If and when designers provide opportunities for players to stop playing can have a massive impact on the addictiveness and longevity of a game. Should games be designed with stopping points in mind?
Jon is upset that Lara Croft's fast travel breaks the story canon, sparking a general discussion about how and why quick travel has become so widespread.
Jon's been playing Really Bad Chess (which is apparently really good), and it's got us talking about fairness in games.Get Really Bad Chess - http://reallybadchess.com/
With the Sorcery! series finally complete, Jon and Joe reflect on four years of development.Buy Sorcery 4 on Steam - http://store.steampowered.com/app/504800/
In this special episode of the inklecast, we bring you the live recording of IGN and inkle's preview playthrough of Sorcery! 4 at the launch party, recorded on 15th September 2016 at Loading Bar, London.
This week, we look at designing gameplay around the business of trade. Does the cut and thrust of business make for good gameplay, or will buying low and selling high always just turn into a fetch quest? Find out if we cinch the best deal, or w
The second part in our retrospective on the turn-of-the-century IF scene; focusing on how authors created characters in their stories.Galatea - http://pr-if.org/play/galatea/Varicella - http://jayisgames.com/games/varicella/Make It Good - h
We give a round up of some of the latest developments on our narrative scripting language, and talk about some games that are using ink. If you're using ink for your game, we'd love to hear from you!Links for some of the projects and games di
The first in mini-series where Jon reveals some of the best ideas developed in the highly prolific, but often overlooked late-90s/early-00 interactive fiction scene. This week, IF that leveraged the relationship between the player and protagon