0:00

Should I go backwards camp today? I'm gonna go backwards camp.

0:04

It feels cool for the kids, it may feel cool, doesn't?

0:09

look cool. It's like you get the little wee.

0:14

My little, my little. Who's that Baby Huey Got my baby Huey Tuft.

0:18

No, you're right, I can't do this.

0:20

You'd be Tuft Tony Tufton they call me.

0:24

I'm the Tuft Tony. I am Tony Tufton.

0:26

How you doing man? Hey watching with Dan and Tony.

0:31

Hey watching with Dan and Tony.

0:36

It's like watching.

0:39

Yeah, welcome to hey Watching with Dan and Tony.

0:42

I'm Dan, I'm Tony, and on tonight's show, tonight, we're gonna be talking about a brand new movie, five Nights at Freddy's, based, based on a series of how many games?

0:58

At least five or six games, a lot of games.

1:00

I think it's at least six, because there's four numbered games.

1:03

And then there's the sister and there's Help Wanted and there's Pizza.

1:08

There's at least.

1:10

Okay, I didn't go to, so yeah, at least At least of four, three, seven, nine and a half, two and a quarter.

1:17

I can't. Math is not my strong suit. There's over six, I would say.

1:21

Yeah, over six. This movie was optioned to be made back in 1995, 2015.

1:31

Okay, and the game came out 2011?

1:33

. Am I close on that?

1:35

I don't know. I didn't look at the numbers of the game, but so this has been optioned for a long time and Universal had it right.

1:42

This was a Universal release. Oh, this was.

1:46

Yeah, this was Okay.

1:48

Universal released it in theaters and it also was started.

1:54

Day and date.

1:55

on pizza, there's some scary things on this movie, that you will not just some numbers, that like melt your brain a bit Released on Peacock at the same time.

2:06

Just a quick bit of information released this year, 2023, it's still in theaters.

2:11

It's already made, I believe, $223 million.

2:16

It made more, I think, on its first weekend than Black Widow made.

2:23

I still haven't seen Black Widow, so I believe it.

2:25

It's just you know, when you're 20, they made this movie for $20 million.

2:30

When you're $20 million, movie which you also released on Peacock.

2:36

The same thing which they were very worried about.

2:38

I remember they were talking. They were like there's a good chance that we're costing us like $40 million in revenue by opening on Peacock.

2:46

I think it worked out. It worked out very good for them.

2:53

And you know so the start of 2015, christopher Columbus was the director that was on the.

3:02

There was one director then.

3:03

Like Harry Potter, christopher Columbus Wow, he was like the second director.

3:08

I don't remember who the first one was. He was the second director he dropped out.

3:12

And then the woman who did this was someone I've never heard of.

3:16

I think it's someone nobody's heard of.

3:18

Tammy something or other, and this is what I have to say about this movie.

3:24

I did not hate this movie.

3:28

Okay, so we're giving our top view bird's eye the first time.

3:34

Oh, I didn't say this on the show. I watched this movie twice this week the first.

3:39

I don't think I've ever done that on this show before.

3:41

The first time I watched it I didn't hate it.

3:44

I was like this is fine.

3:45

This is a fine introductory horror movie.

3:48

The second time I watched it, I hated it.

3:50

I absolutely hated it.

3:53

There are so many problems that I was blind to the first time.

3:56

Here's what happened. I watched the movie earlier, shut up, dan.

4:01

I watched the movie earlier in the week, okay, and I was like that's you know what?

4:04

It's a fine movie. I don't know why people are upset, but it's 80 something percent audience score, right, so people are liking it, but the people that don't like it like hate it.

4:13

So then I played only the first game.

4:16

It's the only one I could afford. It was very cheap on Xbox, so I played the first one.

4:20

Phenomenal. I had a great time, which we can talk about later if you want Now wait.

4:27

So then I went back and watched the movie again.

4:29

I was like no, this movie was terrible. I hate this movie. This is a garbage movie.

4:32

Now is it the game. Just don't you just turn lights on and turn lights off and things go.

4:37

Absolutely brilliant. This game is the most basic, simple game that just delivers on its premise, right.

4:46

So you're in a room you don't move, you can lean left or right to close doors or turn on lights, that's it in your room.

4:54

And then you can look in security cameras and the whole point is you have to survive the night without running out of batteries or getting murdered.

5:03

Great stuff, okay. So, you watch these cameras and as you watch cameras your battery drains.

5:08

If you turn on the lights in your room, the battery drains faster.

5:11

If you close the doors and open the doors, the batteries go further.

5:14

So what it is is the camera.

5:17

It starts with the animatronic things, just like still in a camera.

5:20

So you're kind of flipping around, flipping around, and eventually you get back to the first camera and you're like oh shit, one of them's gone.

5:26

One of them's gone when is it? So you're clicking through all these different things and then like they'll be standing in shadow so you can barely see it and like, is that it?

5:33

Is that it? And then it moves and you're like, oh shit, oh, that's it.

5:36

And then if you run out of batteries, you run out of batteries and then you get out of your camera screen and it's a jump scare not to ruin the game for everybody.

5:46

But then it's like a jump scare, you get murdered.

5:48

The thing comes at you and you screen 100%.

5:50

You're like, whoa, it's brilliant, it's so basic, it's so simple, it's so smart.

5:57

None of that was in the movie.

6:00

Well, it's interesting because what you're saying is that that's a game that captured the imagination of a certain type of you.

6:10

Wouldn't play that game all the time. Would you care to finish that game?

6:13

No, I only played it a couple of times and I never made it past the first night.

6:18

Dan, that's how bad I was at it.

6:20

I'm sure other people are great at it, not me.

6:23

And the people that are great at it are 13 year old kids.

6:26

This movie and this franchise is for 13 year old kids and it's this introduction to horror.

6:34

It's 100%.

6:35

And this game is like a game that a 13 year old is gonna sit there and gonna be like I'm gonna read all about it, I'm gonna figure it all out, I'm gonna know what I need to do and I'm gonna push this button when I need to push this button.

6:45

They're gonna figure it all out and they're gonna love it.

6:47

And then each progressive game has more of the insane lore of this world where the guy created these robots and then the robots eat children and he might be a magician or he might be a this or he might be a that, and so they wrote books and so just more and more lore was piled onto this thing.

7:08

And I didn't watch the complete ones, but there were three videos that were an hour long and I would put them on and they would just be talking about the lore of each game.

7:18

And then this, you know, and then Chi Chi came up and Chi Chi was looking through the window, but it wasn't Chi Chi, it was this other one looking like Chi Chi, just like it's like a soap opera.

7:28

It's like a horror soap opera that people have been investing in for 12 years, and so when this movie comes out, it's just another little pile of lore where they can look for, like these, clues that explain what it all means.

7:48

Even though it's different, it's new, but it's the same, they don't care.

7:53

And here's oh, so many thoughts, so many thoughts, dan.

7:56

So first of all, what I would like to say is, if I was the demographic, I think I would have loved it.

8:04

Also with the game. If I was the demographic with that game, it would be my favorite game, right?

8:09

I would be the kid that's obsessed with the lore.

8:12

I'd be reading I'm gonna read about my little lore here what's going on in FNAF?

8:16

I would have. I would have ate that shit up.

8:18

It's perfect for me as a kid. As an adult, I look at it and I'm like well, this doesn't make any sense.

8:26

You guys have convoluted it to the point where nothing connects.

8:29

It doesn't make any sense, and anyone that's over 15, it's gonna be like how's it going on here?

8:34

So my problem is the movie took so long to come out that the kids that were obsessed with the first one probably aren't gonna enjoy this movie.

8:42

That much right? No, probably not. They've moved on. They've moved on to real horror and they look at this and they're all like, ah, I was into that one as a kid.

8:49

And that's exactly because the game was also an introductory horror thing, you know, because it's not overly, it's not gory, it's not super scary, like there's jump scares, but it's more about like the intense, like ah, ah, anyhow, this movie was made for kids that play it now, as opposed to kids that played it then.

9:09

Sure Does that make sense.

9:11

Yeah, because it's not a direct correlation on that.

9:13

Yeah, because if they'd have made it in 2015, it would have just been the story it would have been.

9:18

The guy goes in there and he has to keep going back and he has to survive, right.

9:23

And as someone who knew nothing before I watched the movie I knew nothing before I watched it the first time I do kind of wish that's what we got.

9:32

I think they went. This is my opinion.

9:35

I think they went too far into lore in the first movie Because they're trying to set up a universe and sequels, yada, yada, yada.

9:45

But my thing is like to create a universe.

9:47

Well, you don't throw it all in in the first movie, you tease it out.

9:51

You tease it out.

9:53

I mean Iron man, not that I love the MCU, let's just throw that out there.

9:57

Love the MCU. Iron man is a great introduction to that universe because you just get little bits and pieces of there's something bigger, but we're focused on this one story and that's what I wanted from this movie.

10:09

I wanted this one story taking place in this one room, basically.

10:13

And then we tease out more stuff where I'm like, oh shit, what's that about?

10:16

I can't wait to see the second one. As it stands now, I'll still watch the second one because it's what I do, but I'm not excited to see what they come up with yeah, and that's the whole thing is the critics?

10:27

the critics put this at 29, the public put it at 88.

10:31

And what that tells you is the critics wanted a real movie.

10:34

They wanted a movie that hit all the points of a movie and had all the building action.

10:40

And then this movie is just this normal sort of movie that sort of deals with this stuff and sort of gives you a framework and has the sort of yeah, sort of Sort of and you know there's it doesn't make any sense, though, Dan.

10:55

Well, I mean, there's no, it's not scary, it's not, it's like-.

11:00

It's not scary, it's not scary, it's not horrific, it's not a thriller, but it sort of takes you through this mystery and then it sort of gives you an answer, and then you're sort of go well okay, see, I didn't say well, okay, the answer is actually my problem to the whole movie, if I'm being honest.

11:19

But as we go through we'll obviously talk about that.

11:22

But as like a baby's first horror movie, as we so gently say in the world, it's fine, it's totally fine.

11:32

And I actually respect this movie for looking at adults and saying we're not gonna make the movie for you.

11:38

I agree, we're not gonna make a kiddie movie.

11:41

We're not gonna make it. You know this isn't unicorns and whatever.

11:43

We're gonna make it a little more something.

11:46

But we're not gonna be like we're gonna try to make the stupid adults, the horror fans happy and the disc fans happy and the that.

11:53

It's like no, it's not. It's not to make these kids go home and have a nightmare, it's just for these kids to go home and go.

12:01

Oh, interesting animatronics that are alive.

12:06

Yeah, yeah, which, for let's just talk about that.

12:09

They look incredible. Unbelievable job bringing those to life.

12:14

That was. That's huge to me.

12:17

It's for $20 million. This movie is good looking.

12:21

Yeah, the shots look good.

12:23

The sets look good, the animatronics look great, the way they move is great.

12:27

There's one or two good, really creepy moments, and you made the mistake, tony.

12:33

You watched it a second time, which?

12:35

There's not enough here for an adult to watch it a second time.

12:40

There is not. It turns out because here's the thing the first time I watched it I didn't quite pick up on everything that was happening.

12:49

The second time I watched it, I was focused more on like story and relationships and I was like, wait a second, this movie doesn't make a lick of sense.

12:57

Hold the phone. No, it doesn't, but again it looks amazing.

13:02

Here's what I was doing as I was comparing it to two other introductory horrors in my life.

13:08

Number one, the greatest movie of all time, Monster Squad, is the perfect introductory horror.

13:15

It's not overly scary, but there are scary bits and you know some.

13:19

Some Dracula shit is pretty intense.

13:21

He calls PB by that. They give me the amulet, you bitch.

13:25

It's the greatest moment in movie history.

13:28

So comparing it to that, I don't, I don't hate it and that's and that's how I know.

13:36

It's not a bad movie, Sure, it's not a bad movie Like I look at it and I'm like, as a kid, I would be obsessed with this movie.

13:41

This would be my movie. However, it's not fun.

13:46

No, that is my biggest critique of the movie.

13:50

It's not fun. You know what?

13:52

The game is Super fun. It's basic you don't do much, but you're having so much fun because you're scared.

13:57

You're waiting for the jump scare. You're, you're, you're feeling it, You're having a good time.

14:01

I did not have a good time during this movie.

14:04

Yeah, they. There was a lot of setup and they did not spend enough time in in Freddy's.

14:10

You know, by by a factor of two they should have spent at least twice as much time in Freddy's and less time at all.

14:18

Cut out about 15 minutes in the movie. It's too long.

14:20

It's too long, doesn't need to be that long, guys.

14:23

But also Freddy's looks amazing.

14:27

I I got all the feels the first time when he turns on the lights and we have the arcade machines popping up.

14:35

You got the prize counter popping up.

14:37

I got all the feels for Chuck E Cheese.

14:40

My childhood it was. It was glorious.

14:45

Yeah, so uh, we start off universal blum house.

14:48

We have a dude who's a security guard, who's freaking out, who has a flashlight, and he escapes through a vent.

14:55

He ends up in a storeroom where he comes, then leaves the flashlight on the ground, he goes into the big room and there's creepy music, he runs locked gate and then I think he wakes up and he gets his face ground off by this robot mask, by one of the one of the things Very intense way to open a kid's movie.

15:16

Yeah, I mean, like I was, I was in I.

15:20

It does not keep up this level of intense at all, but it's a great introduction.

15:26

I really enjoyed it. It's creepy. The guy's face just got sawed.

15:30

You don't see it, which I think is brilliant, but you know what happened and you're like okay, let's go.

15:37

Yeah, Groovy title music wall of children's drawings.

15:41

In the place we learned that Josh Hutcherson is our is our protagonist.

15:47

Mike Matthew Lillard is in here, Mary Elizabeth Mastratonio, or whatever her name is.

15:55

She's.

15:56

Mary Elizabeth Masterson. Yes, she's one of the original not breakfast club, but maybe one of the St Elmo's fires.

16:03

Kids, oh, okay. She was part of the brat pack.

16:06

So, okay and boom, we meet scruffy Josh Hutcherson, who's playing Mike.

16:14

He's got a dream book.

16:17

Wait, did you nickname him scruffy?

16:19

Yeah, okay.

16:21

I just don't. I was like is that his nickname in the movie, or is that a Dan Nickman?

16:25

It should be All right Scruffy, it is. And Shannon came in at one point and she's all like what is he?

16:32

A meth addict? Kind of Kind of yeah.

16:34

So he's got a dream book, he's got a little tape recorder on his thing, he also has sleeping pills and he has a weird Nebraska poster on the ceiling and we're all like, okay, I don't know what any of this means, but okay, do you?

16:49

now yeah. Do you feel like you yeah.

16:52

Oh, I know perfectly, what do? You like it.

16:54

I think it's one of the more interesting things of the whole movie.

16:57

Yeah, okay, okay, I'm good All right.

17:00

What we're going to find out through a series of flashbacks is that when he was a kid, he was told to take care of his brother.

17:05

When they're on a picnic camping trip, the brother gets kidnapped and he, you know, he takes, he feels responsible, and so what he's doing is, every night, when he goes to sleep, he puts on the nature sounds, he looks up at the similar image to where his brother was kidnapped and he's trying to get back in his memory to get some, you know, a license plate number or a look at the person who kidnapped his brother.

17:30

That's it. What's confusing about that for you?

17:35

Not confusing. I just the flash, do you like it?

17:39

And here's what I. Here's why I say that it has zero impact on the rest of the movie.

17:45

They don't really deal with it.

17:47

It doesn't affect anything. That doesn't drive any of it, because he just stumbles upon the answer.

17:54

Well, right, spoilers is the guy that created Freddy's kidnapped his brother, right yeah, which doesn't, which we'll talk about later, which is the end of this movie, doesn't make a lick of sense it doesn't.

18:06

I mean, it doesn't really make any sense and it's kind of random that he's here.

18:10

You know we don't. He doesn't find out and go and do something about a thing Exactly.

18:15

And if he, in the dreams, finds out that this is what's happening, or somehow the dream connects it to Freddy's and that's why he goes to Freddy's, I mean that's great, that's good storytelling.

18:27

Bad storytelling is when you have 45 minutes of this guy being like dream theory is this and dream theory is that, and then it has no bearing on the movie whatsoever.

18:36

Why is this in here then? Because these are my problems with the movie it's convoluted for no reason.

18:46

Give me a basic story. I'm listen, I could take any of these stories.

18:49

If he's just an older brother, their parents are dead.

18:53

Right, he got a dead beat sister. The sister's fine.

18:56

I don't know why I said that he's got a sister, he's got to take care of it.

18:58

So he takes a bad job and then he's got to survive. Great, that's a fine movie.

19:02

Just make it simple and then tease out all the background of this place and then we're ready for the next one, when he has to go back and try to destroy them.

19:11

I don't know. I don't know about that, but why is?

19:13

Why is his brother kidnapped? He's having dreams about him.

19:18

Then he has dreams about the ghosts, which he never really talks to the ghosts anyhow and then his parents are dead.

19:24

Why are they dead? Why is there an aunt that's trying to take the, the the sister?

19:28

Why? All of these things don't matter.

19:31

Strip that all the way and give me a basic storyline about five nights of phrase.

19:38

No, that's not what this movie is.

19:40

This movie is not what it is.

19:41

We're going to shoehorn in all these different characters and these these thoughts and concepts from from six or seven different video games and we're going to kind of synthesize them into this sort of soup.

19:52

It's a movie.

19:54

It feels like a DC movie, because this is what DC did is what I mean.

19:59

They get way worse. Let's be very clear this.

20:02

I'm not saying this is as bad as those. What I'm saying is they, instead of building simple blocks and expanding, they were like throw everything in and then we'll just deal with it later.

20:13

No, too late, I'm out too much stuff.

20:18

So he goes to. He's having lunch. He works in security guard at the mall with another dude who I don't think we ever see again.

20:25

Um, then he goes over and he gets a smoothie from this.

20:30

This the girl who's all like. Oh which your sister coming back and you're like we hadn't really established it.

20:36

The little girl in Liz with us as a sister. We weren't sure if his a sister or daughter or daughter.

20:40

Kind of confusing. And so we're like, well, who's she talking about?

20:43

Then she sees a. He sees a little kid, and then he sees a guy, sort of his dad, come over and sort of grab him, and then I guess he thinks that the guy's kidnapping the kid, and so he goes and tackles him, I believe, into the water fountain.

20:58

Yeah, it tackles him into the water fountain and then just beats the snot out of him.

21:03

Great stuff. Doesn't ask any questions, whatever.

21:06

He throws punches, asks questions later.

21:08

My kind of guy.

21:10

And you know once again, probably like Tony had an issue with this is he doesn't really play this same guy anymore in the movie.

21:17

Nope, nope, not only because he brings.

21:20

He brings Abby into his work and then, like, continues to bring her to a place that's dangerous.

21:27

He asks her to talk to ghosts, like he he has.

21:30

He doesn't give a shit about kids. He doesn't care about kids, he only cares about his brother.

21:36

That's it.

21:38

He's a little bit which leads to a really good, leads to one of the things that's really good in this movie, but of course not not really addressed to the most the rest of the movie.

21:46

None of them do.

21:47

There's there's good things, here's the, here's the other thing.

21:50

If this was a movie solely about this guy coming to terms with his lost brother, I also like that storyline.

21:59

Yeah, good storyline. But it's not.

22:02

It's all of them together at the same time.

22:04

It's it's it's mishmash pudding.

22:06

Yeah it's, it's like. This is like four or five movies that are all kind of kind of living living together in the same animatronic robot.

22:13

You know and there's not enough of that part of it A lot, of, a lot of ghosts of different movies that are all stuffed into one animatronic robot which is five nights at Freddy's.

22:23

So he ends up at the career counselor.

22:28

Is that a real thing? Am I the only one that doesn't know if this is a real?

22:31

thing or not. Once again, career counselor, someone you have in high school that you go to.

22:36

Yeah, exactly.

22:37

And so you're kind of like is he? Is he supposed to be in high school?

22:40

Is he in college? Who is this?

22:42

Why is he here? And then you go wait, that's Matthew Lillard.

22:45

Yeah, did you recognize him at first?

22:48

Oh, of course I well, because he was in he's all that very recently, so I know exactly what he looks like.

22:54

So he's super interesting. It's interesting because he like he's like you're a hard case, and then he looks at his thing and then he sees his last name and he knows who he is.

23:07

Yeah.

23:08

And you're kind of like well, that's an interesting clue which we don't really get to tell the end actually.

23:13

Correct, but I'll tell you right now the second.

23:15

This is the only thing.

23:17

The only thing, Dan, that is better on a second viewing is this scene Sure, Because Lillard plays it with the knowledge that we learn later.

23:27

And the first time you're like this is weird, Like what's going on, there's a mystery here.

23:31

But the second time you're like this guy's fucked up.

23:34

He got excited that he just found the brother, a relative of a kid that he fucking murdered, and he's like yes, come into my web, it's good man, it's good.

23:46

He's underrated, as always, and underutilized in the movie, but he's great he's here and then he's there at the end and does he even have another?

23:56

does he have another scene, maybe as a phone call or something?

23:58

He has a phone call, that's it.

24:00

I don't know which is in from the game.

24:02

The game starts with a phone call from, like, your boss telling you what to do.

24:06

So I actually I like that. Only on the second view, sure.

24:10

So basically I've got a job. It's not a great job.

24:13

It's five nights going to Freddy's.

24:16

You got to keep people out. He has the best line.

24:19

He's like the pace not great.

24:21

The hours are worse.

24:23

I like that best line in the movie, Because there's that butt.

24:26

He does that butt inflection. Oh, Josh Hutchison's like how's the pay?

24:31

Not great, but the hours are worse.

24:34

He's so good. I need more Lillard in my life.

24:38

I got to say he delivered that line much better than you, Tony.

24:40

I don't even know what he did, he does a little comedic throw on there that.

24:45

He's Matthew fucking Lillard. All right, I usually I'll take offense to that, dan, because I'm better than 90% of these assholes out there, not Matthew Lillard.

24:56

It was a line read for the ages.

24:58

Yeah, he's. He's brilliant.

25:00

I love him so much. I hope he I hope we're in the midst of like a weird second act for him.

25:06

I really do. Yeah, let's get it back and scream seven, everybody.

25:10

Come on, do Mocker, living, living the life.

25:14

Um, he says, you know, josh can't do a mic, can't do nights, that gives him a card anyways Goes home.

25:21

There's like an eviction notice. We meet Max the babysitter.

25:24

We're like this is interesting, he's babysitting but he can't pay her.

25:28

Okay, abby's there coloring, and then she has imaginary friends, which another thing that is, that ties into the movie.

25:39

But we never, never really gets tied into the movie, exactly.

25:44

How, Dan? She's literally talking to the ghosts of Five Nights at Freddy's.

25:47

Probably because she's drawing them.

25:50

Yeah, why, why, what, how, what?

25:53

So here's the thing she's talking to ghosts, she's like she's like a high level.

26:01

Tell about you know listen.

26:03

I, I'm okay, again, I'm okay with that.

26:05

Here's where it gets confusing is that she is already talking to the ghosts at five why?

26:11

Why is she already talking to a people we haven't met and be people that are unrelated to anything right now?

26:18

Why are they there? Also, how are they there?

26:22

Because later in the movie it seems like the ghost has to use the animatronic to travel to her, to come get her at the house.

26:29

But if they're already there without the suits, the the Lord doesn't make any how do ghosts travel?

26:35

Are they haunting the suits? Can they just wander the earth?

26:38

No, I got.

26:40

I didn't get it on the first again. First time seeing I was like this is fine.

26:44

Second time, I'm a little upset so now we have the first flashback to his brother getting kidnapped, which I've already explained.

26:50

Let's see.

26:53

So they go, oh, so he has to go and see his aunt, who Basically wants Abby.

27:05

And so is why? Why, oh, cuz, cuz of money.

27:09

Because of, but he doesn't seem to be getting money.

27:12

Yeah, I don't know.

27:15

Just confused because cuz he says like she only wants her for the, what does he say?

27:23

Whatever you know, yeah but he's not.

27:26

Shouldn't he get that then as well? You think so I?

27:30

I'm confused on the, the motivations.

27:36

Wait, she's watching Abby nephew, and there's also a teacher.

27:43

Yeah, yeah, yeah, cuz we cut to Josh talking to the teacher and and he and she's he needs like she's right, I'm not good for anybody.

27:51

She's like do you know who's in all the drawings?

27:53

It's you, that's you're in the drawings.

27:56

She loves you. It's good moment. I liked it.

27:58

Yeah, yeah, I mean it's totally fine.

28:01

So he goes home. This is the only thing that like is teased early in the film that delivers later is the drawings.

28:07

So you know it's gotta be okay.

28:09

He calls Matthew Lillard and gets the job and he's like, ah, I had a change of heart.

28:14

Okay, he's so good.

28:17

I need more.

28:19

So I, I guess he just goes there, right.

28:22

Yeah, yep, yeah shows up.

28:25

Maybe. Maybe there's a Matthew Lillard when they talk over the thing explaining this place was huge in the 80s.

28:33

Yes, some of the rules. Yeah, the owner was sentimental.

28:36

There's cameras, the electricity is. If he Throw the main office breaker then the monitors come up.

28:43

He goes into the security room. There's a tape that says Mike, he puts it in and it's a training video and he gets strained.

28:55

Can I ask a question, and this is always Curious there's no day guard, nope, there's just a night security, yep.

29:06

Why? Because the animal trunk just kill anyone that comes here in the day is that.

29:12

I don't know.

29:13

I don't. I don't understand why you would just, as a business owner, as a Businessman, yeah, why would I only guard it at night?

29:21

You know what I mean? Like that shit should be round the clock probably.

29:25

If I'm guarding, why am I even guarding it?

29:27

You know who's gonna guard it? Just fine, my killer robot children.

29:31

They're gonna guard the place. Just fine.

29:34

Oh, tony, you just want answers, answers, answers, because then we'd have to have another.

29:37

What some answers We'd have to have another actor and they'd have to cross paths and shake hands.

29:42

And you know, the thing about this movie is a Lot of things very drawn out, but other things are as tight as can be.

29:50

Yeah, no it's, it's Real up and down, yeah for the most part, you really you respect them because they've made a bunch of things very tight.

29:58

Well, you don't have to. You know you don't have to do a bunch of scenes you don't want to do.

30:02

But yeah, then again you're. You know there's a lot of, there's a lot of scenes of him, you know, in his dream, trying to figure something out.

30:11

Then he doesn't ever figure out, don't worry, so he, somebody just tells him later.

30:17

He opens a locker and this is one of the biggest scares.

30:19

There's a creep, a little doll in there. You know, one of the guys me one of the biggest scares.

30:25

It got me, though. Well, I jumped a little though, which is I, and I know they specifically didn't want to do jump scares.

30:33

Yeah, I don't. I didn't read why, but I remember that reading like, yeah, we did, we wanted to only use a couple, but most of it was supposed to be dread, quote unquote, which I didn't get at all was any good.

30:44

There's like two or I think two jump scares that I was like a fun.

30:48

I'm having a good time.

30:50

He walks through the place, there's weird noise on the speakers which I think just from the games doesn't mean anything.

30:55

He does your classic.

30:57

He hears something goes Hello, oh, it makes, always makes me happy, it's good.

31:02

He goes up there.

31:05

He finds all the things on the stage there's the blue rabbit, there's the yellow chicken, the brown bear and then the fox that has a hook hand, which you just like great, it's totally out of place, but I love it.

31:19

They should not have led with the.

31:20

They should not first. One should not have been the Fox with the hook hand.

31:23

That's the first one.

31:24

They show you it shouldn't gone that that fox with the hook hand normal, normal, slightly weird.

31:30

What the fuck?

31:31

That's how you do that they started with that one, which absolutely the wrong the thing, and boom, he's back in the office asleep instantly.

31:40

And but really be sleeping on the job?

31:44

No, he shouldn't he's constantly sleeping on the job does not care, but in this flashback there's these five little kids that are there, that have never been there before, and then he's like who are you?

31:57

And then he chases them, and then he wakes up in their car.

32:00

And here's why this is confusing Dan right, because he's had this dream hundreds of times.

32:06

Okay, but the first time the five nights at Freddy's ghosts are in his dream is because he's in the building, but the sister talking to him all the time.

32:16

Those two things can't be in the same universe.

32:19

They can't, they can't work.

32:23

Well, I mean, she's like a long-range telepath, he's not a delt that long range telepath get out of here okay, so let's see Max.

32:33

So there's a, max had slept the night there.

32:36

And then she's like how'd it go?

32:39

And he's like interesting, and then Abby still asleep.

32:42

He goes in and checks on Abby. Oh good, okay.

32:45

Next day, during this day, we have lunch with the aunt and there's max having lunch with the aunt and the lawyer.

32:51

It's a good little scene and it's it's the second best scene in the movie.

32:56

What's this guy's name? Is it Doug the lawyer?

33:00

Yeah, Doug, yeah.

33:02

Doug, the greatest character ever created in the history of the world.

33:05

I call this a briefcase like this and he's just listening and he's scared the whole time and he says I just realized I don't think I should be here, like it's just, it's great, it's very.

33:19

This is the level of fun and camp that I want throughout the movie and then we dip into scary.

33:25

That's where you need to be the problem is this movie is about a dude whose brother was kidnapped in the trunk.

33:31

That is a curve because of that, and so it's hard to live in the fun weird area, dan, because guess what?

33:38

we don't get closure on that. How is his brother not one of the ghosts?

33:42

The whole movie is about him finding his brother.

33:46

How is the brother not a ghost? How? Why isn't the brother a ghost that's helping him survive the night?

33:52

That's the story. The brother has to be there.

33:56

The brothers know where to be found. Come on, the whole movie is about that.

34:00

That's ridiculous.

34:01

You don't understand the Lord Tony, I guess I guess in the in them, I don't in those real things, mike is the, the main bad guy, he's the son and Vanessa isn't the son, isn't the daughter.

34:16

I.

34:18

Think that that almost makes more sense doesn't it?

34:21

Yeah, yeah well. So basically, the ant has been conspiring with Max and her brother and you're like oh, that's why she's working for no pay.

34:32

Brilliant, that's just a brilliant script turnaround.

34:36

Or you're like this yeah, this, this, this way someone was acting and didn't make sense.

34:40

Now it makes perfect sense. Boom.

34:42

And then the one the dude's like let's kill him, just like whoa.

34:47

Instead they're gonna mess with his job.

34:53

Okay, John, which is pretty easy because, again, no day guard.

34:57

So I Don't understand.

35:00

But here's, here's what I also don't understand.

35:03

Are the cameras not running then all day? Because how is this the plan right?

35:08

So they're gonna know that other people broke in and it's just three random people.

35:14

Like how is he gonna get in trouble for that? I don't understand.

35:17

Explain why he's gonna get trouble for it. Because he left the door unlocked, but they didn't come through that door, dan.

35:22

They broke through some sort of garage thing.

35:24

It's on camera, I saw and there's also a line in the movie where they broke through the door and so it's gonna be his fault and they're like that's lying, something, something liability, and you're like I don't think that the security guard has to pay for stuff that gets destroyed, no cuz they left the door on you know.

35:41

It's not out of pocket, you just get fired right.

35:45

Yes, just fine. I mean, you could try to sue them, but he doesn't have any money anyways.

35:48

What?

35:48

are you gonna? Yeah, I get it.

35:49

That's why he's working for you at night, my friend, so he's an only tears down his Nebraska poster and you're like I'm like, oh, did he turn over a new leaf?

35:57

What's going on? Turns out he's gonna put the Nebraska poster up in his office.

36:01

So turns out he just wants to sleep harder at work.

36:04

Like the little naps he was taking aren't quite enough, I need a full six hours of sleep here, smart guy Abby's like I'm coming with you.

36:14

She wants to come with him because she wants hang out with the ghosts.

36:16

He's like no, he carries her around.

36:19

You're like man. They modulate the their relationship pretty well, where she's sort of bratty at times and then he's like says no, but he doesn't say no.

36:29

He has to say kind of forcefully but not to, you know, you have to yeah.

36:32

Yeah, they do a nice just did a good job in this movie, yeah he listen other than the fact that he's a bore.

36:41

He's got which isn't his fault, because they just they load him with so much shit.

36:46

His parents are dead, he lost his brother.

36:48

He can't support his sister.

36:51

The aunts tried it. Like there's so much happening in this guy's life he can't be happy.

36:56

It's just not possible. So it's not his fault I.

36:59

He just needs to be less Like this poor guy.

37:03

I feel bad for him the whole time, like your life sucks, brother.

37:06

I don't know what to tell you. I would be upset too.

37:08

I just wish he was more fun. But he does a great job of never getting to the point where I'm mad at him for how he treats his sister.

37:16

Not, if not a, not a single time was like all this guy's a dick, let's kill him.

37:20

I was like he's trying to be gentle, he doesn't know what the fuck he's doing, like he isn't his kid.

37:25

It's great, it's nice.

37:28

He doesn't know what the fuck he's doing, and that's not.

37:30

That is a hard thing to play.

37:34

Yes, yeah, cuz you're doesn't, cuz you're gonna ship one way or the other.

37:37

Boom, he's back there.

37:39

It's raining. He's put up in a basket poster.

37:42

He's sleeping Walkman having the dream Creepy kids.

37:47

Someone says help me at one point, which is interesting and then because they don't want help, and then the I don't know if you notice that that's not the goal of the ghost for help and then the redhead a kid cuts him and then is bleeding at the eyes.

38:00

We're like, wait what.

38:04

The good news is you'll never know why. You will never know what never happens again, so that's just for fun.

38:11

Why is he bleeding in real life?

38:14

because the one of the animatronics came in there and cut it.

38:16

You think so?

38:18

Yeah.

38:18

I think so.

38:19

Yeah, oh, that's fun. I wish that was shown to me boom knocking at the door.

38:24

It's the police. Lady Vanessa, she's bleeding, I'll do first aid on you.

38:27

She doesn't do first aid on him, he does it himself.

38:30

Then he does it wrong and then she fixes it and I was like okay.

38:35

And then she's like why Nebraska? And then he doesn't explain until we find out later.

38:39

He's like weird night.

38:42

She sits down and she's all like you're gonna quit and and then she's like have you met them yet?

38:49

And You're like what's going on?

38:53

All right, pause, let's pause real quick.

38:56

So here's my problem Her character's wrong.

39:02

Everything she does is wrong.

39:04

Let me explain to you At the end of the movie which I know these are spoilers but this is my second watch through where I'm like wait, she doesn't make any sense in this movie.

39:15

And here's why At the end of the movie I won't spoil the twist yet but she basically is kind of in on the plan and her job, as per the bad guy, is she has to do one thing keep him in the dark or kill him if he gets too close.

39:34

Instead of that, she tells him immediately.

39:39

She's the one that provides him the information.

39:42

On night one, she's like oh hey, what's up?

39:45

By the way, this place super haunted.

39:49

So she goes against everything she's supposed to be.

39:54

It doesn't make it. She doesn't make any sense.

39:57

What her story should be, in my opinion, is that she should be doing those things.

40:03

She should keep him in the dark and be like no, what are you talking about?

40:06

Everything's fine, I don't know, you're going crazy guy.

40:08

But then she develops feelings for him and eventually turns and goes for redemption.

40:14

That's it should be a very simple redemption, or that's it Instead.

40:19

I don't know what's going on. She's full of exposition that she has been specifically told not to tell anyone, and I don't understand any of it.

40:28

There it is. So he, he, she introduces him to all the things and then he doesn't have a badge.

40:36

She goes and gets a toy badge out of the prize badges, gives him a badge and that's the end of day two.

40:43

That's yep. I don't know, I don't get it.

40:46

I don't get it Dan.

40:48

The bad guys. Now we get the bad guys trashing the place.

40:51

They're like maximum damage, minimum time.

40:55

There's Carl who gets attacked by a cupcake.

41:00

There's Hank who sees Carl's body and he flees in terror.

41:06

This is the funniest flea and terror, the greatest flea and terror like in any movie he's screaming and it's like.

41:12

It's not like a girl, it's not like.

41:15

It's like this perfect what you would, how you'd really scream if you were scared.

41:19

I guess he gets killed.

41:23

Well, he's the guy that goes into the closet, right, yes, which is a very nice little scene.

41:28

I really liked the closet, because he goes in the closet and shuts the door and then eyes light up behind them and you're like, oh shit, he about to get eaten.

41:40

So he gets it from the blue bear and then Jeff, the boss guy, he's in the control room and then he tries to go through the vent.

41:49

But the cupcakes in the vent. I was like that's good.

41:51

Then the door opens because they can just control all the doors that aren't controllable.

41:56

They just doors open and close whenever they want them to.

42:00

And then the hook hand.

42:01

Fox gets him, and then Max comes in after a while because he doesn't hear from them, and then she gets on a chair and looks in the mouth of the brown bear.

42:13

Why does she do that? I'll tell you what happens.

42:16

Stan, the blonde child ghost is in the hallway and he's like come with me, come with me.

42:23

So she follows him. She gets to the room and then the voice is coming from the animatronic and it's like over here, over here, she's like this is weird, this is weird.

42:33

So the chain looks in and then his hand comes out and grabs her and then you cut to the shadow, the best part of the movie.

42:39

It bites her in half. It's awesome.

42:43

Half of her falls on the ground.

42:44

It's really good looking shot, really good looking shot.

42:47

This five minutes again is what I wanted for the majority of the movies.

42:52

I like the beginning of this movie, but they should have done something cool like this, biting in half bit at the beginning instead of fading out from the kill.

43:03

Give me a cool kill at the beginning, give me a cool kill here and then change the entire third act in the movie.

43:09

And I love this movie and I mean you're like, wow, this is interesting.

43:13

I like the, the subterfuge of Max and I like what they were doing.

43:16

I like how you've put all these people in there to get killed.

43:19

That aren't going to be paid attention to. Mike.

43:21

Okay, mike gets home, gives up, tries to give Abby the bad she doesn't want it.

43:28

Then she goes and gets it out of the door.

43:30

When he puts it away, she finds the court papers and she freaks out and boom, here's Vanessa at the door and she's there to say someone broke into Freddy's and this is all.

43:42

Your faults are not locking the door.

43:46

Right Um what.

43:48

Who cares what? It doesn't really mean anything, really right.

43:51

I mean not only who cares, but also they would know.

43:54

You know who did it. You have cameras.

43:58

You saw it. They didn't come through the door that he went out of.

44:01

None of it makes any sense.

44:03

Stupid, so he goes out with Vanessa.

44:08

They go by the river and they have deep talk and he explains how he's trying to remember the details and that's why he does the sleep thing.

44:17

And then he's you know, I think he says, or she says you know, perfect, childhood is gone.

44:22

Okay, and now?

44:24

this is the part where she needs to start turning and falling for him and starting to go against her directive, which you know she should have been following and was not.

44:36

She should be trying to talk him out of going back.

44:38

Exactly, you shouldn't go back.

44:39

You really should. Yeah, you need to quit.

44:42

You got to get out. Yeah, whatever, but no, no, not that at all.

44:49

So that night there's no max, and so he takes Abby to work, finds everything all messed up, makes her a fort, says good night, sees some blood.

44:59

Then he starts cleaning everything up.

45:01

At 4am he falls asleep.

45:06

Now, dan, do you see how nonchalantly you're going through that?

45:08

And one of those phrases was he sees blood, yeah, and he does nothing.

45:14

He sees blood on the.

45:16

How would that get there, guy? Okay, you that that you need to look around now.

45:22

You need to go check your security card.

45:24

You got to check things out. Nope, he's just like.

45:27

That's probably there for 50 years. I'll just pick up this machine here.

45:30

So dumb.

45:32

So, dumb. You find out later that there are just bodies piled in the all, just in a room, from what I could tell, just a random room.

45:39

There's just nine bodies. I assume that they took care of the bodies, but nope, no, sir, not at all.

45:45

So when?

45:45

Abby wakes up. He wakes and leaves.

45:48

Then he's maybe she said it's your.

45:53

I wrote come out, maybe something says, come out here.

45:56

And then boom, the eyes click on.

45:58

I'm like, oh dear, this is not good, oh yeah.

46:01

And then he's it back in the dream. There's one kid and he's like help me.

46:05

And then they're like what will you give us?

46:08

And then I wrote Bums on ground.

46:11

Bang on ground, bang on ground, bang on ground.

46:15

I don't know, I don't know.

46:18

So he like I guess he wakes up.

46:22

Maybe here's a bang. Oh no, bunny on ground, there's a bunny on the ground.

46:27

I don't know.

46:30

So he wakes up and he's all like where's?

46:32

Abby and he goes out there and she's making some noises and then the animatronics are all around her and then she like comes out from there like they were tickling me and this was my favorite scene in the movie because you're just like he's confronted with these full size animatronics and this little girl and she's cool with bees and he's terrified and it's just so creepy and we, you know it's like how do you react to this?

47:02

What are you supposed to do?

47:03

I don't know it's a nice little scene.

47:06

I wish you know two men in the movie is not about it. And she's all like there's so many different avenues they could take to make this movie about something.

47:13

It just frustrates me.

47:16

And we meet the, we meet all the things is like this is Freddie, this is Bonnie, and Roxy and Chica they want to play Hold on.

47:23

And then we find out that they like pictures, because it's all the pictures on the wall and and you know, we that's, that's your sort of way of communicating with them, and it was so he kind of is able to corral her out of there and away from the yeah.

47:38

The homicidal children that are inside these, these, these that are hot and visa and electronics.

47:47

Speaking of homicidal, why? Why do they kill and who do they kill, Dan?

47:52

People.

47:54

Yeah, why? Who? It's a piece of you know what I mean Scary.

47:59

Yeah, see, these aren't reasons, and I know like I don't need it's.

48:04

There's a fine line.

48:07

I know you got like a Michael Myers.

48:09

Let's go back to the beginning of Michael Myers Halloween one.

48:12

Why does he kill?

48:13

We don't know.

48:15

Because his mom. He's just kind of evil. Right, he's not a good guy.

48:17

Halloween two they make Laurie strode his sister and it's like, oh okay, he's trying to finish killing both of his sisters.

48:23

Fine, that's great. Then you go to Halloween six, the curse of Michael Myers with Paul Rudd hilarious.

48:29

They make it this weird demonic cult thing.

48:31

They're like well, now you've ruined Michael Myers because he's evil.

48:34

He's just evil and he kills.

48:36

That's his thing. There's no rhyme, there's no reason.

48:39

He just fucking kills. Right now. I don't know why these robots do anything.

48:44

They don't see. They kill some people.

48:46

They don't kill some people. I don't know why they're trying to kill Josh sometimes and then sometimes not.

48:53

I don't.

48:54

I don't get any of it.

48:56

I just want they just need to pick a lane. You don't have to tell me why they kill, right, but make it so that they they either kill everybody or there's like a specific reason they don't kill some people.

49:08

I don't think you can do that because you've got all these games where they probably all kill people sort of randomly and for different reasons.

49:15

It might be right, I don't know. I only played the first one.

49:18

I didn't get very far into the game.

49:22

Lore, all right.

49:24

So he goes home, Abby sleeps, he starts looking at her pics and then he realizes by looking at her pics that the five children that went missing I guess they mentioned five children that went missing are ghosts, are got killed and they're ghosts now and they're inhabiting these things and so she's in communication with them.

49:44

And then his whole thing.

49:47

There's a great line when they're talking. Is this when they're talking at the table, him and her, about the ghosts?

49:52

Not yet.

49:53

I don't think, but I think it does yeah.

49:56

I think, yeah, I think it does.

49:57

I think then we we transitioned, and then they're talking about it, and so he wants her to talk to the ghosts about his, the brother which I I'm all on board with if this were a movie about finding the brother, which turns out it's not, but I'm still okay with it.

50:16

But there's a really nice moment in this scene where he is telling her that they are ghosts and she says, yeah, how else would they move the animal?

50:28

I don't remember, I don't know if she says the animatronics how else would they move?

50:32

Yeah, and I just love that. She's like yeah, I know what the fuck I am, I'm not an idiot.

50:36

I'm like I get that, it's a nice little moment.

50:39

Yeah, I just you know. I just want to point that out because I'm saying a lot of negative things about it.

50:44

Oh, that's very nice of you. So the next night they go back.

50:47

The nest is there and she's being nice, and why, I don't know.

50:54

Why Dan? He doesn't make any sense in this movie.

50:58

I'm sorry, continue, she gets worse.

51:01

And then he's all like you know about this? She's like yes, and then Abby's like let's build a fort.

51:05

And then everyone's like, yep, let's just build a fort.

51:09

But no, josh says no, he says maybe we don't do that.

51:13

And then Blondie is like, yeah, we should build a fort.

51:16

Why, why, why would she build a?

51:19

fort, and then they're all like laying in like a circle, looking up, like hanging out with the robots and the ghosts and everything.

51:29

Yeah, I don't know, man, I don't know, I don't get it.

51:32

It's cute, though it's a cute little there's I don't remember what exactly happens but one of them like falls over.

51:38

You remember this?

51:40

Oh, they build. She's like, oh, it has to go higher, so they build it higher.

51:45

And then she says you did it. And they both raised their hands up like yeah, touchdown.

51:50

And one of the animatronics just like goes on falls over and then he gives a thumbs.

51:55

She's like, okay, and he gives a thumbs up. I don't know what's going on, but it's cute and it kind of reminds me of going back to Monster Squad Phoebe the young little girl, the friends Frankenstein, and he gives her a thumbs up and it's just kind of like that, only you know, not as adorable and endearing, but that could be a monster squad.

52:14

It could be a nod to Monster Squad. Tony Could be.

52:16

I'm going to pretend it is, now that you said it.

52:19

Yeah, there's some nice moments, so he goes looking for oh, he goes looking for tablecloths to put over the top and then he walks into the back room and she's all like there's like this one bot there and he starts reaching for it and she's like don't go near it because, like, the centers of the bots are like these spring-loaded traps that close and if you're not careful they'll close on you.

52:41

And it's both a way to kill people, but it's also supposedly a way to keep the suits on.

52:49

Which doesn't make a lot of sense, right? Because if they were, if that means you have to use them, if you're putting the suit on but they're also going to kill you that those two things don't make any sense together.

53:02

Then they're out there and they're doing a dance party and then Abby like goes to, goes to strum the guitar.

53:08

Vanessa's like no, don't.

53:10

She strums the guitar and she gets 50,000 volts and shoots across the room 50,000 volts Um why I once again I'm sure it's something from the movies or the books you think so oh absolutely.

53:24

All these things are. Because the blonde girl what's her name?

53:27

Vanessa? Vanessa knows that it's going to happen somehow, yeah.

53:32

So she says don't, no, don't touch it.

53:35

What? How does she?

53:37

I don't, it doesn't make any sense, Dan.

53:40

So then, now Vanessa's like afraid of something and she's like if you bring Abby back here, I'll shoot you.

53:45

What?

53:48

It's a big turn. It's a big turn and it comes from nowhere.

53:55

It means nothing. This Vanessa is nuts.

53:58

She needs someone, needs to go back and rewrite this character for me and make it an actual person.

54:04

She doesn't make any sense.

54:06

She's all over the board.

54:08

So then, boom, they meet the aunt for breakfast and Abby gets pissed.

54:12

And because Josh is going to like give her up to the aunt, I guess it seems.

54:18

It seems like he's using her as a babysitter because when he leaves, the aunt says there's a bigger discussion that needs to be had here.

54:26

So I think she's just there to help right now, but she's thinking she's going to steal the kid.

54:32

I don't know.

54:33

It was very unclear so she starts hate drawing and then he goes back to Freddy's to do some more sleeping.

54:42

Yep, that is absolutely correct.

54:47

And then boom, he's out. Yeah.

54:48

Wouldn't it be interesting yeah, and just I'm just throwing this out here If her hate drawings then had an effect on the ghost because they saw, they saw the drawing and they're like, oh shit, now we hate him and we're going to kill him.

55:01

That would make some sense, wouldn't that make some sense?

55:04

Because then later she turns their mood in the finale with a drawing.

55:09

So maybe if you also have a drawing in the middle, maybe have that mean something.

55:14

Nope.

55:16

So no boom. While he's dreaming, he's at a campsite and his mom and dad are there and his brother's there and they're all talking to him and they're giving him the hamburger and all that.

55:25

And then one of the creepy kids comes up and he's all like it's pretty nice, isn't it Pretty nice, isn't it?

55:31

Wouldn't you like this? All the time? And he's all like, yeah, I would.

55:34

And then they're like we want Abby.

55:40

Very children of the corn and I.

55:43

We haven't said yet. But this blonde, the leader of the ghosts, I like him.

55:46

He's very creepy. Okay, good, he's a creepy little ghost kid, I like it.

55:50

So he says okay and you're like whoa, he just is trading, trading, having a tough time this guy's.

55:57

This guy is emotionally damaged very deeply and then they're.

56:02

Then he Got many changes his mind and he's like, no, this is wrong.

56:05

And then they slash him and they put him in the chair and they they're gonna mask him to death.

56:12

And then he escaped from that by pulling the thing that the other guy loosened.

56:16

And Then he gets to the no exit and here comes hook hand and we cut away.

56:21

So we're like uh-oh, oh yeah, boom.

56:27

Back at the house where the aunt is she's watching TV, and.

56:30

And then a different robot we haven't seen.

56:33

That's all f'd up, which I you know, is, I guess, a big reveal, because it's like one of the other ones that we haven't, we've never met, this one that kills, that kills the aunt.

56:43

It's like a one missing an eye and yeah, yeah, so this is.

56:47

This must be something from the game.

56:49

Yeah, I was, I was just confused and I guess this, I guess Everybody that knows the games was like oh my god, then what you McCulloch came, oh my god, this is the oh my you would believe.

56:59

No, I do a question though. Yeah, because and you can't answer this, stan this is one of my rhetorical questions, because it doesn't make any sense.

57:06

Why is it inhabited by the same ghost?

57:10

I don't think it is.

57:11

I think it's inhabited by someone else on kid.

57:13

I don't know.

57:14

Because the blonde kid is there always. Oh so maybe it is, maybe they can.

57:18

Because then Abby goes, freddie, and he says not, freddie, I best thing, so he I'm sure they can go into different ghosts.

57:24

The ghost can go into different things.

57:26

Why not? Because their bodies are trapped inside.

57:29

They should be. They should be attached to the one that their bodies inside, dan, that doesn't make any sense.

57:36

We haven't said that reveal yet, so I apologize for spoiling that ahead of time, but it doesn't make sense.

57:41

Maybe the blonde kid is twins.

57:44

Well, not now. I like what you're saying.

57:46

Okay, I'm into that. If it's a twi, if it's creepy twins, I'm back on board.

57:50

So we see the aunt. She's like had her head bashed, opens down the floor and then they're like time to go play.

57:57

And then they go and they get Abby and the giant robotic rabbit with the one-eyed Go and get in a taxi.

58:05

Dan. How did the robot get there?

58:07

Question number one walked.

58:11

So he walked all the way there and then he's like you know what?

58:15

I'm tired, we should take a taxi back.

58:18

That's dumb, You're a robot.

58:20

Put the girl on your shoulder and walk down the street.

58:22

Then you lazy son gun Maybe all right man.

58:25

Oh, maybe you took that taxi and the taxis waiting.

58:28

But the taxis afraid when the guy gets in the thing.

58:30

That's my next question one why is this is the middle of the suburbs?

58:34

Why is there a taxi parked across the street and a guy's just in it?

58:38

That doesn't make any sense.

58:41

Maybe they called it? You think they.

58:44

Oh you know what.

58:47

Let's pretend they called it, All right.

58:49

Huh, you know, I don't believe it.

58:50

Oh, you know what happened. The taxi driver's daughter drew him a picture.

58:55

You got to go here and he's all like I'm going cuz my daughter's they go.

59:01

I know exactly that house. I'll drive there right now.

59:03

It just doesn't make any sense.

59:06

All right, Okay so boom, vanessa has found Mike, and then she's gone to the police supply outpost.

59:15

Who knows what a police supply outpost?

59:18

I've never heard of such a thing, but I'll, I'll believe it and so she's like.

59:22

They want to make Abby like them.

59:26

The. How does she know that? Because I'm assuming this has never happened before, because there's still only five ghosts, right?

59:36

So theoretically, this would be the first new ghost to be made.

59:41

How does she automatically know that that's what they want?

59:46

Maybe they. She drew my picture, so boom.

59:51

So she's all like the ghosts the bodies of the kids are in the things and then the ghosts inhabit the bodies.

59:59

But apparently can switch whenever they want and go wherever they want at any time.

1:00:03

Got it cool, cool, cool and then she's all like and he'll be coming, william Afton.

1:00:09

And we're just like wait, afton, what?

1:00:12

is that people that if never see, played the games or read any lore we have?

1:00:16

No, what? That is not a reveal. That's not a reveal to us at all.

1:00:20

And she's all like my dad.

1:00:23

And then she's again.

1:00:26

Too soon. That's too soon to do that, dan.

1:00:29

Here's why she needs to be making a mint, like right.

1:00:34

She starts trying to get them out of it, keep him in the dark, then she falls for him, then she starts trying to protect him and then the the the reveal at the end, when she's fighting the bad guy is that, oh shit, that's actually my dad and I don't know if I can do it now.

1:00:48

That's the story. Why are you just telling us this 20 minutes early?

1:00:54

Because she explains how you can fight them. And then we find out that that her dad also kidnapped his brother.

1:01:00

That's good to know.

1:01:03

So that's but here's. It's not good to know, it's totally tangential information.

1:01:07

It means nothing in this movie and he doesn't really even really react to it that much.

1:01:11

He doesn't seem to get an extra boost of like now I'm gonna kill this guy.

1:01:16

He's just like oh well, there you go.

1:01:18

I've been searching for 20 years, dream theory and all that, but yeah, whatever, it's fine.

1:01:23

It would have been good information for Matthew Lillard to say Thank you, you know, as a big villain reveal, as opposed to his daughter telling him this information beforehand.

1:01:34

That's because all she does is tell information she shouldn't tell.

1:01:38

That's her whole role in this movie and I I want to give you the benefit, not you, I want to give them the benefit of the doubt of we're making this for kids.

1:01:49

We need a character that can tell them exactly what's happening.

1:01:52

I guess, I guess, but she makes no sense.

1:01:56

She makes zero sense. He even comes out later and it's like I killed your brother and now I'm gonna kill your sister or something.

1:02:03

It wasn't quite like that, but he says that that needs to be a reveal.

1:02:08

He needs to be like as soon as I saw your last name, I knew.

1:02:13

I knew I killed your brother and now I'm gonna kill your little sister too.

1:02:17

That was very wicked witch.

1:02:18

Well, we needed that extra nine minutes in here. Exposive.

1:02:23

We want to get as close to two hours and a kid's movies.

1:02:26

We can't so boom.

1:02:27

She's like electricity is the key. Here's a bunch of electricity things to use, but I can't help you.

1:02:34

And he's all like Well, see this that information needs to be seen and not told.

1:02:41

She needs to be in Confrontation, about to help him, and then he needs to be like you're my daughter, you can't do this, and then she doesn't.

1:02:48

She doesn't do it, she drops all the guns, like so boom, he comes through the vent, he pours water out to zap Freddy and the bunny grabs Abby, zaps Chica and he's all like let's go.

1:03:04

And then the cupcake gets him.

1:03:07

Yeah, in the leg. And then this cupcake.

1:03:09

All right, the cupcakes not in the first game.

1:03:12

I wonder when it comes in.

1:03:13

I like the cupcakes good, uh, the Fox is after Abby, so she hides in the ball pit very effectively.

1:03:21

It's nice. This is a great scene.

1:03:24

She's first. She's hiding behind an arcade machine and he's just walking down these like vintage, beautiful 90s arcade machines and he's creepy and his feet.

1:03:33

It's a lot. It's a lovely little scene.

1:03:36

I really liked it and she kind of disappears, you know, like beneath the ball pit, I'm right the way ball pits gross, real gross stuff.

1:03:44

I used to love those as a kid. Did you ever go in a ball pit?

1:03:48

Cesspool of terms.

1:03:53

Mike has to deal with the busted-up rabbit, vanessa just appears and kills foxy.

1:03:58

Ever wake up the children and then boom, vanessa.

1:04:05

The dad shows up. Vanessa fights the dad.

1:04:08

The dad Stabs her like stab stabs are like legit, yeah, yeah, like she, she gone.

1:04:14

And then I think he gets shot and Then Abby.

1:04:19

Then he's like Abby, show the show the ghosts who the real monster is.

1:04:24

And so she does like this drawing that explains to the kids that the bad guy is the dad, and so yeah.

1:04:36

The. She has some sort of mysterious power over them and so which it's the only thing in the movie I'm like I'll give it a pass, I'll give that one a pass.

1:04:44

They put him in another suit.

1:04:47

In the suit eats him or something. I was. Well, he's in the suit.

1:04:50

What happens is our favorite little guy, mr Cupcake.

1:04:53

When they all turn on him, cupcake jumps and bites the animatronic suit and and somehow that triggers the trap mechanism and it, one by one, slowly like sinks into his skin.

1:05:06

Which is a fun little scene, which just doesn't make any sense, you know, but it's fun little scene.

1:05:12

And Matthew Lillard, before he dies, says you know, remember, he grabs the hat because he's like I'm going full ghost animatronic, which I love, and he goes.

1:05:23

I always come back and he puts his helmet on and then he dies.

1:05:28

Yeah, I think this is. I think this is one of the lore things is that, whatever he becomes, he gets trapped in his own.

1:05:34

Thing.

1:05:34

He's called like scrapper or has some sort of name and Something like that I don't know what it was.

1:05:39

And he just keeps coming back. And you know it's your, it's your classic thing.

1:05:42

You know they, they price, throw him in a meat grinder and he gets ground up and then he just sure comes back.

1:05:47

How did he come back? And we'll never know.

1:05:49

He just keeps coming back.

1:05:52

But now let me ask you a question. Yeah, has he done that yet?

1:05:54

No, that's this stuff no he hasn't, so then why does he say I always come back?

1:06:01

Why doesn't he say something like I will be back.

1:06:04

He doesn't know that he always comes back.

1:06:06

Already. He's never come back. All right, you can't.

1:06:10

You can't say I always come back, having never laughed Ridiculous.

1:06:15

I would understand that it's for fans, but that's not if I were you, I would.

1:06:20

I would. I would message Matthew Lillard through his Instagram and ask him to get that line 80 art out.

1:06:26

Can we?

1:06:28

get taken out in the director's cut.

1:06:30

I am thinking about coming back.

1:06:33

I Am definitely planning on returning at some point in the future Hat and then I think he there's happy stuff.

1:06:42

I think she goes back to school and I think Vanessa's in the hospital.

1:06:45

She's fine, even though, well, she's in a coma.

1:06:48

She's, yeah, she's like she doesn't speak and he talks to her, okay, but she doesn't seem to respond, so I don't know if she's awake or maybe she was also sleeping.

1:06:57

They love to sleep in this movie, so it's hard to know who's sleeping.

1:07:00

Who's calm atos.

1:07:02

She could be working on some other mystery and she's got to get some sleep on it she could be as a guy.

1:07:07

She's got to go to that dream theory figure out the nothing, because nothing ever gets figured out in dreams.

1:07:13

So you know this is a I wouldn't recommend this movie, but I Wouldn't I.

1:07:19

You know, I'm nothing bad to say about the filmmakers.

1:07:22

I think they tried to make a movie.

1:07:26

Yeah, they tried. They tried too hard, they tried.

1:07:28

They put too much stuff into the one movie he's. I again, as we started, I don't hate this movie.

1:07:33

I I think it's a fine movie. I think kids will enjoy it.

1:07:37

I and I, in fact. I recommend, yes, show it to your kids.

1:07:40

This is a great introductory horror film. Show them the world and they can, you know, go find out more if they want.

1:07:46

They want, they want to traverse all the hours of Freddie and read all the books and Absorb the lore rock on kids.

1:07:56

Yeah, I have a good time. Here's what I will say, though, dear, it could have been so much better.

1:08:03

It could have been a defining movie, you know and I.

1:08:07

I mean, it looked amazing. The acting is solid.

1:08:11

They weren't given the right things to do all the time, but there was some great acting in there.

1:08:15

If you just fix that story and make it simpler and less ridiculous, I think you've got a real winner there.

1:08:23

Yeah, I really do, but you know so, maybe, as it is, it's just maybe with maybe it's Freddy's to, because Matthew Lillard signed on for three movies.

1:08:33

Did he really? That actually really excites me.

1:08:35

Yeah, I, I'm gonna call them.

1:08:37

I need to write on the next movie because we need to write the ship here.

1:08:40

We need to. We're going on the wrong course.

1:08:43

We need to get back on track that no one would ever hire me to write.

1:08:47

I can't write. I can't write. No, tony, you won't write.

1:08:49

It's a little bit of both, you know, I mean.

1:08:53

So you know, and the and the annals of hate watching this one right up there pretty much fine with the crop of yeah movies that are not truly bad.

1:09:06

Yeah, fun to still fun, still fun to poke fun act but yeah.

1:09:10

It's not a terrible movie great movie to look at and analyze because they got a lot of things right which usually On this show they got most things very wrong.

1:09:19

So, tony, oh yeah, yes, sir, do you like the show?

1:09:25

Give us a thumbs up for too late, dan.

1:09:27

It's too late. You can't do it an hour in.

1:09:29

It's gotta be at the top, darn it.

1:09:32

Oh, I remember too late. All right, tony, tell us about something you like this week.

1:09:38

Okay, this is a tough one day.

1:09:40

I I'm pretty sure I liked this.

1:09:42

I'm pretty sure I have Problems with it, but I was laughing all the way through, so I think I enjoyed it.

1:09:49

I watched the South Park special.

1:09:52

Oh okay, entering the panda verse.

1:09:54

I think it's calm. Okay, it's.

1:09:57

It's got two Different story lines, basically that are like they're two big satires.

1:10:03

One of them is Disney and they're making fun of all the you know, replacing everyone with AI the right word, I'm looking for not well, ai is the other one.

1:10:15

Okay.

1:10:16

I is is story B. Story A is Disney making everything like not PC, but when they replace it with like, oh, women and and People love, they're different.

1:10:27

You know they try to what's called PC, I think anyhow.

1:10:31

So that diversity, whole Diversity.

1:10:34

Why couldn't I think of that word, cuz I'm a white guy, I'm the worst.

1:10:37

I can't even think of the word at least.

1:10:40

At least diversity got it right with you I.

1:10:46

Well, we're gonna add it all that out so I don't look like such an idiot.

1:10:49

Yeah, so it's all about. The one of them is like fighting back and a sad tire about Disney, about diversity, and I disagree with a lot of what they do there.

1:10:57

Their whole point is its diversity for diversity's sake, as opposed to elevating content at all like that's.

1:11:06

I think that's kind of the angle they're taking. It's just like you're doing it just to do it, and that doesn't make the art better.

1:11:12

Yeah, I mean, which is fine, that's, that's a true, that's true.

1:11:16

But when diversity is done right, it's seamless and it just and everybody benefit.

1:11:21

You know, like it's just like, yeah, just like any storytelling.

1:11:24

If you're doing bad storytelling, diversity is not gonna save your bad story, exactly.

1:11:29

And I think I think that's their point. I don't think they get it quite clear enough where, like, the point is, if it's diversity for diversity's sake and it doesn't Do anything for your story, it's just, it's just pandering.

1:11:40

So I like that's the whole point of it. It's that one's wishy-washy to me.

1:11:44

There's some funny stuff, but the AI one is great and it's all about how the adults of South Park don't know how to quote, don't know how to do shit, and so they have to hire the handyman and then the handyman became billionaires.

1:11:56

It's brilliant. So like half of it I loved and half of it I was like you know, swing, you hit some, you hit some, you miss some.

1:12:04

It's still worth a watch. I Nothing you can watch, and now that I spoiled the whole thing, so spoiler alert I don't think you can spoil South Park, because South Park is always about the jokes.

1:12:15

It is about the jokes and there are some bangers.

1:12:18

I'll tell you that those guys, you know, I mean they you know they did the first.

1:12:23

You know I, the stand up comedy robot.

1:12:27

You know they did all that. They proved.

1:12:29

The point is we'll see if they ever oh, actually day to day Saturday.

1:12:36

Oh, I have a story to tell.

1:12:39

You have a story to tell?

1:12:41

Oh yeah, oh, my god, I want to hear the story.

1:12:44

Okay, I'll tell the story. Well, I'll do. I'll tell my story, then I'll do my thing.

1:12:48

Yeah, yeah.

1:12:48

So I know a guy, jeff Klein, super nice guy, he's like he's a big executive.

1:12:55

He set up the hub. Remember when they did that, that thing, that was him.

1:12:59

He did that, he does, did the Transformers cartoons.

1:13:03

He did the Jackie Chan cartoon. How well do you?

1:13:06

Know, him Really well.

1:13:08

Why aren't you employed? What's going on?

1:13:11

Yeah Well, I mean he helped me a little with Mr Mr Toast and Mr Toast Okay.

1:13:16

He always said, oh, you're going to get screwed.

1:13:18

That's what he said. He's like you're going to get screwed and that's.

1:13:21

Was he wrong? I did not get as screwed as he.

1:13:25

You know probably could have been yeah.

1:13:27

Yeah, yeah.

1:13:30

So yeah, he's he's super good guy.

1:13:33

I've known him forever, so I was at the flea market as he's walking around and I was like wait, jeff Klein, what are you?

1:13:40

doing here and he's the flea market because he lives on the East Coast, like Maine or someplace.

1:13:45

Oh Okay, and I guess his daughter is a.

1:13:48

This is a very extensive story. His daughter goes to USC now, so he was out here visiting her and then, of course, he just went to the flea market in the morning, because it's crazy because that's what you do, yeah.

1:13:57

So he said they went to the sphere.

1:13:59

Oh, in Vegas, in Vegas, and there's a whole AI setup down below.

1:14:06

You know where there's like these, you can walk around and talk to these AIs and they say things.

1:14:10

And he was there with a bunch of writer friends of his.

1:14:14

And so you know they were all like you know, they're all you know talking to these things, and the one guy is like you know.

1:14:20

So, basically, what is the future of AI?

1:14:23

You know, make the AI, you know, wasted by its own petard.

1:14:27

And then AI is like AIs are going to lead to the democratization of creativity.

1:14:37

Oh boy, okay, and that was it.

1:14:41

That was his story and he was just like they all lost their minds because, and he also said that there was.

1:14:50

He started to see, like these storyboarding AI things where you just put the script in there and it spits out a storyboard.

1:14:59

And he's all like that's just, it's going to be a bloodbath.

1:15:03

He says it's going to be bad and just like one program is going to make 20 people instantly lose their jobs, and it's like.

1:15:12

He's like. You know, there's stuff that's real with comedy, I still am not convinced that it's ever going to be able to write comedy.

1:15:18

That's my opinion, you know we could be proven wrong.

1:15:23

Yeah, listen, who knows, but he at this point, but he's like the preschool stuff.

1:15:28

It's just just you don't need humans anymore.

1:15:32

You're not going to need humans for tons and tons of things, because it doesn't you know, there's nothing there to be.

1:15:37

You know, the stuff is very simple to begin with.

1:15:40

I mean, it's very and it's very formulaic, like you put in A plus B plus C, and then it's just like yeah, I can give you a hundred different versions of that in 10 minutes.

1:15:49

What's the lesson? Let's do the lesson. Yeah, and says this this is that, this is that.

1:15:54

Oh, what happened here? Oh, I just did this thing and you know, certainly super creative people are going to still draw super creative things and they're still going to be made into creative things and yeah, yeah, yeah.

1:16:06

But it's those, it's that low, that first level, because there's still going to be people that have to oversee that script and like, make changes and make sure it makes sense.

1:16:15

Yeah, but you know we're fucked.

1:16:19

No, we're, we are so fucked.

1:16:23

We're old and we'll be gone by the time that people have to truly deal with all this stuff.

1:16:28

That's probably true, we are. We are old, so we're already screwed, is what you're saying, I believe.

1:16:33

Yes.

1:16:33

Here's what, here's my counter, my counter story of AI.

1:16:36

Real quickly, we do at work every year.

1:16:39

We do like a children's day where we invite kids to come and like hang out the control room and put on like a fake newscast.

1:16:46

Kids love it, it's very fun. We used AI this year.

1:16:50

This past, there's a couple months ago now, we used AI to just draw us some pictures that we could write news stories off of, and it was we were asking for like news stories.

1:17:01

I can't remember the prompts that we gave. It was like news stories about kids doing big things essentially Right.

1:17:08

One of the one of the pictures it returned was like a kid that was basically a Frankenstein.

1:17:16

It had been sewn together and was part robot and there was blood everywhere on the screen.

1:17:21

We're like what is happening? So sometimes AI doesn't get it right.

1:17:25

That's just. That's the story about that.

1:17:27

So you know there's still some kinks in the system.

1:17:30

We got some time. We got at least two months.

1:17:32

Yeah, now what's your movie?

1:17:39

What did you enjoy?

1:17:40

Well, I was doing something and I watched a trailer for something, and it was by the guy that is Mr oh God.

1:17:48

I watched the Ghostbusters one.

1:17:50

I haven't watched it yet I thought those are your saying Are we going to do it as much?

1:17:56

Yes, I think so.

1:17:58

I mean, you know, it's like who can we put in a Ghostbusters costume this time?

1:18:02

But it looks like it's going to be the kids and Paul Rudd and Kerry Kuhn are going to be the Ghostbusters.

1:18:08

Sounds like a family thing, I don't know. It's like mom, dad and kid Ghostbusters.

1:18:13

I don't know, and people like this more than female Ghostbusters.

1:18:16

You got to be shitting me. It's unbelievable.

1:18:19

I mean, I don't want to see female Ghostbusters, but that seems more relevant to me.

1:18:23

Thank you, okay, I think I never had a problem with female Ghostbusters.

1:18:30

I had a problem with Paul Feige Ghostbusters.

1:18:33

Sure, that's my problem. Sure, yeah, that looked terrible, but I was watching some, some trailer and it looked really good and it was by the guy, the Mr Robot guy.

1:18:44

Oh, okay.

1:18:46

Whatever? His name is, and so I was all like.

1:18:49

So I was like, oh, who is that? And I looked it up and I was looking at all his stuff, and then I realized he did this show called the Resort, which was on Peacock, which I always meant to watch, and so I was like oh okay, I was just watching that.

1:19:02

It's great.

1:19:04

Totally great, is it? Leave the World Behind.

1:19:07

Is that the new movie? I think so, yeah. What is it?

1:19:09

It's the writer, I assume right? I think so, yeah.

1:19:12

Sam Eschmael, eschmael.

1:19:14

Yeah, he just executive produced this show, but what's the Leave?

1:19:18

the?

1:19:18

World Behind. Who's in it?

1:19:19

Somebody's in it Julia Roberts, Mahershala Ali and Ethan Hawke oh god, that looks really.

1:19:25

Yeah, it looks very interesting.

1:19:27

You don't want to be, okay, yeah.

1:19:29

It's the whole world collapsing. You know there's a lot of good.

1:19:32

What a treat there's so many good things coming up.

1:19:35

The three-body problem I just watched that trailer again.

1:19:40

Have you read the book? No, I haven't read it.

1:19:43

I bought the book, so I need to read it before I see the movie.

1:19:45

When does the movie come out? Is it a TV show or a movie?

1:19:48

January?

1:19:49

I believe it's either HBO or Netflix.

1:19:53

Oh boy, I gotta get on that.

1:19:55

I've watched the trailer a couple times. When it came out, and then I just ran across it again, I was like holy moly, I'm watching this.

1:20:01

Okay, it's got the Chubby Guy from Moonfall.

1:20:06

Yeah, it's the watch of McCallan guys.

1:20:09

It's the Game of Thrones guys. Oh yeah, I mean that's where he's really from.

1:20:14

No, it's the Game of Thrones guy making the movie, making the show.

1:20:17

I was just relating it to our show yeah, I got it it was Moonfall.

1:20:21

Do you remember that great movie?

1:20:24

That's one I did not enjoy, but I'm sure that's a movie that if it was on, I would leave it on because it's kind of silly.

1:20:31

Oh yeah, yeah it's very silly.

1:20:32

It's definitely one of the better late role in Emerics.

1:20:38

I mean it's no White House down, but nothing can be.

1:20:42

And then then the Brit Marling crazy something at the end of the world where there's like a murder mystery, it's like a house that's in the snow but it's a disaster.

1:20:55

It's totally crazy. That's come, I think, this month.

1:20:58

I'm ready for that.

1:20:58

There's so much good television.

1:21:01

So a lot of stuff out there that I'm not watching, yeah.

1:21:04

I'm rewatching Let me tell you Love Island Games on point baby, having a great time with that.

1:21:10

Oh man, and the Golden Bachelors almost over.

1:21:13

By the time this comes out it might be over, I'm not sure, but man, we did the Women Tell All last night.

1:21:19

Oh boy, I was crying.

1:21:22

You're crying at the Golden.

1:21:24

Bachelors. It's Dan. I think if you watched you would cry to your sentimental bastard.

1:21:29

And this is all about people in the older generation like refinding love and being like, hey, my life's not over, I can still find it's beautiful.

1:21:38

It is beautiful Also some very attractive older women on this show.

1:21:43

Dan, oh boy, I'm just gonna say that.

1:21:49

Well, there it is. Well, tony, we've talked about AI, we've talked about all this other stuff, wasting time.

1:21:56

You're supposed to be telling us what movie we're gonna watch next week.

1:22:01

I think you've already seen this.

1:22:03

I'm just not sure and I feel like you said you liked it.

1:22:07

I don't know, but we're gonna watch this because it doesn't look good.

1:22:11

But I'm sticking with the family friendly theme and we're gonna watch the Emoji movie Did you watch the Emoji movie.

1:22:18

It's supposed to be so terrible.

1:22:20

Okay, when I was deciding, I was like I feel like Dan saw this and he liked it, but I'm gonna do it anyhow because Dan's an idiot is what I said, but not wrong there?

1:22:29

No, no, no, no. This movie is supposed to be beyond terrible.

1:22:33

Yeah, yeah, yeah, it looks real bad.

1:22:35

Very terrible things about this movie.

1:22:36

It's been on my list for since like day one.

1:22:39

I think no, that's a good one, I mean I've thought about it once or twice, but I've never written it down as a viable movie for us.

1:22:46

But it is. I think it's what's his name.

1:22:48

Is guy from Parks and Rec.

1:22:52

Is he in this? I know? I'm pretty sure he's in it. I don't know who's Parks and Rec.

1:22:56

I don't watch TV. I know that the main guy is Mr TJ Miller.

1:23:03

Oh, TJ Miller.

1:23:05

Yeah, and he's a problem just by himself so that's great news Very funny.

1:23:09

Yeah, I don't know, I can't even find it.

1:23:11

Now let's look at it.

1:23:13

Okay, we're gonna do the emoji movie.

1:23:15

I may assume you can watch this somewhere on the internet.

1:23:18

They haven't taken it down. I didn't look.

1:23:20

I didn't even look. I'll find it later and I'll tell you.

1:23:22

Let's hope it's still available to watch somewhere.

1:23:25

Worst comes the worst.

1:23:28

I'll support them and I'll buy it. Don't worry, dan.

1:23:30

There it is so we'll be back next week with the emoji movie and if you like what you see, give us a thumbs up, leave a comment or do any of those other things that you can do because we're trending up lately.

1:23:41

We're getting better numbers. Oh yeah.

1:23:44

Wow, good for us. I'll tell you what the podcast not doing so well.

1:23:48

So go ahead, leave a comment on the podcast side as well.

1:23:51

Oh, the podcast. Remember when podcasting was the thing I do.

1:23:54

I remember and I thought that we were gonna crush it, but instead we did not.

1:24:00

Oh, well, here we are. We'll see you next week.