In 2003, Brisbane artist Richard Bell lambasted the white anthropologists, art historians, dealers and curators who presumed to judge Aboriginal art. Here he discusses Bell’s Theorem (Aboriginal Art: It’s A White Thing), racism and his rise fro
When Judi Muller retired with a good pension, she decided to sell low budget Indigenous art as a personal act of reconciliation. Mark Chapman tailored his art supplies business to suit the desert conditions in which Indigenous artists work. Syd
The world of Aboriginal art is like a giant hive that attracts all kinds of people, who interact in diverse ways with the artists. In ‘Meet the Matrix’, we meet three committed collaborators: Dallas Gold, who runs RAFT gallery; Joseph Brady, mu
Since the 1960s, the Yolngu artists of Australia’s tropical north have wielded art and culture to win legal and political rights. They’ve been abetted in this quest by white people embedded in the community. Anthropologist Howard Morphy and art
Three Yolngu artists take us to the site of a massacre of their people in North East Arnhem Land in 1911 and beyond, to the powerful art and heart of Yolngu culture today. The thriving Buku-Larrnggay Mulka art centre is run by a former criminal
Since the 1960s, the Yolngu artists of Australia’s tropical north have wielded art and culture to win legal and political rights. They’ve been abetted in this quest by white people embedded in the community. Anthropologist Howard Morphy and art
Three Yolgnu artists take us to the site of a massacre of their people in North East Arnhem Land in 1911 and beyond, to the powerful art and heart of Yolgnu culture today. The thriving Buku-Larrnggay Mulka art centre is run by a former criminal
Since the 1960s, the Yolngu artists of Australia’s tropical north have wielded art and culture to win legal and political rights. They’ve been abetted in this quest by white people embedded in the community. Anthropologist Howard Morphy and art
Three Yolngu artists take us to the site of a massacre of their people in North East Arnhem Land in 1911, and beyond, to the powerful art and heart of Yolngu culture today. The thriving Buku-Larrnggay Mulka art centre is run by a former crimina
Three Yolngu artists take us to the site of a massacre of their people in NE Arnhem Land in 1911, and beyond, to the powerful art and heart of Yolngu culture today. The thriving Buku-Larrnggay Mulka art centre is run by a former criminal lawyer
Contemporary Aboriginal art is a powerful part of Aboriginal life and culture. But behind the artists lies a network of Western managers, dealers, critics, curators and collaborators. Heart of Artness features the voices of Aboriginal artists f
Since the 1960s, the Yolngu artists of Australia’s tropical north have wielded art and culture to win legal and political rights. They’ve been abetted in this quest by white people embedded in the community. Anthropologist Howard Morphy and art