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Episode 396 w/ G Herbo

Episode 396 w/ G Herbo

Released Friday, 9th February 2024
Good episode? Give it some love!
Episode 396 w/ G Herbo

Episode 396 w/ G Herbo

Episode 396 w/ G Herbo

Episode 396 w/ G Herbo

Friday, 9th February 2024
Good episode? Give it some love!
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Episode Transcript

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0:11

He is drink chants, motherfucking podcast man. He's

0:15

a legendary queens rapper. He ain't

0:17

agree. That's your boy in O R E.

0:18

He's a Miami hip hop pioneer,

0:21

put up as d J E f N.

0:22

Together they drink it up with some of the biggest

0:25

players, you know what I mean. And the most professional,

0:27

unprofessional podcast and your

0:30

number one source for drunk drink chans

0:32

mo das New Year's c That's

0:34

it's time for drink Champions. Drink

0:37

up, motherfucker mother. What

0:43

a good be hoping the winship be This your boy in O R

0:46

E? What up is DJ E f N? And this minitamy?

0:48

You have to make some of the now.

0:54

This brother here man comes

0:57

from one of the craziest cities in the world.

1:00

He's been putting this down since two

1:02

thy and eleven. Everybody

1:05

in the industry, nobody has nothing

1:07

bad to say about him. That I that

1:09

I came in cross with. This

1:12

is our first episode of twenty twenty

1:14

four. We are so happy

1:16

to be back and to introduce shot

1:20

Town's own the one and only

1:22

motherfucking g Herbo.

1:27

Going on. What's the word? What's going

1:29

on? Good man? I'm happy to be here. Man,

1:31

Okay, you're a funny Marcael y'all good? Yeah

1:33

heah yeah, man,

1:37

So what happened?

1:38

Just tell the people because I know you did a phone call

1:40

like explain to some of it. But Jame, you got

1:42

get a drink. I want to ask stories

1:45

with a club,

1:48

so down a limit. Ah, So what happened?

1:50

So look, Marco first and foremost

1:53

like that's my man had a relationship

1:55

probably to doing the interview and shit.

1:57

So originally Sizzle

2:00

was supposed.

2:01

To did the interview like okay for

2:03

the episode and they had it

2:05

like his production staff told us to like

2:08

troll them like it was supposed to be a surprise to come

2:10

on that to control him. Oh weren't

2:13

originally just own bullshit with you

2:15

know what I'm saying.

2:16

But we was a little.

2:17

Like off the salt was you

2:20

know what I'm saying, extra overboard. But the

2:22

whole thing was to come on there and like intimidate

2:24

him on his own show, like pulling him on him,

2:28

put on him. Yeah, and I

2:30

spoke to him like before

2:32

it even came out, and you know what I'm saying, we was

2:34

good, Like I ain't know where if it was

2:37

like a confusion between our staff

2:39

and his production team where they was thinking

2:41

we didn't want it to come out.

2:42

We was like, no, it's cool. I ain't really tripping.

2:44

You feel what I'm saying, Like public perception and what people

2:46

going to take from it, that's another thing, But

2:49

that's the name of the game. That's what come with it, you feel,

2:51

I'm saying, we got to be able to take that you feel. But it

2:53

wasn't like no bad

2:55

blood or no no shit like that, you know what I'm saying.

2:57

Like I know they was because he was saying like after it

2:59

came came out, like no, take it down,

3:02

take it down, like we ain't never do that, Like I ain't never

3:04

tell him like nah, bro, we got us looking crazy

3:06

and some shing like that.

3:07

It was still all love.

3:08

You know what I'm saying. What's you surprise how

3:10

I l that went? Yeah? I was wherever

3:15

was you at? Well was when it

3:18

happened, Like I mean like when you was in Atlanta.

3:20

I had hit him like I hit him and told him

3:22

like no, it's good. You knowee what I'm saying, like the

3:24

ship with with with the Watch and all that ship,

3:27

Like, bro, I got you up. You know what I'm saying. You

3:30

know, it's had on something. At one point, Bro,

3:32

we was doing

3:36

so what you say, But no, I

3:38

was like, it's all love, bro. I know,

3:40

like had came out to the internet. It looked like Nigga

3:43

was on some bullying ship. That's that's that

3:45

was a word that was thrown around, like

3:47

bullying, and that's what That's when I really like

3:49

took yours. But I didn't want to like put nothing

3:52

on the internet or like I don't know how to really play the

3:54

internet, like go back and forth,

3:56

even when it's defending myself. Like you know what I'm

3:58

saying, I know, if it's real love between brun

4:01

we got to understand that that was all that mattered to me

4:03

as long as he knew it was the respect between

4:05

us still, you know what I'm saying.

4:07

I mean me as outside of looking in

4:10

I saw it. I thought that was

4:13

a joke that everybody was in on

4:15

it.

4:16

I'm telling you, like he always too that was

4:18

come and like troll him and intimidate on

4:21

the show. But then when they tried to spend it

4:23

like we was on some bullying ship, That's when I'm like, no,

4:25

I ain't really with that you feel me because I got fans

4:28

that probably you know what I'm saying, situations

4:30

with bullying, and I ain't with that.

4:32

I got kids, right, because

4:34

he always does that awkward stare right like

4:36

he like like he tried to make you seem

4:38

like you ain't making sense.

4:40

That's what I'm scared of that show.

4:42

That's his whole interview style.

4:43

You got really like

4:47

like the people who had the best interviews with him, the people

4:49

who could like troll him back to

4:51

switch it back on. Yeah, that's what we taught.

4:54

Let's make no noise for you

4:58

now. Now we all heard the

5:00

rumors of uh, you

5:03

supposed to be going to jail for five years

5:05

by the grace of God. You know what I

5:07

mean, you motherfucking you.

5:11

You was on vacation, but you left on probation.

5:15

Goddamn goddamn drink that

5:20

Jesus Oh ship, that

5:22

swiggling like a catwoman.

5:24

Holy mo. So what happened?

5:26

Like you gotta be fuckingstatic,

5:29

man?

5:29

Yeah, yeah, man, you know God

5:32

man for real, we got to get all

5:34

praise to God for show, but just

5:37

you know, staying alone, staying the course and

5:40

a lot of.

5:40

Money for show.

5:41

You know what, I'm saying a lot of to stay

5:43

free, and at the end of the day, it

5:45

was taking accountability. You feel me for

5:49

a minor role in some ship, you know what I'm saying,

5:51

and just me being a kid being

5:53

I aid to the fact I don't like everybody

5:56

that know me, and I'm being personal like I did some

5:58

ship.

5:58

I really was able to sit across from.

6:00

My judge and tell them, like, you know what I'm saying, I

6:02

barely know, not even use my cell phone, like I ain't

6:04

never committed fraud against nobody. You know what I'm

6:06

saying. You feel me like I was

6:09

accepting full accountability for whatever

6:11

my role was in the whole situation. You know what

6:13

I'm saying. I wasn't

6:15

doing that to further my career or nothing

6:17

like that.

6:18

She's doing PPP loss.

6:20

Nah, they thought I was doing some shit like basically

6:23

using funds or fraud or

6:25

cards or whatever identity of some

6:27

shit to fun videos

6:29

and shit like that. I've been making money since I was sixteen

6:32

years old, off rap already. I was already

6:34

well off when that whole situation

6:36

to court. You feel what I'm saying, It

6:38

was basically me paying

6:40

for goods like basically like if I'm a

6:43

jet, I'm paying half for the shit. Like if

6:45

it's forty thousand, I paid twenty thousand. I

6:47

gotta have cash already to do this shit, you know what

6:49

I'm saying. So it's like it was a situation

6:51

like that, but I was seventeen

6:54

eighteen at the time. I'm twenty eight you feel me,

6:56

my judge, No, I never even think about

6:58

committing any type of crimes. I'm a real father,

7:02

bade and citizen. I pay taxes, you know what I'm

7:04

saying. So it's like it's really just with me accepting

7:06

full accountability as a man in my and

7:09

my judge really knowing you know what I'm saying, I'm trying

7:11

to still straight and be on the up and

7:13

up, you feel me, And really I

7:16

believe in being vulnerable and just talking

7:18

about situations because you know where to help

7:20

the next generation that helped you, somebody looking

7:22

up to me, you know what I'm saying, Because you got to just

7:24

accept about it and whatever

7:27

role or whatever you do in life and whatever is,

7:29

you got to be able to just stand up and take

7:32

whatever punishment if there is a punishment.

7:34

You know what I'm saying that My judge knew I was

7:36

willing to do that, and by the grace of God, he let

7:38

me walk out black judge, white judge,

7:40

white judge space noise for white judge. I don't

7:42

know

7:47

my judge, Sure, he definitely

7:49

gave me grace, you know what I'm saying, and my family

7:51

in there, and I was able to walk.

7:53

Out a free man. God damn.

7:56

One thing that's just so like me

8:00

going through life.

8:01

Right. I always know,

8:03

like.

8:03

The guy with the ice gral, he's probably not the

8:06

guy that likes

8:07

he's throwing up a front. One thing

8:10

about you, You smile, and

8:12

I believe your smile. That lets

8:14

me know that you've been through a lot.

8:16

Appreciated bro, because one of the motherfuckers smile

8:19

and it's sincere like when you smile,

8:21

I smile like I've seeing you Like,

8:23

I'm like, yeah, nigga, I don't know what you're going through.

8:26

You was listening to my song.

8:27

One day more than he

8:30

was having a Puerto Rican was having a goddamn

8:32

ball. I was like, Damn, I'm not I'm not

8:34

there, but.

8:37

I can tell without you.

8:38

You know, you don't have to be bragging

8:41

or whatever.

8:42

Whatever.

8:42

I can tell you've been through things? Is rap

8:45

something that is

8:47

it all that you thought it was gonna be?

8:50

Yeah, it's like on the

8:52

flip side though, like me like

8:54

what I mean and what I thought it was gonna be as far

8:56

as like the

9:00

pros that come with it, nah, but like

9:02

just the responsibility and what you take on

9:04

and just like actually like I

9:06

believe in like purpose and that like I really

9:08

feel like I was meant to do anything I'm

9:11

doing that while adversity everything

9:13

I ever had to overcome. That's why I'm able

9:15

to smell. That's why I just be so grateful

9:17

for any situation. I take

9:19

the bad with the good, and I don't really look at

9:21

the bad like it's a bad. I just try to learn

9:24

whatever situation I'm going through so I could come

9:26

out on top of it. Like that's why I'm able

9:28

to just be able to smell through all the

9:30

bullshit. So what I mean like I

9:33

felt like what I mean by when I said, yeah,

9:35

that it was everything I thought it was gonna be because

9:37

I really had

9:39

vision for this, even as when

9:42

I first like made a decision

9:44

like all, I bet I'm finna really do this raption?

9:46

And what age was that when you made that decision.

9:48

Come to yeah, like on the serious

9:51

tip, like yeah, like sixteen years old, six ten

9:54

years old, for real, for real. It was like I

9:56

always had the vision to be this one day,

9:58

Like I always wanted to do it independing

10:00

route better on myself. You feel what I'm saying.

10:02

I always hear aspirations of being able

10:05

to be in a conversation with like

10:07

you know what I'm saying my peers in the greatest,

10:09

Like.

10:11

I'm saying this because I'm a humble nigga.

10:12

I don't want to jump the gun, but I always

10:14

wanted to be considered like a legend, like I looked

10:17

up to the holes the waynes and I want to

10:19

be considered like you're letting niggas,

10:21

You're letting your nigga. I'm

10:26

sorry, I'm sorry. I got for real though, bro,

10:28

So I knew what it was gonna

10:30

take to get there. So I took everything that came

10:33

with this ship, all the ugly and I never complained

10:35

about it. I just did it, and it

10:37

always benefited me because now I'm here, Like

10:40

you said, you know what I'm saying, So it's like that's

10:42

what I mean on the flip side of it, because it.

10:44

Ain't always like glittering gold.

10:46

People on the outside looking in and they think this ship

10:48

sweet, like it's, oh yeah, what's

10:50

some of the ugly? So people, the ugly is

10:53

just being able to take a loss,

10:55

whatever the loss is, you know what I'm saying, Because all

10:57

this ship come with losses and trials and tribulations,

11:00

being able to take that, especially as

11:02

a man and a leader. Like I was just talking

11:04

to my brother the other day, like everybody don't

11:06

got the ability to be able to lead in

11:09

general, Like not even with no music, just

11:11

your household, everybody in a family. I just told

11:13

them, like, everybody gonna stop what they're

11:15

doing and follow you if that's what you

11:18

say. If they if you say go left, you people

11:20

gonna go left. Like the ability to lead. I

11:22

always heard that. So when you got that, it's a lot

11:24

of weight that come on your shoulders. You know, I've

11:27

been in that roads. It's alway sixteen seventeen

11:29

years old. So it's like all the ugly, that's the downs

11:32

that come with that shit, because it's like you gotta deal

11:34

with family, you gotta deal with music, you gotta make all

11:36

the sacrifices to be like, oh

11:38

what a by any means type of you know what I'm saying,

11:41

shit attitude. You feel me like it's whatever

11:43

it takes for me to get there. Sometimes you might

11:45

hurt the people you love along the way. Sometimes

11:48

you might lose people along the way. But by any

11:50

means, I'm still gonna get that you feel I'm saying a lot

11:52

of people don't really get that drive and that dedication

11:54

and that shit like a gift and a curse because they put a lot of stress

11:57

on you. I had a lot of stress on me since I was

11:59

a kid, but I always just

12:01

took that ship and rode it and like

12:03

made that ship look easy. You know. I'm like niggas

12:06

say I'm smiling, but it's like you don't know what a nigga going

12:08

through. I'm just grateful for everything

12:10

that comes with this ship. You feel me. So, we can't

12:12

have a bad day as a rapper. You can't have a bad

12:14

You can't have a bad if you're not in the mood to take a picture,

12:16

to stay homes over with, don't do through

12:20

the shows, don't go You know what I'm saying, You can't have no

12:22

bad days no matter what you feel me. You

12:24

know how that ship. Yet when you think Drake

12:27

is sending that hook, well,

12:29

I'm gonna get old Drake. Ass. I

12:32

just feel like it's coming broke,

12:35

broke, I really I ain't gonna

12:37

lie. I got out of like the mood

12:39

of just sending songs though I'll be having so much

12:42

going on.

12:42

So you're trying to tell you Drake actually to send

12:44

a song, and you said.

12:45

No, no, Hell, I

12:49

sent them the song. I sent them songs. But I really

12:51

feel like I really just get in anyway, like type

12:54

of time bro on. Yeah, like we say

12:57

the same stupid thing. Stud that's

12:59

that nineties. That's

13:03

why the music came out.

13:04

Better back then is because we didn't have the option to

13:06

send versus like if you have

13:08

to do a record with Fat Joe Chemisal.

13:11

I had to go to they had to go to their studio.

13:13

They had to go to your studio. Chemistry,

13:16

and you build a bond that comes through

13:18

in the music. I feel like my best ship

13:20

come out like that. Anyways, you're

13:22

together. You got a lot of features.

13:24

You're telling me. Most of your features is

13:27

yeah, I'll be here, Yeah, I'll pull up, You'll

13:30

go to hell.

13:31

Yeah, Okay for real, we're gonna get

13:33

to that. You've got a lot of features. Goddamn it, everybody

13:35

hip hop love you.

13:37

Yeah, I don't know.

13:37

I heard you say one time you don't

13:40

think hip hop love you back.

13:41

I was saying that on some like not the industry,

13:44

but not the love that you actually get from being

13:46

in hip hop. What I mean, like you

13:49

know how that should go, like they love you, they hate you, then

13:51

they love you again. Yeah, everything

13:54

over come. Yeah, all the adversaries. So if you don't

13:56

know that, people don't take that, That's what I mean,

13:58

Like, you gotta look at it like they don't love

14:00

you back, so you don't expect nothing. Just do

14:03

you you feel what I'm saying. Nah, I'm

14:06

talking about like nigga, Yeah, I

14:12

can't because I know you strategy.

14:16

That's that's how you that. That's why I keep.

14:20

I can say, never

14:22

play talk about yourself wrong because

14:25

your body doesn't understand your pot

14:27

You know what I'm saying saying?

14:29

You know what I mean?

14:29

Deep?

14:31

Come on, man, let me get

14:36

that right there, because

14:38

with thinking that, you know, sometimes it just put

14:40

you in the manse that like you're not being

14:42

as motivated, like don't care. You

14:44

know what I'm saying, like I'll be trying to put myself

14:47

in the man said to always be motivated.

14:49

I don't want to have no date just thinking about negative

14:51

ship too, right, I gotta do

14:53

some like productive in some type of

14:55

way.

14:56

Let me let me, let me ask you about

14:58

about your city, right, one that I used

15:00

to go to the Chicago. You know, I got family in Chicago. Got

15:03

Spanish and Black family in Chicago. They

15:05

don't talk to each other, but yeah,

15:07

they gang, they opposite gangs.

15:09

They don't fucking each other.

15:10

And I'm not making they're gonna try to bring them together

15:12

to the They're

15:14

not family, right, Oh, I

15:16

guess you got

15:19

he got Puerto Rican family that are family that don't

15:21

talk. Don't you got that too? You

15:23

got that too.

15:24

But Shottown,

15:27

Chicago is a beautiful city.

15:30

But then it's it's.

15:33

The flip side show. Do you still live in shot

15:36

Town? No? No, hell no, I just go back

15:38

to go visit family and go take care of benness

15:40

I've been.

15:41

That was one of the things that like I

15:43

did first, like I.

15:45

Just here to get in a mental headspace where I couldn't

15:47

be in Chicago that shots too. It was crowding

15:49

me. I got out of Chicago when I was like twenty

15:51

one, twenty two years old. Yeah, I've

15:54

been at it. You believe that most rapids

15:56

downfall is staying in their own city for sure?

15:59

Yeah, because it

16:01

ain't even got a lot to do it to. Hey, it's just the

16:04

you know, the comfortability too. You get

16:06

too comfortable around your people. Everybody know you.

16:08

You get accessible like a lot of this ship just

16:11

you know, like you got to lead or become

16:13

bigger than the city. I

16:15

tell you I can't. When I go to

16:18

New York.

16:19

It's the worst thing for me because one I

16:21

don't know how to not answer the phone right.

16:24

Like, I got that problem. Got that problem? Oh,

16:26

get out of that. Get out of that.

16:28

I've been going through it for twenty years. You

16:30

don't want that problem. You gotta learn how to cut people

16:32

off. I don't because I trying

16:35

eventually still answer.

16:37

Yeah, I know.

16:37

I'm not supposed to be with this dude. I know.

16:39

I know what. I posted a picture at Newark

16:42

Airport. This dude hits me. I tell him

16:44

where the hotel is. He's like

16:46

cocaine. Still, he just

16:48

left the block. Why why did

16:50

I do this? What am I trying to prove did

16:54

I still got connections. It's

16:58

the comfortability, I'm telling your nigga, just comfortable

17:00

like these my people's holy

17:04

molyam.

17:05

But so for a person who's never

17:07

been to shot Town, can you describe it?

17:11

I always do. Like everybody like that's

17:13

never been there, they feel like it's just like

17:16

the wild wild West running

17:18

around there everywhere. It's really like

17:20

he said, that ship super beautiful. You got

17:22

good ass food, a lot of good restaurants. When

17:25

I'm when I'm in the city, I don't really go to

17:27

my old neighborhood. I'll be over there. You feel

17:29

me. I be low key downtown

17:32

and all the beautiful parts and ship. So it's like you

17:34

go down there, it's got good shopping, good

17:37

food. You feel me. But you just gotta

17:39

like be in that realm of things.

17:41

You feel me. Once you go to Chicago and you

17:43

want some tourist ship trying to go ride

17:46

through old Block, everybody

17:49

the city's anybody try to do that, and now you

17:51

feel like tourists and ship. I used to do that

17:53

every place. I used

17:56

to do that too. As soon as it's to do, you're gonna

17:58

go to the trenches immediately, You're gonna go to whatever

18:00

hood right there. You know what I'm saying, Like, you know

18:02

but if we knowing

18:04

what's came with that back then it's before the

18:07

really like when I started traveling twenty

18:09

eleven, twenty twelve, going to New York, going

18:11

to all these places and stuff like that, like Internet

18:14

one really super lit like that everybody

18:16

wasn't posting everything, so we was

18:18

going right to the hoods

18:20

soon as you touch down in any place, you feel me like.

18:23

But now people going down to the hood they record

18:25

podcast out broadcasting where

18:27

you are anything coming that your

18:29

tours. It ain't even gotta people be the people who

18:32

from around now that fuck with you. You know

18:34

what I'm saying that you don't know who watching your page.

18:36

You feel me like, and they know you before you ever

18:38

know who they are.

18:39

Exactly you feel me But like Chicago

18:41

is smooth or Brian, I go back

18:43

home because I love be on my fa beautiful city.

18:46

Hell Ya, I tell people all the time you go out there,

18:48

you really enjoy yourself and ship little

18:50

spots. You gonna go kick it chill this place

18:52

you could be with your kids and ship. You know what I'm saying,

18:55

It's super smooth. You got beaches out there too. Yeah,

18:57

we got lakes.

18:58

Yeah, that type of shit lakes. Now they got a

19:01

lake. It's a lake, bro, No, it's a leach.

19:02

Spots beach that beaches, but

19:05

it's it's basically Lake Michigan.

19:06

Yeah, bro, what you think name was by an ocean man?

19:08

What you think I see a beach lake?

19:13

Only got ship. I

19:19

can't lie to you.

19:20

My brother brought me to he said,

19:23

one of the number one piece of spots in

19:25

the world, Chicago. It was called come

19:27

on you, you got to eat the pizza

19:29

with a fork in the night.

19:31

I love that.

19:32

That's not they took the Donalds.

19:34

He tried to come on with

19:38

the deep disch, but people from Chicago don't eat

19:40

deep dish. But really, yeah, that's right. New

19:43

York we got the best life. That's like tour stopped.

19:46

Y'all. Man, you want to clap. You know New

19:48

York got the best pizza. New York got the best

19:50

piz De Troy pizza is good, though I

19:52

ain't never heard. I

19:57

never heard nobody nobody you

20:02

what what are you gonna say? Jk just joking,

20:07

yeah, just kidding. No, it's

20:09

no Jesus Detroit but big up to the trick trick.

20:12

You know that's my people out there. Oh

20:14

ship boom, you

20:17

better got blue Booe cross Yeah yeah

20:21

are they have Yeah they have of course

20:23

yeah yeah your hell you got a

20:25

bulletproof. Put me on level

20:28

six for the bomb proof or thing

20:31

damn bomb proof the Cadillac Cadillac

20:34

truck like like two

20:36

eighty four.

20:39

That's not bad actually, but you're not trying to

20:41

go to war.

20:41

Now, trying to make

20:44

sure, like

20:46

I ain't gonna lie, bro, growing up in the streets, like

20:48

I always hit a mass. I never put nobody

20:51

out love in Harm's weight, no matter like even

20:53

with like I'm just paranoid.

20:55

I don't even be having ship going on.

20:56

I get I get real love in my city, bro, like

20:58

I'll be able to pop out and shit. But always

21:01

like even like what I'm saying is when I was

21:03

young as a kid, like I never when I used to drive

21:06

cars, I always had cars sixteen seventeen.

21:08

I never used to have my mom in the car. I never

21:10

used to have my sister in a car because I just was

21:12

paranoid if anything happened. I'm putting people

21:14

that I love and Harm's way always saying,

21:16

I'm going to be able to make sure my people safe when

21:19

I really get some real money. You feel me. So I'm round

21:21

with my kids. I want to make sure no matter what, my

21:23

kids, everybody that I love

21:25

family is safe.

21:27

When we ran in Chicago, you never know what.

21:30

Cars just for Chicago, Yeah for real, Okay

21:32

in Chicago like that, ain'

21:34

you're gonna make nobody want to go to Chicago right

21:37

now?

21:37

No, it ain't even that. It's just like you don't

21:39

never know what happened. You know, it's dangerous

21:41

everywhere. You treating me what you just said, and Kanye,

21:44

this isgerous.

21:47

Just like it's different.

21:48

You know what I'm saying, Like you never and what

21:51

I'm saying is I'm from there. You never know

21:53

who love you, who hate you? You know what I'm saying. So

21:55

it's like I got to make sure I'm straight at all

21:57

times.

21:58

I don't take no chances that a car is

22:00

that everywhere kind of it's just Chicago morning.

22:03

I mean everywhere, a lot

22:05

of rappers. You know what I'm saying. Go back home and

22:07

feel like that.

22:08

You feel me especially, you know that paranoia

22:11

not you know, you gotta always be on point

22:13

anyway. Because you're an artist. Everybody know you gotta

22:15

like you showing love. You don't know if they live real

22:18

or not. You just gotta always be on your square

22:20

all times, you know what I'm saying. You know what's crazy

22:22

about That's what I feel like being in Chicago

22:24

because I don't know who was who? You

22:26

know what's crazy about Chicago. I

22:29

remember at one.

22:30

Point I used to go to queens Bridge, right, and

22:32

it's to be A and R's just hanging out in queens Bridge.

22:34

They didn't know they was in the most drug infested

22:36

places in the world. They're just sitting there

22:38

trying to find another nos and they're sitting there

22:40

trying to find another mob deep. It's so

22:43

many people that go to the coast side

22:45

rack trying to find another version of y'all,

22:47

and they putting themself at harm's.

22:48

Way, and sometimes they got to do that though they take

22:50

that risk. I ain't gonna lie.

22:51

That's why you got a shout out to Mickey Houston. Bro. That

22:53

was that when I first started rapping.

22:56

That was my that was my manager at

22:58

the time. Heat when I first met him, Bro,

23:00

I was what sixteen

23:03

seventeen years old, probably no I

23:05

was fifteen, like fifteen sixteen, and

23:08

I always been bad with phones. You see

23:10

how I just pulled up my phone all cracked up,

23:12

and shit, I've been like that and I always

23:14

lose phones like so, and I

23:17

know numbers about herd I promise you I know everybody

23:19

knowing that be with me about heart and shit. So

23:21

I used to like not have a phone and not really

23:23

get no fuck, just be standing on the block posted

23:25

up all day because shit, that's what

23:28

everybody outside anyway, if I

23:30

could get in.

23:31

Touch with whoever. But he really used

23:33

to pull up looking for me on my block.

23:35

I'm fifteen years old, with his family,

23:37

got his kids, his wife and the cars, kids

23:40

like two three years old. He pulling up

23:42

like what heard? You feel what I'm saying because he was

23:44

trying to be my manager, and shit, you

23:46

feel what I'm saying.

23:47

And that made me gravitate to him.

23:49

I'm like, damn, this nigga really pulling up right here

23:51

with his fans dangers and the dangerous

23:53

reds on Save Life and pulling

23:55

up four five times like straight,

23:58

like come on, show y'all fuck with you, Like

24:00

damn, He's silent for that with his

24:02

family though, like he's coming from church doing this

24:04

too.

24:05

But it's a little crazy. But

24:08

how was it working with Juice world?

24:10

Man? Juice was he was like a if

24:14

you could describe it, it's like one of them, like

24:17

one of the billion phenomenons.

24:20

Like when you see him, I ain't even I'm not even being

24:22

funny like when you when we first ever

24:24

met Juice, and we just used to see

24:26

his recording process alone, like how

24:29

he used to get in the studio and make

24:32

like six songs in a

24:34

role. But damness,

24:36

like he then made twelve thirteen songs

24:38

because for each song he doing two three covers

24:41

with different patterns, Like he's not saying

24:43

the same shit now hesing the same hook.

24:46

He doing this for like fast

24:48

six songs straights, but making two three covers

24:50

and the first shit he's

24:52

saying so hard. Were not wanting him to erace

24:55

it, were like, what the fuck he's racing it? Afterwards

24:57

he yeah, he ain't even no more.

25:00

He's not statching no version.

25:03

He's just using the one he wanted to use.

25:05

We like, man, like it was some

25:07

crazy shit. We never seen nothing like that, man.

25:09

And it's as just like I was.

25:11

Really in love with the craft like the art

25:13

of it.

25:13

You feel what I'm saying. And it

25:16

was weird working with him like at first, and

25:18

like because he was

25:20

like his ship. He he he's such

25:23

a natural red talent. And that was

25:25

back when I was there and still writing versus a

25:28

long time, like I'll be off.

25:29

The top now I look like okay, I heard.

25:35

Yeah, But that was like when I was really

25:37

still ranking on the phone and he used to go

25:39

so like quick

25:42

freestyling so and that shit was so hard.

25:44

I'm like, it's taking me a long time and like

25:46

you feel me? Like I felt like I

25:48

couldn't really like vab like that. But he

25:50

one of the reasons why I stopped writing a little

25:52

bit, Like I just used to like go off the vab

25:55

with him here and make you do ten fifteen

25:57

songs like you feel what I'm saying because I'm

26:00

looking at it like I ain't gonna lie. It was crazy

26:02

now I'm looking back at it and now that little bro dead,

26:04

Like I

26:07

wasn't really realizing like how much he really

26:09

looked up to me. You feel what I'm saying, like like

26:12

on a like him being a fan of my music.

26:14

I'm so a fan of his shit because I've

26:16

never seen nothing like him before, and he's so

26:18

big, but he's just such a genuine person. He

26:21

not even really realizing how big

26:23

he is for real, for he happy

26:26

to just be doing what he's doing. You feel what I'm

26:28

saying, Like he trying to do songs with me because he thinking

26:30

he's stacking up fifteen g herbro versus.

26:32

And I'm telling him, like, Surety, you the biggest

26:35

shit in the world, Like I'm not finna be rapping

26:37

on all these songs because all he's not even gonna

26:39

come out, Bro, you pop star shit, we

26:41

might drop one of these for my al one of these

26:44

for yours for real. But I feel like he was

26:46

challenging me to be better too, like you

26:48

feel me. But I'm not even looking at it like that, you

26:51

know, like it was just that nigga he

26:53

when I look back at it, like that's

26:56

like I never seen nobody like that, you feel

26:58

me, Like, and I didn't heard that shit from like

27:00

Pluto, from Thug, like from

27:02

motherfucker that like them really the goats

27:04

of this shit, you know what I'm saying, Like that really

27:06

didn't locked in with Bro and seeing his

27:09

recording process and feeling like that's some shit

27:11

they ain't ever seen before. The

27:13

lass was different.

27:14

Do you think Juice world saw how big

27:16

he was prior to him passing.

27:20

I mean yeah, I feel like yeah, and

27:22

then no

27:24

one away could just knowing him, he's so humble,

27:27

like he wasn't really like you feel he was just in

27:29

love with the art of him music

27:31

and he knowing he's big as fuck. Of course he

27:34

knowing, but it's like, I

27:36

don't even I think he was having so much fun with

27:38

it. He wasn't even flying on

27:40

how big he could go, Like I feel me,

27:42

he wasn't even like on some as

27:45

far as like just embracing

27:49

it, like that's the thing. That's what I mean. I feel like he would

27:51

have been ten times bigger if he just embraced

27:53

how big he was. You feel him just

27:55

being such a real pure

27:58

soul. He ain't even like popping it. We used

28:00

to tell them, like pop it, shorty, like get

28:02

out here ship on niggas, Like that

28:04

was never his thing, Like we've been telling

28:06

him to do that, like boy shit on niggas. Well.

28:09

You the one, you feel me like, act

28:11

like you the one he never was on that

28:13

you feel me, That's what I mean great,

28:16

I'm bouncing around on a little bit. I'm

28:18

bouncing around little right.

28:20

This is something that I always wanted to ask people from

28:22

Chicago.

28:23

Right.

28:24

They said that there was a plot to kind

28:26

of like get rid of all the ogs,

28:29

like you know, the Larry.

28:31

Hoovers, right, Like,

28:34

Yeah, I used to hear about that ship.

28:36

And that's how the city became

28:38

wild, like it is you think that's true?

28:40

I believe shit if it's

28:43

like, I ain't gonna say I'm like a conspiracy

28:46

theorist like belief type of nigga, but like

28:48

once I hear like how they break

28:50

it down and ship, Yeah, I do believe that she was true

28:53

because it's not no coincidence how

28:55

shit happened and don't happen you feel, I'm saying,

28:57

like, no matter regardless, I can't. I'm

29:00

I'm twenty eight, so I can't really say what really

29:02

really happened in the past. But as far

29:04

as it when me knowing

29:06

when I grew up and being no guidance

29:09

out here for real, it wasn't like you feel, I'm saying.

29:11

You even had people who was like and

29:14

that's crazy you said that. Because I was having a conversation

29:16

with one of my homies not too long ago, Like

29:20

like even in certain neighborshoods, people was really

29:22

even scared to even feel like, all right, I got authority,

29:25

like I'm finna try to tell these little shorties

29:27

what to do or not be out here or don't you know what I'm

29:29

saying, because they scared to get on some kingp

29:31

and shit they thinking the fuck going grabbing them

29:34

just being having like the

29:36

ability to tell people what to do or

29:38

orchestra even if it is some positive

29:41

outcome, like like these might

29:43

be a neighborhood full

29:45

of street niggas who got criminal

29:48

charges or whatever, but one person come

29:50

and be like, all right, I'm finis straightening this shit up. They

29:53

might really look at them like they own some chief

29:55

type shit. You feel me, And they ain't doing nothing but trying

29:58

to make the shit better. You feel me like I was having

30:00

a conversation with my homie like and that's

30:02

basically touching on the same point you just mad.

30:04

Remember it's not a conspiracy Moore cointil pro

30:06

It has been proven that that's the real thing that the FBI

30:08

was doing back then, exactly depending

30:10

on what you think the intention was.

30:12

But they was really doing that and they was bringing people in.

30:14

There was taking a part of these organizations from the

30:16

top, and those organizations back then

30:18

were really.

30:18

Trying to do community based things. It

30:21

wasn't really street shit back exactly. Like like my brother,

30:25

he's Latino. But when COMPETI

30:27

Green was up, you know, I wanted to go to COMPETI

30:29

Green. This is a good time projects, funny dude. I was like,

30:31

Yo, I gotta go. I got like, this is this restaurant

30:34

called Sammy's. You know, it's fried

30:36

chicken, spies, It's nothing crazy, but I had to go. My

30:39

brother got you know, the coat sign

30:42

and when I got there, I felt the most safest

30:44

I ever felt in my life. It was I felt like everyone

30:46

was just around just like yo, Norway's here, like

30:48

you know what I mean. And the police came searched

30:50

me and Ship, the whole neighborhood was with me, like

30:53

yo, get leaning over alone.

30:54

I was like, oh Ship. That was in the nineties

30:56

though, yeah, exact thing about Chicago though, like

30:59

people you were feel that type of love, you know

31:01

what I'm saying, and like that being

31:03

a project. I ain't from no project

31:05

building, but back then when projects was up, like everybody

31:08

knew everybody. So basically in

31:11

the project, it's probably eighty sixty

31:13

percent of the ass all related families

31:16

and shit, staying all through this shit. So you

31:18

feel me, you would get that type of vibe. Somebody funck

31:20

with you. They gonna definitely make sure you straight. I'm sure

31:22

you probably felt some real

31:24

love because I didn't been to New York and felt

31:27

like that, Like young nigga like eighteen years

31:29

old, and I'm going outside and I'm really feeling like,

31:31

oh, I'm posting up in New York for two

31:33

hours, three hours, I'm all through all types

31:36

of boroughs. You feel what I'm saying, like, you don't really feel

31:38

like that, and when you go to the hood and just embrace

31:41

it, you feel me Like, Now.

31:43

Let's talk about ptsd D.

31:45

I know we were talking about juice word earlier, but that's

31:48

about.

31:48

You think you have PTSD. Yeah,

31:51

what is that? Post traumatic post stress disorder?

31:53

Yeah, I got diagnosed with it. Really, that's

31:56

the ship that motherfuckers in Wall get right, Yeah,

31:59

but you can get what. Yeah,

32:01

I had. That was was I was going to therapy

32:03

though. That was when I first started going to therapy. Therapy,

32:06

so age, but continue, Yeah,

32:09

I started going to therapy prob

32:11

what year that was two thousand

32:14

and nineteen, twenty eighteen,

32:16

and just talking to my therapist, she

32:19

diagnosed me with post roumatic stress disorder

32:21

because I was really I I was fighting

32:23

the case at the time though, Like I had

32:26

got arrested in twenty eighteen when my

32:28

son was born. Y'all got arrested for some

32:30

gun in Chicago. That's

32:33

when I was living in Chicago. I feel me right

32:35

before I moved to LA and

32:39

I was really

32:41

just you know me

32:43

living out there. I ain't had no security, you feel what

32:45

I'm saying. And I was even

32:48

in that situation, like I said, accountability.

32:50

I'm talking to my therapist like I ain't never really

32:52

feel safe leaving out my house as I was fourteen,

32:55

fifteen years old. You feel what I'm saying, Wow,

32:57

And we haven't.

32:58

I was.

32:59

I was with with

33:02

with south Side when it happened that situation

33:04

when I got arrested for the guns.

33:06

You feel me, Like Bro was already

33:08

a millionaire. He had security with him. You

33:10

feel what I'm saying. They was able to get his security

33:13

guard. Cello was on the case. He did

33:15

that, guys, So that was his security

33:17

guard who we paid staff. You feel what I'm saying. I'm

33:20

living in Chicago, I wasn't able to have no

33:22

security guard, So me carrying the

33:24

firearm, I was, you know what I'm saying, basically

33:27

just telling my therapist. I'm telling

33:29

the same shit with the lawyer on fire the case. But

33:31

I was able to get off on that well

33:34

misdemeanor. You feel what I'm saying. But at

33:36

the end of the day, I really like

33:38

I didn't even know what they're like, the

33:41

therapy, the whole situation to me going like

33:44

it was me taking a chance. You feel what I'm saying.

33:46

I was, I ain't really open up

33:48

to like nobody in my life. You

33:50

did it on your own. You chose to go to therapy on your own.

33:52

Yeah, yeah, yeah yeah.

33:53

It was really like it wasn't no court stipulation.

33:55

Nothing like that. I was talking to my lawyer and my

33:58

lawyer like kind of insistent

34:00

on me going, and I just took the chance and just

34:02

really went on my own. You feel me. But like I said,

34:04

like taking that leadership role

34:08

early on, it just I don't really

34:10

I feel like me complaining about my

34:12

situation and what I got going on to the people

34:15

around that that's really depending on me. It's

34:17

like, that's not really you know what I'm saying,

34:20

That's that's the I feel like that's the that's

34:25

that's what's what's really wrong, like with

34:28

for lack of a burn term with it, I'm trying to say, like

34:30

that the stipulation that that they

34:32

that they put on black men growing up, just not

34:35

being able to open up people

34:38

around you and your family, open up to

34:40

your mother, open up to your girl, to

34:42

whoever. You can't

34:44

do that, take it on, you know what I'm saying. So it's

34:47

like it ain't nobody referring therapy. So

34:49

it's like I was

34:51

really I I didn't even feel

34:54

like it was going to be helpful at first, to be

34:56

honest, you know what I'm saying. When I first started going. But

34:58

it was though, like life, just me

35:00

just talking to to her about everything

35:03

I grew up, like experiencing and

35:05

everything that I was going through as a man at that time.

35:07

And she just went on her own and

35:09

and diagnosed me with postramatic

35:11

stress disorder and actually sent it to the

35:14

courts when I was fighting the case at the time.

35:16

And that's how I was able to really get get

35:19

off on the whole situation and get

35:21

and get it down to a to a

35:24

misdemeanor. Basically, what do they give you for

35:26

that? Yeah, I had,

35:29

I got diagnosed, I got the medical card

35:31

they gave me. Yeah, yeah

35:40

that's fire. Yeah, I

35:43

got my car legally. Yeah, that's how I was able to get

35:45

it through having postramatic stressed disorder,

35:48

you know. But and it's like, man,

35:51

really, that's why I had I named

35:53

my album PTSD because it all happened

35:56

around the same time, and that's why I put all

35:58

those people that I had lost on my cover,

36:01

like it was over fifty people on the fifty

36:03

dead faces. You feel what I'm saying because I'm

36:05

talking about all this and therapy. You feel

36:07

what I'm saying, like everything I experience, and

36:09

it's like just the reality of a nigga

36:11

experiencing seeing so much depth. But you

36:14

were able to just act normal all day, navigate

36:16

through your life like ain't nothing going on. You're still

36:18

going to school and it's still going to work, and they're still

36:21

providing for their family, taking care of their kids.

36:23

But all it's still on your mind every day. And

36:26

if we don't really talk about it, it's like you

36:28

got to find a way to like compartmentalize

36:33

with all of that. You feel me, you can't really hold it in

36:35

and still think you're going to have a level playing

36:37

field when you're dealing with life.

36:39

You're going to always be on a roller coaster,

36:41

you feel what I'm.

36:42

Saying because and on that yeah, is

36:44

because most times were you really able to release

36:46

and be yourself, you around the people that you're

36:49

most comfortable with and them people you love. So

36:51

you probably exploding on your woman, exploding

36:54

on your kids, or you know what I'm saying, on

36:56

your mom, whoever the case may be. You feel me

36:58

so like because you

37:00

or you really like hold

37:03

it in where you just go to make a decision

37:06

that you can't in and shit come back from for the rest

37:08

of your life. That's how nigga wind up getting killed,

37:10

Nigga wind up going to jail because

37:12

you wearing this shit on your shoulder and then you snap

37:15

what a ten second decision costs you

37:17

the rest of your life, you know what I'm saying. So it's like that's

37:19

why I started to like open up about

37:21

therapy and name my album PTSD

37:24

and just openly just wear that shit because

37:26

I felt like that was the time of my life when I was most

37:28

vulnerable.

37:28

So I was just rapping about was

37:31

any soldiers offended by that, because like I

37:33

guess that's the most of the people who get

37:35

diagnosed with that.

37:38

No, because I really I did, really

37:40

get clinically diagnosed. So I'm opening up

37:42

about therapy. You feel what I'm saying. And I was

37:44

like, I wasn't saying I was like first

37:47

hearing like paying hamage to the soldiers, But I was talking

37:49

about like how people who live

37:52

regular everyday last suffer

37:54

from the same you know what I'm saying, diagnosis

37:57

that somebody who go to war who signed

38:00

up you know what I'm saying, not saying that

38:02

they work is unnoticed. Of course. The people

38:04

put their life on the line every day, on the on the scale

38:07

that we couldn't even imagine, you

38:09

feel, and everybody's different. At the end of the day,

38:11

it's people who live every day life that didn't

38:14

sign up for that. At the end of the day, it is

38:16

what it is. Post Man stresses saw its

38:18

post Man stresses sort, no matter how you put it.

38:20

And it depends on like people get it in car accident.

38:22

People have a car exactly. They get like it

38:25

was just you guys, yeah,

38:28

domestic abutiy and they get that ship one

38:30

robbed one time.

38:31

People. They get posted like.

38:34

Its really having like

38:36

certain situations that you've been through that that triggered

38:39

you on on a day

38:41

to day basis. So it might be one thing that

38:43

happened ten years ago, but it's like every

38:45

time you get in the car, like you said, you're

38:47

thinking about the situation. Every time

38:49

you're on the bus stop, you're thinking about the situation because

38:52

something happened on the bus stop. Right. Let

38:55

me ask you, how did you become as

38:57

wise?

38:57

Like, because I know we touched on the

38:59

fact that you're twenty eight, but your

39:02

brain is not twenty eight like

39:05

you you advanced and this shit

39:07

Like I sit here like almost

39:10

like I'm talking to my pair, like I know you younger than

39:12

me, but your brain ain't

39:14

telling me that.

39:14

At all, Like how'd you get that? Wise? Man?

39:18

I think I just really to be

39:20

honest, i'mna be completely hungry with you. Man.

39:22

I've just been outside for a long time, really,

39:25

just since I was

39:27

probably twelve thirteen years old. I've

39:29

been hang on my big brother, he older, he five

39:32

years older than me and just you.

39:33

Know, just for five

39:36

years older than he's thirty three. Yeah,

39:38

okay, which means that he forty three, right,

39:41

basically cool.

39:43

Yeah, Wise, It's

39:45

like I've just been always

39:48

and I don't really got nothing to do with like how I think,

39:50

of course, but like I

39:53

think, I just I looked up to him and

39:56

already hear like some type of structure

39:58

just being my own own man. You

40:00

feel what I'm saying it And while I grew

40:03

up at it is like you gotta I ain't even being

40:05

I ain't even lying, bro.

40:06

Like you've done it, even if you're not in the

40:08

streets.

40:08

You gotta dan that be wise or you gotta

40:11

like be a little It's

40:13

like you gotta be a little witty in

40:16

some type of way growing up while

40:18

I came up, you feel what I'm saying, because everybody

40:20

like out for something, everybody

40:22

wants something about you. You feel what I'm saying. So

40:25

when I'm fifteen, sixteen years old and

40:27

I'm trying to rap in at the end of

40:29

the day, my name, I'm buzzing, I'm

40:32

really in my neighborhood, I'm having

40:34

all types of street shit going on. You feel

40:36

me. So it's like I gotta be twice

40:38

as sharp, Like I really want hanging over people

40:40

my age. I was hanging with people older than me. I'm thirteen,

40:43

I'm hanging around eighteen, nineteen,

40:45

twenty, sometimes twenty five years. You feel

40:47

what I'm saying, and I gotta

40:49

you know, I'm gonna get a lot of credit to my pops. Two

40:51

though my dad put a lot of a lot of structure

40:54

in me growing up. You feel me. But when

40:57

when I was outside in the streets, I was on my own,

40:59

though, you feel You're like I

41:01

just had to take what he gave me and try to

41:03

use that to navigate. You feel me, But I

41:06

don't know. It was just experienced a lot of life.

41:08

I've been through a lot of shit early on and just

41:11

like took it for what it is, Like you

41:13

know, I think that's why, like going back to the

41:15

therapy that shit helped me, because like the

41:17

shit was so normal where I come from.

41:19

Like you can't really complain about

41:22

I feel like I said that before,

41:24

and I don't want to sound like crazy or like bias

41:27

or nothing. Like I feel like a nigga like me, I

41:30

feel like I can't even complain about my situation

41:33

or whatever I go through because I didn't seen

41:35

and experience much worse in

41:38

the hood where I come from. Like you think your situation

41:41

bad and you look at one of your homies like, damn,

41:43

he got it worse, way worse. Well,

41:45

this nigga got it ten times worse than me, Like

41:48

it make you just over grateful. Like that's how

41:50

I had that mentality when I was younger, because I'm

41:52

seeing shit like you know, I didn't

41:54

been in the trenches. What shit is so

41:56

fucked up? Like nigga's growing up even

41:59

worse than I'm seeing. So it's like, damn,

42:02

I always had a reason to just be like, my

42:04

sh it ain't so bad. You feel me, even if the worst

42:06

of the worst situations you feel me.

42:08

I want you to enjoy a little more, man enjoy

42:11

it because I got I got a friend I don't want

42:13

to say his name. We hang out right,

42:16

and then we don't even want to take

42:18

pictures because

42:21

we got survivors re morese. We're

42:23

just sitting around thinking like a once we

42:25

take a picture, there's gonna be people hating

42:27

bro, and that's like fucked up.

42:30

Like our wives were looking at each other like yo, some suckers,

42:35

like we out like three days a week

42:37

and like y'ah no, we're we're over

42:39

here.

42:39

We don't want to take this picture.

42:41

Like fuck that I gotta I

42:45

got a real album calls.

42:47

That's what I said. That that's what But

42:53

I know I'm knowing. But it's like the ship that's

42:56

like second nature though you feel me. I don't even think Nigga

42:58

intentionally really beat. It's like like

43:01

you said, like in the beginning of the interview,

43:03

like you ask your phone so much sometimes

43:06

you just don't even want to deal with the energy of

43:08

certain ship that's just not even changed my dad

43:10

or more you feel me all the time,

43:13

never changed, man, I say that ship all the time,

43:15

I be wanting to change my number. But then it's like I be

43:17

thinking, like I know, what

43:20

if somebody really Nigga

43:25

really be feeling like that this real ship? How much?

43:27

How much you think fatherhood has helped

43:29

you mature as well?

43:31

One hundred percent? I feel like fatherhood

43:34

is if it won't for me really having

43:36

my first kid, I would, like, I know,

43:38

I wouldn't have really like grew up and

43:41

just like been on some ship where like

43:43

I know, like what having a kid teach

43:46

you is your first and

43:48

foremost, like your main responsibility. Owe

43:50

everything to them. So you got to make

43:53

decisions knowing that are you owe everything

43:55

to your kids because what happens to you happened today

43:57

exactly. So before you had kids, you feel

44:00

like you owe something to the mother fucker. But when

44:02

you really have kids, you're like, oh no, I really don't own

44:04

nobody shit. I own my kids everything.

44:07

So you know, like that just like

44:10

changed my whole way of thinking when I had

44:12

children. You know what I'm saying, It's like and then like

44:15

no, funny shit, people always ask me, like what's

44:17

my like like most

44:20

places of comfort or happiest place, like no

44:22

matter what I'm going through, when I'm around my kids,

44:24

I could literally just zone out and not think

44:26

about nothing, like no matter what,

44:29

like five regardless, Like I don't feel like I

44:31

had no other vice like studio

44:34

all that should be therapeutic. Q, Like

44:36

you know, I love what I do, but like my purest

44:38

place is just like no matter what, I could be like

44:41

the most depressed ever and be in the

44:43

room my kids and then that shit just literally

44:45

go away, you know what I'm saying. So like even

44:48

if it's for the time being to being around my kids.

44:50

And then when that's old, I snapped back right in

44:53

reality, like I feel like that's the purest

44:55

form of love.

44:56

You knowe what I'm saying here people exactly so

44:58

like and then it's.

45:00

Like another thing is too that should be tweaking

45:02

me out, like no matter what, Like

45:05

I'm learning my older you know, you know son,

45:07

he fat you can be six years old, like he

45:10

know what's going on. But at the end of the day, your

45:12

kids don't really know, Like they

45:15

don't know who I am, what I know, They don't think.

45:17

You don't talk about none of that. They

45:19

don't know. I still think I'm corny with

45:21

my kids. You always doing it

45:23

for like like like like the

45:26

last thing I watching

45:29

my son, I watched Ted. I know that's inappropriate.

45:33

No, No, youngest, we

45:35

watched Ted the series. You've seen that ship on peac racist?

45:40

Very racist? What is hilarious? Yeah,

45:42

he has a series. Yeah

45:45

you think for me on dead Boy,

45:47

I ain't never see that ship into My son watched that. He

45:49

ain't supposed to be watching that. No, No, I ain't gonna

45:51

lie I'm a bad father. Let

45:55

me tur that out there. Don't say you're

45:57

not a bad father, but in.

45:58

This situation is like that cause

46:00

I watched it, and now I start to realize he's

46:03

asking me to watch it because he wants

46:05

to watch it.

46:06

Right, So I'm looking at and then my.

46:08

Wife's getting her hair done, I'm getting a

46:11

haircut.

46:12

And everybody in the house is just looking like, oh my god.

46:15

And I'm sitting there with my son, and I looked.

46:16

I'm like, damn, I'm kind of he

46:19

just made that point over. But that's what I'm saying. I'm

46:21

saying that to say, like your kids don't really

46:23

know like who Like my son.

46:25

He wanting to do the most random ship, and

46:27

I gotta do it, like like

46:30

wherever we at, he want to go to, whatever target,

46:32

he want to go out to, the closest

46:35

jumpy house, the nearest arcade, just random

46:37

ship for the moment. How you

46:40

failures, old, Okay, I'll be having to go

46:42

do that ship, no matter if there's a million

46:44

fans in there at all.

46:46

I just go do it because that's what he wanted to do.

46:48

Like he not thinking about that ship and he not

46:50

knowing like you feel me. So that's what I'm

46:52

saying. Your kids, How you how you're doing the most

46:54

random shit, like fuck it, Like just say fuck

46:56

it. I always do that with one kid, Like fucking

46:59

you're going he got the fatherhood park has.

47:02

Let's make too much for your father.

47:08

Let's do it.

47:08

He don't do nothing. He don't leave the house for ship

47:11

at.

47:12

All, all kinds of ship.

47:14

Yeah, right now you're having

47:16

active and ship with my kids.

47:18

Why they're too busy? Fuck

47:20

the whole crib up.

47:21

You gotta leave up. How many kids you have? Three? Three?

47:24

What's the age one?

47:25

Oh, it's

47:32

fourteen. They going through puberty. I gotta have the

47:34

birds and the bees. I don't know if they already had the birds

47:37

and bees.

47:37

I don't know.

47:38

Like I'm scared. I'm scared of like

47:40

they damn there the homies and ship may

47:44

be telling me let's go to. I

47:48

know why they want to go to. I'm

47:52

alright, got that man, All right, listen, So we got

47:54

a game.

47:56

Wait, yeah, yeah, yeah, you handle

47:58

it. Handle that we

48:00

wanted.

48:01

We want to let you know how much we appreciate you, how

48:03

much you are a legend, how much love

48:05

and hip hop you got is you know That's

48:08

one thing I do when I interview a guest,

48:10

I call.

48:11

I just call.

48:11

Everybody, and everybody, Yo, I kid you

48:14

not you wanted like the third guests

48:18

maybe you look you're up, you're up there

48:20

like that. Nobody had nothing.

48:22

Bad to say. I was like,

48:24

that's fucking fire. You know what

48:26

I'm saying. Like everybody was like, yo, man, it's a stand

48:29

up dude. It's a good dude. You know

48:31

what I mean.

48:32

And so our show is about giving

48:34

people they flowers. So we want to give you

48:36

your mother.

48:38

Yeah, it's

48:44

like a Grammy because it's coming from your people. This

48:46

is your people, man, this is your house. I

48:50

want you to know. I

48:52

want you to know that. Before we get to QuickTime

48:56

of Slim, I want to. I

48:58

want to. I want to say something and just I want you to tell

49:01

me. What do you hear?

49:03

Uh when

49:06

I say this? When I say that, okay you

49:08

ready? Yeah, humble

49:11

beast, Well,

49:13

I think hunger. Hunger,

49:16

Yeah, hunger

49:19

immediately more than one?

49:22

More than one? Like what more than one? Whatever?

49:25

Humble beasts? I think hunger. Man think

49:28

uh uh?

49:30

Dedication, I think I think gold

49:33

oriented. I was

49:35

on a mission gold Yeah,

49:39

gold oriented for sure. I

49:43

figured I had I think of having

49:45

a point of prove I had

49:47

something approval to myself, I felt like at

49:49

that time and like to the industry, you know

49:52

that being my like debut

49:54

album, like on some ship. Okay, still

49:57

swerving, still swerving, consistency

50:04

like uh, I

50:08

think, uh.

50:10

Living life, having fun, I

50:15

think uh.

50:18

Ship. Uh, I

50:21

think I God damnit swerving

50:24

on Bro swerving

50:27

and what I think? Uh? I

50:31

think of a ship gratefulness

50:33

on Bro, being grateful right out of town Bro

50:36

okay, PTSD, PTSD.

50:40

I think of Chicago. I

50:45

think of hustling.

50:52

I think of ship, savage

50:55

life. I think of death

50:58

mm hmmm, mm hmm. Ship.

51:03

I think a grieving pain,

51:07

anger and

51:11

ship. I think of vulnerability

51:15

and awareness twenty

51:19

five, twenty five, I

51:21

think survivals

51:25

of morse. I think of grief. I can't

51:28

say that gratefulness. That's my next question,

51:31

Bro, I'm gonna I'm gonna

51:33

go into I'm

51:35

gonna go into that with that you're

51:38

doing my interview. That

51:41

was but for

51:43

twenty five, I think I think of gratefulness

51:45

too though. Okay, I think of gratefulness.

51:48

I think of life. I think of celebration,

51:53

I think of grief. M

51:55

hmmm. And

51:59

I think I think

52:02

of victory and

52:05

now survivors of Mars, survivors

52:08

of Morse. I think of sorrow, anger

52:12

again. I

52:14

think of confusion. I

52:20

think uh, I

52:26

think the resentfulness. I

52:32

don't know if I said pain, well, I think of pain

52:34

again. The reason, the

52:38

reason why I had was, like I had said, survivors

52:41

of Morese when I said the two five

52:43

was because like turning twenty

52:45

five was like like

52:49

the whole time,

52:52

like period of me just where I was as

52:54

an artist, as a man everywhere, just

52:56

like actually being grateful

52:58

to turn twenty five at such a young age.

53:01

It's really crazy as fuck,

53:03

you know what I'm saying. And now that I'm

53:05

twenty eight, f goin to be thirty. You feel me. It's

53:08

still being young, but you just be grateful for

53:10

the me is cause niggas really don't get

53:12

that far where I come from, a lot of my homies

53:14

didn't get to see eighteen twenty one, you

53:17

know, So being turned at twenty five

53:19

like and that was one of my last birthdays

53:21

that I turned with my little brother,

53:24

you feel me. My

53:26

little brother, uh he died

53:29

seven days before it's twenty fifth birthday. Got

53:31

like you two plus five and seven, Like

53:34

the whole reason why I was like putting

53:36

that whole album two five together. You feel

53:38

what I'm saying, It was just like it was a different

53:40

like just time or you know, like

53:43

they'll let you know, like well, well

53:45

we all mentally, not just me, like everybody

53:47

around, everybody I ever know knew

53:49

growing up, Like it was like, of course everybody

53:52

excited to see their twenty fifth birthday, but

53:54

while I come from, we feel like it's a mouthstone

53:57

even be alive at twenty five, not to actually

53:59

enjoy twenty fifth birthday, and on you

54:01

feel me, Nigga, just happy to be here.

54:03

You lost so much, you feel me, So it's like looking

54:06

back at that, I feel like shit,

54:08

I feel like I wish, you

54:11

know, Nigga would have like celebrated

54:14

like more. You feel me with that

54:16

being like my last birthday even with you

54:18

know, because I had a ball, Like you feel what

54:20

I'm saying, But I'm just saying like not even

54:22

not even like what I mean. It's like on

54:25

some just like fastest,

54:28

like not even my whole twenty fifth

54:30

birthday was around the fact that just

54:34

being grateful to be alive, you feel me and

54:36

my the brother they didn't even see

54:38

his twenty fifth birthday, so that it was like it

54:41

was like a weird feeling for me. You know, God

54:43

bless bro.

54:47

But Nigga just that's why i'd be having

54:49

that. Master, Nigga, just be grateful for shitting

54:52

right, be

54:55

grateful, quick Time and slob. You want to explain to him

54:57

the rules.

54:57

Yeah, we're gonna give you two choices. Pick

55:00

one and we're

55:02

not drinking quick time or slim. Yeah, two

55:05

choices. You get two choices. There's a list of things. These

55:07

guys over here came up with this list, So don't blame

55:09

us, Columbian and the Dominican. Right, so

55:12

you get two choices. You picked nobody together.

55:14

If you say both, like you say

55:17

both of them, what do quick time or what?

55:20

That's just the name of the game.

55:22

Drinking game.

55:23

Yeah, you're picking something. But if you if you say both,

55:25

are neither we drinking. All of us are drinking. Okay,

55:29

but if you pick nobody drinking, If you pick something,

55:31

nobody drink. But if you don't pick

55:33

basically we drinking. Remember this, Are

55:36

you ready and go light with the shots

55:38

because it's a long game.

55:39

Yeah, yeah, you go light with the shots. Okay,

55:42

you ready?

55:43

This is your shot Towns is

55:45

going to suck you up right now you're ready, let us

55:47

do it, Chief Keith

55:49

or Little Dirk.

55:56

So okay,

55:58

Chief right, Tupac or DMX

56:04

Tupac ok Drake

56:08

or Lula, Wayne Wayne

56:12

Nas or jadakiss kiss.

56:16

You guys have to say about that.

56:19

Right if you want to elaborate, tell the story anything

56:21

but Jada Kiss Okay.

56:24

Kanye West or no I D obviously

56:26

produce.

56:27

It and obviously both Chicago,

56:31

I'm gonna go.

56:31

No I D. As you

56:33

know, Big Bro, he was one of the first that ever really

56:35

embraced me to though, really like O I D. I

56:38

got, I got, like I got

56:40

placements, like songs with no ID when I'm

56:42

like sixteen years old, when I first started rapping,

56:45

Like when you work with Common, Who's yeah

56:47

exactly? That was that

56:49

was the whole play. No I D put that whole play

56:51

together with Common. You feund and Big

56:54

Bro always just been like a mentor

56:56

for me, Like I know, if there's anything I really need

56:58

to like get off, if I

57:00

ever need to come here for any advice, it's just a

57:02

phone call fee. That's fine. That's a big

57:04

dog too, a shout to be. He always

57:07

showed me love from the beginning. Since they want

57:10

juice World or P M. B Rock.

57:13

That's the piece and I could do

57:15

both. It's called

57:17

the ticket both.

57:18

Let's take both of my brother. I've been feeding

57:20

him, take a shot. Let's do it. But

57:24

I wanted you to go with the right choices.

57:31

The next

57:34

even we're

57:38

back.

57:43

Hey, man, I don't know if I can say it.

57:45

But I don't want to take my brother P and

57:47

B anyway, I got to take that.

57:49

Yes, future

57:52

twenty one savage. Uh,

57:55

we take a shot, you know, take a.

57:57

Shot, brother Brodian

57:59

Right, Yeah, don't choose, don't

58:02

don't choose side.

58:03

That's a two headed go.

58:05

Yeah, ice gub that

58:08

motherfucker. I've been holding this one.

58:10

Want to shut chilling Common

58:12

or lupid fiasco Common,

58:18

it's South side of Metro booming Well,

58:21

taking a shot on Flo. That's

58:24

another two head to go. Sorry

58:27

about that drinking.

58:28

You know what he's drinking?

58:32

What was It's called mam Wana but

58:35

he's not from dominic in Republic?

58:37

What is it? It's made in the tubbing

58:40

kind he.

58:41

Make that ship up.

58:42

It's telling you, man, don't don't

58:45

start.

58:46

He's gonna ask you for a shot. Called wife

58:49

the movie should try. By

58:55

the way, the best baptob in candle.

59:00

I know it's some times breaking

59:02

it anyway, just let me take

59:05

my.

59:08

Man.

59:08

I'm sorry, so I'm so happy you came

59:11

here. Man, man, I want to get you and

59:17

your fans is crazy.

59:18

By the way, I tweeted out that got question

59:21

questions with you heard they went crazy

59:23

your fans. You got some crazy ass fans,

59:26

yeah, man, yeah,

59:29

okay podcast or radio.

59:32

Podcast, okay, dropped podcast.

59:35

Okay, Yeah,

59:39

this is good. It's a good

59:41

one.

59:43

Cat Williams or Kevin Hard, don't

59:47

take a shot. I was gonna take a shot.

59:49

I don't want no smoke. Give

59:53

us both trouble, take a shot. We

59:55

outside, we love them both shut out.

59:58

But it's entertaining. I never seen control.

1:00:03

And that's the funniest on the craziest

1:00:06

ship. It's just dope.

1:00:08

You ain't. I want to with

1:00:10

everybody getting the loan and spreading love under

1:00:14

entertainment.

1:00:15

It's entertainment. That's the name of the game, right.

1:00:17

But I'm like that other people is beefing other than rappings

1:00:19

exactly. That's hard. That's hard. This

1:00:27

is what to be damn

1:00:29

it. Okay, Luda

1:00:31

or t I take

1:00:34

a shot. Do I old shot?

1:00:35

Yeah, take a shot, take a shot, tip mm

1:00:38

hmm, okay, Rick Rosser,

1:00:40

jez.

1:00:42

Uh take a shot

1:00:44

man, Okay, take a shot for

1:00:47

Big Bro.

1:00:47

Now it's

1:00:49

going down. Okay, here

1:00:53

putting the ice in every shot, Bro Man,

1:00:55

that's ships hottest like I don't like it. That ship

1:00:57

is like Russian cheating.

1:00:58

Man's DJ

1:01:03

drama or d J Collin drama.

1:01:07

Mm hmm. Scarface or ice

1:01:09

Cube? What we say drama

1:01:12

cattle. We gotta take a shot, take a show. You take

1:01:18

a shot, said, I'm a little I'm

1:01:20

a little tipsy. I had consume.

1:01:22

The question is okay, I

1:01:25

didn't even shopping Big Bro. Now we

1:01:27

remember for another two headed girl? All

1:01:30

right?

1:01:31

Scarface of ice Cube?

1:01:33

Mm hmmm, scar Face, Boys

1:01:37

in the Hood or medicine Society, Minis

1:01:40

Society.

1:01:44

L A or Miami U

1:01:47

l A.

1:01:49

Travis Scott or Asap Rocky Travis,

1:01:54

Biggie A big Al Biggie

1:01:58

our Castle, u g K.

1:02:01

Hugk Hey,

1:02:04

who's d the come on?

1:02:05

Bro? Little g or little Wice take

1:02:09

a shot. I respect

1:02:11

that big and both of cheer

1:02:14

boy take a shot and fold up.

1:02:16

So take a nice.

1:02:21

Show.

1:02:21

What me do it's it's still hot. It's

1:02:24

like fucking taking a coffee shot. Little

1:02:29

baby or Rocky Fresh Baby,

1:02:34

little yachty, a little.

1:02:35

Oozy, take

1:02:38

a shot that

1:02:41

big Yeah, he's

1:02:45

some good ass. Questions by the way, thank

1:02:48

you Kodak

1:02:50

or Denzel Curry Kodak.

1:02:56

Last one, it's the most

1:02:58

important one, most important one loyalty

1:03:02

or respect?

1:03:07

Respect? Explain

1:03:11

because I'm built

1:03:13

off loyalty.

1:03:14

I'm a loyal person anyway you feel what I'm

1:03:16

saying that you can't really if

1:03:18

people don't really have a loyalty, you

1:03:22

can't probably instill that anything. But I'm gonna

1:03:24

make you respect me. If you don't respect me, I demand

1:03:26

respect regardless of what. You don't have to be lord

1:03:28

to me. You don't have to be whatever, but

1:03:31

you're gonna have to be respectful me because I'm

1:03:33

gonna leader respect whatever.

1:03:35

I don't have to enforce loyalty, force

1:03:38

respect, applying anybody, so respect,

1:03:41

so you would respect and respect. I

1:03:44

ain't a lie. You're not supposed to take a shot for

1:03:46

that, but I think we should. I

1:03:49

mean, that was a hard answer, Like that was

1:03:53

I was fucked up. I was like, we can take a shot for that. You

1:03:55

want to take a shot, Bro, I mean, do you want

1:03:57

to take a shot for the answer, like it's

1:04:00

deserves deserves shot. I

1:04:02

do it for myself. You say wanted

1:04:06

to take a shot. I wanted to take

1:04:08

a shot too. But that answer was.

1:04:10

Awesome, bro. Going

1:04:12

back to to no idea when you were Common?

1:04:14

Right, did you record with Common

1:04:17

in the studio?

1:04:19

No? No, have y'all linked though?

1:04:21

Yeah?

1:04:21

He yeah, ain't gonna low with comments so tough,

1:04:23

man, I was. You know, it's crazy. I

1:04:25

actually was supposed to start acting like years

1:04:27

ago. Man, But I really was just so

1:04:31

focused on rap, Like I was,

1:04:33

like, I'm a type of person, like I ain't gonna say

1:04:35

I'm stubborn, but in a way, when I'm super

1:04:37

focused on something like that malestone self

1:04:40

for myself, I just gotta do one thing like

1:04:42

I was supposed to really been in when

1:04:45

they did. Which one was he in? Was

1:04:47

comments and Barbershop three? I believe

1:04:50

I was supposed to I was supposed to have been in that, And

1:04:52

I just said in Chicago, right, Yeah, yeah,

1:04:54

I went and I went and I went and uh went

1:04:57

over my script with him. Yeah,

1:05:00

me pull up on him at his hotel.

1:05:01

I was, Yeah, I feel

1:05:04

like he smells like baby powder.

1:05:05

No, no, big Bro.

1:05:08

That was my first time. He was a nice ass,

1:05:10

nice ass sweet I forgot what hotel it was.

1:05:13

It was a minute ago. He had me pull up to him and

1:05:15

I went over my script with him for like two three

1:05:17

hours. You feel me. Big Bro always just embraced

1:05:20

me, like even on rap ship and just anything like

1:05:22

he hit me like, oh you got the they trying

1:05:24

to get a roll. I pulled up on the one

1:05:26

over the script. You feel me. He kind of wanted

1:05:28

me to do my video on syndity and right there, but

1:05:31

I was on some nervous ship. I

1:05:33

ain't doing it right then.

1:05:34

I had because it was an audition that you were doing. Basically,

1:05:37

yeah, I had over the script.

1:05:40

I ain't sending shit. I

1:05:42

ain't s I was supposed to have been in a barbershop. Three

1:05:45

damn. It would have been year role if you would have been in

1:05:47

there. I think I was

1:05:49

supposed to been. You

1:05:52

know Tarik from Power he was in there. Tarik

1:05:55

was in there. He played uh. I

1:05:57

think he was ice Cube son and Ship. I

1:06:00

was supposed to be his homeie niggas

1:06:04

in the video somewhere that

1:06:06

was game Man and one of them type of little Chicago

1:06:09

niggas, an of the niggas that was took

1:06:11

the cashiers to ATM No, this

1:06:13

was three. Oh, this is three. That's that's

1:06:15

one. I'm talking.

1:06:16

But that's dope that come and took the time to do that

1:06:18

with you that right. Yeah. And the reason I asked

1:06:20

the whole point.

1:06:21

Because it's ill like it's like Chicago

1:06:24

from this era and this era, like

1:06:26

like how's that coming together? Like y'all y'all

1:06:28

discussing the state of affairs in Chicago.

1:06:31

But really, you know he's been just always

1:06:33

like reached out and like show

1:06:36

little took a liking to me from the beginning my

1:06:38

first project, I dropped walking the Phase O Land.

1:06:41

Matter of fact, I should have mentioned that first. Really he gave

1:06:43

me the feature on I

1:06:48

on't still fucked up Me

1:06:50

and him chance to rap up Wow. We

1:06:52

it was a video we shot probably like twenty

1:06:55

fifteen, twenty fourteen or something.

1:06:57

You feel me pulled up on Big Bro in this neighborhood,

1:06:59

you know if eighty seven over there, we pulled

1:07:02

up in his neighborhood at the barbershop,

1:07:04

like you know, he used to really be coming back to Chicago showing

1:07:06

love.

1:07:07

Yeah, yeah, Yeah, he's one of the first artists

1:07:09

that a lot of people heard.

1:07:10

Of face like really big

1:07:13

Boy used to really you know what I'm saying him man twister all

1:07:15

him Lord, I would say,

1:07:19

I mean it could be around the same crucial conflict.

1:07:22

No, no, this after Yeah,

1:07:24

you can come and comment.

1:07:25

When he was common sense okay, and he had the song

1:07:27

take It Easy, was one of the first common sense

1:07:29

no more no no, he just comming.

1:07:31

Yeah, his first album was common Sense No id

1:07:34

produced the whole thing.

1:07:34

Yeah, No, he definitely just wanted like one of the first artist

1:07:37

really like that.

1:07:38

I heard a lout of Chicago. I mean Twist as well for

1:07:40

sure.

1:07:41

Yeah. What's your relationship with kan Ye with

1:07:44

Yeah, you know it's okazy with his

1:07:46

new sniggers, I'm not sure.

1:07:48

I don't really, I ain't even.

1:07:49

Look at his niggas wrong, really be.

1:07:50

Pretty big on the fast.

1:07:52

I love him. That's my brother. I love it.

1:07:54

The one that fold called

1:07:57

them because

1:07:59

he don't want shoes, right, you gotta make

1:08:05

I'm really asking.

1:08:10

Inside and said

1:08:14

I was trying to see what what sucks

1:08:17

he was talking about.

1:08:18

You ain't see the nigga socks. I know

1:08:20

what's wanting to right, yeah,

1:08:22

like air parts. He called him home bro, right

1:08:24

right, I'm ready for him, like just

1:08:27

too long, Like I wanted

1:08:29

to make sure they could have

1:08:31

went on the house shoes, bab.

1:08:35

Too much, bouchal lea movies at that bro,

1:08:38

and then yeah, because let's as soon as you get back

1:08:40

to some nigga ship, I'm back. I'm gonna

1:08:42

fuck with him, like I mean, like I'm

1:08:44

backing Wise.

1:08:45

I want to wise Yeah.

1:08:49

With you.

1:08:49

Man, you got it, you got it, like I gotta

1:08:52

acting like it's me.

1:08:52

I got a different No, I got a different like just

1:08:55

like respect for you I love yeah, yeah, like

1:08:58

just off the strips for like his

1:09:01

genius for you know what I'm saying, super

1:09:03

genius. You know what I'm saying. Whoever

1:09:06

you are, here's

1:09:09

gold dude, shout

1:09:13

own. You got the whole ship going on.

1:09:15

Yeah man, Holy

1:09:17

moly, let's

1:09:23

talk about damn.

1:09:25

I got mad notes for you.

1:09:28

You got some ship from me, Mercy, Let's

1:09:30

talk about uh cry

1:09:33

no more with a little t J. She

1:09:36

said, that's my boy.

1:09:40

I never got to meet him yet, but

1:09:44

I like I like his style, like it's oral, so

1:09:48

so tell us how y'all collaborated t

1:09:51

J.

1:09:51

I've been fucking with a little bro for a little minute too, though,

1:09:54

you know little bro style that we locked in on

1:09:56

a bunch of different ways. But really

1:09:59

it was or me and me and Polo

1:10:01

did it first. Though Polo did the hook. You

1:10:03

know, we was in Chicago. That was

1:10:05

one of the times, and I really was stuck in

1:10:08

Chicago at the time. I ain't gonna lie had it

1:10:10

was a period of time where I

1:10:12

couldn't travel, Like I said when I was when

1:10:14

I got diagno supposed tomatic stress and

1:10:16

ship I cut my angle

1:10:19

breakless, nah, I went on.

1:10:21

This was before COVID everything. That's why COVID

1:10:24

was kind of easy for me.

1:10:25

I ain't gonna lie because I had like a year where

1:10:27

I couldn't travel really do

1:10:29

too many shows unless acc he

1:10:32

was just to Chicago.

1:10:34

My judge ain't let me do no traveling,

1:10:37

ankle nothing. It was like for a whole

1:10:39

year. I had to do the summer like it

1:10:42

was at least like ten months. It was on quarantine already.

1:10:44

Yeah right, it was right before quarantine

1:10:47

hits. So it's like I Danny did two quarantine,

1:10:50

so but I was in Chicago.

1:10:52

I was like locked in the studio and ship.

1:10:54

So me and Polo had did that song man

1:10:57

broke We we had when

1:10:59

me and broke in and we be doing like a lot of ship

1:11:01

back to back though, like we probably got fat

1:11:05

tend like TJ. No, I'm

1:11:07

talking about Polo Polo. So we had did a

1:11:09

hook and then I had sent the ship

1:11:11

to TJ after that, and then me

1:11:13

and TJ did it in La. You feel me like

1:11:17

that's sit like a it's like a dynamic

1:11:19

though, like Me Polo TJ. That' shit like the same

1:11:22

we get in the studio. If we get in one day, we probably

1:11:24

could do fastic songs literally right

1:11:26

off the like that type

1:11:29

of chemistry. You feel what I'm saying, Like we all

1:11:31

already familiar with working with each other. We just did

1:11:33

shit in the studio together, did shit

1:11:35

separately. I get in with them, we do three four

1:11:38

songs. I get in bro we do three you know what I'm saying,

1:11:40

Like that's just how we work. So this

1:11:42

shit just came naturally. I did

1:11:44

that And that was, like I

1:11:47

said, at the time, where I was just going through a whole bunch

1:11:49

of shit mentally, I couldn't travel. I wasn't doing on

1:11:51

shows. I was fighting the case all type

1:11:53

of shit. I just was, you know, feeling

1:11:55

like I was just I feel like it was a growth period

1:11:58

though, like one thing I learned about.

1:12:00

Like that's why I speak about it openly.

1:12:02

Like when you go through ship, like just

1:12:04

adversity overall, like all

1:12:07

that you will feel frustrated, like

1:12:09

Nigga be having a lot of stress, a lot of built

1:12:11

up ship in them, and you will feel

1:12:13

like you going

1:12:16

through the motions or whatever the case may be. But that

1:12:18

shit really just building character, like I

1:12:20

learned, like when I really go through ship,

1:12:23

sometimes I ain't trying to sound like weird,

1:12:25

a little crazy or the fucked up way, like the

1:12:28

kind of give me comfort, Like damn ship

1:12:30

a little rough, So I got it. Once you

1:12:32

figure it out, you figure it out, and it's like it's always

1:12:35

leads to elevation. So you you

1:12:37

you should lead towards that ship, you know what I'm

1:12:39

saying, like leaning towards you. What I'm saying that

1:12:41

to say, like that was like a hard ass

1:12:43

time period where I didn't really want to

1:12:45

do ship but record music. But me recording

1:12:48

music. That was the PTSD album

1:12:50

that was and

1:12:53

that was like Ship.

1:12:54

Literally that's my best album still to this day.

1:12:56

You know what I'm saying, Like all this Ship came

1:12:58

about from me really not being

1:13:01

able to travel do shows, being around

1:13:03

my piers, but niggas really just fucking me off

1:13:05

the strength they pulling up on me. You feel I'm saying when

1:13:07

I was able to go to La, TJ pulled up on me,

1:13:10

little bro Polo was using the rack he pulled

1:13:12

up on me. You feel I'm saying, I'm getting this shit done and

1:13:14

then that shit coming out like

1:13:17

still, that's probably one of my biggest songs

1:13:19

on that album too, though you feel me so let's

1:13:23

shit just be happening to naturally gang

1:13:25

I ain't. Yeah, God damn hold

1:13:28

on.

1:13:29

When you go back and you say

1:13:31

you start like around sixteen, who

1:13:34

were the inspirations that that you was

1:13:36

looking around around you, not not on the bigger

1:13:38

scale, like around you locally,

1:13:40

who was doing things that you was like, I want I want

1:13:42

to do like them?

1:13:43

Uh. I was looking up to niggas from

1:13:45

my hood though, Like that was rapping like

1:13:49

nickname react here

1:13:52

old nigga.

1:13:52

Uh My Homie Hollow was rapping.

1:13:54

Baby was rapping before me too, though, Baby

1:13:57

was like actually going paying for studio time

1:13:59

and shit, like he was like fifteen

1:14:01

years old. Baby was like head

1:14:03

yet older than me. So he was like sixteen actually

1:14:06

going to the studio where folks was

1:14:08

smart. He knew how to structure hooks and I

1:14:10

ain't know how to do ship a rap like I ain't know how

1:14:12

to put no hook verse and know what. The

1:14:15

sixteen boy was none of that type of shit.

1:14:17

You feel what I'm saying.

1:14:18

But he could tell you stories he didn't

1:14:20

know either.

1:14:21

Jesus, don't be out there you say it on time.

1:14:23

I'm saying that that inspiration Like niggas.

1:14:25

I feel like niggas didn't know how to rap never really

1:14:27

knew how to put songs together though, like never

1:14:29

really Like that's

1:14:31

the same thing. That's how I used to count bars. The

1:14:34

reason why that that song?

1:14:35

What what?

1:14:36

What? What what? What? That's how

1:14:38

they count boss? What what what? What?

1:14:40

He was counting his bars and they made

1:14:42

that a hook, bro And.

1:14:44

Then was just a genius. Yeah,

1:14:46

nigga know how to be hate. He just made I feel

1:14:48

like Bibby was a nigga that probably would have knew

1:14:51

how to do that same ship if you know what

1:14:53

I'm saying, Like Bibby knew how to you don't want to drink?

1:14:55

So y'ah could y'all

1:14:57

good? Jeez, Louise, Papa Cheez, we want you to

1:14:59

have fun too, You know what I mean? Yeah,

1:15:02

you know what I mean. But I like,

1:15:04

yeah, I feel like like when we was getting

1:15:06

the studio early, like Bibby Head he

1:15:10

was, he was like the brains when they came to

1:15:12

like putting the songs together, like kill

1:15:14

Ship right now. Still that's our biggest song

1:15:16

in this day. That was his idea. He picked the

1:15:18

beat. He the one told me go first

1:15:20

on the ship. You feel what I'm saying in the end, you know what

1:15:22

I'm like, I just used to just wrap

1:15:25

for thirty bards thirty two bards

1:15:27

straights. You feel what I'm saying. Like Bro

1:15:30

always had like destructure, so like when

1:15:32

I first like I used to listen to what Bro was

1:15:35

on Bump Jay another nigga that I

1:15:37

really was like super Bibby

1:15:39

and Slap Polaroy. You

1:15:41

feel what I'm saying. It was like that like locally that

1:15:43

was going crazy that I was like, right,

1:15:46

that really made a nigga want to rap.

1:15:48

You feel right, And

1:15:50

when you say you stopped writing your

1:15:53

rhymes and you said you had them on your phone and

1:15:55

he was going off the top, were you doing the Biggie

1:15:58

jay Z ship where you was writing you had or you're

1:16:00

just freestyling. No, I was like, yeah,

1:16:03

kind of writing in my head for sure. I definitely

1:16:05

wouldn't really just freestyling off the top of going

1:16:07

like that, right.

1:16:08

I was like thinking ship, like faux bos

1:16:11

and then just recorded like that.

1:16:13

You feel me? Like even when I was writing,

1:16:15

like, I felt like I was wasting time writing because

1:16:17

I'm thinking of the ship. And then when I'm

1:16:19

writing, shit, I'm thinking too long, trying to write

1:16:21

down one bar instead of just like all

1:16:24

right, that's alady in my head, say it and

1:16:27

then just keep going from there. You feel

1:16:29

me, I felt like I'm wasting that's

1:16:31

like literally when you think of the elite, that's the least

1:16:34

status ship. Yeah, I ain't elitet status. I

1:16:36

can't. I can't remember ship.

1:16:39

Yeah, south Side.

1:16:40

I used to say that Tuto when I first started recording

1:16:42

south Side, like he used to see my process. That's

1:16:44

when I first like that was around

1:16:47

the time when uh, when

1:16:49

Juice was like going crazy and ship

1:16:51

when I'm learning how to really freestyle for

1:16:53

real. So I used to just sit in the studio and listen to the

1:16:55

beat and probably listen to that bitch for like

1:16:58

five ten minutes. But as I'm listening

1:17:00

and niggas thinking, I'm just listening to the beat, but in my

1:17:02

head, I'm coming up with at least like eight bars

1:17:04

that I remember. For shure, once you come

1:17:06

up with the first like eight to twelve bars, you good,

1:17:08

Like I got like eight off the top of my head.

1:17:10

I could do now the next twelve.

1:17:13

All that shit like really a freestyle. I could

1:17:15

just come in and just punch it like

1:17:17

I feel like I always had, like when

1:17:20

I first started rapping.

1:17:22

This shit don't really happen no more.

1:17:23

It's a little easier for me. But I

1:17:26

used to have the most trouble with like my first

1:17:29

four in my last four because

1:17:31

I'm trying to really make the most

1:17:33

sense and tell the story anyway. So it's like

1:17:36

the last four going to the hook. So

1:17:38

you gotta kind of coincide with the hook.

1:17:40

The first four is what you leading them with. You gotta

1:17:43

get them intrigued with the first four bars at

1:17:45

least you feel what I'm saying, alright, So

1:17:47

that was my whole models was my first

1:17:49

four I got. If I'm coming

1:17:52

there with eight bars, I could just cruise my way

1:17:54

through and make sure my last score or two going to

1:17:56

the hook. Like That's how I really learned how the

1:17:58

freestyle type shit. Let's

1:18:01

talk about I Don't want to die? Yeah,

1:18:04

why would you name a song that that

1:18:08

was I don't I Gotta

1:18:10

I Gotta. That was south Side. Really that was south

1:18:12

Side I did. I Gotta get credit to Big Broke. He

1:18:15

sent me that song and he was he

1:18:18

was getting

1:18:20

ready to drop his album, which still

1:18:22

ain't came out to this day. His nigga Rich

1:18:26

He ain't he about to drop right now though,

1:18:28

but he was gonna make that the intro to

1:18:31

the to the next album he dropping. And

1:18:34

I just he just told me, like, man, just go crazy.

1:18:37

But I I he had put the Simple in

1:18:39

there where it was seeing like, you know, I

1:18:41

don't want to die, and he's like, man, just

1:18:43

go crazy on that ship and I

1:18:46

was listening to it. And when I heard the Simple,

1:18:49

I was in Chicago too when I recorded

1:18:51

that ship. That was during quarantine by the File,

1:18:54

when nigga just stuck in Chicago

1:18:57

and when I heard it, just putting in

1:18:59

a different type of like mass on but like the

1:19:01

shit a nigga was rapping about. I

1:19:04

think it probably like was

1:19:07

like right on key because I was in Chicago.

1:19:09

You know, when you in Chicago, you got a different like it's

1:19:11

a different aura. You're feeling that energy. You feel

1:19:14

what I'm saying, like if I'm in La I'm gonna

1:19:16

ride around and a regular car.

1:19:18

You feel I'm in a regular form. And

1:19:20

when I get Chicago, I want to be in a bulletproof

1:19:22

truck just a mask. That is just what

1:19:25

Chicago do or just the shit I've

1:19:27

been through and the shit I experienced. It made

1:19:29

me think. It makes me act the way I got to move

1:19:31

and everything when I'm there, So I feel like

1:19:34

I think, just me doing that shit and

1:19:37

like it's I

1:19:40

like that song really crazy though,

1:19:42

like when you really think about it, like a nigga

1:19:44

talking about like how I shot the video,

1:19:47

like with all the kids in all the different

1:19:49

scenarios or like kids situations,

1:19:52

like it's bigger than just being in the streets.

1:19:54

You feel me like when you in Chicago, it's anything

1:19:57

could happen. You know what I'm saying, like kids getting

1:20:00

trades cross that ship is

1:20:02

so frequent in Chicago, like you know what I'm saying,

1:20:04

more than any other city. So like it just

1:20:06

put me in a different man frame to try to like talk

1:20:08

about my situation and like what I experienced

1:20:11

and still like recollect to

1:20:14

like what happened on the day

1:20:16

to day that don't got nothing to do with anything

1:20:19

street related, you feel me, Because people

1:20:21

try to like associate anything that's going

1:20:23

on in Chicago with just like street

1:20:27

shit. But that ship, like it's beyond

1:20:29

that, because it

1:20:32

affects everybody, you know what I'm saying. It don't

1:20:34

just affect victims, that affect the mothers

1:20:36

affected, you know what I'm saying, affect

1:20:38

everybody who don't got nothing to do with nothing

1:20:40

street oriented at all, you feel me, So the

1:20:43

whole family is yeah, exactly, That's how

1:20:45

like that shit came about, like mentally,

1:20:47

like the ship I was rapping about.

1:20:50

Let me ask you, because like in New

1:20:52

York City, right, every summer

1:20:54

the crime rate goes up because

1:20:56

they say, like, like that in Chicago, but

1:21:00

your crime rate is still crazy in the winter, yeah,

1:21:03

yeah, but the summer's wild.

1:21:04

The summer even worse.

1:21:05

Though someone's even worse, even

1:21:08

worse they give the credit is

1:21:10

crazy when they're.

1:21:12

Below and Nigga's still shooting.

1:21:16

They got gloves, special gloves, and what

1:21:18

then happened?

1:21:20

Get?

1:21:21

I don't know what it is cold.

1:21:24

It's not funny, but I guess it's not funny.

1:21:26

But it's like like you just think about it statistically

1:21:28

in New York City summertime. So

1:21:30

he's saying in New York, like the crime

1:21:33

rate, really it don't really be his hat

1:21:35

during the winter. Yeah,

1:21:40

motherfucker's too cold and

1:21:43

the Timberlands is heavy, you know what I mean?

1:21:45

Like, motherfuckers don't be wanting running and ship.

1:21:47

I don't.

1:21:49

You know, it's mandatory October first

1:21:52

Timblans come out with the winter.

1:21:55

That is the window came.

1:21:57

You don't got.

1:21:58

Miami, I don't know.

1:21:59

All right, down, all right, that's

1:22:01

why I get it, all right, That's why

1:22:03

I really like I ain't gonna like you got it, like it'd

1:22:06

be big. It's

1:22:09

like like, now you know, no joking

1:22:11

shit to like talk

1:22:13

about this shit and people think, like as

1:22:15

an artist, you are glorified. You feel what I'm saying.

1:22:18

But it's just like the experience and the ship

1:22:20

nigga go through you or think is man

1:22:22

blowing? You feel what I'm saying? Like, how you saying that shit

1:22:24

happened through sixty five? No matter, no matter

1:22:27

what you feel me, And that's just built thought, like shit,

1:22:30

whatever trauma, motherfucker you got going

1:22:32

on? What they going through? You feel what I'm saying. So like,

1:22:35

as an artist, we just speak about this ship

1:22:37

and you know what I'm saying and that way you feel

1:22:39

me. But people will think like it's non

1:22:41

existent, but that shit really happened.

1:22:44

Let's go back to gangster rap. Start like

1:22:46

they call it gangster.

1:22:46

Rap, right whatever, NWA

1:22:49

going from that lineage right, going back quick,

1:22:52

and then you're going to drill and then people

1:22:54

try to say drill. The difference

1:22:57

that it did in hip hop

1:23:00

negatively is that it started

1:23:02

talking about real things happening in real time

1:23:06

and started getting people.

1:23:07

Hurt in real time. Because they're talking about real

1:23:09

things in real time.

1:23:12

I feel like they can't really put

1:23:14

all that responsibility on artists.

1:23:17

For one, you know you're right, you're right, And

1:23:20

they can't put all that responsibility on just

1:23:22

the category of drill because rap

1:23:24

was always rap where there was hip

1:23:27

hop gangst the rap. You know what I'm saying, Like, who's

1:23:29

to say nwa not talking

1:23:31

about things that was happening in real time

1:23:33

and what's going on and had the effect that other people

1:23:36

it's no different than what they were saying. And

1:23:38

what with Drill. You feel what I'm saying, Like how

1:23:40

we came up rapping, We didn't try to category

1:23:43

as rap, like we finished just talk about

1:23:45

a straight John recalled

1:23:48

drill. You know what I'm saying. When we're talking about negative

1:23:50

shit, you know, it was just really just talking about our

1:23:52

life and what we was experiencing. You fee what I'm

1:23:54

saying.

1:23:55

That's why I don't like when they categorize things and they try

1:23:57

to separate it.

1:23:58

I feel like they they glad we having this common station

1:24:00

right now.

1:24:00

Because I think it's important because people try to

1:24:03

they want to separate it, and then they isolate

1:24:05

things to see like this is waged is not waged, this good

1:24:07

is bad, and then they everybody feels

1:24:10

they go into different areas and they're like,

1:24:12

all right, we're not that, but we're all

1:24:14

hip hop.

1:24:14

Everything's hip hop. Yeah, that's what I'm saying.

1:24:16

Old school news School, this school, that school, South

1:24:18

East Coast it's all hip hop.

1:24:19

It don't matter, right, That's what I'm saying.

1:24:21

So it's like, that's what I ain't never

1:24:23

really heard a conversation where like I was,

1:24:26

it came in a way where we're really able

1:24:28

to categorize, like it all

1:24:30

being hip hop. You know, drill was

1:24:32

just basically it was originally like a

1:24:34

term. It's not like we was just like, oh, this is

1:24:37

drill rap. It's not hip hop, you

1:24:39

feel me. It was all supposed to have been rapped in hip

1:24:41

hop because that happened here in Miami. Because in Miami,

1:24:43

that's what happened with Miami base. It tried

1:24:46

to make it a sub genre. It's not hip hop, it's

1:24:48

Miami based music. It's booty

1:24:50

music, they called it.

1:24:52

But now looking now that we're wearing

1:24:54

a different time frame, now it's all hip

1:24:56

hop hip hop, you know what I'm saying. It's

1:24:58

different areas and they they interpret hip

1:25:00

hop differently, right, So.

1:25:02

It's like, yeah, I ain't like.

1:25:04

I ain't never like, And that's crazy.

1:25:06

Even though like people when I used to do interviews,

1:25:09

you can even pull my old interviews up, I

1:25:11

never categorized myself or like

1:25:13

looked at myself as a drill rapper. I always felt

1:25:15

like I was a rapper like pop artist

1:25:18

because I rapped about like soulful

1:25:20

ship. I never just only did drill

1:25:22

beats, you know what I'm saying. I told stories of my rap

1:25:25

I looked up to rappers to hold

1:25:27

to Lil Wayne and the Jada kids to you know what I'm

1:25:29

saying. That's

1:25:33

what It's always versatile to be

1:25:36

able to do that. You know. So I think I

1:25:38

came up in an era where they just considered

1:25:40

the drill, but I never really considered myself as

1:25:42

a drill rapping noise

1:25:45

for us. Yes,

1:25:49

you got you more shots. I'm sorry, let's do

1:25:52

it. We just cut.

1:25:53

You know, why.

1:25:56

Are you putting in your shot? That means we're taking a shot.

1:25:58

Yeah, because you know why, brother, you

1:26:01

really legend out here, really

1:26:04

deserve all the roses, the flowers,

1:26:07

all the accolades, everything, Like

1:26:10

ye're you out here and you're doing it honorably,

1:26:13

you know, you know what I mean, Like so many people from

1:26:15

your generation, we'll go, yeah,

1:26:27

you know that they take that funny

1:26:30

route. We don't like that

1:26:32

funny rout. We like hard work.

1:26:34

Yeah, No, for real, man, I ain't gonna lie, Niggas

1:26:37

is right. Really want to just do this ship the

1:26:39

right way to you, mother, appreciate

1:26:41

you, Herbal. You don't want no drinks.

1:26:43

I see I see you getting a drink. I see you, I

1:26:46

see you. The ladies. You don't want to drinks.

1:26:49

They got something.

1:26:50

They got something so

1:26:52

about riding with it, right with

1:26:55

it, right with

1:26:57

it?

1:26:57

Man?

1:26:57

That was That was another song

1:27:00

like that's crazy, all these songs.

1:27:04

It was a ship I recorded like during

1:27:06

the quarantine period, like when niggas really

1:27:08

couldn't like travel. When I was on like

1:27:11

recording PTSD and all that ship was

1:27:13

going on, I felt like Chicago

1:27:15

was outside when people was inside. Yeah,

1:27:17

okay, I was like

1:27:21

COVID at all. And then I was outside.

1:27:23

He was already quarantined before that.

1:27:26

I ain't gonna, I didn't.

1:27:28

I was outside. Yeah. I went to Prime one

1:27:30

twelve one night. I felt like we was outside the middle

1:27:32

of COVID quarantine side. It

1:27:36

was literally

1:27:39

the game. I said, were outside on my block, hunted

1:27:42

two hundred deep, in the middle of quarantine, in the middle

1:27:44

of COVID, sunny

1:27:47

outside. Shoot the video.

1:27:49

I just bought my Rose Royce spent

1:27:51

five no mask.

1:27:53

It's about the color that put that bitch right up

1:27:55

on the block shot the videos. You feel Me,

1:27:58

I was just you know like masks. Yeah

1:28:01

I had der mask in the video

1:28:03

on Bro.

1:28:03

You know that.

1:28:06

The mass on man in the Trenches,

1:28:08

But yeah, that's

1:28:10

that song was. When I look back

1:28:13

at it, man, it just makes me like real

1:28:16

really be like just grateful, like

1:28:18

the moment of what you get first and foremost

1:28:21

at the artists, because that's like as an

1:28:23

artist, I mean, that's one of like like

1:28:25

my one of my biggest songs still to this day,

1:28:28

and that's just me on some that's the ship

1:28:30

I just do naturally like comfortable

1:28:33

on some rapping shit, just talking

1:28:35

about you know what I'm saying, the trenches and what I'm

1:28:37

thinking on the day to day. You feel me. That's still one

1:28:39

of my biggest songs today. But I'm saying

1:28:42

that to say like it's just making it

1:28:44

like grateful

1:28:46

looking back because I wasn't even thinking

1:28:49

of what it was gonna be to this day and just

1:28:51

looking back at people from the video that's

1:28:54

like not even still hit to this day.

1:28:56

People that I lost, You feel what I'm saying, Like shit

1:28:59

like that just gotta not take

1:29:01

moments for granted, God

1:29:03

bless you do you because

1:29:07

a lot of people say living

1:29:09

in LA it's dangerous

1:29:11

as well. Do you look at it like that? Yeah?

1:29:14

Yeah, that's where you live now, Yeah

1:29:17

I look at I mean I really look at that air place

1:29:20

like that, just because I feel

1:29:22

like to be aware as to be alive, you

1:29:24

know what I'm saying. Like always I'm

1:29:26

a super alert kind of like

1:29:29

people might look at it like I'm pairing it or

1:29:31

whatever, but I'm just always thinking

1:29:33

of like how I was raised. I think of the worst

1:29:35

case scenario, so I always be prepared

1:29:38

to just do whatever to make sure I

1:29:40

get home, to make sure I'm protected in my family

1:29:42

protected, you know what I'm saying. So, like I

1:29:45

feel like, and

1:29:48

it's crazy because I moved to LA to get

1:29:50

away from that type of ship LA,

1:29:53

right that. Yeah, Like no,

1:29:55

I'm saying I moved to LA because I

1:29:57

just not even get away from like islence

1:30:00

and shit. But like I felt like in Chicago

1:30:02

at the time, it was like a crabbing

1:30:05

a bucket mentality, crabbing, a bureau

1:30:07

mentality type of shit, you.

1:30:08

Know what I'm saying, Because that's happens every city in

1:30:11

every city, each in there

1:30:13

grabbing.

1:30:14

They're like yeah, so it's like I felt

1:30:16

like LA was to get away from that

1:30:18

and I could go where, you know, be

1:30:20

with my family and be with my kids,

1:30:23

go and enjoy life and enjoying myself without

1:30:25

always looking over my shoulder, you know what I'm saying.

1:30:28

But like I'm still taking precaution

1:30:30

no matter where I'm at, you know what I'm saying. It's

1:30:36

they don't want to be capital hard accidents.

1:30:43

Because I know you're twenty eight, so you probably

1:30:45

can't fully understand

1:30:48

this, But do you realize they

1:30:50

say the first gangs that ever was invented

1:30:52

was in Chicago.

1:30:53

Yeah, yeah, I ain't gonna lie.

1:30:55

I'm I really be

1:30:58

like.

1:30:59

As like I'll

1:31:01

be paying attention, and I studied that type

1:31:04

of ship like always. I'm big on

1:31:06

like history, you know what I'm saying, No matter why, man.

1:31:08

Like definitely the biggest game. Yeah it's come

1:31:10

out.

1:31:11

I'm big on like just history, especially

1:31:14

black history, like anything black

1:31:16

history, any type of you know what I'm saying, Like, I'll

1:31:19

be into that type of ship. So yeah, I know,

1:31:21

I feel like a lot of ship was brought on just

1:31:23

by for coltrust and kind

1:31:25

of rational trauma type of shit. You feel me because

1:31:28

kind of LA's culture. I

1:31:31

don't want to say mimicked because

1:31:33

that might be the wrong word, but I

1:31:35

believe Black Pea Stones.

1:31:38

Yeah, it's like the first game

1:31:40

in Chicago, and Black Pea Stones is the oldest

1:31:42

gang in LA or one of

1:31:44

the oldest gangs that's credibly not saying transformed

1:31:47

into what what would have transformed

1:31:49

into in LA bloods? Oh

1:31:52

yeah, yeah, okay, yeah, but that

1:31:54

that originated wasn't

1:31:58

wasn't Christ before bloods?

1:32:00

Yeah, but that that's the blood part

1:32:02

of it, you know what I mean. So I believe

1:32:04

Raymond Washington if if

1:32:07

I'm not.

1:32:07

I mean, we definitely don't. I don't know, I'm

1:32:09

not. But but what I'm

1:32:11

saying saying is the

1:32:13

first recorded originating

1:32:16

in Chicago. Yeah, originated in Chicago.

1:32:18

So like I don't know if it's the terminology

1:32:21

that they use gang,

1:32:24

if that's what it is.

1:32:25

But yeah, yeah, that gang

1:32:27

definitely originated in Chicago.

1:32:28

Like I remember going to Chicago. I swear to God

1:32:30

and I have my my my leg

1:32:33

my past leg up and people.

1:32:35

Were like yo yo yo yo one

1:32:37

up. Yeah, I didn't know what the fun was happening

1:32:40

on some games on the gang ship.

1:32:43

Yeah, I was wearing my hat the wrong way one

1:32:45

time. They were like hat.

1:32:46

But I ain't never heard about the legs. Yeah yeah,

1:32:49

maybe you here's.

1:32:49

Your leg and your head on the same I

1:32:52

was in Puerto Weecan section. Maybe

1:32:55

it was some weird ass ship look

1:32:58

telling me to talk about it. I

1:33:01

never had's

1:33:05

take a shot of that. Let's take a shot for

1:33:07

that. Goddamn it. That was

1:33:10

take a shot for that. Motherfucker. Let's

1:33:13

make some noise. I

1:33:19

do not them convince you to take a shot

1:33:21

of that. Yeah, I ain't taking a shot.

1:33:27

Can you stand my my candle er please? S

1:33:31

thank you? Bro?

1:33:37

Kill ship, kill ship, kill

1:33:39

ship a little bit me. We

1:33:42

were speaking about it earlier.

1:33:43

Yeah, like I said, Bro, put

1:33:45

that whole ship together. That's crazy, Damn.

1:33:50

I ain't never really even spoke with this. I recorded

1:33:54

that verse in My.

1:33:55

Little Brother creb Man long Live, look

1:33:58

great. Little bro just

1:34:00

passed away three years ago, yesterday,

1:34:02

yesterday. It was just three take

1:34:06

a shot for a little bro man. You

1:34:11

gotta pull me in another shot. But

1:34:14

uh, yeah, I recorded that video in the

1:34:16

living room at

1:34:18

Libertal Spot. Uh and

1:34:22

baby really put the whole ship together. Shower

1:34:24

dj L recorded, I mean

1:34:26

cook the beat up right on the spot ship

1:34:33

and we really like, I think

1:34:36

that's probably still one of my biggest

1:34:38

streaming songs to this day. We really

1:34:40

ain't even like know

1:34:42

what we was doing with that ship. We shot the video.

1:34:45

Man, he was probably sixteen seventeen, So we

1:34:47

shot that video at five five

1:34:49

in the morning on sunny on

1:34:52

Sidney a fan Kingston. It's outside posted

1:34:55

up on some young ship. Just I

1:34:57

got a video viral, man,

1:35:02

I got a video that's still viral. Oh

1:35:05

shure, let me take this shot for a little bro.

1:35:07

Man, So

1:35:10

I look so for

1:35:12

a little broskie. I

1:35:17

got a video viral. Me

1:35:21

and baby free I was freestyl

1:35:23

Biby standing next to me.

1:35:34

I got drunk.

1:35:36

I had dj L d j L who

1:35:39

made a beat. He was cooking

1:35:41

the ship up on the spot. Like literally

1:35:43

it's four five in the morning. Niggas

1:35:45

young and said breaking curfew

1:35:48

twenty deep on the block. Uh

1:35:52

just shot nigga Jordan

1:35:54

him shot the video just

1:35:58

on some random ship, bro, and

1:36:00

that ship just went legendary. Man, just

1:36:03

just just kids trying ship like you felt

1:36:06

when I look back on it, you know what I'm saying, Like, we

1:36:08

ain't even know where that ship was going.

1:36:10

We just shot this ship on some random ship

1:36:12

on the block literally four five in the morning,

1:36:16

and that ship took us where it needed

1:36:18

to go. Got damn fucking

1:36:21

beautiful all

1:36:23

right?

1:36:25

All right, By the way, this is this is three questions

1:36:27

back to back because we got three

1:36:30

fucking records with little Uzi Verkin.

1:36:32

Yeah, yeah, very that's my man. Well,

1:36:35

we got bro got h on

1:36:38

my phone, We got everything. Uh,

1:36:42

he don't know who running ship we

1:36:44

got. I

1:36:47

got just trying to think right

1:36:49

the way you think I forgot why I've

1:36:51

seen him? It was like seven o'clock

1:36:53

in the morning.

1:36:54

Yeah, you saw him at

1:36:56

seven o'clock in the morning.

1:36:57

Yeah. I sent him a shot. He

1:37:00

took it at seven o'clock in the morning. Yeah.

1:37:03

Yeah, it sounds like what shot? Did you send

1:37:05

him whatever he wanted? Wait,

1:37:08

whatever, he's at another table. I was like

1:37:10

yo, I was testing him. I was like yo, telling

1:37:13

him, send him, send him whatever he wants.

1:37:16

And he was like, yeah, he took the shot. He walked

1:37:18

over to my table and I sent him another

1:37:20

shot and he took it, and then he sent

1:37:23

me another shot. And we was going

1:37:25

all night. I'm talking about I

1:37:28

don't want to say where. Yeah,

1:37:30

bro, real

1:37:33

nigga, the show like me and who

1:37:35

he ain't gonna let it me and Who's

1:37:37

he got a different relationship bro, Me and me and broken

1:37:39

locked in like literally just

1:37:42

like the beginning, like I mean

1:37:44

since the beginning of his career, like literally

1:37:47

type of ship. You feel me? This is

1:37:49

my shot? I mean it's not ours?

1:37:53

Ye shot already? Yeah?

1:37:54

Yeah, is this my fault? Definitely

1:37:57

definitely an't drink unless your ice melted, just.

1:38:00

Like like I think your ice soldier

1:38:03

that was just hanging around your buddy just

1:38:05

melted. That's

1:38:08

probably just fuddy m hm. And

1:38:10

you got ice in them, motherfucker, that's probably. That's

1:38:12

all. I ain't gonna lie to you. If you would have hit that

1:38:15

stole the elite with concrete,

1:38:18

yeah, you wouldn't be discreet. I

1:38:21

ain't running up on it as

1:38:24

I know who

1:38:26

run it first? Yeah, who

1:38:28

run it?

1:38:29

Man?

1:38:29

Shout my boy, baby, Man shout baby

1:38:31

for Dallas for sure, Man,

1:38:34

that's who running. That's crazy.

1:38:36

I'd be like when I thinking

1:38:39

about ship, like that ship told

1:38:41

me like I had there's

1:38:43

some funny ass ship, right, I stole my

1:38:45

toe. I hit my toe on the edge

1:38:47

of the bed, and my ship was hurting bad as fuck. I

1:38:49

couldn't even put my shoe on. Which toe?

1:38:53

Is that really?

1:38:54

Damn?

1:38:55

The little told I

1:38:57

couldn't walk the little toe the little

1:38:59

one bro ship turned black.

1:39:02

Man, it was fucked up. It was at the top.

1:39:05

Was like, I don't

1:39:07

really look though.

1:39:08

Man, I couldn't. I couldn't want you

1:39:11

take a picture. Little To

1:39:13

this day, nobody noticed. I really

1:39:16

went up to the ship, rolled up on the

1:39:18

little chill. The little one that rolled it

1:39:20

wasn't a wheel channel, you know, the little chair that spin

1:39:23

around the folk. I rolled one of

1:39:25

them bitches all the way on the elevator up

1:39:28

to the ship. Did the freestyle. Ship

1:39:31

was sucked up. I'm like, man, I ain't even want to do

1:39:33

this ship, but that ship can't

1:39:35

win so viral. After that, I'm like, damn,

1:39:37

man, I got to just start doing ship when I don't

1:39:39

even want to do it, Like fuck it, this just

1:39:42

go through it. That ship taught me a little mintal

1:39:44

lesson. But anyway, I had did

1:39:46

the freestyle and

1:39:49

put that ship on my page. Then

1:39:51

drake head DM me like, man, make that ship

1:39:53

a song. Okay, talking about

1:39:56

Bro, I

1:40:02

had did a freestyle. I told

1:40:04

you I wanted a baby. I did freestyle

1:40:08

after I stub my toe. I want to take

1:40:10

your dam after your toe was

1:40:12

hurt. After I posted the ship on my page.

1:40:15

Drake had hit me in the DM like, man,

1:40:18

make that ship a song. Drake is a lection

1:40:20

bro, he's alec. Yeah. I

1:40:23

wanted to drink man, and he told you you the future

1:40:26

he did, Bro, that's.

1:40:27

All the record got got

1:40:31

to get a record again. He can't

1:40:33

say that and then not do the record.

1:40:35

You know that, Man, I'm gonna get it done. You

1:40:37

know that? Who you

1:40:39

played basketball? Yeah? Who

1:40:42

you thinking? But me and Drake? Yeah?

1:40:44

As was he?

1:40:46

Hey what big bro? What man?

1:40:48

We gave Drake ass work man?

1:40:50

He was man. He put us out of the studio. We want

1:40:52

he advels to it. He knows they we won.

1:40:54

They lost? Wait wait talking about he

1:40:57

was in the big show?

1:40:59

Who was Okay? Hold on, so what

1:41:01

happened? All right?

1:41:02

Tell us tell you said the crib in l

1:41:04

a hooping who

1:41:07

was on our team?

1:41:07

It was me, big Bro? Who's

1:41:10

big Bro? We need to know a one

1:41:13

right there? It's big Bro?

1:41:14

Okay, Addy was on our team.

1:41:17

Wanted to get added all all on bro and

1:41:20

so.

1:41:21

This is shot talent against Toronto. Is this what

1:41:23

happened? Uh? It was that

1:41:25

was ourful dash dash

1:41:28

he my bro Aaron

1:41:30

Sharral, you know, big c over geffing

1:41:32

on Brodie.

1:41:33

Okay, Brodie was four

1:41:35

and four and we was playing.

1:41:38

We played. We played Drake

1:41:40

little Man, We played Drake twenty

1:41:42

one Savage who was on the team.

1:41:46

It was like two more people, ain't lie, we bust

1:41:48

the ass though, we're not going to Drake

1:41:52

bust Drake and twenty one Savage twenty

1:41:55

one was playing with him to bro But that was

1:41:57

a little That was a little scrimmage though I ain't really gonna

1:42:00

do too much bathroom on it.

1:42:02

But they.

1:42:04

Beat yourself up and took your back. I'm not sure,

1:42:09

y'all. Yeah, what was the game? What?

1:42:11

What was it? Like? Like? How many wines?

1:42:14

How many were probably played? Like eleven

1:42:16

weelve eleven or some ship. It was probably like four

1:42:19

yeah, four four court court,

1:42:23

full court? Where was this at

1:42:26

l A L A l A. So

1:42:29

you smoked Drake.

1:42:31

And twenty one We.

1:42:34

Won in the phone for Yeah,

1:42:36

we beat them. That's

1:42:40

what happened, everybody.

1:42:42

I just want to be commentary for parking sure,

1:42:44

you know versus once this ship goes, contends

1:42:47

to.

1:42:48

Let's start the back. Nobody gonna want to rematch,

1:42:50

you know how this ship goes.

1:42:52

We're gonna do the side commentary.

1:42:55

Yeah, I want to do the side commentary.

1:42:57

You we're gonna host it. We're gonna host it.

1:42:58

We're gonna host it.

1:43:00

About shots, and it's gonna be a charity

1:43:02

game.

1:43:03

We can't wait. So you saying

1:43:05

if you all right? So you and

1:43:08

who against Drake and twenty one Savage two

1:43:10

on two, Me and

1:43:12

Brow, me and Brunt,

1:43:16

No smoke, He just said no, we

1:43:19

won't. Yeah you said no, Like I'm gonna

1:43:21

smoke them like He's like, no, yeah,

1:43:24

you talk about so two on two. I'm

1:43:26

calling ice Que tomorrow. We're

1:43:29

gonna make a different league. Me and bro against

1:43:31

him in twenty one. That's sweet. Let

1:43:34

me go.

1:43:35

That's over league.

1:43:39

Do we got this? Okar? We think

1:43:42

if we come right, come

1:43:44

on, we all yeah,

1:43:51

under dog Fantasy.

1:43:53

We finally are able to, you know, speak

1:43:55

about sports, make a little bit.

1:43:57

Of money, save some people some money.

1:43:59

Yes, that's right, makeable some money, money,

1:44:02

money.

1:44:02

So what we're doing this week, We're

1:44:05

going right into Super Bowl Sunday big.

1:44:08

We need the Drink Chances Army to download the Underdog

1:44:11

Fantasy app.

1:44:12

Used the Drink Champs or

1:44:15

drink or Champs, that's right.

1:44:16

And for every hundred up to one hundred dollars that you

1:44:19

deposit, it'll get matched because you

1:44:21

use the Drink Champs.

1:44:22

Coach Efn's got money. He's

1:44:24

batching the money himself. That's

1:44:32

those that have been sleeping on the rock. Is the Kansas

1:44:34

City Chiefs versus the San Francisco forty

1:44:36

nine ers in Las Vegas.

1:44:37

I go with the Chiefs.

1:44:39

Ask me why I'm going with the Chiefs. Why are you going with the

1:44:41

Chiefs. We do not go against Mahomes.

1:44:44

I love that alone time ago.

1:44:45

And we don't go against Strange Music Tech nine

1:44:47

man. They celebrated two shoutouts to them man as their

1:44:49

team's love.

1:44:50

How you made that? Make it?

1:44:51

Okay?

1:44:52

Okay, Strange Music shut shout

1:44:54

out to all that. But I'm going with San Francisco forty

1:44:56

nine ers. I think Defense

1:44:58

is going to step it up. I think

1:45:00

they're they're gonna follow suit and

1:45:03

destroy the Las Vegas

1:45:06

numbers. The Super Bowls

1:45:08

in Vegas. Yeah, okay, allegiate stadium

1:45:12

marijuana is legal, so it's

1:45:14

hooking. Watch yourself pick.

1:45:17

However, I like Kansas

1:45:19

City to squeak it

1:45:21

out. It's gonna be a close game, but it's three

1:45:23

to one right now. As an

1:45:25

underdog and underdog fantasy, I think I'll

1:45:29

be the underdog in this pick. I think forty nine ers will

1:45:31

do it.

1:45:31

Why do you think forty nine is an underdog in this?

1:45:33

Absolutely bro everybody's not picking again

1:45:35

Mahmie or Kelsey,

1:45:39

But forty nine has got Christian McCaffrey and deebo

1:45:42

I like his name, deebo Man. Yeah,

1:45:45

it's deebo I like them on Friday too.

1:45:47

So what are the picks?

1:45:48

Man? What are we doing? What? What are we what? How

1:45:50

am I going to make bread? Yeah? Let me breaking.

1:45:53

Not this motherfucker who's lower, let's go take

1:45:56

him out. Of all these pigs that we're discussing,

1:45:59

they're all on the under dog Fantasy at we're

1:46:01

just not making this ship up right. That's right. You download

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1:46:37

So let me ask you what's your favorite? Making

1:46:40

the record or performing the record? May

1:46:45

making your record, right,

1:46:49

I think making the record because just

1:46:53

to create a space of I feel

1:46:55

like when

1:46:57

you like from an artist

1:46:59

respect. In my opinion, I'm

1:47:02

already making the record with purpose and

1:47:04

knowing if I'm going to perform and shoot

1:47:06

it or whatever. Already already know what you're

1:47:08

doing with exactly. So it's like I'm already

1:47:10

like once once I'm at least getting the process

1:47:13

of it. I can figure how that's gonna

1:47:15

recollect and shows or whatever from

1:47:17

the first day I'll make it, you know what I'm saying,

1:47:20

Shows, video, how it's gonna be.

1:47:22

You know what I'm saying.

1:47:23

You do a lot of festivals, right, yeah?

1:47:26

I do festivals. Yeah, So what I'm saying, I

1:47:28

mean I heard you you you be out

1:47:30

the big festival.

1:47:31

Yeah, I done LATAs. I did LATAs

1:47:33

and you know rolling laughs and all this ship.

1:47:36

Yeah, all the big festivals that's turk Urban.

1:47:38

Yeah. Yeah. I like the fact that you

1:47:40

say that.

1:47:41

Some people say that they think that you don't

1:47:43

have a hit record, but you say, I can't tell

1:47:45

because my fans.

1:47:46

Is it's a hit with fans

1:47:48

and matter every motherfucking night. So

1:47:51

it's like I'll be saying this a lot, like

1:47:55

like not in a bad way. I feel like it's

1:47:58

I'll be like I feel like one hit

1:48:00

record away because I never really called

1:48:02

a break while I went top Billboard

1:48:05

and no shit like that, you know what I'm saying. But I always

1:48:07

built the core fan base because I stayed

1:48:09

consistent in a way where I feel, you

1:48:12

know what I'm saying. The people who fuck with me, you feel

1:48:14

me like organically, whether it's like me

1:48:16

dropping enough projects on me just

1:48:19

being featured on enough shit because everybody

1:48:21

fuck with me, and you know what I'm saying, delivering

1:48:23

in that type of way. But and I

1:48:25

ain't gonna lie. I feel like I ain't

1:48:28

never really had the advantage to just really

1:48:30

drop consistently how I wanted to, because

1:48:32

I ain't never mapped it up the

1:48:34

way I wanted to. You feel what I'm saying and

1:48:37

what I'm saying that like on some shit, well like

1:48:41

me being independent the whole time, I

1:48:44

can drop music, but I ain't never really

1:48:46

like putting the rollouts

1:48:48

where it's like, all right, bet I'm from the drop folk

1:48:51

mixtapes or two albums or some shit. There's

1:48:53

a certain budget allocatese how

1:48:55

you do it exactly because I know Nigga really

1:48:57

doing this shit independence so on. Everything

1:48:59

is how you can do it when that can do it, you

1:49:01

feel I'm saying exactly, you know how this shit goes. It's

1:49:04

like, I feel like we're having that. If

1:49:06

I would have had the advantage to really do that. From

1:49:09

a perspective of somebody

1:49:12

who got a label budget or whatever, he'll

1:49:14

say, you know what I'm saying, Like, shit,

1:49:17

I feel like ship would probably

1:49:20

like slowed me down.

1:49:22

I'm glad it, Like you know what I'm saying, I'm glad

1:49:24

I built some shit organically where it's

1:49:26

like I don't have to chase it, right, I

1:49:28

don't have to chase it.

1:49:29

You're better than most artists, you know

1:49:32

what I'm saying. You don't need that machine. You don't

1:49:34

need that budget. If

1:49:36

the budget comes to you, eventually, you're gonna know

1:49:38

how to use it, but you don't need that like

1:49:41

to have to not have a hit record

1:49:44

like the technical hit record and

1:49:46

have the falling you have is amazing, man like

1:49:49

like salutes.

1:49:49

Your fans are crazy.

1:49:50

B I'm saying, it's like I

1:49:52

feel like that ship really but

1:49:55

I'm.

1:49:55

Gonna Benna be his devil advocate

1:49:58

if they come with that bag. Some labels

1:50:00

take that guy, Damn.

1:50:04

Me and him.

1:50:06

Read the contract problem. Don't

1:50:08

just take the back. The one is that

1:50:11

the back is a loan

1:50:13

man. It's alone. It's not a bad It's very true.

1:50:16

Very I'm gonna hold onto it a little bit like

1:50:18

it's like.

1:50:19

This, you know it's very true.

1:50:21

I don't.

1:50:21

I feel like it was like I said,

1:50:23

it was like some I didn't

1:50:25

even know what it was like in my math, didn't know what

1:50:28

it was. I felt like I was building like a real

1:50:31

business where I can go. I got

1:50:33

the opportunity to like say, yeah,

1:50:35

Nick, you know what I'm saying. You feel me like we're

1:50:37

building it because I don't have

1:50:40

to like put it. I could put

1:50:42

out music and just feed my audience, Like

1:50:44

I don't got to make sure I got a single or

1:50:46

whatever before I drop an album or you know what I'm

1:50:48

saying, Like just certain ship, I got the

1:50:50

advantage. It's just pros and cons with being

1:50:52

able to just be like independent,

1:50:56

having a coin fan base where it's like they just

1:50:58

wait on me to drop music. They don't get on.

1:51:00

You're in a place where every artist wants to be

1:51:02

in.

1:51:06

It is like, do't matter what the fuck

1:51:08

I drop or drop it, they just

1:51:10

tuned in for what's coming up.

1:51:12

And you got this weird balance, right, Because

1:51:16

what I mean by that is most of

1:51:18

the time you have the respect from the fans

1:51:21

or you have the respect from the industry. A

1:51:23

lot of people don't have that balance of

1:51:26

having both, and you got

1:51:28

that, like, you got the respect

1:51:30

from the fans. The fans respect

1:51:32

you equally how the industry respects

1:51:35

you. And that's, like I

1:51:37

said, I labeled it weird because I

1:51:39

have no other word to name because

1:51:42

that's weird. I've never seen that. I've

1:51:44

never really seen the equal amount

1:51:46

of respect. Do you do you feel that?

1:51:48

Yeah? Yeah, I think that's just like and

1:51:51

when I hear it from like like

1:51:54

from people, Yeah, we can definitely take a shot for that. You

1:51:56

know that.

1:51:57

I'm just let's take two shots

1:51:59

for that, brother,

1:52:03

Let's do it.

1:52:06

Because because

1:52:08

because because.

1:52:08

I ain't gonna lie shots,

1:52:15

we've been doing that shots.

1:52:17

Okay, Well, I need another one.

1:52:19

I've been we've been doing shots. She

1:52:22

said, I got

1:52:24

you. But that's

1:52:27

a that's a seldom very

1:52:30

rare thing. Now

1:52:32

I'll be noticing that though, Bro, I don't last

1:52:34

like it just comes from from being solid.

1:52:37

Man. I just been trying to like and

1:52:40

it's like I felt like in a way,

1:52:43

no funny ship, Like I think

1:52:46

when I when I was so

1:52:48

young and when this ship

1:52:51

started taking off of me, I think

1:52:53

I didn't just like understand why

1:52:55

I start power understand who I was.

1:52:57

Well I never really got close

1:53:00

to like certain other artists or it did certain

1:53:02

capitalize all that. Yeah, I didn't capitalize

1:53:04

on it early on, you feel what I'm saying.

1:53:06

So I felt like with

1:53:09

that, like and people fucked with me.

1:53:12

By the time it got to a point where I think I felt

1:53:14

comfortable with myself. People

1:53:16

fucked with me, and then I was able to build general

1:53:18

relationships where it's like now

1:53:21

these people I fuck with, I actually fuck with,

1:53:23

like on a genuine relationship or

1:53:26

level, or a personal relationship level, like

1:53:28

a business relation, business relationship, you know what I'm

1:53:30

saying.

1:53:30

Like it's just really growing on that type of

1:53:32

shit, you know what I'm saying.

1:53:33

So it's like, I think that

1:53:35

just came from really it was natural though,

1:53:38

because I wasn't And I

1:53:40

see now like I started learning years later

1:53:42

that shit really handled my career where it's like certain

1:53:45

shit, I wasn't pulling up

1:53:47

to certain shows when artists was

1:53:49

in town come out and do

1:53:51

certain shit, Like I remember one time, bro,

1:53:53

I ain't gonna lot my homie Kobe Man god Rich.

1:53:56

So he got killed in

1:53:58

twenty and thirteen, and

1:54:03

and TI had came to the

1:54:05

town. He had came to Chicago, and

1:54:09

he was like, you know, trying to get up with a nigga,

1:54:11

like Tip was trying to get up. You're like, man, he wanted me

1:54:13

to pull up to the shop on Stony and but

1:54:15

literally I saw the gone outside waiting

1:54:18

on the ambulams and picked

1:54:20

my homie body up. Off we write

1:54:22

there, sorry for that watching them. You feel what I'm

1:54:24

saying, like certain shiit like and

1:54:27

I feel like it hinted like hinting

1:54:29

my career because I used to have that same type

1:54:31

of mask. Said well, I wasn't just doing shit

1:54:33

because I felt like I

1:54:36

was like too like deep

1:54:38

in the streets. So I felt like I was too like

1:54:42

stuck in my way as well. I ain't

1:54:44

want to like put myself in

1:54:46

an uncomfortable environment

1:54:48

or uncomfortable like place

1:54:51

to try to like go mingle

1:54:53

with other people with stars and shit

1:54:55

like that. You feel what I'm saying, like, because

1:54:58

I ain't want to, like just going

1:55:00

to LAMB was just trying to like you

1:55:02

should me. So it's just ain't gona lie

1:55:04

for years and year that ship was my problem. Though.

1:55:08

I moved to Miami, right, and

1:55:12

I would like to say Miami saved my life. Right,

1:55:15

Well, you're welcome, damn tell

1:55:17

them how you really feel.

1:55:19

But I was saying, I was like, yeah,

1:55:21

I would just say that Miami kind of saved

1:55:24

my life, right, because.

1:55:28

But I still get those phone calls. Yeah

1:55:31

such and such is over for him. You know,

1:55:34

he just died. They killed him over there

1:55:36

that I

1:55:39

fell to a certain extent, Miami helps

1:55:42

me deal with that pain that's

1:55:45

being in La. Help

1:55:47

you, because I mean, I'm sure

1:55:49

we get the same phone now, That's what I'm saying. I feel

1:55:51

like La definitely did that because that's

1:55:54

dope, even like just

1:55:58

being in a different environment that it's

1:56:00

not a brown You feel what I'm saying, Like, I

1:56:02

remember Chief Keith moved to l A right exactly,

1:56:05

Like That's why I got with the Paintball ship.

1:56:07

That's why I really that's another

1:56:09

reason why I really just like fuck

1:56:12

with SoCal so much because he just always

1:56:15

took a chance and just doing ship like he

1:56:17

just went to l A. You feel me like they

1:56:19

gave other niggas like that's what it's like, Damn

1:56:21

Social could do it, we could do it, Like that's what I felt

1:56:24

like. You feel me like Social more to l

1:56:26

A. I'm like, I could go to LA you know

1:56:28

what I'm saying. Yo, when

1:56:31

it did, bro Like you know, but

1:56:34

that ship was like when

1:56:36

that ship wasn't possible to us, like

1:56:38

niggas going to move to l A type of Los

1:56:41

Angeles lost one

1:56:44

and never coming back Like that was my intentions, Like

1:56:46

I'm going to go out there and never come back. You

1:56:49

feel me like that's what I felt like and

1:56:51

still rep the city and still the city,

1:56:54

you know what I'm saying. But of course

1:56:56

nigga really went back and you know what I'm saying.

1:56:58

I'm just saying like we didn't even think that shit

1:57:00

was possible for folks went out then that

1:57:03

made me like, all right, man, folks could do it. We

1:57:05

could do it. That's real ship.

1:57:08

Talk about Blues feature in the future. Blue

1:57:11

was on Bro very hard to get Future on the record

1:57:13

on him. Yeah you cannot get Future

1:57:15

on the record. Yeah that's

1:57:17

big Brow.

1:57:18

I ain't only.

1:57:20

Future like no boys shit.

1:57:22

He he wanted to like real,

1:57:26

like real niggas that really like gave niggas

1:57:28

some like guy, that's when they came

1:57:31

to real life ship like this is why I really fun

1:57:33

with fun with Big Bro for real, because he

1:57:35

employed you to the side and like tell you some ship

1:57:38

that you wouldn't even think he was paying attention to.

1:57:40

Like that's what made me know, like big Bro, it

1:57:42

is a real nigga, Like he had come tell

1:57:45

me some ship like yeah, man, I've

1:57:47

seen this or some ship they got probably do

1:57:49

it like your carell or some personal ship

1:57:51

and you wouldn't even think you no big like

1:57:54

big up, yeah, big Bro for real because like

1:57:56

that unless you know, like he really fuck with me

1:57:58

gingerly trying to taste and ship that like I

1:58:01

really help you, you know what I'm saying, Like so

1:58:03

like music.

1:58:04

He see the whole ship like heep keeping down

1:58:06

with Dungeon Family exact then.

1:58:09

He's hip hop.

1:58:11

The first time I metic Bro was was in the hood

1:58:14

anyway, like in my neighborhood.

1:58:15

You know what I'm saying. What what the first time

1:58:17

you met Future was in where Yeah?

1:58:19

Yeah yeah, shout of the zone, man, big bro.

1:58:22

Bro, first time I met Pluto

1:58:25

was h you call him Future.

1:58:28

We realize you've been calling interview

1:58:30

you know, yeah,

1:58:36

that's that's name the world. But

1:58:40

yeah, the first time I met Bros ship

1:58:43

like twenty

1:58:47

sixteen or some ship, and like in

1:58:49

the neighbor in my neighborhood though, like right, but

1:58:52

he was just hanging out in your neighborhood, bro, Nah,

1:58:54

stop for real, no

1:58:57

bullshit. He didn't on

1:59:00

you. No, he was outside

1:59:02

posted up in the trenches. Man, stop

1:59:05

that I ain't for real,

1:59:09

Future just outside on your hood in

1:59:11

your.

1:59:11

Hood, brola.

1:59:15

He was to his own man shouts on the front

1:59:18

of Yeah, the first time I met him

1:59:20

just pulled up on on some random ship. But

1:59:22

yeah, bro, real nigga.

1:59:23

Ain't know you before you met.

1:59:24

Him, like you just hain't no hanging

1:59:26

on me? Hell no, not for real.

1:59:29

Well he knew me a little bit, but not. No. Yeah, that's

1:59:32

fine, Future,

1:59:35

you know that let's

1:59:39

talk about this record. How did you how did you come about? Since

1:59:43

on bro south Side south Side he

1:59:46

had put the ship together.

1:59:49

I was putting the hour he was in

1:59:51

Miami. I had pulled up on him. You know,

1:59:53

broke. He you know that's ship

1:59:56

easy for broke, for for for for the

1:59:58

future man, that ship he definitely don't right. Yeah,

2:00:00

this shit come like second Nation. Just you

2:00:03

put up on brow in the studio, you just play

2:00:05

some shit. If he fucked with it that ship,

2:00:07

then it takes him like twenty minutes. He's just

2:00:09

like, I ain't never really like and

2:00:12

I ain't lie when when when he recorded that

2:00:14

ship? When he recorded it, I had went

2:00:16

back on my second verse cuz like

2:00:19

I seen like how he

2:00:21

like his whole process and ship like

2:00:25

how he did it. It made me go back.

2:00:27

It made me go back on my ship like on the second

2:00:29

part, like on the second part of my verse,

2:00:32

like just basically how like you

2:00:34

go like different catuses like I'll

2:00:37

be like I'll be seeing some rap shit. You

2:00:39

know, I just really just try to like go

2:00:41

by for bah like I like,

2:00:44

after bro putting some shit on there, I may it

2:00:46

made like take the bars off, go different

2:00:48

catus like on some a lot of shit type

2:00:50

shit, but like yeah, shout out the broke

2:00:52

on he he just challenging

2:00:54

niggas just on some how it was recording

2:00:57

process. He get in and just and I'm

2:00:59

sure any nigga could contest when you getting in the

2:01:01

studio, Pulo, like how you record it

2:01:04

just makes you want to.

2:01:05

Like, I love.

2:01:10

Listen because you got like fifteen

2:01:13

thousand.

2:01:13

Features, right, yeah, I got a

2:01:15

lot of features. Now

2:01:19

I got you sot sourced up.

2:01:23

Has there ever been somebody that fronting on you that

2:01:25

you wanted to do a record with.

2:01:27

Let's keep it real.

2:01:28

Now you're wanna drink chance,

2:01:31

keep it real now, one person in fronting on everybody.

2:01:33

Let's just keep it real. I got my Maya

2:01:35

front of it on me. She's coming under this. She did

2:01:38

a record with her.

2:01:40

Yes, I did a record with her. You

2:01:43

I won't really say fronted, but if I was

2:01:45

gonna say, like any creature I really anticipated

2:01:48

coming out that never really coming and came out that

2:01:50

I was trying to fuck with, was was

2:01:52

ya your head for me?

2:01:53

He was, Yeah, this

2:01:56

is before down. That was like two three years

2:01:58

ago.

2:02:00

I was locked in. Yeah, we had did like two

2:02:02

three songs. I pulled

2:02:05

up on in the rack and I did some other ship in New

2:02:07

York. He had sent me. We had

2:02:09

blond hair at this time. This was like,

2:02:12

right, be photoblode, before the blod

2:02:15

before the.

2:02:16

Spots in the head, toause,

2:02:18

I'm trying to figure out, bro, Bro,

2:02:21

this is before before that, before the spots

2:02:23

in the head. Okay, all right, so y'all winning

2:02:25

the studio.

2:02:27

In Chicago, y'all.

2:02:29

But we had did some ship. He really

2:02:31

like, I had I laid some ship and he told

2:02:34

me to redo it. Of course, you know how he is. He's

2:02:36

super like strategic, picky

2:02:38

and ship. But when he did, I feel like

2:02:40

when he told me to redo it, that ship was over

2:02:43

hard, like he made me do some crazy.

2:02:44

He wasn't feeling that. No, no, I did.

2:02:47

I liked that I fun through the ship. But you

2:02:49

was agreeing with him telling you to redo it?

2:02:51

Y yeah, yeah, okay, yeah, but

2:02:53

like what really, what

2:02:56

I'm saying is like, when I did

2:02:58

the ship the ship, I was thinking that sh was going to

2:03:00

come out on his project. But I was trying to use

2:03:02

it too though. I was trying to use

2:03:04

it for some of my ship. So he

2:03:07

basically, ain't let me use it

2:03:09

for me trying to get some ship thinking it's gonna

2:03:11

come on his ship, and it ain't never come

2:03:13

on his ship.

2:03:14

But other than that, I ain't really Why

2:03:16

couldn't you use it?

2:03:19

I don't want to use it no more? After after

2:03:21

it was already put my Huh

2:03:24

you didn't want to use it? I had already put

2:03:26

my project out. Yeah,

2:03:30

So.

2:03:32

If you have a chance with you work with Kanye gon

2:03:37

produced or produced and feature.

2:03:41

You know he probably like work.

2:03:44

Then they're gonna produce the ship

2:03:46

anyway. Let somebody else do it, you know what I'm

2:03:48

saying. But like, I ain't gonna lie to with

2:03:50

or like, I just like just got

2:03:53

a different type of love for you because you know he's

2:03:55

from the crib man. Yeah, I got a lot,

2:03:57

but he's super genius. Let me

2:03:59

just say, yeah, superhasic. I

2:04:02

write rhymes and calligraphy

2:04:04

in my mind.

2:04:05

Calligraphy I

2:04:08

killed that out of control right now.

2:04:12

And graffiti calligraphy and graffiti,

2:04:14

calligraffiti, calligraphiti

2:04:19

No one if I if you, if

2:04:21

I show you how I write rhymes, you'll

2:04:24

be like, there's no way.

2:04:25

That's a rhyme.

2:04:26

The only man in the world that

2:04:29

could read my rhymes. Kanye,

2:04:33

that man read my ship. We

2:04:36

were in carbon and were sitting there. What's

2:04:38

the guy name was? What's the guy

2:04:40

named.

2:04:43

U? Trump's trumps

2:04:46

homie Jared Kushner.

2:04:48

Come on, that's a weird name

2:04:51

drop right now.

2:04:52

Bro, Oh you think I'm bullshit?

2:04:53

No, no, no, I don't think I got that and everything

2:04:56

that aut Yeah,

2:04:58

you don't know we talking about. So I'm in

2:05:01

Crump's daughter's husband.

2:05:02

Yeah. Yeah, So I'm in car Phone

2:05:05

who was a part of Trump's cabinet.

2:05:09

So I'm in there and then and

2:05:11

then and Yea said something to me, and I'm

2:05:13

like.

2:05:13

Oh, yeah, I was when Jared was right there, Yeah,

2:05:16

Jared, Jared, he said listen,

2:05:19

you're right.

2:05:21

He said, well.

2:05:22

I was like, so Yay said something

2:05:24

and I said, oh, ship, Look, I was writing

2:05:26

this earlier. So I showed

2:05:28

it to him, thinking like, because

2:05:32

no one can read my handwriting, it's just not

2:05:34

possible. Nobody

2:05:37

pone my wife, nobody

2:05:41

that nigga ye read my ship like

2:05:44

he was.

2:05:45

Proh was like he

2:05:47

really read. And when he was wrapping

2:05:49

it, you know what I'm saying, like, y rapped

2:05:52

rapping it like he's reading like I

2:05:55

grabbed my phone, giving me my ship.

2:05:58

I had never knew any no, no, go

2:06:00

back, go back, go back, relax list hold

2:06:03

on, yeah, wait wait yeah, come

2:06:05

on, let's go.

2:06:07

Now. We both we got both got quite

2:06:09

away what I'm saying. He read

2:06:11

your lyrics that you wrote, he

2:06:14

said, rapping it, like all right.

2:06:16

And this is real talk. He had

2:06:18

just did the Cardi B verse.

2:06:21

So when he did the CARDIV verse, he says something

2:06:23

and I was like, oh, ship, look I wrote

2:06:25

that this morning. Whatever

2:06:28

he said on the Cardi B verse, I was

2:06:30

like, loo, I suanted to say I wrote that.

2:06:32

Most people would look at that one line and give

2:06:34

you back your phone. He sat

2:06:37

there and read my whole rhyme.

2:06:38

He was like, how many how many verses you had?

2:06:41

How many? It's like a.

2:06:42

Twenty four bar verse, and he reaped

2:06:45

it the whole line.

2:06:47

I said, motherfucker, I never

2:06:51

capoon, can't do that. I

2:06:53

wrapped your pool for my whole

2:06:55

fucking life.

2:06:56

But he wrapped in a way that you were like me,

2:06:58

yes, what you said? He wrapped

2:07:01

in what because this is the thing you're saying that.

2:07:03

He said it in a way that it sounded like you yes,

2:07:07

yes, I swear to God I had never I

2:07:09

gave him my phone expected him to be That's

2:07:12

what I'm trying to figure out. Like that's saying he

2:07:14

reading it or you're saying read it like

2:07:17

like you're confusing. Wait hold please,

2:07:20

So I'm here for the ship. So you're

2:07:22

saying he reading it off your notes right

2:07:24

or your handwriting? It's not your hand right now? He

2:07:27

goes my hand right on his phone owns my hand,

2:07:29

right hand right right

2:07:32

right? Bro stopping, bro, what do you mean it was my

2:07:34

hand? It was my notes.

2:07:36

There's my notes tell writing?

2:07:39

Wait what.

2:07:42

You you another?

2:07:44

You're another way?

2:07:45

Is he tripping on my tripping?

2:07:46

He's tripping? Okay, what's your

2:07:49

phone right? It's on my phone hand?

2:07:52

All right? Listen, listen, listen. Let me let me read

2:07:54

editate just saying he plays

2:07:57

me the Cardid verse

2:08:00

that he had just did for Cardi B.

2:08:02

This's not outright.

2:08:03

So one line on there, I

2:08:05

wanted him to know on

2:08:08

your phone what you just said. I

2:08:10

wrote this on your phone, on my

2:08:12

phone. So I showed him my notes,

2:08:15

my voice, not my voice. No excuse

2:08:17

me, Uh you know a yellow pad, but

2:08:19

you ain't.

2:08:20

I'm not your hand.

2:08:21

It's not my hand, right, Okay, you're

2:08:25

fucking found motherfucker.

2:08:27

The I'm so

2:08:29

I'm tripping though, that's my what I'm saying

2:08:34

that because the reason why I'm saying,

2:08:37

I don't yeah,

2:08:42

all right, you know

2:08:45

I don't know what you

2:08:50

what I'm saying. No, one can't read my ship,

2:08:52

all right, because I'm writing the feeding all

2:08:55

right, so he read it. But I'm saying, all right, so even

2:08:58

how you read it, he read me and

2:09:00

your flow, how you would have rapped like

2:09:02

me? Like how you would have wrapped it?

2:09:04

Yes, And I got scared

2:09:07

if a motherfucker, I

2:09:09

said, give you up my phone?

2:09:10

Have any bards like it.

2:09:12

Was it was like twenty four he hit all

2:09:14

twenty four but like he was

2:09:16

just like and

2:09:19

I'm looking at this motherfucker like because

2:09:22

I'm like, who the hell said that? Yeah,

2:09:24

I'm like, oh my phone, give back

2:09:28

that niggas a gens. I

2:09:30

believe that. Let's

2:09:34

talk about lawyer Feest, Lawyer Feast.

2:09:38

Uh.

2:09:38

Let's yeah, let's see that's that's that's Polo

2:09:41

again. Man. You know little good

2:09:43

Yeah, man, liberal got a different type of chemistry.

2:09:45

Man, you call him. You got a nickname for heybody,

2:09:47

what he said? Bro, I said, Polo, that's

2:09:49

just Broski Bro Okay, Well

2:09:53

yeah, man man, we got a different type of chemistry

2:09:55

for Shure, Like I

2:09:57

said, we getting it. But Bro,

2:10:01

thank you. Listen, guys, I got

2:10:04

nothing to do with this side of the room.

2:10:06

Work like that.

2:10:10

That you know that one with

2:10:16

the Champaga Kodak,

2:10:20

you go break

2:10:26

He's home bro

2:10:29

home, Yeah for sure, man man,

2:10:31

that's the homie. Bro. That's my dog. Is

2:10:34

a good dude. Bro.

2:10:37

Yeah, Coke Coke cod I ain't

2:10:39

gonna lie, you cannot. We

2:10:42

love you, Kodak, stay home,

2:10:45

stay home, Kodak.

2:10:46

We love you. Bro. I love that that

2:10:48

boy. Let me

2:10:50

just tell you something. Let me address

2:10:52

the critics real quick. The critics and what

2:10:55

a lot of people are like, Oh my god, he was so

2:10:57

fun drink chance, he's fucking

2:11:00

drunk. That's a lie.

2:11:02

That motherfucker stayed here for four hours

2:11:05

afterwards if he was high.

2:11:07

And fucked up out of here.

2:11:10

That motherfucker stayed out here and shut down on

2:11:12

the block, the whole block.

2:11:14

He stayed here and fucking sign

2:11:17

autographs.

2:11:17

Bro, like you

2:11:20

broke bro Man, niggas smart as hell, Kodak

2:11:23

and real on, man, come on, man, let's

2:11:25

leap. And

2:11:29

I hate addressing like you know, ship like

2:11:31

that, but you know, I wanted to defend him

2:11:34

one to defending him. He was not high, he was he was,

2:11:36

he was cool, he was he

2:11:38

was just Kodak man bro.

2:11:41

Yeah, well Yak was just being yak man bro.

2:11:44

And that's the thing about y'all

2:11:49

generation.

2:11:50

There's a lot of our generation started

2:11:53

to judge.

2:11:53

Y'all in that aspect.

2:11:55

What I mean is that's

2:11:58

we was exactly y'all, exactly

2:12:01

everything y'all did, we did, but

2:12:03

then now that we're older, we were.

2:12:04

Over they

2:12:07

let him do that. I think it's I

2:12:09

think it's probably like the

2:12:11

internet perception, like everything

2:12:14

being broadcasted on the Internet. You know what I'm

2:12:16

saying. I think like

2:12:18

everybody clicked the judge us and like I'm

2:12:20

George y'all. You know what I'm saying. But at

2:12:22

the end of the day, bro, every

2:12:25

like every artist, everybody

2:12:27

got their own flaws, got an on

2:12:30

every you know what I'm saying, Like personal ship going

2:12:32

on, you know what I'm saying, But like like

2:12:35

I ain't saying like no artists for instance,

2:12:37

or whatever the case may be, Like and

2:12:40

I'm glad that you're saying that, because Ship,

2:12:43

all we did was follow the footsteps of what we've

2:12:45

seen and what we do.

2:12:46

You know, we're just right, which

2:12:48

is not necessarily right.

2:12:49

That wasn't necessarily right, but it was right

2:12:51

because at the end of the day, it was

2:12:55

the foundation of helping us get to

2:12:57

where we are. You know what I'm saying, all done something

2:12:59

that was unthinkable or seeing

2:13:02

or heard, and what's wrong and

2:13:04

it was wrong. It was wrong.

2:13:06

I always say something our

2:13:08

generation fucked up.

2:13:11

Our generation fucked up this

2:13:14

kind of And I'm not blaming.

2:13:16

I'm not blaming Noor.

2:13:18

Ain't nobody pointing on fish. No, but no,

2:13:21

I'm telling you something right now.

2:13:22

This is what I'm from the DJ aspect,

2:13:24

not the artist aspect, but the DJs. What

2:13:27

happened is in the nineties hip

2:13:30

hop started making money, real money.

2:13:34

This is my my opinion.

2:13:36

I can't tell you what it is.

2:13:37

It's my opinion.

2:13:39

And what I think happened is that the artist

2:13:41

said, who Ship, we're making real

2:13:43

money. We're not going

2:13:45

to ever get hold It's

2:13:48

like the Yolo forever. We're

2:13:51

not gonna pass down information and we're

2:13:53

not gonna change anything. We're not gonna this is

2:13:55

not a culture. We're gonna make this business.

2:13:58

We're gonna make money forever. And then that's what happened.

2:14:01

There was a stagnation of information

2:14:04

of culture and.

2:14:06

To a mad big words and

2:14:09

information.

2:14:10

But he knows, he's words. He

2:14:14

don't know, it's

2:14:17

just real, man. And that's

2:14:19

that's what happened, bro. Like like there was a part

2:14:22

of a section of time

2:14:24

where people stop informing

2:14:27

each other.

2:14:27

No, for sure, he right now, because it's

2:14:29

like we picked up the the

2:14:32

back the ship, the backlash

2:14:34

and everything y'all did right and

2:14:36

wrong. Y'all right, everything

2:14:40

wrong y'all did? We picked up too?

2:14:42

You knowe what I'm saying right was yeah, wrong

2:14:44

and right. So it's like it was a you

2:14:46

know, we gotta of course be grateful. We got

2:14:48

to take what come with it, like you said, you gotta take that come

2:14:51

in the bad. But as far as like the

2:14:55

like the perspective imagery,

2:14:57

like the perspective of an artist

2:15:00

and what you put out and the negativity

2:15:02

that come behind that and just

2:15:04

the misinformation of the business and whatever.

2:15:07

You know what I'm saying exactly, that's

2:15:09

what I'm saying, Like you just said the same thing. So

2:15:11

like both of them, it was like it

2:15:14

was like a two flip coin. We took in

2:15:16

a good and a bad. It was just what came

2:15:18

ahad, you know, the generation

2:15:21

before us, and then it's like the generation after

2:15:23

us going to do the same thing.

2:15:29

That was like, I mean, it's

2:15:33

deep because to

2:15:37

a certain extent, I

2:15:42

take place in that right you do,

2:15:46

we do?

2:15:47

We do?

2:15:49

Meaning there was a lot of foul artists

2:15:51

that came before me, and

2:15:53

when I seen them, they never gave me advice.

2:15:56

So I was like, fuck it, right, fuck

2:15:59

them, nigga, right this

2:16:02

industry, it's true. I'm gonna stay in my own

2:16:04

fucking zone. And then I

2:16:07

actually didn't give advice

2:16:10

to young homies when I seen them. When

2:16:12

I seen them, I felt like they felt like how

2:16:14

I felt like fucking this young,

2:16:16

this older nigga, because everybody.

2:16:19

And the older older is actually dope.

2:16:21

The older you get to be old.

2:16:24

It's a luxury. It's a luxury.

2:16:27

Come.

2:16:28

That's why I look up to to That's

2:16:31

why I look up to you.

2:16:32

I mean so much. You know what I'm saying. But listen, like

2:16:35

how you seeing that that ship only

2:16:37

passed on generating the marijuana.

2:16:41

You want to go back to blunt? Yeah,

2:16:43

yeah, this is this is, this is this is you

2:16:45

want to call it. You want to color cocaine, Yeah,

2:16:52

this is blunt. I ain't smoking cool

2:16:54

so long my lungs

2:16:56

are still on drink. But so

2:16:59

what I'm saying to say, it's like so

2:17:02

like for like the generation you're saying,

2:17:04

like, all right, fucking these niggas, I ain't

2:17:06

sharing, no, lie, ain't showing up what Like in

2:17:09

the industry, I see first hearing

2:17:12

the niggas like you might have like

2:17:14

bad experience with a certain artist.

2:17:15

Now you don't fuck with nobody dudes, like and

2:17:18

that's you Just that's terrible.

2:17:20

That it's like, damn, Now the next nigga

2:17:22

who you might really fuck with, you look, he might

2:17:24

looking at you like you a certain way.

2:17:26

You might be looking at him like he is a certain way. You

2:17:28

feel what I'm saying just off the fact that you just

2:17:31

holding on to that and that's going hinder your career

2:17:33

too, just like you

2:17:35

feel me. It's just like I didn't seen that

2:17:37

shit firsthand, Like you got to meet Nipsey,

2:17:40

Yeah yeah, yeah, Nipper, you know it's

2:17:42

so crazy, man, bro, I

2:17:45

ain't even being funny. I'm glad you asking

2:17:47

these questions. This shit like coming

2:17:50

up because one of my first experiences when I

2:17:52

first met Nipsey, I was I used

2:17:54

to be going to l A like

2:17:59

I was like twenty younger

2:18:01

said, I'm in the rental. I think I'm in like a Bentley

2:18:04

or something. I'm going to a random as seven eleven.

2:18:06

That's when I'm used to be drinking lane all

2:18:08

type of ship. I'm going to

2:18:10

a.

2:18:10

Random seven eleven and

2:18:12

I'm going to grab like a kid or something.

2:18:14

This nigga Nip pull up in a black may Back

2:18:17

dole, little bad itself go to the ATM

2:18:20

looking. I'm like this, Nip do look

2:18:23

I know that seven eleven. No, we wasn't even in Beverly

2:18:26

Hills. He was like, we

2:18:28

was about a wash boss on gal so

2:18:30

someone we was in the We wasn't in no Beverly

2:18:33

Hills. Now he pulled up eating the Mayback

2:18:35

on bro. I hollered on like damn

2:18:37

you know like this was early on and

2:18:40

U g herbro at this time. No, we

2:18:42

were like, yeah, you know who I am. You know I

2:18:45

wouldn't turn turn I'm like on some like

2:18:47

I'm just turning in. Yeah, I'm turning

2:18:49

in on Bro and I see Bro, you know, like we

2:18:52

just fucking around like damn, like you know

2:18:54

what I'm saying. That just maybe like that's how we locked

2:18:57

in, Like I ain't gonna lie. It was just like like

2:19:00

every like since that day, you feel what I'm saying.

2:19:02

Me and Bro like always had

2:19:04

like a different you know what I'm saying, but that

2:19:06

shit crazy. That was one of my first like LA

2:19:09

experiences, was what I'm saying, like you

2:19:11

you just moved there at that point.

2:19:13

I was just visiting that.

2:19:15

I wasn't even moving there, like it was one of my

2:19:17

first LA experiences, and I'm seeing

2:19:19

him like it was I was like on some

2:19:22

fan shit, Yeah

2:19:24

you feel me Like I'm like, damn, I gonna nep.

2:19:26

You feel what I'm saying, Well, he pull up in the maybag

2:19:29

though little bad self. But I'm like, damn,

2:19:31

Bro, real street nails. You like though

2:19:34

little Badself, you feel what I'm saying, like godless

2:19:36

and so I saw the god that ship that made me like super

2:19:39

gravitate to him like damn. That

2:19:41

was my first time ever meeting him though, But it wasn't

2:19:43

on no rap shit. You feel me like me and Bro never

2:19:46

got no chance to do no music or nothing

2:19:48

like that. But every time we see each other it

2:19:50

was much you love and shit, it's off that

2:19:52

one acounter bro,

2:19:55

Bro, we got to a shot for that on Bro,

2:19:57

Damn, damn.

2:20:00

I ain't got no They gotta bring me

2:20:02

on from here. She

2:20:05

said, you want some of this?

2:20:07

You I think you want you

2:20:10

want some of this, Bro, I'm gonna put some of this in him.

2:20:12

Come on, man, cook gag some of you.

2:20:17

Just gonna try to get you across over to

2:20:21

the.

2:20:23

Look recipes

2:20:25

in that.

2:20:25

Bro, But

2:20:29

me keep

2:20:32

it back to you. Man, Do

2:20:34

you realize how much hip hop love you? You

2:20:37

realize how much hip hop fuck with you?

2:20:40

Yeah?

2:20:41

You do? Now you I'm starting, yeah,

2:20:43

like all finish, I'm starting to realize

2:20:46

for real.

2:20:47

You go, like appreciate the culture

2:20:49

for it's doing for you.

2:20:50

Bro.

2:20:50

I'm definitely appreciating it. You know what I'm saying.

2:20:53

It's like it loves you.

2:20:54

Bro. I started so early

2:20:56

and it's like still young, and I'm just yelling.

2:20:58

I think I'm so ambitious.

2:21:00

I feel like it's like just me trying

2:21:03

to be trying to go out legendary

2:21:05

and be perfect. I feel like i'd be a little hard

2:21:07

on myself, but I do realize, you know what

2:21:09

I'm saying, like I ain't gonna lie. And then what

2:21:11

made me realize I'm gonna be honest is getting

2:21:14

loved from like niggas that I really grew

2:21:16

up listening to and looking up to, like niggas

2:21:19

like you and these niggas like kids, or

2:21:21

just any niggas that I really grew up fucking

2:21:23

with. You feel what I'm saying, like the Waynes

2:21:26

Drakes, Plutos, everybody that I

2:21:28

really like, ad Maya. You feel

2:21:30

what I'm saying like ever in my life, and I really

2:21:32

feel genuine love from them. That'd be

2:21:34

the like the really extra push

2:21:37

that I really fuck with, you know what I'm saying. And then

2:21:39

like it'd be like when

2:21:43

I fuck with like my peers

2:21:45

and like the youngest generation too, I

2:21:47

be always wanting to like just fuck

2:21:50

with niggas Like That's why even any

2:21:52

little artists that come out of Chicago or any

2:21:54

other city that I know going crazy, like I

2:21:57

just gam shit, I just be jumping on shit

2:21:59

like whatever, because I wanted to do like I

2:22:01

feel like I Maya when Wayne went on

2:22:04

that run and he was just on everybody shit, no

2:22:06

matter who you were, as long as you was turned up

2:22:08

and coming whoever. Like he just went on

2:22:10

everybody's ship. Like I got that same

2:22:13

mentality because I looked up to it and like,

2:22:15

Wayne, you feel me, and it's just like it's

2:22:17

showing love at the end of the day. But it's just

2:22:19

like it's like it's competition

2:22:22

because I'm in competition with myself.

2:22:24

Well, I just want to be on everybody's ship. I want

2:22:27

to be heard. You feel me, But I'm just showing

2:22:29

love. There's so many artists and I don't mean look

2:22:32

at it like that. You feel me, and

2:22:36

you're gonna do a record, bro, got

2:22:39

a fine one because you

2:22:41

are elder crazy tomorrow.

2:22:45

But man, let me just say we're

2:22:47

not Internet's motherfucker hitting

2:22:50

too. Hey man, you know more

2:22:52

boy boris right there rolling in hip

2:22:54

hop.

2:22:57

Starting the park it all. You

2:23:01

know, Uh saved

2:23:03

all of my life. But

2:23:07

hip hop.

2:23:10

It's a business. At

2:23:13

what point did you start to say, damn,

2:23:16

just this ain't about the law. This

2:23:18

is about the business.

2:23:21

You know.

2:23:21

It's so crazy. I'm glad you're aking that.

2:23:25

Like now just became to a

2:23:27

point after me doing this shit for ten twelve

2:23:29

years where it's like I did so much

2:23:31

shit I love it don't even matter no more. I've

2:23:34

done everything you can out of the world. You

2:23:36

feel what I'm saying this, And it was

2:23:38

really like, well

2:23:42

a point where like you know what I'm saying. You

2:23:46

know, some certain people say that shit where

2:23:48

they feel like it's coming from a place

2:23:50

of resentfulness, you know, like meaning

2:23:53

what like when people say like,

2:23:55

alright, there's no more, no

2:23:58

more shit, I ain't doing no more shit

2:24:00

out of love. You feel what I'm saying Like, I feel

2:24:02

like certain times when people do that, it's

2:24:04

come from a place resentful. It's where they feel like

2:24:07

they don't want to do it because they angry

2:24:09

about something. You know what I'm saying, Like I'm

2:24:12

on some shit where it's like I just know everything

2:24:14

I put forth. I know my work, so it's

2:24:17

like I don't have to like already

2:24:19

done, like where it's like even when it got to

2:24:21

do it actually charged us, Like I didn't did so

2:24:23

much shit out of love. I don't got to charge

2:24:25

for nothing. I could go get a favor from

2:24:28

it. Then anybody in the industry justice

2:24:30

my face card good. But I did so

2:24:32

much side of shit, you got credit. You feel what I'm saying,

2:24:34

like no bullshit, and like

2:24:36

that's worth more than money, you feel

2:24:39

me, So it's way more worth them, Yeah,

2:24:41

exactly. And I learned

2:24:43

that really like on some shit right now

2:24:46

where it's like I didn't did so

2:24:48

much shit just on some here

2:24:52

here here because I'm just trying to show love. But

2:24:54

it was actually beneficial to

2:24:56

so many people where it changed last it did

2:24:58

help niggas careers or you know

2:25:00

what I'm saying. So it's like, shit,

2:25:04

it put me in favor, you know, it put me in

2:25:06

favor to be able to go get you

2:25:09

know what I'm saying. Shit doesn't

2:25:11

need to be if I need to, you know what I'm saying. So it's

2:25:13

like shit, and it happened

2:25:16

organically. I wasn't doing the intensity like all

2:25:18

right, I'm doing this because I want to favor, you

2:25:20

know, Like shit just happened, and it's

2:25:22

like now I could go

2:25:25

reach out to my reach go far,

2:25:27

like whether it's for me or anybody, like I could

2:25:30

be building an artist and go get you a

2:25:32

bed, a good artist or a

2:25:34

placement where they probably favorite

2:25:37

artists, just off the strips of shit that I

2:25:39

didn't done. You know what I'm saying where

2:25:41

it's gonna be like easy, you

2:25:43

know, and that's not what's never my

2:25:45

intention. Just like certain

2:25:47

shit just go hand in

2:25:49

hand because your face card go along way.

2:25:52

Like I built that over the course of shit

2:25:55

ten twelve years of just doing shit out

2:25:58

off the love, just me being a solid. You

2:26:00

know. Take a shot to that. I'm

2:26:04

sorry, you ain't got to tea. We take

2:26:06

a shot, so you

2:26:10

got a tan, yes, soler,

2:26:14

because they're like the tim shot. I

2:26:17

mean, I mean, count ten twelve, who's

2:26:19

counting? Who's counting?

2:26:23

I'm gonna take a peepees twenty times.

2:26:27

I'll let you go first, then I go after we

2:26:30

all go together. You gotta take a piss

2:26:32

too.

2:26:34

Boom good, all right, cool yead,

2:26:39

Holy moly, come on, this

2:26:44

is the first time smoking the blood?

2:26:46

What was your smoking earlier? Uh?

2:26:49

Backwood with a joint with the

2:26:52

papers around? Where

2:26:54

do they do that ship?

2:26:57

I've been smoking so long,

2:26:59

I just like to I stually got

2:27:01

to hit my chest hard. I'm like the feeling

2:27:04

them. So what do you smoke

2:27:06

on a regular basis?

2:27:08

Like?

2:27:09

Like what like some more? Yeah,

2:27:11

like what kind of But what's your favorite.

2:27:15

Shit?

2:27:16

Any any anxiety, any purpose.

2:27:18

It was gelattoo

2:27:22

on a gelato home.

2:27:23

Bro, you ever smoked our diesel? I

2:27:25

used to smoke stout diesel like early

2:27:30

freshman yeah, high school type

2:27:33

shit. It smoked Hayes. Yeah,

2:27:37

I fuck with the Hayes. I used to fuck with

2:27:39

Hayes, like when

2:27:42

I first started coming to New York. That was probably

2:27:44

like two thousand and hang it with Dominican

2:27:46

sixteen. Only

2:27:50

smoke Hazes a few times though, Like, but I

2:27:52

fucked with it though. I wasn't mad at that type

2:27:54

of ship, Like, but I ain't never I

2:27:58

wasn't.

2:27:59

You wasn't man, I fuck with hate.

2:28:01

I ain't gonna whow to fuck with a little bit. He

2:28:03

was indictment. You ever been indictment? I was

2:28:05

in youngest younkers? Okay,

2:28:08

yes, Jada Kiss shit, he

2:28:10

got the Hayes there, that's

2:28:13

yeah, that's all that, Jady

2:28:16

Kiss. We

2:28:19

established.

2:28:24

You trying to work with an artist,

2:28:27

But there is there any artists that you want

2:28:29

to work with that you haven't worked with yet?

2:28:32

Yeah, there's

2:28:36

some shoot. I ain't gonna live. But if I had to really pick,

2:28:39

like my ultimate, I always be seeing this ship.

2:28:41

I don't know why I was just like, I

2:28:44

really like I want to I want to,

2:28:46

like, man, this ship sounded

2:28:48

crazy. I want to

2:28:50

really get in the studio and really like do a

2:28:53

song like with like

2:28:55

Lawren. Hell want some.

2:28:56

Lauren, Yeah, I want some real life

2:28:59

with the braves of the boy had either

2:29:04

either the Lord, either the Lord. We're gonna take either

2:29:07

version of what I'm just saying, Like if.

2:29:09

I had to pick all the way Lord,

2:29:13

dream feature, my dream

2:29:16

feature though.

2:29:16

Okay, so God comes

2:29:19

down from heaven. Okay,

2:29:23

Aliens come down from heavens. The

2:29:26

Aliens say, I

2:29:28

need you to make one record for me.

2:29:32

I need you to pick who's going to be the producer

2:29:36

and who's gonna do the hook? Who

2:29:40

won't be the producer, who won't do the hook? Yeah,

2:29:44

Aliens and God together, I don't know why they

2:29:46

get stay together,

2:29:49

and they say, gee, we gotta save planet

2:29:51

Earth. One

2:29:53

record, one one

2:29:56

producer, anybody

2:30:02

on the hook'd all

2:30:05

live, They're coming outside. That

2:30:08

was Presley Nigga. That Presley

2:30:10

could be I want to anybody.

2:30:13

Jackson one Dad

2:30:16

all live, you hit

2:30:18

Mike bro I gotta go,

2:30:20

Prince Jackson, Prince could be the one.

2:30:22

I gotta go. I gotta go prins on.

2:30:24

The hook, rints on the hook,

2:30:26

and I'm going and I'm going yay on the beat.

2:30:30

Bro, I gotta take a piss coming.

2:30:34

You killed that? You win? Bro,

2:30:37

going like

2:30:40

that too

2:30:49

hard.

2:30:50

I don't know what the funk y'all were talking about, but

2:30:53

I'm gonna bring it back to Chicago. So

2:30:56

you got connected with Common through no

2:30:58

Id, Right, So

2:31:02

where were you guys? Like what was

2:31:04

the connection between old Chicago

2:31:06

hip hop and new Chicago hip hop?

2:31:10

I think it was like, like what

2:31:12

was a respect level as well off? And

2:31:14

I think I really think it was a transition

2:31:17

of like Chicago

2:31:19

hip hop always was on some like.

2:31:23

In a way it was like can I say

2:31:25

something real quick before you keep going? And

2:31:28

I don't want to interrupt.

2:31:29

I'm interrupting, actually, but I

2:31:32

just want to say, like I was reading

2:31:34

on you, right, and people were

2:31:36

saying like Drill had

2:31:39

a perception of non lyrics,

2:31:42

but you actually

2:31:45

brought lyrics, like

2:31:48

you was actually a person that was spitting right,

2:31:51

And I feel like you was bringing the what

2:31:55

was happening already with Common and Kanye

2:31:58

and these guys like he was bringing that

2:32:00

level of lyricism to your music.

2:32:03

Yeah, So that's all said for like often

2:32:05

to say, I think in Chicago,

2:32:08

like the transition of like you

2:32:10

know, niggas like Common, Yay, Twist

2:32:13

all them.

2:32:13

They really raped thrills what I'm saying.

2:32:16

So, like in Chicago

2:32:18

when the drill scene and the whole era

2:32:21

came about, it wasn't really like on a

2:32:23

lyricism type shit. It was like it

2:32:25

was me up tempo urn music. That's

2:32:28

why they felt like drill was a whole another

2:32:30

genre. But it wasn't.

2:32:32

It was just like a term of like expression.

2:32:35

Basically, drill was an expression in

2:32:37

the music that we It was just

2:32:40

a beat, a certain type

2:32:42

of beat.

2:32:42

That's it exactly but exactly.

2:32:45

So It's like what I'm saying is like what

2:32:48

Chicago music was before and then was

2:32:51

like rap. You know what I'm saying,

2:32:53

ship like that from the comments,

2:32:55

the Twisters and Yay's and

2:32:57

all that shit. You know what I'm saying, Like you feel

2:33:00

what I'm saying, so like loope you

2:33:02

feel me bump right all? You know

2:33:04

what I'm saying. Like when

2:33:08

that music trans like

2:33:10

transcended into some whole water shit,

2:33:13

I never really did in

2:33:15

that lane like I always was on some

2:33:18

rap shit anyways like you feel me, I grew

2:33:20

up listening to that

2:33:23

type of era.

2:33:24

You did listen to that era? Yeah, heah

2:33:26

yeah.

2:33:27

And I grew up listening to New York rappers too.

2:33:29

You feel what I'm saying, Like I grew up listening to

2:33:31

all type of genres when it came

2:33:33

to hip hop. I mean not genres. I'm just saying

2:33:35

all types of artists. You just love.

2:33:37

Yeah, I love hip hop as the best way to

2:33:39

say probably so Yeah.

2:33:43

I was saying, like when I

2:33:45

came out, I never really like labeled

2:33:47

myself as a drill artist. Always like

2:33:49

was on some shit like I'm just a rapper.

2:33:52

You feel what I'm saying like I could exactly.

2:33:55

I was fifteen years old, sixteen

2:33:57

years old when that shit came out, but I was on I

2:34:00

was one of the only people that actually was rapping

2:34:02

on old simple beats, saying

2:34:05

rapping over shit that kiss made a wrapped

2:34:07

over or meat was wrapped You know what I'm saying. I

2:34:09

was really on some shit like my first two

2:34:12

three four freestyles I put out was over

2:34:14

meat beats. You feel what I'm saying. This was twenty ten

2:34:16

to twenty eleven, and shit like you know what

2:34:19

I'm saying, Like, yeah, so it was like

2:34:21

I was always on some shit I was trying to rap

2:34:23

anyway, Like I was never trying to put myself

2:34:25

in that box of drill wrap, you know what I'm saying.

2:34:28

So it's like I think that's

2:34:30

why I was able to like connect with the

2:34:32

comments and shit like that, like

2:34:35

how you saying, Like it reached out and like

2:34:38

nothing like to go off subject

2:34:40

all the way.

2:34:41

My uncle who passed away, his name was kay Tom.

2:34:43

He already yeah, he already knew them like

2:34:46

he already like knew Common and

2:34:48

uh yay and the legendary tracks

2:34:50

to they had. They was a group called Trevin

2:34:53

Tracks. So in Chicago, my uncle

2:34:55

was like a legendary producer away

2:34:57

and that was my blood uncle, you feel what I'm saying. So

2:35:00

I was like I'm in the studio

2:35:02

around him and already getting that foundation with

2:35:04

twisted them around. Do it that all

2:35:07

these crystial conflict all

2:35:09

in My uncle was already well respected in the

2:35:11

industry in Chicago when it came to that type

2:35:13

of stuff. Like Mickey Houston, who was my first

2:35:15

manager, he knew my uncle, like you know what I'm saying.

2:35:18

So already like had like a love

2:35:20

for music when it came to just looking up to him

2:35:22

and wanted to be like him. You know what I'm saying, So

2:35:25

like when they like I feel like when

2:35:28

my whole, like when me

2:35:30

and Baby when we came out. I don't know, maybe it's

2:35:32

just like over East, so it's just the music

2:35:34

we listened to. We didn't We was always

2:35:37

on some rap shit like the whole.

2:35:39

We never steered away from hip hop. You feel

2:35:41

what I'm saying. We need to try to, like to

2:35:44

tear away from bars like lyricism

2:35:46

twelve sixteen thirty two of US rap

2:35:48

rap. You feel what I'm saying, Like lyricism, We never

2:35:51

like we never shot away from that, Like

2:35:53

That's what I'm trying to say, Like that's always

2:35:55

what I was on from the moment.

2:35:57

I choose to be a rapper, right,

2:36:00

Yeah, I know wesed on it earlier,

2:36:02

right, but

2:36:05

I went and looked at my Twitter

2:36:08

when I went to the bathroom, and

2:36:10

it's still people think that drill

2:36:12

music started

2:36:15

in London.

2:36:16

Yeah, I don't know why. That's crazy.

2:36:20

Why do you think that? I think because I

2:36:23

don't know. I feel like overseas,

2:36:26

like in London. They had such

2:36:29

a big wave, which just like how

2:36:31

they was able to trans wait.

2:36:33

Through following

2:36:36

in London. Let's just start with there. I

2:36:40

ain't really imagine you have.

2:36:42

The biggest following tour or then nothing

2:36:44

in London yet. But I want to go out.

2:36:46

Haven't gone overseas? No, No,

2:36:48

I ain't got I guarantee

2:36:50

you got a big overseas audience.

2:36:52

Bro, you gotta go, you gotta go.

2:36:54

No, I ain't got no overseas. No here

2:36:57

bro getting the funk out of here. You

2:37:00

got a big audience outside of here,

2:37:03

bro.

2:37:03

Yeah, yeah, I ain't never did nothing as

2:37:05

much as they appreciate, appreciate

2:37:09

much like two weeks with Juice

2:37:11

World and Ship we had he was on tour

2:37:13

with Nicki Minajs. I had did Tim Westwood

2:37:16

and Ship. That was like, you

2:37:18

can't yea London. You went to London

2:37:20

that was like three four

2:37:23

years ago. No, I ain't been there since. I ain't in no

2:37:25

shoes just London. Yeah,

2:37:27

I need to go back Westwood. That's

2:37:30

big, that's big. Ten Muths was big.

2:37:33

I played the best hood O t with Tim Westwood.

2:37:37

Second good bro. Oh yeah

2:37:39

but too much? Yeah yeah, yeah, yeah yeah, that's

2:37:43

a legend. That wasn't crazy legend?

2:37:45

Bron Sure. So

2:37:47

what's your favorite place to perform? If

2:37:50

I had to choose, of course, it'll be Chicago

2:37:56

to exclude Chicago. If I had to say, my all

2:37:58

time favorite place to perform be in New York.

2:38:06

Yeah, for sure.

2:38:09

New York fucked with me. Like I

2:38:12

had some of my best shows in my career in New

2:38:14

York, Like one time, this is how I knew New York love

2:38:16

me. Look this is like two thousand and

2:38:19

man, it said to be twenty sixteen, twenty seventeen,

2:38:22

I did a show shot.

2:38:23

Johnny Ships shout out

2:38:25

Johnny SPEs Bro.

2:38:26

It was U.

2:38:28

I think it was one of those Smokers Club shows.

2:38:30

Well, I don't know what a venue was. It was like four

2:38:33

thousand, five thousand fans that I had lost

2:38:35

my voice. I couldn't even speak,

2:38:38

and I'm sunk. They sung

2:38:40

the whole ship for like thirty minutes straight.

2:38:44

This was the beginning of my career. I

2:38:46

never seen nothing like it. And it's like

2:38:49

that that support just transit. Yeah, turned

2:38:51

off through my career. That shot

2:38:54

Town Energy fucked us up in

2:38:57

New York long for sure. I ain't. I never felt

2:38:59

no love, like like even like ain't gonna

2:39:01

lie me, I swear to god. We was just talking about

2:39:04

this sh like the other day, me

2:39:06

and my girlma brother. Everybody was just saying, uh,

2:39:11

the PTSD tour, like like that

2:39:14

show. It was my very first show, Like that was

2:39:16

I did the show the day the album

2:39:19

droped, so the fans didn't even know the music. It

2:39:22

was just like the energy of them seeing me is

2:39:24

just like everything, Like that ship was one of my

2:39:26

hardest shows that I did. You knowee what I'm saying, Like

2:39:28

we were just talking about that like two days ago. What's

2:39:31

the worst place you ever performed at? Worst

2:39:35

place? Fuck?

2:39:39

Heys, New

2:39:41

Mexico, probably like eight tenth

2:39:44

fans and some ship. Those fans

2:39:46

love you, bro, I

2:39:48

know they did what

2:39:52

happened? I

2:39:54

think it was like some ship. Well, like

2:39:58

it was the the

2:40:00

promoter fucked up awesome and

2:40:03

do the promotion ship right or like the club

2:40:06

people you're supposed to post, Yeah,

2:40:09

no we did. I don't know some ship,

2:40:11

Like I was just saying, that was like my worst

2:40:13

show that that ship was like yeah years

2:40:15

ago. Well I'm just saying with some ship with like I

2:40:18

literally performed in front of like eight

2:40:21

people when I game perform for

2:40:24

like, I did really perform. That's

2:40:28

dope. I performed in front of eight

2:40:30

people in Dubai. Literally that

2:40:33

was I'll never forget that ship though it was in

2:40:35

New Mexico, performed from like eight

2:40:38

people. I performed

2:40:40

eight people. It was their family though in

2:40:42

Dubai it was fantastic. That

2:40:45

was fantastic, and they paid.

2:40:47

Me, paid you fantastic

2:40:50

and mon Sometimes.

2:40:53

I don't even think they even made eye contact with me.

2:40:55

It was just like, what songs

2:40:57

did you performed?

2:40:58

Man?

2:40:58

Man, leave it at all? Yo.

2:41:01

Man, I'm gonna be honest with you. Man.

2:41:05

Every time I see you, You're

2:41:10

a real one happy wow

2:41:19

you rapp it man, And

2:41:23

I really wanted to give you a flowers man,

2:41:25

literally, man, because and

2:41:29

figuratively, because you're

2:41:33

actually a legend out here.

2:41:34

Man.

2:41:35

You actually did your job. We're

2:41:38

proud of you, Statesman

2:41:41

like me, like Fat

2:41:43

Joe and so on and so on.

2:41:47

We're proud of you, man, and

2:41:49

we want you to continue to do your motherfucking

2:41:52

thing and continue to be great,

2:41:55

and continue to be family oriented,

2:41:58

continue.

2:42:01

To stay in that gray zone

2:42:04

that you said. In the gray zone, you know that.

2:42:07

Listen the industry got your back.

2:42:10

So when I was researching

2:42:13

you.

2:42:13

This is a shot.

2:42:14

Okay, fuck it. I don't know how this popped

2:42:17

up. That's the only shot.

2:42:19

Bro.

2:42:21

I tak another one.

2:42:22

We don't like it.

2:42:24

I want you to know hip hop loves you, man,

2:42:29

because it actually hurt my heart to hear

2:42:31

you say that. And you was

2:42:33

like, no, I love hip hop and hip hop don't love

2:42:35

me back. And it's true because what

2:42:38

you said is accurate. Hip

2:42:41

Hop will never love us back

2:42:43

the way we love hip hop, but

2:42:47

hip hop loves us.

2:42:49

That's why I'm a grab my flowers man. Bro.

2:42:51

Got damn god, damn you

2:42:55

know that.

2:42:57

Every time you rock up a beautiful watch

2:43:00

like that and your ice out chick,

2:43:02

that's hip hop, man, that's hip hop.

2:43:05

That's hip hop. Bro. That shit got

2:43:07

nothing to do with anything else.

2:43:09

So we gotta salute hip hop

2:43:11

because hip hop salutes you.

2:43:13

And I really want

2:43:15

you to know that, man, like like like,

2:43:21

I've been doing this since ninety seven. I

2:43:24

got everybody's number, and

2:43:26

I'm a relationship based

2:43:30

so I call people. I just ask

2:43:34

everyone.

2:43:35

Everyone I call had nothing But I

2:43:37

said that earlier, but I want to say it again.

2:43:39

I want you to read iterate what

2:43:41

I'm trying to tell you. People

2:43:44

are not only got love for you, they're

2:43:50

saying that they got love for you, and

2:43:52

they rooting for you. So

2:43:55

I don't know if those pom poems are

2:43:57

out in public or

2:43:59

shit private, but the fact that they're

2:44:01

rooting for you, period means

2:44:05

a fucking lot. Trust

2:44:08

me. I call people were like the

2:44:12

call. You know, I'm interviewing. Everybody's

2:44:19

like, what do you need? That's something.

2:44:22

I was just like, you know what, I actually

2:44:24

don't need. Ship.

2:44:25

Oh, they already described

2:44:28

your character. People describe the

2:44:30

character of you without you

2:44:33

even being.

2:44:35

That's that's dope, dope,

2:44:38

appreciate it. You under saying what you said,

2:44:42

ship.

2:44:45

And I love it. Yeah, I feel good,

2:44:48

but I don't love it.

2:44:49

I love it.

2:44:51

We don't love it, but gotta

2:44:55

you gotta gotta love it.

2:44:58

You gotta love it everything the big Okay,

2:45:00

I'm in it like this.

2:45:02

There's a lesson than a five percent degrees

2:45:05

says love hell alright, which

2:45:08

means sometimes you gotta love hell in

2:45:11

order to come out right, which means

2:45:13

sometimes you can't even go to heaven.

2:45:16

As you go to hell first, less you've been to

2:45:18

hell. First, I like it, Bro,

2:45:23

Welcome that happened. See

2:45:37

her? We got them new teeth man, new

2:45:40

teeth? Bro,

2:45:44

Yeah yeah yeah dress

2:45:52

come on, ye dressed the new teeth because

2:45:55

you a good picture. Let

2:45:57

me show, let me show the like.

2:46:00

Yeah yeah, that shus been going viral.

2:46:02

Bro.

2:46:03

Yeah, I take a BIG's like a big

2:46:05

thing. I guess I ain't gonna lie. I know

2:46:08

I ain't gonna say. I guess I said I ain't

2:46:10

never getting my teeth done. Bro, I said I never get

2:46:12

my teeth domb. Bro, you outside this

2:46:20

ship? Do look look this ship?

2:46:22

Do look crazy fire you

2:46:25

outside? You changed? I got all teeth

2:46:27

done, like all twenty four man, I got a

2:46:29

ship did I

2:46:31

said?

2:46:31

I never get my teeth done?

2:46:33

Man? When I got my ship done? Why

2:46:35

would you? Why wouldn't I? Man? Would

2:46:37

you? Why weren't I gonna turn that money like

2:46:40

elevation, get money, get

2:46:43

money?

2:46:43

Feel like yeah, man,

2:46:53

take.

2:46:53

It the shot. I'm sorry, she where

2:46:56

she goes, Let's take it.

2:46:56

I'm sorry, come on, let's do

2:46:58

it and dre just another

2:47:01

shot.

2:47:01

Shot Bro, I'm not gonna lie to you.

2:47:03

Bro.

2:47:04

I'm happy you came here today, happy

2:47:07

you showed up. I'm happy you arrived. I

2:47:09

did lose the bat did tell you that, right, Yeah,

2:47:11

it's gonna be on time.

2:47:13

I ain't gonna allowed to post a been on time, bro.

2:47:16

I posted been on Then they told me they blame

2:47:18

your girl. I was like, there's a good excuse.

2:47:19

I'm taking my shot.

2:47:21

I blame my girl. They

2:47:23

said they blame you. Yeah,

2:47:26

I don't know if maybe it's your team. They

2:47:28

said they blame your girl.

2:47:31

I said to my wife all the time, I threw

2:47:33

her under the bus, and then they threw me under

2:47:36

the bus by saying that, say

2:47:40

that your wife.

2:47:41

Let's take a shot. Hey

2:47:43

man, gee

2:47:46

her bro, me just tell

2:47:48

you something. You're

2:47:53

a legend. No take

2:47:56

your shot, bro, what you're doing, she

2:47:59

should your

2:48:01

legend.

2:48:02

Thank you for coming through Drink Champs. Thank

2:48:04

you for hanging out with your family, bringing

2:48:07

your family. That's a beautiful thing. And

2:48:10

we allow you continue to go anytime

2:48:13

you want to promote anything, even if you want

2:48:15

to promote your your little toenail.

2:48:18

We don't mind, we don't mind. Come over

2:48:20

here, we're gonna promote that little nigga. Let's

2:48:26

do it.

2:48:26

Let's do it.

2:48:26

Take it down.

2:48:33

Drink Champs is a drink Champs LLC

2:48:35

Production and association with Interval

2:48:38

Presents, hosts and executive

2:48:40

producers n O r E and dj

2:48:43

e f N from Interval

2:48:45

Presents Executive producers Alan

2:48:47

Coy and Jake Kleinberg.

2:48:49

Listen to Drink.

2:48:50

Champs on Apple Podcast, Amazon

2:48:52

Music, Spotify, or wherever you

2:48:54

get your podcasts. Thanks

2:48:57

for joining us for another episode of Drink Champs,

2:48:59

hosted by your truly dj e f N

2:49:01

and n O r E. Please make sure to follow

2:49:03

us on all our socials That's at drink Champs

2:49:06

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2:49:08

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2:49:10

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2:49:13

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