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Welcome to Drink Champs, the production of The Black Effect

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and I Heart Radio and

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his Drink Chess, motherfucking podcast.

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He's a legendary queen's rapper.

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He's Segre's your boy in the r He's

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a Miami hip hop pioneer. Up

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is d J e f N. Together they drinking

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up with some of the biggest players in

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the most professional unprofessional

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podcast and your number one sorts

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for drunk fast drink every

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day is New year'sz. It's time

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for Drink Champs, Drink Up, the

0:48

What did Cook Me? Hops? The super Ship Boy? What

0:51

up is d J e f n? Let's say Crazy

0:53

Wore Radio? Drink Chaps, motherfucking y'all call right

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now. As we do every episode, we make a playlist

1:03

and we listen to the artists

1:06

that we're about to study. The artists that we're about

1:08

to you don't interview. And

1:10

when I tell you this man

1:12

has worked with everyone from

1:15

the poppets of the Poppets to

1:18

the hardcore. This is of the hardcourse you

1:21

know back in the days to say that's

1:24

that's that's a certain sound. His

1:26

sound is sold complicated

1:30

soul. He can make anything.

1:35

If you don't say he's in your top five.

1:37

Your top five says

1:40

that he's in the top five. He's

1:43

a producer, producer, not

1:45

just pianos. He's

1:47

a whole flash. He's

1:50

been out here doing what he gotta do, pulled

1:52

up in the Ferrari and the dawn just in the

1:55

daytime, because

1:57

that's how he wanna do. He's

2:01

been doing it so long and continue

2:03

to do it. Success apart success.

2:06

In case you don't know who the I'm talking about one,

2:09

Scott mother flash Ire

2:14

Chance lum Nights had his

2:16

first time on the last time we had you want to hear

2:18

with the homeboy Steve Lavell and I

2:20

know he's trying to be InCom negro, but we're gonna get

2:23

in or later. But Scott,

2:25

immediately as soon as I noticed

2:27

this um, as

2:29

soon as you pulled up, I immediately noticed for

2:31

for Hare and the dog. I

2:35

love that, but also also

2:37

somewhat feels sorry and not. I feel sorry

2:40

in a bad way, but I feel sorry because

2:42

you can't never not do that. I

2:45

don't want if you come into Dogs Chrysler,

2:47

think it's gonna be like Scott thoughts fell Off.

2:52

I don't really give a funk if my boys

2:54

want to judge me. I'll go out and

2:56

whatever, regular whatever. I've

2:58

never seen your regular cars because it things.

3:02

Let's make good. We never see

3:05

you. We

3:08

got twenty years and I've

3:10

always seen you in the fierness, So the your

3:12

eagerness. M and what

3:14

does that come from? What does that like that

3:17

you want? I mean, obviously I know what. I want

3:19

to funk the fans to know that. I mean, we work hard,

3:22

and you know these are just symbols and medals

3:24

and from honor that you get from putting

3:26

in your work. Man, you know what I'm saying, It's inspiration

3:29

to others. It's like kal it says right,

3:31

since for inspirational purposes only right

3:34

right? No? I love that love. I

3:37

love that. So that's that's the thing is when I'm

3:39

going through your disography, like you could really

3:41

work with people. What's that man named Adam's name?

3:45

Adams? You were with Adam

3:47

Hiss and d MX in the same week.

3:49

How does that work out? I mean, you know

3:51

what it is. I'm a chameleon. I just

3:54

love all music. You know, good

3:56

music is what I like. If music is good,

3:58

it's good. But I don't we're gonna waite

4:00

ship. But I like all

4:02

different kinds of music, and it's a challenge to go where

4:04

I haven't gone before, you know what I mean? Okay, and

4:07

and and excel at it. Let's know, let's

4:09

bounce around a little bit, right because

4:11

we see the verses when

4:14

fresh I don't think you ever kind of addressed

4:16

that cold lightly addressed it. Have

4:19

you addressed it? Not? Really? Okay?

4:23

Well tell us to explained to us exactly

4:25

what happened, because was that the time where you

4:27

guys weren't in the same room. Correct, Yeah,

4:29

this was the beginning of versus. This was

4:31

like literally like the

4:33

birth of Versus, you know, Timberland and

4:35

Swiss of Brothers of mine um, And

4:40

it was something great that was going on in the

4:42

beginning of the pandemic. And it was so exciting

4:44

because my fucker's were stuck in their house and

4:47

it was a chancellor for people to shine and

4:49

we had no idea like

4:52

how big it would have it was gonna get, but

4:55

it was still even at that time, you

4:57

know, like crashing Instagram

4:59

and like you know, like it was. It

5:01

was. It was an amazing thing. And I

5:04

think I could have had

5:06

a better suited opponent.

5:11

I'm not sure it's

5:13

not a shot, but our cataloze

5:17

I'm saying, our catalog is living a different place.

5:19

Yeah, yeah, yeah, you know what I'm saying. No, no disrespect,

5:22

Mane Crash got joints,

5:24

but you know what I mean. I got a lot of joints,

5:27

but you felt like you want that night. Let's be clear for

5:29

sure. I didn't even go into

5:31

I didn't even go into the whole step. You

5:34

know what I'm saying. I left a lot of my

5:36

poppier stuff out and like, you know, because

5:38

at that time, I mean that this rule was kind

5:41

of fell out the window. But it was like a song for song

5:43

types of stuff like what you got for this like that,

5:45

you know what I mean. Like so now people just put

5:47

whatever like it just goes. Now,

5:50

let's put this, let's put this. He was done

5:52

with that, right, I'm done, Okay, cool, let's

5:54

put this to room to rest.

5:57

Fat Show always says he made Candy

5:59

shot. I just can't

6:01

see Joe. He

6:05

always says he made it that. Joe is

6:09

my brother, one

6:11

of the most talented motherfuckers, and he

6:13

changed my life in so many ways.

6:15

When he said my name on lean Back and

6:18

me and him would hang out in the studio and

6:20

do different stuff and and you

6:23

know, the folk of the main

6:26

part of the song, you know what I mean all that, Like,

6:28

yeah, obviously it's my language, it's my keyboards,

6:31

my drums, all that stuff. And but you

6:33

know, I sat he was an inspiration to me during

6:35

the making that and then his suggestion

6:37

to put the dude dude but

6:40

he hit. But I mean he doesn't

6:44

record. Is he a writer on the record?

6:47

Like technically yea by

6:49

saying let's you use this, you

6:52

know, yeah, you

6:54

know, I'm not taking credit with him. Look, I love

6:57

collaborating with people. But you know, this

7:00

particular instance, we were in the

7:02

room we made it, but I was making that song

7:04

for him, for him, for him. It

7:06

wasn't making that song for fifty second So

7:09

how Walker wasn't when um actually

7:12

wants this record and there at the time,

7:15

well no, here's the thing. I

7:17

was like calling after we made that song.

7:20

I was like, Yo, we got one bro. This is like to

7:22

me in my eyes, Yeah, I

7:24

was telling him like, Yo, this is this is fine. He's

7:27

like, I don't know, it's a little soft. H it

7:29

seems like I'm dead poppy for me and

7:31

this and that I'm like, Joe, this is a hot records

7:34

like now I don't want it, Like

7:37

okay, so I have certain

7:40

you know a little like at that time, I think we

7:42

were using CDs or dad tapes or something

7:44

and collections of beats when artists come in, I'm

7:46

playing for him and this and that Fifty came

7:49

into Miami and

7:51

he heard he heard that beat. It was on my little

7:53

playlist of stuff I was, you know, selling

7:55

shopping, and he

7:58

went crazy for it. So and because

8:00

it was a beef and because of all the crazy ship, I called

8:02

Joe and I was like, oh man, if this happens.

8:04

And then he changed his mind and I was like, Joe, I

8:07

have a client that the

8:11

Scott. Enough with this beat already,

8:13

I don't want to beat. I'm like you sure, you're short,

8:15

you're short, You're short. I don't

8:17

want to beat. And I'm like all right, cool

8:22

that day, that

8:25

ship that day and just

8:27

a little bit so yeah

8:31

to two joints. And I

8:33

remember right

8:36

before that ship came out, I got a call from fifty

8:38

and he was like, bro, for whatever reason,

8:40

I don't know what the politics behind the calls. When he's like, yo,

8:42

you saved me. He's like, you gave me, you

8:45

gave me fire, and I'm like, okay,

8:47

cool, I love it, you know, and then boom

8:50

they both hit amazing

8:52

videos, amazing songs and

8:54

went crazy. They oh chart topping songs,

8:58

noise, Joe's

9:02

both of our brothers. Was he a little confusible? Something

9:04

to kill gladly boor it for you? Sthon? What

9:06

is what else you got? We got? We got? We got

9:09

to kill? You want to you

9:11

know what? I mean? My wanna suggest

9:15

I suggest bout my water at off. I mean, I'm on a drink.

9:17

Chap just got damn it Like god, damn it

9:19

makes nor Scott So

9:23

who was it? Who was it? Like? When Joe actually finally

9:26

got to hear um, it was

9:28

cool, he was cool. Yeah you know what, Yeah,

9:31

that's Joe's that's family.

9:34

Yes. So moving on, we

9:38

had game more here. Gave

9:42

made some serious allegations.

9:46

I didn't know houses if I don't answer these questions,

9:48

I got a drink, you

9:51

went too. But

9:54

games said something that shook

9:56

up the end of that. And I'm

9:58

not even talking about I'm not even to a

10:01

generic part of game interview for

10:04

this one. He said, he said, he said

10:06

Kanye has done more for him in

10:09

the past two weeks that

10:12

Dr Dre has done his

10:14

whole career. How

10:17

much y'all get him to drink that day? No, this is

10:19

before he was drunk, so I didn't get it brought

10:21

it from. He wasn't drinking

10:23

at that point when he said that was the very beginning.

10:25

This was the very beginning. It's like when people say

10:27

things when they're in the mood or they feel in certain

10:30

ways about certain situations. I don't know the politics

10:32

are the dynamics behind it, but

10:35

I can tell you this, but Dr

10:38

Dre paved

10:41

the way. That's it. That's all I can

10:43

say. Dr Dre has done

10:46

so much for so many people. But to

10:48

even I don't know. I don't I

10:50

don't want to have an opinion because I love game. It's

10:52

the only and it's

10:55

a weird business man, and you gotta be real careful

10:57

about politics. But you know

10:59

what I mean, Like honestly, because

11:02

I've had so many difficult moments. You

11:05

know, I worked

11:07

with Takashi six nine. Yeah, we just

11:09

heard that on your playlist and

11:14

now all went bad. Like you know what I'm saying.

11:16

Like at

11:18

the time we made what I felt was a fucking crazy

11:20

record. You can't take that away from the man. Look,

11:23

you know what I'm saying. And it's difficult, Like

11:25

when you're in person and all of a sudden you see somebody

11:27

and you're like, oh, ship, now I'm gonna have to take pictures

11:29

and and this and that and blah blah bad and people

11:31

are gonna shoot on me and all that. Ship. It's

11:34

it's it's hard, man. But you didn't. You didn't work with him

11:36

after he it was before Okay,

11:39

Yeah, that's that's respectful him. Yeah,

11:43

I'm just saying, like I've been. You know, it

11:46

is what it is. You gotta know

11:50

where the art meets the business. I will

11:52

say this, Takashi

11:55

Records be streaming. Boy, those

11:57

insiduals that

12:00

you don't not saying that I'm I'm saying. I'm just saying

12:02

that was that was bad. Yeah, I know, but

12:05

no, I'm not working with him. You're

12:08

working on now that? Um yeah,

12:10

yeah I don't. I don't see a reason why.

12:13

No. Yeah, you've

12:15

worked worked for so many people like, I

12:18

ain't gonna lie. I ain't gonna lie.

12:20

I really was listening to the disiography

12:23

to say, and I was just like a part

12:25

of me is like, why do you even still love

12:27

this game? Like this, Like after completing

12:29

everything, like work with Dr Dre, working with jay

12:32

Z, were with everyone there,

12:35

Like I generate money

12:37

from other businesses,

12:40

from you know, we'll get to that later, from my

12:43

A h C. You know, you know, HiT's

12:45

my storage products. But we'll talk about that later. But

12:48

there's a part of me that cannot let go of

12:51

music. I love it. I don't care ifout make a nickel

12:53

from music calls you. It's

12:56

my It's what we're want to do. Does

12:58

Dr Dre need to go into a studio for

13:01

the next five hundred lifetimes? He's

13:05

he got enough funny you

13:07

know, literally, but he

13:09

won't stay out of the studio. He loves it. It's in his heart

13:11

innocence. So that's what we do. You know, that's

13:13

what you do. You know what the craziest shi is

13:18

You're part of my journey, bro. I don't know if

13:20

people know this, but I was in the Roots.

13:23

That was my first musical experience.

13:31

Yeah, yeah, yeah, we need to get some of

13:33

that twisted up there

13:37

you go for real.

13:40

A lot of people don't know. Right after the Roots,

13:43

I was you know, I was a keyboard player. I wrote a

13:45

lot of the songs I made, you know, probably

13:47

the biggest song first albums,

13:49

the first do you want More? And

13:52

uh, you know I did. I did a

13:54

lot of stuff over there. Here's the only one I really didn't

13:56

work on the original albums was ill

13:58

adelf halfway. But you

14:01

know I did that. You've got any song which you put us, I'm

14:04

sorry, and I know you're trying to change Hay this ship, but let

14:06

me just put it back in the perspective, like

14:09

like if I had a whist list, right people artists

14:11

I wanted to work with, and me just looking at

14:14

your desigraphy, you have you have the more like

14:17

what what makes you besides the money?

14:19

Okay, you know we know you're gonna make great

14:21

money, but like right

14:23

now, like right now, I wouldn't really

14:26

wanna interview jay Z. Like

14:28

a lot of people are sitting to me and going,

14:31

why wouldn't you want to? Because because I have nowhere

14:33

to go outter that I really

14:35

have no where to go after that? And

14:38

have you ever felt like that? Because you really worked

14:41

with the top of the top of the top, you

14:43

know what, I think it's to me about being new

14:46

and staying like my whole career, especially

14:48

when I reunited or when I excuse me,

14:50

when I united with Steve A. Bell. He showed

14:52

me the importance of building new artists and

14:55

forget about it's easy to get a hit with

14:58

like a legend. It's like the story because it's

15:00

gonna go. It's gonna go, like, all right, so Scott

15:02

Stortz makes a song with Drake and it goes big.

15:05

Yeah, of course, you know you know that that we know it's

15:07

gonna be big. But how

15:09

about when I, you know, came back into after

15:11

my little hiatus from being a drug addict,

15:13

and I came back into the business that Mobell said

15:16

work with new arts and something like really really, and

15:18

then they all blew up, every single one

15:21

a buggy you know this one,

15:23

Russ, you know, you know so many tripper

15:26

Red, so many of them, they were

15:28

all new, and they all blew up.

15:31

Ask you, Roddy Richard with you they

15:34

all on my own. But let me ask you,

15:37

how is it working with a new artist as opposed

15:40

to working with the season hardiest who you know, it's

15:42

just gonna come in as soon as you play the beat. They're gonna

15:44

rhyme? Do you have to shape and mold these new

15:46

artists? So, I mean, if I

15:49

don't think they're gonna be legends, if I have

15:51

to do that, like you know, real legends,

15:54

they know what they're doing. It doesn't matter they're sixteen

15:56

years older, whatever it is. They're gonna

15:58

spit fire, They're gonna write some like her Ship. But

16:01

um, you know there's always

16:03

a nip and tuck with the hooks and stuff and

16:05

maybe making making the hook the best

16:08

that can be and things like that. But but

16:12

getting back to the point I was just saying, I just wanted

16:14

a completely thought. I

16:16

started out in the roots and I left the roots

16:18

to become a producer. Um,

16:21

I felt like I mean,

16:24

I was a band member. Yeah, we were all technically

16:27

producing. You know, certain people I wanted

16:29

to take all the credit for it, but I

16:32

don't really care that when I let up. But

16:37

but I started my road

16:39

to being a producer. Me and Derrick Jackson.

16:41

We're hitting the streets in New York or Derrek Jackson

16:44

man for Tommy Boy, used to work at times

16:46

by Derrick Jackson. You know Derrek

16:48

L. A. Jackson. Oh yes, right, he

16:51

Um, he got me connected

16:53

with these guys CNN component

16:55

Nori yet I know those guys.

16:57

You know that I

17:00

know. And I was doing the set as

17:03

in New York. I was like, Okay, I got somebody

17:05

to believe in me. Noriega believes. Yes,

17:07

Capone's coming home, Yes, yes,

17:10

yes, and we're gonna make some ship. Yes we did. We

17:12

did three joints, and those are the first three

17:14

joints that I ever did as a real official.

17:21

My second, my second beliefer on that

17:23

same trip was Buster Rhymes. I

17:25

went downtown over there and

17:27

uh, we made some fire. We made

17:30

a song called blood al and I was on my way

17:32

between you and Buster, and

17:34

that's blossom my whole career. Man. And we went on

17:37

too. So so let me ask

17:39

you right bouncing around, going

17:41

back to another part of game. Um,

17:45

he says that he feels like he

17:47

wasn't invited because

17:50

he's dangerous game.

17:53

He said as an artist about the Super

17:55

Bowl, Super Bowl, I

17:58

apologize. I'm just my mind

18:00

as I want coffee. I'll never checked coff

18:02

before. It's crazy.

18:04

I'm like coming around, but I'm sitting

18:06

here called, but don't believe I'm calming all like

18:09

running circle. I was like that a So

18:12

it wasn't coffee. So

18:15

when we got to hit, we

18:18

see the super Bowl right, and

18:21

I think, I act salute this. Believe

18:24

I asked, gave this and I said me

18:26

off top. I believe as soon

18:28

as I see the piano, I

18:31

felt like that part shoot a bit Scott

18:33

starts. I was there in spirit.

18:37

I think I can listened to my music through

18:39

the whole you know, super Bowl arena, and

18:41

it was beyond that. It was like literally like I

18:43

think either making Rain or lean Back was

18:45

on in the crowd, like just playing through the whole

18:49

and then the halftime show was a lot of my ship.

18:51

But you know what I mean, like that's

18:54

Dre's moment. It's not Scott Storches

18:56

moment. And the world

18:58

already knows that I'm sponsored mole for that song.

19:01

Did I want to be there? Did I want to have a chance

19:03

to do that? No? I

19:05

mean, of course I did. Of course, of course

19:07

I would have wanted to be like Stevie wanted to come

19:10

on. That's some

19:12

lifetime achievement ship. But you know

19:14

that's Trades moment, and I love

19:17

Dre And they had a plan for the way

19:19

the show was gonna be And that's the way it was. You

19:21

know what I'm saying, maybe the next time ask

19:24

let me ask you, right, because I

19:27

actually sat down with Jay and

19:30

I was like, yo, you know whatever

19:34

he told me. You know, Eminem called personally,

19:37

he said, Eminem called personally to him

19:39

and said, yo, can can we squeeze fifty

19:42

on there? Like it was like a humble. I

19:44

knew what was happening before it happened. I talked

19:47

to Dre about it. So why

19:49

does this guy's story So why doesn't me personally

19:51

like nor I have been like I don't. I don't. I don't

19:53

care about being told no, Like I don't care

19:56

like you could tell me no fifty hundred

19:58

times. I got the same pride of him. Man the

20:00

sky starts ever like humble himself and

20:02

say, Drake, let me be a part

20:04

of this or first I did. Okay,

20:09

I did not know that, but he did tell me that. You

20:11

know, they wanted him to play it. You know, it

20:13

was an epic moment for him. You know, can you playing?

20:16

And he learned to play the song and played it and

20:19

did he at least tell you to teach him how to do

20:21

it? I mean this for you know he figured

20:23

it out like

20:26

you wouldn't

20:28

know like a certain thing that you do because I

20:31

mean, you know, I played a little differently right

20:35

smoken when you play, Yeah listen,

20:38

would you could have spoken to super Bowl on the

20:40

piano? Would would have spoke? I don't know.

20:42

I don't think they. I

20:44

know that stay smooth snooping

20:47

like yeah, yeah

20:51

yeah right when the smoke

20:56

Donald Trump's house keep

21:00

he was in to morrow was smoking so bool

21:04

so everything is cool. Um. I

21:07

think it was a great movement, but of course it

21:09

was phone more like a motherfucker right it

21:11

was. I mean I wanted to be there, but you

21:14

know, it is what it is. Man. You know, Dre has

21:16

done so much for me. I'm not gonna be worry

21:18

about that. Like you know what. Meanwhile, they killed

21:20

it and I think all

21:22

the artists that didn't end up performing,

21:25

that's what he wanted. That's his moment. That's his

21:27

prerogative. You know. If he didn't call me,

21:29

if he didn't call game, whatever,

21:31

that's not us. But let's let's

21:34

let us earn a fucking ability to get on

21:36

the super Bowl and have your life's work there.

21:39

Because I ain't gonna lie like me personally, if they would

21:41

there like a Queen's show and

21:44

all the Queen's artists and I wasn't there, I would be salty,

21:47

but I will also be like, yo, you know what, it's a

21:49

good show. It's a good show, you know what I mean. But

21:52

yeah, yeah, but I would have been a little something. But

21:55

thank God that you're not, and

21:57

you're getting money pulling up in for Bari's Goddamn,

22:00

I'm actually all type of crazy

22:02

faces in Miami. Why

22:06

is everybody from l A moving back to

22:09

Miami this time? Goddam it. No,

22:11

I don't even know. I'm

22:13

telling you. It's the it's the whole

22:15

vibe, the energy right now, it just feels right.

22:18

Who makes you leave in the first place, I

22:22

was in his car face. Everybody

22:26

knows. Everybody knows my history with

22:28

drugs and all that ship, and

22:30

I really was trying to get

22:34

clean and get my life back together

22:37

for my children's sake, so I don't die, so I

22:39

can make good music, and you know, abuse

22:41

to God give a talent. And I had

22:43

to make a geographical change to anywhere

22:46

because it was too many people, it

22:48

was too accessible, it was too just

22:51

like you know, at that time, like any

22:54

time I wanted cocaine, it was there.

22:56

It's out here. It was out here. You

22:59

know, people know there money I

23:02

was doing. I was doing cocaine.

23:04

I blew a bunch of money. It was never from buying

23:06

it. People giving me bricks for free.

23:09

You know what I'm saying. It was from It

23:12

was from the you

23:14

know what I'm saying. People would give me more cocaine

23:16

than that I could do. They're getting the bricks. Yeah

23:19

what I'm saying. But brick is different.

23:25

That That was a few weeks. That was a few

23:27

weeks, but it was.

23:30

It was It was the decisions I made, being

23:32

sucked up and blown through so many millions

23:35

of dollars, spending a million a week, because cocaine

23:37

is not a cheap drap. No, it wasn't. The

23:39

cost of covie was the car. It wasn't cheap. Because

23:41

of the decisions I was making, and

23:43

it was I stopped working. I did

23:46

nothing but snort

23:49

and fuck. That was what I was right.

23:56

I had to go through it. We've

24:01

all come along. She came

24:03

along way. We all came along way. It was cocaine,

24:06

marri wand I was cocaine America. From one

24:08

point cocaine and Molly. I

24:11

ain't gonna came the student with you one time. You

24:13

have Molly, the whole clear thing

24:15

of Molly. I

24:18

must you must have been like fitty thousand. I don't know, that's

24:20

why Foy, and then you was just running around. Everybody's

24:22

just going like this point.

24:27

I was like, here,

24:32

Molly, this was not like the pill ship. It was

24:34

like if you remember this was yeah,

24:43

but when all right, so we're

24:46

gonna get off with this because but you don't what because

24:49

like I sew the guard When I google your name,

24:52

there's so many synonymous females,

24:54

you know, you know, from the car Dash Its

24:57

Hilton's to Marid Carrie why

25:00

a right carry that was the Homies. Yeah

25:02

we heard dope that one was wrong

25:05

with her frost right now. But

25:13

what I'm saying is, where

25:15

is this Leonardo DiCaprio playing

25:18

Scots starts Wall Street

25:21

movie. Had we need this we need

25:25

on the movie? Okay, um

25:28

my my buddy, um uh

25:31

you know, hit me up and was like, yo,

25:35

these people want to do a movie on your life story. And

25:37

he's one of the biggest producers movie producers

25:40

literally in the world. And you

25:43

know this guy it's

25:45

an Atlas Entertainment Charles Robin.

25:47

He finally,

25:50

I think the script is completely done. It's

25:52

spent two years since I signed the deal, and

25:54

it takes a long time, like a timetable.

25:58

And uh, you

26:01

know, um, Warner Brothers

26:03

kind of picked up the the funding

26:05

it and we're attaching and director

26:08

right now. We're hoping to attach Jonah

26:10

Hill to it. Personally. He

26:16

can play. We're

26:19

gonna figure out he

26:23

could definitely. He could definitely play

26:25

them later. He could have somebody.

26:27

You know, I started making music at fifteen, professionally

26:30

at sixteen, and you

26:34

know, he could definitely do the later partner. It

26:37

makes me a crazy movie. I'm trying to followed

26:39

him. It's a crazy story. But I'm

26:42

just thinking. I'm just thankful that it has a happy

26:44

ending because it's a deal. Scott. I

26:48

think in that story, you gotta keep it real. I'm gets

26:50

wrong. I wasn't able to decide what

26:53

was going in and was not. I don't look like an

26:55

angel in this movie. I'm definitely fucked

26:57

up in like in my life,

27:00

and I fuck up sucked up because

27:02

you good, you're sucking in here too, right? Oh yeah, Okay,

27:04

yeah, I definitely made some mistakes.

27:07

It doesn't make me. It makes me look like an idiot, though,

27:09

an asshole, a douche, whatever the funk you want

27:11

to call me. Put with a good heart, hey

27:14

man, I never didn't have a good heart. High

27:18

as fun, had had too much

27:20

money too fast. Okay, every

27:22

every one of the like these famous stories

27:25

right where a person say this as a drug

27:27

polemore some cocaine having or whatever. It

27:30

always starts with one female. I

27:34

don't know your

27:36

smile. It's different. He's

27:38

giving it look like you knows that. I

27:41

don't know, but I'm fishing. I

27:43

made the choice to put that ship in my nose and

27:45

that was it. But so there were some, definitely

27:48

some some people co starring in that ship

27:50

with the co staring in that bathroom.

27:52

So people you think

27:54

it's cool to be a rat. I'm not gonna wrap people out.

27:58

But you say them want

28:00

you can, I'll let you say. If you know who I was staying there next

28:02

to, I want to say Paris Hilton. I want

28:04

to say that Paris

28:06

was around. We had a lot of fun.

28:09

We had a lot of fun. She was so

28:12

honestly I was I wasn't come

28:14

on of course, I

28:17

was a nerd in the studio. We never didn't

28:19

jack ship in my whole life. I smoked a whole bunch of weed.

28:22

I had, you know, million dollar cards that

28:24

didn't go nowhere because I was in the studio

28:26

all day. Every night. My friends, my boy ter

28:29

Squad, he would come to the studio, hang

28:31

out, go to the club, come back to

28:33

the studio after the club, and I'm still there, and I'll

28:35

be like, yo, how was that ship? Dope? And you

28:37

know, I had a little social anxiety. I wasn't cool

28:39

yet, Like I was just this mad scientists

28:42

in the studio. Then Paris came in and

28:44

it was like Paparazzi's

28:47

we were supposed to be working. We hooked

28:49

up, you know what I'm saying, Like we became a thing. And

28:52

she produced me to a nightlife.

28:55

You're supposed to go rowing

28:58

out there the funk. I'm not only

29:00

one digging that, I mean room.

29:03

We was booted for you to go. My

29:06

pullout game is strong, so okay, she

29:10

basically she turned

29:13

she turned me onto the fucking I had so much fun

29:15

in the beginning. Bro, she turned me on too.

29:17

That night left it was Papa Rosy was pretty cotelling,

29:20

fucking trips to fucking

29:22

exotic places and the

29:24

whole world everywhere. But we met

29:26

in Miami. We met when

29:29

she came. When I met her, she showed up at my

29:31

house that I had on Indian Creek

29:33

Island that a Vonka Trump just bought

29:35

for thirty millions. She's ice

29:38

flows continued at any

29:40

rate. That's where I met her, and there

29:43

was a connection. And you know, we made a

29:45

cool album for Paris, and I know you'll look

29:47

like Paris. We made a cool ass album.

29:49

It was fun making it. There was some cool songs on here.

29:52

Joe was on there, Jada Kiss was on there. We

29:54

had We had fun making that ship. And then

29:56

you got it was factor Disconsin.

29:59

We stopped get albums. It

30:02

is what it is. Yeah,

30:04

I got the bag and I got you

30:07

know, it ended up

30:09

backfiring that whole one, you know,

30:12

just in general, the publicity of

30:15

working with her and then be the

30:17

type of ship that I was doing because I stopped

30:19

working and I was just partying. You were

30:21

immersed in that world. She opened the door

30:24

for me to party and

30:27

and so that so that's the way, like, because that

30:29

was cool. All of a sudden, now people knew well as I

30:32

mean a thousand records. Nobody

30:34

knew who stop so much was hanging

30:36

out with Paris Hill, not normally people

30:39

magazine ship like that. So

30:42

up in my stocks went up,

30:45

but then they went down real fast because I wasn't utilizing

30:47

it. I wasn't working. I just wanted

30:49

to hang. I had so much money at that time. I was

30:51

just like, fucking, let's let's just party. Let's

30:53

go here, and they're there. It's

30:56

a great life though, I mean of

30:59

that. Then you and I split up and

31:02

I get ended up hanging out with her

31:04

assistant. You're hitting assistance

31:06

on assistant. That was kim

31:10

oh Ye also

31:14

blew the funk up. Okay, you're

31:16

going to going too fast. It's calling get

31:19

you another shot, sir. Let me get your those shots.

31:22

Okay, okay do what

31:25

the most

31:27

was none, Listen, I ain't disrespecting nobody

31:29

dispecting No, it didn't want to when we come

31:32

on. So okay, at the time you're

31:36

knocking down pass, I'll

31:40

break up. You

31:43

run into our assistant or you had the eye on assistant

31:45

for a long time. I mean, of

31:47

course I had an eye on the assistant, but it

31:50

ended up no sex tape at this

31:52

time it ended up. No,

31:54

I'm asking it up um

31:59

Paris and not split up. And

32:02

she called me to meet her in santro

32:05

Pey Paris, Paris. This

32:07

is how y'all get down breaking up and you'll still

32:11

stray. I want to see whatever. I showed

32:13

up to Santo peg but I

32:16

think she had already hooked

32:18

up with somebody else before my my private

32:20

plane was able to show up there. And then I ended

32:23

up seeing Kim and we

32:25

ended up like you know, hanging out in the ship and became

32:28

friends and you know whatever,

32:32

I'm sure what to do at this moment. I

32:35

know that's great. That should happen before

32:38

all respect man. Yeah,

32:40

that was that was it. He gave it to us.

32:43

He gave it to us. I don't

32:45

know what it's

32:48

part of it all?

32:57

Ye yes, yes, yes, I

33:01

think it's time. You know. I don't know if you know.

33:05

Um No,

33:07

No, I'm Flowers brother an

33:13

another QuickTime song. Hen build him up a creektown

33:15

signs he's getting he's getting warmed up. Um.

33:18

But we want you to know off show is not about

33:21

bigging you up when you're not around. It's not about

33:23

bigging you up when uh, you know, something

33:25

happens. We want to pick you up to your face. You want to give

33:27

your flowers. Um, you

33:30

are phenomenal. I've worked with you plenty of times.

33:32

Your phenomenal producer, your phenomenal

33:34

friend. You're phenomenal human being, phenomenal

33:37

person, and we want to give your flowers right

33:39

now. Motherfucker's let's

33:44

yeah, yeah, yeah,

33:46

real, motherfucker. I wasn't expecting Dr Roses.

33:48

Yeah damn.

33:51

So so we hit this

33:53

story that jay Z sas

33:58

oh and did we see him, you know, seeing

34:00

them performance record at the super Bowl and

34:02

we see jay Z's quoting word for world,

34:04

world for world when you may still

34:06

driving? Where

34:10

is my frame? And didn't what is

34:12

going on? You give it to Dre or you you're

34:14

making it in the studio? He's did how told this

34:16

story a hundred times this

34:20

year? Yeah?

34:23

Ga me, there was a parent with me,

34:26

Dre, Mike Alisando and Millman

34:29

was all beat mining. We

34:31

were searching for the best fucking beat Andre

34:33

standards are so high and the chronic

34:36

two thousand albums was

34:40

it was legendary everything on there. So now

34:43

we're like drest all his fire and

34:45

he's looking for the first single. He's like, I

34:47

don't have it. We all look at him like,

34:49

all right, you gotta hunt him.

34:51

But cool. So

34:54

so the rest of the project is done already for Yeah,

34:57

we're like at the end, and this was that last

34:59

minute I make. I'm

35:02

in there in the studio with Dre and

35:05

he puts like he's always programming some fucking

35:07

fire as drums, and he put that beat.

35:12

It's like this kind of like crazy

35:14

feeling kick snare pattern, and

35:18

I remember we're in we're working. I think it was

35:21

encore and there's a kitchen literally

35:23

right outside the control in

35:26

Burbank. Okay, there's a there's a kitchen

35:28

right outside. So I was

35:30

thinking all night about something like kind

35:32

of like piano piece that's wrong

35:35

but right, you know what I mean, where it's like off

35:38

kind of off beat like that. And I was like, oh, ship, it goes

35:40

kind of with this trump pattern and I started playing

35:42

the blame bling bling bling instead of going ding

35:44

ding ding ding. It was like the notes were

35:46

kind of like I was playing it like sloppy

35:49

on purpose. Andre just ran

35:51

in the room like that's it, man,

35:54

that's the fucking thing right there, and

35:56

then we started yeah, and then he came back in sucking

35:59

sandwich in his end. Whatever the fun and

36:02

we went to work. Immediately he was immediately

36:04

like his radar it

36:07

is like impeccable, Like you

36:09

know what I mean, I probably pay fifty things that day,

36:11

like just trying to come with some ship and as dude

36:15

he came in, he was like, that's it right there, and

36:17

I started doing the boom boom

36:21

m and we was

36:23

on our way. We was on our way. The

36:26

track was done in thirty

36:28

minutes, and I

36:31

just remember Dred, I'm gonna send this to jay

36:33

Z. That was ride

36:38

to late vocals and it didn't work or from

36:40

the beginning he heard it, it was and we wanted to

36:42

put jay Z on it. I remember Exhibit was in the studio

36:45

trying to write some ship to it and it was cool, but

36:47

it wasn't exactly what Dre wanted And

36:50

like this was all happening, but I think it already

36:52

been sent off to New York. But what is what is

36:54

your frame? Because you're making this for Dre and

36:56

you're like, why would you send this? Like I think I'm gonna have

36:58

a big gass record. Yeah,

37:04

I was like, oh ship, this is gonna be crazy. It

37:06

was almost like a media The vocals came back. Jay

37:08

Z's demo version of this ship was

37:11

insane, and then Dre just

37:13

destroyed it, and I

37:16

flashed forward to the first

37:18

time I ever heard that ship on the radio.

37:21

I flew back to Philly for a while,

37:24

and I was doing this thing performance thing at

37:26

the Wetlands and um in

37:29

New York. So I was driving from

37:31

Philly to New York every Sunday. I was

37:33

back and I was getting ready to go back. I was gonna move

37:35

all my ship and go back to l A and

37:37

just live there permanently. But I was there

37:39

for a little bit. So this was right as

37:41

they were releasing it and funk Master Flex

37:45

I was. The bridge was frozen up, the

37:47

huts leading the Holland Tunnel, and

37:51

that motherfucker dropped bombs on

37:53

still Dre for forty five minutes. But I'm

37:59

sitting in there, frozen up and stuck on the bridge.

38:02

I was happy and ship because the

38:05

song finally started playing when I made it to

38:07

the bridge. But I mean to the tun

38:09

of but to the hell of time. But that

38:12

was an amazing moment, man, it was a life changing moment.

38:14

I was like, I think I'm gonna be a big fucking record

38:16

producer because

38:18

I knew how impactful that record was

38:21

as I heard forty five minutes of poem

38:26

crazy moment. Now, how

38:28

how is that? Because you know, although

38:31

a lot of people who whose industry friendly

38:33

and industry uh you know, no

38:36

no about uh knows that you're

38:38

the creative of that. But even

38:41

even if you like outright, and even if the

38:43

outbright said, you know, Scott Storts produced

38:45

that, the fact that standing

38:47

next to Dred people think he just produces

38:50

everything, is that that

38:52

he does his ship. He

38:54

orchestrates the whole room people. He does ship by

38:56

himself. He does He's a music motherfucker. His

39:00

do your work is ridiculous. Even

39:03

for me to be part of it and be part of his,

39:05

like you know, repertoire

39:10

is an honor. I'm not dick

39:12

riding, I'm not ask kissing. I not know that that man,

39:15

he's fucking godfather, bro. I

39:18

don't care what you say. You can anybody,

39:21

you put anybody ever you need them, say in

39:23

the check where you have to take a drink. Whenever. I

39:31

love that, I love that, I love I

39:34

love this. Someone to the dr

39:36

Drean university. I learned so much. At

39:38

one point you and him fell out? What was that over? Never

39:41

fell out? Oh, y'all just didn't work together,

39:43

bro, I was too fucked up. Was hot? I

39:47

collapsing in the live room, hiding behind

39:50

the ship that they people recorded vocals

39:52

into those walls and those wheels on them, and I

39:54

was hiding between there because I was

39:56

so dehydrated. I collapsed and the ship.

39:59

He gave me a chance, his chances, He would have still

40:01

gave me chances. Then I just stopped coming. He never

40:03

turned his back on me. Damn.

40:05

Remember those conversations, like when he's trying to remember

40:09

what I'm saying to me. One day it's like, yo,

40:11

was the bike worth the belly ache? And

40:14

I was just like, oh, Ship, I'm

40:17

sorry. I love analogies. I don't understand that one,

40:19

like basically the food you eat gave

40:21

me the stomach get like the drugs I was getting

40:26

ship. So damn, this is this is

40:28

this is very interesting because to

40:31

me, Dre comes off like a person. If you got problems,

40:34

I don't want to I don't want to be around He don't know he

40:37

got them wrong. Man cares about

40:39

people. He's a he's a serious dude.

40:41

Yeah, that's a beautiful serious dude. You

40:44

know, I know a lot of people and

40:48

every year, man, like Christmas or

40:51

my birthday or whatever, I get a text

40:53

from Dr Dre. He's he remembers

40:55

like holidays and ship. He's like a real true

40:57

friend. Bro, He's really I

41:00

can't say that about many people, but I

41:03

can't say that. So what's what's

41:05

what's the world on detox? What I'm doing right now? But I

41:07

can't say nothing about that. It

41:10

were very fat I learned talking

41:14

like is she talking about like?

41:16

So no, no ship? Okay, So

41:19

we don't know if it's scrapped. We don't know nothing. Neither

41:22

don't know. But

41:25

we we asked mephy,

41:28

you know, putting up with the stography. You have

41:30

a single with Christy

41:32

Brown, I don't know, Taika and Osuna.

41:35

Yeah, so what happened

41:37

is that was a pandemic record. Damn.

41:39

That was a club record during the pandemic where people

41:42

couldn't go to the club, but it still did.

41:44

I don't know undermillion streams or something, but it

41:46

was a fire ass record where I interpretated,

41:49

uh, just a little bit to join I did, but

41:53

it's fire it's a fire as record. It's

41:56

it's an underground hit though, like I'll put it

41:58

on, I'll be in a club somewhere and

42:00

people will be going crazy, like out to know where the DJ

42:02

pus session on and it's just hit in

42:05

Atlantic. I don't think they they treated

42:07

that record. Atlantic treated

42:09

that record. They

42:11

sucked it up. They treated like because it's my first

42:14

single as an artist, like you know how cal

42:16

is an artist where we have artists on the

42:18

songs, but they're still the artist. So

42:21

they treated like that. They didn't treat it like Ozuna

42:23

and Tiger or on a record right and treated

42:26

like Scott Stots still got proves

42:28

an artist, ABC rollout,

42:31

no promotion, but that

42:34

record to me, I'm proud of it. I put

42:36

that ship out. I'm proud of that record and Tiger

42:38

and A Zuna did that ship for me on the strength

42:41

fire and showed up to a video

42:44

shooting like Ozuna was in Puerto Rico,

42:47

Tiger in l A. I'm in l A. Three

42:49

separated shoots for that video during the pandemic. No

42:51

way was a lot of leading the house type ship and

42:54

like Ozuna went to this video shoot and

42:58

like there was a law I guess in Puerto Rico at that time, you

43:00

had to curve for you. You have to be back when

43:02

the police could arrest you if you ain't the ship, and he like

43:04

pushed curfuy for me everything. We had curf

43:06

for like twenty minutes in Miami. Yeah. Yeah,

43:09

they don't give a funk out here. Yeah, continued,

43:12

happy to be here. You

43:14

know what's crazy about what you're saying about this record, though,

43:17

is that you remade your own record and

43:19

that that must be insane. With such a vast catalog

43:22

that you have stuff you've done, hit,

43:26

make another hit out of it. Hit. Yeah, I'm

43:28

doing the EP right now, um

43:31

with my my partners on I

43:33

don't know if you know about my um my

43:35

my vape company, but I got this vague company and that

43:39

vague yeah, me and my partner people.

43:42

Let's people picking up the

43:45

camp with with Yeah. It's

43:47

incredible, incredible. Yeah,

43:51

it's finally we got like favor whatever my partner's

43:53

on there. We've been doing really well with this. We decided

43:56

we're gonna invest some of our money that we're making on

43:58

a Scott Storch album, so doing an independent

44:01

and uh we more. There's gonna be some legendary

44:03

ship, right. I got some tricks on my

44:05

sleep with that, but you know that's that's

44:08

that's um. I'm gonna do a couple more of those

44:10

interpretations where I use some of my

44:12

melodies from original records that I've done

44:15

no project, but there's a couple of

44:17

them. But there's not many producers I could do that as

44:20

well, like as much as you have to work with and most

44:22

producers run away from their old his Like

44:24

if you actually produce to like, yo, can I get I

44:27

leave back? You're probably like piste off

44:30

what. I've been getting a little bit of that because I feel

44:32

like there's a resurgence and people wanting to have genuine,

44:35

cool melodies and stuff.

44:38

So I've been going for that raw ship lately.

44:40

You know, I still I'm proud

44:43

to say that, like for a guy

44:45

who and people know my age, I'm forty year years old,

44:47

I'm able to make trap music and

44:49

ship that people that that kids

44:52

funk with like all day. I didn't get stuck

44:54

there, but I'm gonna go back to some of that ship

44:57

too. Who's the worst set that you ever had?

44:59

Like you walked in this guy was horrible.

45:01

He had his vocals fucked up, like

45:05

he came, who's

45:08

doing that? Oh man, I can't. I'm I

45:11

mean, I just know there was like bad vibes in

45:13

certain studios, certain sessions,

45:15

but I never really worked with any horrible

45:17

artists people. Maybe some unknowns that were like paper

45:20

bags or whatever. But it

45:23

was bad vibes, you said. But once it was a couple of vibes,

45:25

like it was really like just not right. But

45:28

you know, we ended up working out, working our way

45:30

through it. But like I remember one time

45:34

I was waiting in the studio for like

45:36

hours for pet Pablo

45:38

to show up and this

45:41

is this is what he got North Carolina. He

45:49

didn't show up, so I caught the studio

45:51

and I was like, you know, I want the studio, let me

45:53

take over. I want to pay the bill for this tonight. This

45:55

is in New York. Yeah, I feel like it's

45:57

gonna pay the bill for this. I want the studio.

46:00

I'm gonna work on some other ship. I'm in there smoking

46:02

weed, smoking ship out

46:04

and this and that. And

46:07

he came in latest

46:10

fuck like two in the morning, thinking it was still his session,

46:12

and I got yelled at for smoking weed in there and

46:15

all kinds of ship. It was like really awkward moment,

46:17

one of the most awkward moments of my career. So

46:19

we worked. Yeah, it was like, you know, weed

46:22

in my session, like my STUDI whatever. Yeah,

46:26

I was kind of like all

46:28

right, and I bounced. I

46:30

was just like I was kind of offended. But we worked our way

46:32

through it. We worked. We worked that. I

46:34

didn't know that. I didn't that was a weird

46:37

story. Yeah, bro, I

46:40

didn't know that either. I thought that was absolutely that's

46:43

crazy. That's just a click. That was love. Let's

46:45

go, come on, I

46:48

might still gonna be able to talk about these things that I wanted

46:50

to. Let's talk about one

46:53

of my favorite things I got doing on right now

46:56

is this company just Hits

46:58

by Scott Storage Hits because you

47:00

know this, every

47:03

every so often there's a new cann

47:05

of anoid and weed that's introduced. Is

47:08

T A C and C B D and

47:11

Delta AID, Delta nine CBD

47:13

don't get you high. Yeah,

47:17

but h C, which happens to be

47:19

derived through many this

47:22

this he's called HC. This ship gets you fucked

47:24

up the highest illegal. Yeah. It's

47:26

tastes amazing, like straight weed taste.

47:29

It's like ecstasy, which John,

47:31

which is the one that I really taste the

47:33

pig run since them is actually the one runs

47:36

trusting me. This stuff had you nice.

47:38

It's legal and I'm

47:42

I'm saying no, but it's

47:46

legal in fifty states, where

47:48

as like legal even

47:52

if states said, I can ship this anywhere

47:54

in the world, okay, and it gets you

47:56

highest ship tastes good and it's weed that

48:00

this is beyond that. This is a new ship, h C.

48:04

So it's weird, but it's Scott story ship.

48:08

I'm looking a little crazy. How do I do

48:10

this? Okay? Okay? And this goes back in there?

48:13

Right? Boys? Wait,

48:16

how do I get this? One? Man's okay? It

48:19

so taste a pretty good. Oh,

48:22

there's a little tastes

48:25

like lemon. Nicey kid, But you

48:27

could be just sitting there, you know, smoking

48:30

and ship you got kids, even if room

48:32

don't matter. They try to keep me on on

48:35

the plane for this ship. One time when

48:37

the Viggas first came out, the NBA,

48:39

girl in the w me and girl locked

48:41

up Man Russia, Ukraine. She couldn't nebody

48:43

don't want to get them. It's not good. Could

48:45

have been smoking. She could have known it wouldn't been what

48:48

she had though. This yeah, this is because of the war. It's not because but

48:52

yeah hits by Scott's Scott, and they could

48:54

get that anywhere. I'm stoking the hits and

48:56

then they could get any day throughout Yeah hits

48:59

by Scott storch dot com right now, okay

49:02

makes it. Can't

49:06

say already yet, everybody launching

49:08

on four Twitter. I think you should just drop a four nineteen

49:10

just to just that

49:13

for nineteen. Man, So you're

49:15

gonna play quick time with slot, You're gonna splain the rules.

49:17

Let's go. Yeah, Okay, it's gonna be two

49:19

names, two things, one

49:22

of the other. If it's politically correct, we drink it.

49:24

So if you say both or neither, we're

49:26

taking a shot, and Diego is taking shots

49:28

for you. Correct, Yes, Diegos, we're

49:31

drinking with you. Yeah, I have to choose the song. You

49:33

choose one or the other. But if you choose

49:35

and then you don't drink both or neither, I have to drink.

49:37

You have to drink. That's it. And

49:40

I'm gonna use the bathroom first. I

49:44

can have a cigarette. We Yeah, perfect

49:47

time. Okay,

49:56

So I explaining the game. You pick it if

49:59

you you really correct and take a shot. We

50:02

all take a shot. Yeah you goes

50:04

your ringer. Yeah yeah, but go yeah

50:09

yeah yeah yeah you might as well. Okay,

50:15

not my top. He's gonna ask,

50:19

you're gonna keep it rap, come

50:22

on, come back time times

50:24

wisky stort. Let's go Rick

50:26

Ross or Fat Joe, give

50:30

me a drink. What do you

50:32

want to day there? Parter

50:34

quarter lights a longer to fucking

50:37

legends? You can't yeah yeah yeah, that's like, oh

50:40

oh I forgot, forgot. You gotta dolly like

50:43

what you gotta

50:45

take to give me enough? First class shot

50:48

she did off the door. I'm

50:52

everyone get playing this game is easy. Yeah,

50:57

make a little back on purpose. Boom.

51:02

I think I think I'm gonna go. I'm

51:05

sure. I'm sure you're gonna say

51:07

again. But just case there's not this one

51:09

another one, another one. We got that daily

51:12

one because they're deadly on on camera. You

51:15

see that, y'all? Is it chills? Yeah?

51:18

Get a good pictures. I'll

51:20

just put this on. You're

51:25

ready good. I suppose jay

51:29

Z or NASO

51:31

one no, no, you know, okay,

51:33

honestly I love nas

51:37

jay Z to me though, I

51:41

connected with that as like part of my

51:43

education and the University

51:45

of hip hop. So I say

51:48

jay z okay even and worked

51:50

together. Yeah with

51:52

the records, Um we did,

51:54

uh ship what the other name? We

51:57

did like three left to meet records. I forget all the titles.

51:59

I mean like really like two thousand songs back

52:03

literally not you wont for whateveryone it might

52:06

everyone who is someone we

52:09

actually no And I worked pretty recently as

52:11

well. Yeah, on a song with this kid

52:13

Army and when we did what we did with some stuff. DMX

52:18

or Snoop Dogg Um

52:23

Snoop Dogg is close

52:26

friend of mine. Amazing mc DMX

52:30

to me is

52:33

up with like Tupac

52:35

as a rapper to me, like he is

52:38

a special rapper. Um, what

52:40

he talked about like moved me, you know

52:42

what I mean. It was like poetry in a way. He

52:45

was a brother. Um. I

52:47

tried to say this life you

52:50

know he's he so I would have to

52:52

say d m X, But

52:54

I mean dog is an incredible artist. You're

52:56

talking about rappers that are like

52:59

really he's a nicon with

53:01

some jewels that are special

53:04

and you know, may change your way of thinking

53:06

in life, you know what I mean? That's fair Chris

53:09

Brown, Justin timber La. Chris

53:13

Brown, and

53:17

I'm working with Timberlake right now. I love it.

53:19

But Chris Brown, sure you wanta

53:21

take a shot? I take the shot

53:24

shot, No

53:29

lawyer. Chris

53:33

Brown changed R and

53:35

B music and he

53:37

could dance too. I don't know what you music.

53:43

He I compare him to the

53:45

Michael Jackson of our generation.

53:48

So you're saying that Chris Brown and Justin Timberlake

53:50

do it versus right now. Chris Brown is

53:53

smoking fine bo. Chris

53:56

Brown got a lot of records. Think

53:59

about it. Chris Brown

54:01

got a your motherfucking smackers.

54:04

Justin Timberlake has records, I

54:06

mean, one of the biggest. I

54:10

love it. I

54:13

take the drink anyway, but

54:17

Timberlakes, honestly, that's

54:19

a con versus too. He's a most soft and white

54:21

boy there who ever was, Yes, there is

54:23

ever ever wasn't it? Yes, he got colored

54:26

me bad ball board. Yeah, he's white

54:29

boy and boy he

54:31

was he

54:33

got over the way, Yes, he was about

54:36

to brown his motherfucking Michael

54:38

Jackson and Carna type. Yeah.

54:40

And I started with him he

54:43

was fifteen years old. I had him in the studio

54:46

and we made a number one song

54:48

we did run it like yeah, everybody said the sixth

54:50

team week said, you hit that shot. I'm gonna tell

54:52

you something, all right. I

54:55

don't know. I

54:59

don't remember the session. It

55:01

was something that it was showing me

55:05

something and let me. I don't know if you remember

55:07

I had the better session. I don't know if he

55:10

was there, and Tina Davis asked me to switch

55:12

studios because I was on Tina

55:15

was on deaf Game at the time. Yes, it was it in factory.

55:18

It was okay. I had Chris.

55:21

She actually had the small studio for him

55:23

upstairs. And Tina

55:26

Davis. They do that the

55:29

Scottland now as

55:32

a favorite when I actually switch and

55:34

I switched and I took you a little and

55:37

that's what I

55:45

never knew. I knew you didn't notice that story,

55:47

but I knew Tina Davis had told me to Chris Brown.

55:50

And I've never seen Chris Brown since then. So

55:52

I'm in Pop's house. I'm just walking through, and

55:55

Chris Brown stick because I never see it. He's looking at

55:57

he's looking crazy. I mean when

55:59

I said looking rady, he was just incognito with

56:01

the with the hat on. And I'm walking through l

56:04

a. He stopped me going, I remember

56:06

what you did? O G And then I was like four realm

56:08

because I was like I always wanted my Browns, but

56:12

I'm just didn't know that. I'm like he was

56:14

saying, single he gave me, was

56:16

like you'll come up around from

56:18

you too. Yeah yeah, yeah yeah he did because

56:21

Brown, Um, I really respect

56:23

you. I really love the love

56:25

that you showed me. Um, I respect

56:28

you. But so

56:30

I definitely respected. And it was

56:33

running and big up Petina Diggs too, by the way,

56:35

big up a Tim Mark and my friends.

56:37

Yes, yes, okay, this one. I

56:39

think you're gonna take a shot, but I could be wrong, Timberland

56:42

or for a round, m give

56:46

me a shot please, Okay, I'm gladly board

56:48

your shots, you know.

56:50

And you're talking about welcome

56:52

down. It's like it's really kind

56:55

of like comparing

56:58

just two different from brands of like amazing

57:01

this, right, you know what I mean, the same level.

57:04

Right, So let's hear this. Take

57:07

a shot to the next meeting is gonna be quite

57:09

interesting. Yeah, blame it on the

57:11

drink. Cham Yeah okay,

57:13

now this one, no, no, no, no, I don't

57:16

know where you're gonna go with this. One Dreo

57:18

Pump Daddy as

57:21

as what you just take a shot

57:23

any

57:25

any whatever the criteria. Okay,

57:31

we got that thing man, Okay,

57:35

yeah, you have people, Okay,

57:39

cool, Yeah, I'm

57:42

getting up. Yeah talking

57:45

about the mogul you're talking about?

57:48

Come on those those suit How

57:50

long did you hear about Sloop Dogg and um

57:52

Pump coming together making a bad

57:55

role of death bad boys

57:57

situation? Like It's like would be like an n f T label.

57:59

We had a collaborative in my

58:01

mom would come a long way. Yeah, my

58:08

mom came a long way. Okay,

58:13

I don't know where're gonna go with this. It

58:15

sounds like it's gonna be about some ladies. That's

58:18

the ending of the list buster,

58:21

eminem buster

58:24

or eminem give

58:27

me a shot. He was doing this

58:30

cool because I always say

58:33

I always say when people are like who's the best mcs?

58:35

Where I'm like, Bust the Runs is one of the

58:38

greatest mcs to ever do it ever,

58:42

Chris to These are people that I feel like are

58:45

like legendary, fucking you know, changed

58:48

rap type ship. Okay, did you take the shot?

58:50

Fun to play it

58:52

out down from

58:56

with you? We got beating. So I'm

58:59

glad. I'm on the y'all. Look, okay, Jamma,

59:03

don for me right now. Black Thought,

59:05

most deaf, Black sought quickly,

59:09

look at look at that Philly Love. Did you see that most

59:13

Okay? I'm you know. I worked with

59:15

most Devil. I did the Brown Sugar

59:17

Ship with him, that movie I don't remember.

59:20

Yeah, that's my guy. And we did a hurricane

59:23

soundtrack thing too. Really, you did a

59:25

bunch of ship. It was the soundtrack Kings

59:27

Together. But Black Thought

59:29

is bro He's one of the illness,

59:32

one of the illness fcs ever in the world.

59:34

Like I wouldn't watch him spit for like

59:36

three hours straight, literally, and

59:39

when he would go into y'all, let me just he

59:42

went in the bag. Bro, Hey guys, let

59:45

me get one of the new gumbos. Y'all you

59:49

got that broke up already? Come

59:51

on, I got on and

59:53

we need Black Thought here at three ships, y'all.

1:00:00

So okay, we we said we went to the Black Dog.

1:00:03

You know what's funked up? I played this game so long,

1:00:05

and even though I'm not playing this game drinking, I

1:00:07

feel drunk. It's

1:00:10

just embedded into my sister. You gotta say.

1:00:13

So, we're gonna have PTSD of this game in the future

1:00:15

if you go, who made this a board game? But I

1:00:17

really made this a board game. Jada

1:00:20

Kiss a fab less Jade kiss. Okay,

1:00:24

sorry, okay, love fab Jende

1:00:26

Kiss one of my favorite favorite mcs as

1:00:28

styles like a motherfucker? What

1:00:30

did you? What did Jenna Kiss say to retire

1:00:33

him from the times? Sorry?

1:00:37

He just faced was how

1:00:41

are you gonna put the lots of kids run to you to see

1:00:43

just like it's

1:00:45

an I

1:00:51

don't know this and these are yeah,

1:00:55

it's a last don't

1:00:59

fifty cent or job. They're

1:01:03

both great, both

1:01:06

queens amazing melodies

1:01:08

and just in that but has

1:01:12

some of my favorite joints. So I made

1:01:15

a lot of them, genuinely joints.

1:01:17

All that. That's family, like you're

1:01:20

talking about you know, Scott

1:01:22

still pick you again? Look, of

1:01:25

of course what the

1:01:30

most point times p

1:01:37

I didn't get drunk. We're

1:01:40

gonna put your jersey on a few questions

1:01:42

like that, Yeah, okay

1:01:45

you, but

1:02:01

love you continue. Let's get

1:02:03

back here and cook up more. There's

1:02:10

no more life, there's

1:02:12

no more life. And look to that no

1:02:14

more wife, here's

1:02:24

a no more wife. Now

1:02:28

the next one Beyonce. Over yall,

1:02:31

you work with both, right, I know, No, I never worked

1:02:33

with we Honestly, That's one of my things I

1:02:35

always wanted to do is work with Rihanna.

1:02:38

Yeah, with Red. I'm gonna get to the answer in the second

1:02:41

one of the most uncomfortable Rihanna

1:02:43

story. Let's go. I'm

1:02:46

a greenhouse in New York. Remember,

1:02:49

finally get a chance to meet Rihanna

1:02:52

and say, I want to work with you. Blah blah blah,

1:02:55

she's mad cool. I'm gonna

1:02:57

go up into her low v I P section where

1:02:59

she's at, say what's up? Cool? Blah blah

1:03:01

blah. And I gave her a huggle boss,

1:03:04

and my shirt got caught on her whoop here and

1:03:09

that I

1:03:12

never ever, ever, ever

1:03:18

right here. I'm

1:03:24

just gonna walk here with

1:03:27

Beyonce, man, she's the

1:03:29

ship. I never worked with

1:03:31

her with with Brihanna, but I worked with Beyonce,

1:03:34

and I can tell you that's the best vocalist

1:03:37

I ever workless like her

1:03:39

voice as an instrument like that goes

1:03:41

into the arts and sciences

1:03:44

of music levels and ship like God

1:03:47

given talents, creative

1:03:49

person and just believed

1:03:52

in me. And we made on one

1:03:54

album. We made three, like fucking number

1:03:57

ones or whatever. And uh, I

1:03:59

still work indirectly for her. I'm

1:04:02

doing stuff for her with Chloe and Haley

1:04:04

right now. We already we got a Grammy

1:04:06

Now'm last year for the song

1:04:08

do it that her group, Chloe and Haley, and

1:04:12

they just called and said we got another one, so

1:04:16

be honest, said all day, be hot, okay

1:04:20

evil remy mom um,

1:04:26

I would have to go with a

1:04:30

drink. I

1:04:32

want to say that family

1:04:36

and spit her as off. But he's

1:04:39

Philly to me. Even

1:04:42

don't know this, but Eve connecting me

1:04:44

with Dr Tre her own brother Rex,

1:04:46

because I know she's yeah,

1:04:49

and she was on an aftermath, Yes, and

1:04:51

you know she was my friend from Philly. I ran into

1:04:54

her the first time I ever went to l A and she's

1:04:56

like, yo, I just got signed the Doctor

1:04:58

Trey and I was like, please

1:05:00

let me meet him. She's like, all

1:05:02

right, get the studio that

1:05:05

shot. Let's make sure you finish it too. I'm watching, sir

1:05:12

so so so he was. There

1:05:15

was no wead this.

1:05:18

Actually we read this before. You

1:05:20

might have told us this the first time he was. I

1:05:23

had no idea. I was, what's going to l a for

1:05:25

the first time in my life at the Martini

1:05:27

Lounge doing an open mic thing

1:05:30

with the roofs, and

1:05:33

he was there told me she had been signed to

1:05:35

Aftermath. And then the next day I was in waiting

1:05:38

the lobby for like five hours for Dr Dre

1:05:40

and come out and meet me. She convinced

1:05:42

him, like, let me whatever. I didn't

1:05:44

have no dads or CDs or nothing

1:05:46

of any of my squad, so he's like to play

1:05:49

some keys. I played some keys. Within

1:05:52

an hour, I had like fucking

1:05:55

keys to the motherfucking La Montrose Hotel.

1:05:59

Here we're him for me. We're gonna

1:06:01

make the chronic ship, this and that bread everything

1:06:04

I had back

1:06:06

in Philly. Even though all those other roots

1:06:08

and all that show, I was still broke. I was still a month

1:06:10

that I half behind his rent and ship back to getting victim

1:06:12

type ship, and I

1:06:15

started working for Dre. Now

1:06:18

I'm driving nice wis and sucking,

1:06:20

chilling and making the biggest album ever

1:06:22

in the world because of Eve. That

1:06:25

boy for Eave. Also

1:06:29

go back to what you said about Dre that he heard instantly

1:06:31

he knew the talent, and he's like, oh, he's got

1:06:33

the radar. That's

1:06:36

the beautiful thing that's put things

1:06:39

playing piano BEAUTI fucking

1:06:41

thing and got repeated.

1:06:46

Or push your teeth game

1:06:52

to me, game,

1:06:55

I mean I like, I like push your teeth a

1:06:57

lot work with push your teeth. But

1:07:01

game has a unique sound

1:07:03

in a unique tone. That to me

1:07:06

is you know, up there with the best

1:07:08

of them, you know what I mean. We

1:07:12

got joints together. I was part of West Side

1:07:14

story. I listen my nose of

1:07:18

those let's ride cool

1:07:21

cool got Now I'll

1:07:23

be really sed that serious one. I was like, hey, um,

1:07:29

Miami or l a Miami like a

1:07:31

motherfucker right now. I can't believe. I

1:07:34

can't really like I can see

1:07:36

that. I'm just gonna this Dantana's all

1:07:40

that chicken for Oh I love that damn

1:07:42

you got. I'm going this Saturday hard. I'm

1:07:45

going this side. We got car bon. Let

1:07:49

me should have put dad on the cars.

1:07:52

It's a great carbone. Okay,

1:07:55

I gotta if

1:07:58

you really know what's up, don't that

1:08:02

that ship beat you

1:08:07

ain't even stiff cooks better than

1:08:09

all the motherfucker's come up. You know what's

1:08:11

crazy Because he's act tonight, He's actually

1:08:13

the one cooking. Yeah, that's what makes it so dope.

1:08:16

If he ain't cooking, I ain't gone because

1:08:18

the Steve I go, but he ain't cooking, it's still

1:08:20

still the same. I mean, he trained these people to make

1:08:22

sure then

1:08:24

he wasn't good. Right,

1:08:31

you're right. I'm just saying, yeah,

1:08:35

you're right, you're right, awful, right,

1:08:40

Thanks, I was doing Serpent, thank you. You

1:08:44

know, I'm you know, go together Man's

1:08:47

House and hit Factory Boy

1:08:49

Trevor the Hip Factory. I like toy answer this question.

1:08:52

But I made so many hits at

1:08:54

the Hip Factory and it's great. It's

1:08:56

expensive to me, right, it's great,

1:08:59

but it's expensive. And the vibe that

1:09:01

I've this new Florida tropical

1:09:04

vibe that I've been on lately, that

1:09:06

should worked for me. It was incredible, But

1:09:09

right now it's Circle House for me

1:09:11

because it's so sexy over there, chilling,

1:09:13

it's a pool and some motherfucking I

1:09:16

work in the cabata this. Yeah,

1:09:18

maybe it's Mary Miami. It's it's

1:09:20

it's like it's a hard working there lately. Maybe

1:09:23

it's part of my new like fucking weekended

1:09:25

Bernie's type of vibe that but

1:09:29

Circle you guys,

1:09:32

Yeah, there wasn't even another hit factor. The story. Never

1:09:35

gonna take me over there again. One time he was

1:09:38

there, we got this and you said

1:09:40

to me, said to me, you ever have mush

1:09:42

from And I was like, it was

1:09:45

like, but you ever have much froom teeth? And you gave me much

1:09:47

froom teeth. I was there that I felt

1:09:49

like I was the bionic man. I

1:09:52

was moving like this. Must rooms are amazing,

1:09:55

I think for healing, for so many things, making

1:09:57

much froom teeth, I do, yes, I

1:10:00

think I want to focus someone Mark. I

1:10:02

think you should, but I don't want you

1:10:06

always need to cholate. It's

1:10:09

too far, it's too much. I'm

1:10:13

gonna say this. I'm me and

1:10:15

Steve mcbell are co owners with our

1:10:17

partner Frank said on a rehab center

1:10:20

that is a drug rehab that's called

1:10:22

THC, the Heavenly Center, and

1:10:25

it's an amazing thing where we let you. I

1:10:27

didn't know this for a step. Yeah, I

1:10:30

mean, we don't like give you

1:10:32

weed, nothing like that, but we will tolerate

1:10:35

the use of cannabis. When people piss

1:10:37

for us, you know what I'm saying. In a piss,

1:10:39

you can piss weed, you can smoke it after

1:10:41

nine pm. You know

1:10:44

not you know, but we've given real conventional

1:10:46

recovery and you know the

1:10:48

groups everything that we do. But getting

1:10:52

back to your point, I believe the future

1:10:55

there's gonna be Pillicidon

1:10:58

and you know, intertwining shroom,

1:11:00

you like, you know, rehabilitation

1:11:03

for anxiety, for drug abuse, for

1:11:05

whatever it is. It's definitely I

1:11:08

think something that's if done responsibly

1:11:10

and micro doing Michael

1:11:12

dosing and it actually sharpens

1:11:15

your mind. There's a lot of studies going on. But maybe

1:11:17

y'all might think I'm crazy, but we've been on. We

1:11:19

we're talking about we're

1:11:24

really ready for it yet, but it will

1:11:26

be. It will go there, but it's up. It's

1:11:28

starting again into the mainstream heavy. They're

1:11:31

giving people I don't know, for heroin

1:11:33

can say like in five minutes it just do let's see your

1:11:35

face the

1:11:40

psychdelic ship to

1:11:42

take it off. Then again,

1:11:45

I watched his ship. I know, like

1:11:48

you die. There's people that like, you gotta

1:11:50

do it, and I don't know, you can't. It's

1:11:53

gotta be done. I think that's certain. Going back, they ain't

1:11:55

bounced back. You do ce doing

1:11:57

it with Shaman. We got room

1:12:02

that someone's craby like, but

1:12:05

shrooms. I think they're cool. Done

1:12:08

right, Okay, I'm in anyway, and

1:12:10

you did say circle house over yes,

1:12:15

Trevor, sorry, bro, We're

1:12:18

okay, okay,

1:12:23

Biggie a big at big

1:12:29

two pocket lesson piece both

1:12:34

on man.

1:12:39

I got Steven bell over here. I

1:12:42

hear the shot shot

1:12:48

shot recently. It just came,

1:12:51

uh this he's dirt. Yeah

1:12:54

that he didn't pass. It's crazy.

1:12:56

It seems like five minutes ago. Let's take a shot

1:12:58

from him. Look a moment of

1:13:00

size from your SI sip. Yeah,

1:13:05

so everyone, you know, we want to take a moment of size

1:13:09

one school three. You

1:13:19

should have just sixty seconds, right,

1:13:22

yeah? Do sixty seconds? Come on time

1:13:24

and has really yeah,

1:13:59

m m coolest

1:14:30

Le's fort chriecktime and signing. I want to bring in Steve

1:14:32

a Bello and everything. Okay,

1:14:36

MPC two thousands or the MPC three

1:14:39

thousand, three two

1:14:41

thousand for flexibility, but overall sounding

1:14:45

the three thousand sounds of it's

1:14:48

just the best. Okay, are you using machine

1:14:51

at all? Machine? No? But I am

1:14:53

using a secret little weapon

1:14:55

that No. I'm When

1:14:57

I leave here, I'm going to work for a KI today

1:15:04

board. They got a keyboard maybe

1:15:07

you at least you keep That's me for a motherfucker

1:15:10

that want to make the best music. It's

1:15:12

still the most week It's gonna change everything. It's

1:15:14

gonna change everything. Trust me, I

1:15:17

experienced this ship yesterday. Make

1:15:21

some definite they're

1:15:25

serious. They ain't playing right now. The

1:15:28

Risk One or Rock Him. I

1:15:32

love Rock Camber Caress One's a motherfucking

1:15:34

man. Chris is the man

1:15:38

Man, Tory Laters of the Weekend, The

1:15:40

Weekend, Lambad

1:15:44

Ferrari, Ferrari all day. Sorry,

1:15:47

John, that was just the music. Walk about

1:15:51

that, Yeah, baby, okay,

1:15:55

all day? Okay. Paddock

1:15:59

or Richard Mill both shot

1:16:04

shot you ready got damn you? And

1:16:06

then I'm as a watch guy. Shot

1:16:08

dat watch company. Yeah, um,

1:16:13

I want to ask you why, why why you

1:16:15

got to be even? They my favorite

1:16:18

watches, both of them. Paddock animals. I

1:16:22

got Paddock in my bag right now. You just

1:16:24

got an extra Paddy. Just you know, I gotta

1:16:26

do a wardrobe and Yellow

1:16:29

ain't gonna work with it. So when

1:16:31

you get a Richard, they don't come with other bands. They

1:16:33

don't come with another band. Yeah you can't, can't.

1:16:35

They're actually a pretty easy year change. Okay,

1:16:38

let me see that's factory. Yeah, okay, my bad,

1:16:41

bad as y'all

1:16:44

here looking at that. You know what I'm

1:16:46

saying, God, damn, that's

1:16:48

your wardrobe change. Pony ship

1:16:51

is really let you at the hospice all

1:16:54

the time. I got drinking and Steve Bell said I

1:16:56

needed two wardrobe changes, so I just

1:16:58

made sure I was matching. M So

1:17:01

I gotta go blow out rich talk. I love it.

1:17:04

I can't blow that on drink chains. Okay, mind

1:17:11

you, I don't write this questions, all right, I'm

1:17:15

not even one singarette from this

1:17:22

is not my question? Is went the way Paris

1:17:26

Hilton or Kim Kake? I

1:17:28

mean I

1:17:31

would have to go with Kim. You

1:17:33

know, it is

1:17:35

what it is. Who's this shot I

1:17:39

come from? I'm sorry,

1:17:41

I love Paris, but m

1:17:44

hm, you know Kim is one of the most beautiful

1:17:46

women ever. Okay, you're

1:17:49

ready, I

1:17:52

let me go back to the question. Sold on ready,

1:17:59

Linzie Lohan, A little Kim, little

1:18:01

Kim whom

1:18:07

you know what I mean? He said to

1:18:11

do? So that's a little hand, yo,

1:18:15

Call the records, set the records tricks. I

1:18:19

never was with Linda

1:18:37

to cocaine in the azor, but no

1:18:39

biking about billy

1:18:44

billy. I

1:18:48

was not on point. I thought that was like a cool

1:18:50

word. I ain't even okay that the biding.

1:18:52

Okay, my fault. I gotta paid to podcast

1:18:56

or radio. I think right now? Podcast

1:19:03

pret more Pete rock, pretty

1:19:05

Mom. I'm

1:19:11

a gangstar, motherfucker. First, rest

1:19:13

in peace, Guru, Kanye

1:19:17

or Swiss? Pease give

1:19:20

me a drink please, I'm calling

1:19:22

that for your second. Doesn't need two

1:19:24

legends And

1:19:27

obviously were talking about my job. Well,

1:19:30

supposed is an artist too, Ye,

1:19:33

Swiss is an artist too. Cheers

1:19:35

kid, Let's take that shot, Scott,

1:19:38

you ain't never gonna ryng, right, gonna ryng?

1:19:40

You ain't gonna You're gonna feel

1:19:42

like you've spent a record. I know you're spent on the record before.

1:19:45

Let's not talk about that. Let's

1:19:50

I think you shot. I'm sorry,

1:19:52

I'm a shot. This

1:19:57

usually mean take the shots. That's why I

1:20:00

can. Mr Kim Bucks is gonna get a drunk

1:20:02

story? Okay, Wrap

1:20:04

City or your TV raps. I'm your

1:20:06

MTV wraps guys. Okay, pro

1:20:09

tools are lodging. That's

1:20:12

not really a good question. I think

1:20:15

that makes sense. I used both at the same time. At

1:20:17

the same time that sound like a shot was

1:20:20

like, no, it's not a shot. You got the

1:20:22

people on the same side of it. Beats

1:20:26

a lot of im said, pro

1:20:28

are you might have stilled it and you didn't.

1:20:30

Got to take a shout down. Yeah, you

1:20:33

know what people

1:20:36

shot

1:20:42

like a

1:20:46

lot of people recording. Actually

1:20:48

you feel we don't make you specs

1:20:51

that we don't make you, he

1:20:55

said to your show record it's

1:20:59

the time of you.

1:21:03

Hey man, want

1:21:06

you to take the shot out? Okay, your

1:21:08

shot, take a shot. Hey,

1:21:11

don't get me talking about vocals,

1:21:13

albums not

1:21:15

even don't get into the last one. All

1:21:18

right, loyalties

1:21:20

or respect post got

1:21:24

you like a got your baby yet

1:21:35

you don't respect me? Loyal to me? Real?

1:21:39

So let's take those shots. Call us like,

1:21:44

don't you got a little bit better

1:21:46

than Let's go. It's even gonna

1:21:48

be out of this you. Let's

1:21:51

knock it out your drink chat bro, come on, Scott

1:21:53

and that's look you're

1:22:03

typing your texts somebody around. Yeah, if my wife

1:22:05

saw family first, so

1:22:11

Scott, k do the Scott looking

1:22:14

back at recovering everything, What do you

1:22:16

think that the biggest lesson that

1:22:18

you can convey to someone that that's going through

1:22:20

that path right now. Um,

1:22:24

that's the greatest high in life comes

1:22:27

from the experiences we have in life, not from some drugget

1:22:29

drug fun drugs

1:22:33

And what's the biggest, the biggest struggle

1:22:35

of the honest struggle you have staying sober.

1:22:39

Struggle with drugs.

1:22:42

Yeah, with drugs. Pussy another

1:22:45

drug, another drug, but

1:22:49

I mean in real life, it's

1:22:53

the one thing that could

1:22:56

potentially destroy your sobriety.

1:22:59

Derail it, right, derail it. We

1:23:01

love pussy in life, and

1:23:04

pussy sometimes loves drugs, and

1:23:07

you know, yeah,

1:23:11

so we just have to learn to deal with pussy that doesn't

1:23:13

love drugs your

1:23:16

own, Yeah, and have to

1:23:18

self control and the strong and strong

1:23:20

will power and everything. Right, but

1:23:23

you know, life is precious and

1:23:26

and you know it can all go

1:23:28

bad in five seconds, especially now with

1:23:30

drugs. And it's not like all

1:23:35

that, not even that it's just an excuse. But

1:23:37

I'm just saying in general, like

1:23:41

there's so much incredible ship

1:23:43

that we could be doing with our lives and decides

1:23:45

doing drugs that's

1:23:47

just a weakness. That

1:23:50

means you're weak if you can do drugs, be

1:23:54

strong, right, Well,

1:23:58

I'm almost start. You know, I'm just get

1:24:00

around. We got uh,

1:24:03

Candy shot knocked out that room on Scott

1:24:06

still made it. Joe contributed,

1:24:08

we got that. But how did

1:24:10

that technically means we made the ship right?

1:24:13

That's right, the percentages and

1:24:15

the ship was Yeah,

1:24:21

so you could say, yeah, he's lean

1:24:25

back. How do we make this lean

1:24:28

back? And did you? Because

1:24:32

is this your first national

1:24:34

worldwide hit? Oh no, this

1:24:37

is my first hit

1:24:40

where somebody said my name on. It was

1:24:44

to the hit fact that we used to have a cheese line

1:24:46

around a corner d Max Glory, Jesus,

1:24:51

I have mad hits, but you're

1:24:54

like the secret weapon now Yeah I

1:24:57

wasn't. I didn't know or understand the value

1:24:59

in the tag on

1:25:01

the track, on the showing onto

1:25:03

the video, creating a brand. I

1:25:06

was just like happy in the studio making

1:25:08

my ship. Um, but

1:25:12

it's crazy like my boy Raoul

1:25:14

turn Squad. It was one

1:25:16

of my literally lifelong best friends

1:25:18

in Diego and

1:25:21

motherfucking Role and

1:25:24

Chris Jones like just like to

1:25:26

be my hand brother. Yeah yeah, God

1:25:32

bless him. Yeah yeah, we're gonna get him back on the right

1:25:35

track. Yeah yeah, but terrible

1:25:39

friends. Yeah,

1:25:47

I hope that you didn't learn how to drink

1:25:49

responsible. That's it. But

1:25:55

the first

1:25:58

time I ever had like a no,

1:26:01

actually wasn't the second time. First time I met

1:26:03

Fat Joe was in Rob Too

1:26:05

Low Office and Atlantic Records

1:26:09

Brief and I was with Fat Show.

1:26:11

I met him. We were in the room and

1:26:14

the motherfucker's I was smoking weed and drubbed

1:26:16

Too Little office beside of his table, and

1:26:19

we smoked weed. We was high a shipped.

1:26:22

Joe is in there, he wasn't smoking weed, and

1:26:24

they told me, they told me he

1:26:27

got a contact high. He was high shipped because

1:26:29

he tried to sell me some rooms while I was in there. He

1:26:32

said, it's only career one, but you could just find

1:26:34

a part of what a

1:26:40

couple of years. The really technically the real

1:26:42

first time I hung out with him on

1:26:44

a different level at

1:26:47

the Hit Factory. I met Raou

1:26:49

in front of the Hit Factory and

1:26:52

and he came listening to some

1:26:55

beats and he ran over to Joe and was

1:26:57

like, Yo, Joe, this white boy got

1:26:59

this fucking beat. It's over there in the studio.

1:27:01

He's a A I'm in studio. He whatever the fund

1:27:03

was, and he's like he got some fireweed. But because

1:27:06

that, she was like, you just wanted to over whatever.

1:27:08

So the

1:27:11

next time I met him, I met Joe

1:27:13

at that time whatever it really get his attention. But the

1:27:15

next time I met him, this

1:27:17

guy that passed away, Joe Bentley,

1:27:20

that used to own car rental company that

1:27:22

me and Joe were both mutually friends with, convinced

1:27:25

Joe to come out to my house in Weston

1:27:28

at the time and drive forty five minutes

1:27:31

and Raoul was with him. Raoul

1:27:34

didn't know where he was gone, but

1:27:36

he was like cows out there, yeah, yeah, yeah,

1:27:40

And I'm on the front door and

1:27:42

Raoul says, oh my god, it's the fucking guy

1:27:45

that I tried to tell you to go to fucking listen.

1:27:48

He heard my beats and he was like, listen that. So

1:27:50

Joe was like, let me hear some ship. I'm

1:27:52

like, let's just make some ship. Joe

1:27:55

decried what he was making. He wanted to make

1:27:57

what he wanted to make it and I

1:28:00

didn't. Literally in twelve minutes, I

1:28:02

had to leave back and then Joe was

1:28:04

like, we need and it was just like in

1:28:06

the candy shop. He was like, oh, we need an So

1:28:09

I was like dun and

1:28:15

the right in the club when that

1:28:17

part come off, hit the dance flow, Okay,

1:28:20

continue. So Joe

1:28:22

took the beat with him. He didn't cut that that day. I made

1:28:25

the beat. We made it literally twelve minutes,

1:28:27

twelve minutes and three minutes for the intro. And

1:28:31

six months later I get a call

1:28:34

from Joe. We're

1:28:36

gonna have the anthem of the summer.

1:28:39

We're going to summer jams with this record. The

1:28:41

record is not out, Yea, he's schooling. Okay, because

1:28:43

we got the record, I'm like, really, okay,

1:28:46

cool. So what we did that day paid off.

1:28:49

She gave two track that day, or you get him everything.

1:28:51

I can't even probably everything, Okay, I don't remember,

1:28:54

but yeah, I definitely got the two tracks. Um

1:28:57

and um. They made a record. Him and Remy fucking

1:29:00

murdered the funk out of that record to

1:29:03

the point where we were on I

1:29:05

remember we went to do that the EMPTV

1:29:08

Awards and performed that

1:29:10

ship. At

1:29:12

that time. Paris was my date to motherfucker.

1:29:16

That was that was a good Sounds

1:29:22

a kay De picture, I remember,

1:29:25

yeah, And we performed that ship on

1:29:28

MTV Awards and Bruce Willis was in the motherfucking

1:29:30

audience, leaning back, Bruce, really yeah,

1:29:35

and then lightning struck twice and we made Make

1:29:37

It Rain, and you know, Joe it

1:29:39

on. I

1:29:42

think me and Joe should go back in the studio next

1:29:45

last like a

1:29:47

motherfucker. All right, A right

1:29:50

to that, just leaning

1:29:56

back, and I'm gonna give you a double because I want

1:29:58

you and Dread and make another stale dread. You know what they come

1:30:00

to your double shot. You

1:30:04

just can't talk about it. Yeah, yeah, yeah, yeah,

1:30:07

let have done something already, gonna they

1:30:10

kicking take goddamn make up, so

1:30:16

so old ship, hold on, hold on, what

1:30:18

does it? What do you what do you want? We

1:30:21

are filming, sir, Stop calling

1:30:24

this guy store many of Come

1:30:26

on, don't never

1:30:28

call me on FaceTime with your hand slick back, just

1:30:34

chuck it like that. I hat I hate you back hate

1:30:36

you back slip

1:30:39

back. Man, Come on, I got moved. Yeah,

1:30:43

telling Philippino, okay, are we friend

1:30:45

to finish the great time? I got no man,

1:30:48

when you're taking yeah, that's break selling.

1:30:50

Man'll get into quick

1:30:53

QUI and here I got home.

1:30:57

Yeah, I got home. Take

1:30:59

it from you. I

1:31:10

steep about about to sit down. I want to give you a

1:31:12

gift. I want to smoke. Yes,

1:31:15

yes, yes, I want to give you a storage

1:31:17

design sunglasses. That's

1:31:21

just he and my partner

1:31:23

Ellen. We designed these joints. He's

1:31:26

a storage design needed Italy.

1:31:30

Yeah. We

1:31:32

went over dimensions every part of that motherfucking

1:31:34

glass. And they feel

1:31:37

good too. I feel rich rich,

1:31:41

I'm regular design

1:31:44

Storge Designs. You

1:31:48

are sunglass of motherfucker. That's why we

1:31:50

like even at nighttime, you be having sunglasses and

1:31:53

you're looking cool doing it something that can't wait well

1:31:55

at all. Yeah, some people wear good

1:31:57

and they can't see ye trying

1:32:00

to pull it off. Take work out

1:32:02

like me, y'all, Like the girls are like yeah

1:32:06

yeah, oh yeah, but I like wearing something's

1:32:10

like that, like if you got blue eyes like that. But

1:32:12

that's what like white people with the black people to say you

1:32:14

got here, Yeah you got

1:32:16

any of the family say

1:32:19

like little

1:32:21

great and yum

1:32:24

on womens to leave you

1:32:26

damn think it was gonna you know, they

1:32:28

ain't no food we got,

1:32:31

y'all. I

1:32:36

didn't even know they make it. Oh yeah, what

1:32:39

did you do it? Right? Yere? Bro? You

1:32:42

got you got to y'allas. Yeah, so

1:32:44

see we know he was on drink chance

1:32:46

before we're not you didn't

1:32:48

want to you. We wanted to let Scott shrine. But

1:32:51

we also we owe you of give

1:32:53

as well. So you know what I'm saying, because because

1:32:56

we get my flower, you

1:33:00

stay to the side. But we said, now

1:33:03

this man too, Yes, yeah, you get

1:33:05

my life back together. He don't play the big

1:33:07

way I got it done. Yeah, yeah, yeah, you don't

1:33:09

play that. So I mean, let's let's I mean

1:33:12

that he said that. That's that's that's a lot

1:33:14

of way that I know we we said this before. I

1:33:16

mean, we did this before. But I want to elaborate

1:33:18

with y'all, guys, relationship, like how did it even start

1:33:20

out of this? You know, I mean to be

1:33:22

honest with you. About seven years

1:33:24

ago I started a podcast myself called

1:33:27

and Steve Lottlebells right, and you know

1:33:29

I was a little ahead of my time. Interviewed Jake Cole

1:33:31

to afro Jack too. I

1:33:33

mean, so many people, right, and I would

1:33:35

just pull up to them, you know, I go to Soldier Boys

1:33:37

house and get on his balcony, or go to afro Jack

1:33:40

on the studio, Jay Cole to his house

1:33:42

and just pull up with a BlackBerry and just interview

1:33:44

people. I thought it was gonna be Johnny Carson. So,

1:33:48

um, I've seen Raoul and

1:33:50

Scott on Instagram. So I know Raoul

1:33:53

back from the term squad days when he's drive around the count

1:33:55

you with him and Fat Joe and Big Pun resting us

1:33:57

with ball does Yeah, and

1:34:00

uh, you know, I got a long career.

1:34:02

You know, I started with jam mster J and r NFC, so

1:34:04

I don't forget that. You

1:34:07

know, Easy introduced me to you know, bone

1:34:09

Thugs, and I worked with Nip to Big You and you

1:34:11

know, a long, long career. I've been blessed. But when

1:34:14

I did the podcast, I interviewed

1:34:16

uh Scott you know,

1:34:18

and shout out to Fat Joe man because you know that's

1:34:20

family and uh Rahol needs to drive around

1:34:22

the country, like I said, So he said, come

1:34:24

to this house. So I pulled up his house

1:34:26

in Tarzana. Scott was sitting in the backyard

1:34:29

bohim self and I said, where's row Whole?

1:34:31

He say, he's not here. Um, So I interviewed

1:34:33

Scott and I pulled out my commit

1:34:35

in their plaque because I went to gramm me with Dad with Crazy

1:34:38

going to play Yeah and

1:34:40

Scott was on that album, but I always wanted

1:34:42

him to sign a plaque. And we never even knew each other.

1:34:44

Really, yeah, we never really knew each

1:34:46

other. So I interviewed him in Ninny

1:34:48

ask me to manage him. So

1:34:50

in twenty four hours, I said, give me twenty five hours,

1:34:53

and I said, 's rock and roll, not

1:34:56

knowing what I was getting myself, and vol, why do you

1:34:58

say, I just needed to think of boy

1:35:00

it because I never managed the producer, and

1:35:02

um, I had a lot going on. And

1:35:04

I said, just give me twenty five hours and twenty hours

1:35:06

and so let's rock and roll. And uh,

1:35:10

it wasn't easy to begin in you know, I really

1:35:12

didn't know him in his history and stuff that he's been

1:35:14

through. But one thing I did tell him, just trust

1:35:16

me, and I was gonna put him in with the new artists that no

1:35:18

one ever heard of. That I just you

1:35:21

know, either knew them or knew someone to work with

1:35:23

them. And uh the

1:35:25

rest was says to me, like perfect example, Roddy rich

1:35:27

Man shout out to Kifa, but a lot of people

1:35:29

don't know his father's key to rock from sixties,

1:35:32

who was the only crypt down with death Row. He

1:35:34

got and see on his face and got death row

1:35:36

and he's doing life. Hopefully he's coming home. But

1:35:39

he called me like, uncle, got this new kid and Roddy

1:35:41

rich. I asked Scott bringing his kid over, and Scott,

1:35:44

of course, was like, is there an advance?

1:35:46

He's their money, but you know what, let's

1:35:49

do it. We made down below. Hey

1:35:51

Boogie was in l A. I said, he's gonna pull up. Scott

1:35:54

was like, and he had forty people with

1:35:56

him. He had forty people

1:35:58

he got just going. The session was

1:36:01

way before, so

1:36:03

I said, Scott going in and work with that kid. Don que

1:36:05

him and PNB Rocks and

1:36:08

uh. I let them new Scott's car to through the

1:36:10

video in the house and Scott was making

1:36:12

records and they wound up blowing up and so

1:36:14

on and solo. But I'm gonna keep it real with you man.

1:36:16

You know you guys are talking about game right.

1:36:18

And I call him Chuck. I was at a

1:36:21

restaurant with Whack and we had

1:36:23

a sushi restaurant and we were eating

1:36:25

lunch and I said, I'm working with Scott. I

1:36:27

would love Chuck to come work with Scott. And

1:36:30

Whack was like, yo, you know we've worked with Scott in the

1:36:32

past and last time with Mammy. You know,

1:36:34

things didn't go great. But you know what, man,

1:36:37

I'm gonna have Chuck pull up. And Chuck

1:36:39

pulled up the next day and

1:36:41

that was the first record we did with Scott. All

1:36:43

eyes on me, put Jeremiah on the hook and

1:36:46

I said, Scott, you gotta say Scott starts on the record.

1:36:48

Have a girl say Scott starts and

1:36:50

you'll get a little bit. It's like, you know, no one's ever did

1:36:52

a little tag, but we did the tag and it went

1:36:55

to Power Little six and the record blew

1:36:57

up and that was just like,

1:37:00

get some look the game. And that

1:37:04

was the first record that I worked

1:37:06

with Scott doing, and that record and platinum

1:37:09

and I was just like wow, that was that was

1:37:11

the first comeback. Damn.

1:37:14

My next question was that a

1:37:16

little boy rowdy wick? So yes, just yeah,

1:37:18

I mean I broke it. We thinking like man from Queen. But

1:37:22

let me love you. How

1:37:25

did that come about? That's the question for you. I

1:37:27

wasn't, I wasn't nowhere around was looking right

1:37:29

at you overkay with my bad you

1:37:31

can see my kid something

1:37:34

that you do? I know who was looking at yesterday?

1:37:38

People let's go let other

1:37:40

people. Yeah, I'm just let

1:37:42

it ryver So.

1:37:47

I made the record with

1:37:50

Neo my boy

1:37:53

Cam and we

1:37:56

cut it here in Miami. Not okay,

1:38:01

I'm just trying to get my breath back, okay, but

1:38:04

idcast um. I

1:38:09

thought it was an amazing immediately. I thought it was

1:38:11

a hit record. I

1:38:14

went with Larry Jackson man

1:38:17

right on an Apple Music to

1:38:20

play it for Clive Davis. Clive

1:38:26

didn't like it. He

1:38:28

said the ship was wacked basically shot

1:38:32

on me in the meeting. You in the meeting,

1:38:34

Yeah, I'm in the media that

1:38:38

he was falling asleep in his chair. I

1:38:41

don't want to give a funk. I tell it like it is. I

1:38:43

got to ladies see behind the hill. Yes you have.

1:38:47

He said the ship was whack basically. Six

1:38:51

months later, guy

1:38:54

named Peter Edge, the

1:38:57

person who was it was the labeled just

1:39:00

these English guys like Scoltant the record is

1:39:03

brilliant, like it Bro

1:39:08

okay, but he wasn't. Bro was

1:39:11

earlier. Okay, but he

1:39:14

liked the record and

1:39:17

he got behind it and made it the first single.

1:39:20

And the man who owned the motherfucker label

1:39:22

we didn't like it. Clyde David I

1:39:24

guess he he ain't know any

1:39:27

better, but that's became the longest running

1:39:29

number one song ever in the history

1:39:31

of music at that point. Wow.

1:39:34

Yeah, so he was wrong. The label

1:39:37

is always wrong, the labels. I spec voice

1:39:39

that labels. Yeah,

1:39:42

I'm serious, bro, I've seen it so

1:39:45

much crazy ship records that

1:39:47

got slept on. You've the

1:39:49

next question should be But we always

1:39:52

talked about the debate in deependent.

1:39:55

What do you like want? Major? Independent? Independent?

1:39:57

Right now? What can the label do that

1:40:00

you can't do? What do

1:40:02

you think is st I mean, you know, you

1:40:04

get to a point you start independent, start,

1:40:07

that's what and chases you,

1:40:09

you know, back in the days and a lot of people independent,

1:40:11

you know, from Too Short to the forty you

1:40:14

know, Tony Draper, Suave House out, you

1:40:16

know, and you know a lot of people independent. If

1:40:18

she was able to rest in peace and at

1:40:20

the end of the label comes you know. Look, I look at

1:40:22

it like, if you want to go to another level

1:40:25

as an artist, sometimes you need to get to

1:40:27

the major because they'll take

1:40:29

you to certain places that you can't do it yourself.

1:40:32

But I start, you know, starting off. That's

1:40:35

That's not what we said, because you've you've

1:40:37

advocated for you, like just majors

1:40:39

without explaining that. What I've always

1:40:41

said is being dependent so you can take

1:40:43

advantage of that machine. What you're there, and you

1:40:45

can leverage that. First what

1:40:48

I said to go

1:40:50

to to a major label and

1:40:53

think that that's gonna solidify

1:40:55

you and make you bigger, greater, or better. It's

1:40:57

not you want to wait to the major

1:41:00

wants you not say you wanted.

1:41:04

You want the major to be coming at you, like with the

1:41:06

bag bag the priority. You're

1:41:08

a priority to them, like you already

1:41:10

got some ship popping right, They're gonna work

1:41:12

for you. But he pull up on the label early

1:41:15

on too early, they're

1:41:17

gonna give you whatever. You know

1:41:19

what I want to say with gods are independent on major

1:41:22

every artis out there, or anybody trying to

1:41:24

get into a business, learn the business, understanding

1:41:27

the business, because this is a business

1:41:29

doing what I found out the other day that

1:41:32

owning someone's music is illegal. What

1:41:35

do you mean, like the label intellectual

1:41:37

property? Yeah, like you ain't supposed to apost

1:41:40

like there's so funny. We just found out

1:41:43

that it's actually illegal to say that I

1:41:45

owned this music like that, like

1:41:47

it's it's it's it's Steeves. That was the water

1:41:49

of it. There's some conversation I was watching and

1:41:52

I'll get more of it, but that that's like crazy, like to me,

1:41:54

it should be illegal. But um, I

1:41:56

feel like we we spoke about making rain right

1:41:58

and how it was made or it was, we

1:42:01

spoke about it making Ready,

1:42:03

Yeah, how was making read the same way we made

1:42:05

Lean Back the same we made Get It Popping.

1:42:08

So when we made a lot of these records, but we didn't

1:42:10

men. Joe's going to the video

1:42:13

and just he explains. I

1:42:16

just remember him going saying yo. At the

1:42:18

time, he was like and he was really trap Ship, but

1:42:20

it was yo, let's let's make some of that

1:42:23

down South Ship because he

1:42:26

was seeing a lot of slack for that record in

1:42:28

New York, everyone else in the world in

1:42:30

the town South Ship, and he made because

1:42:32

he remember, Joe was messing with the South for so he

1:42:35

made ninety five South Chain that

1:42:38

supposed to be being You

1:42:40

understand I'm saying, yeah, I was standing

1:42:44

in his market because you

1:42:47

know that ship, that that tempo

1:42:50

that's all about tempo man's music. It ain't about

1:42:53

some set ship, ain't about wheiting

1:42:55

from the Temple. That's how we felt about Super

1:42:57

Thug tempo. That's

1:42:59

it, and the motherfucker is joke

1:43:02

and he was ready to spit on some ship like that. So

1:43:04

that's what that was making. All I know

1:43:07

is I got a call from one of the

1:43:09

homies. You're like, motherfucker, did you ever make a song

1:43:11

like that? Again? I'm going broke from

1:43:13

that damn song and the strip of bro

1:43:16

every time I play that ship. Yeah, yeah,

1:43:19

I could stand that ship when I was in the clubs

1:43:21

and the saying Northea's in the house. But

1:43:23

the fun I can't just come in here. You

1:43:26

can make you doing money? Yeah, you can stand

1:43:29

the records actually amazing.

1:43:31

Yeah, yeah, that that was crazy. You didn't

1:43:34

make the the East Coast no

1:43:36

world Wide troop club a. Yeah, you

1:43:39

ain't no burband A Little women? What

1:43:41

about? How

1:43:44

was it making that record? Oh

1:43:46

you ain't no fire? I

1:43:48

did the video one of a few videos. I

1:43:51

did the video. I'm in the video playing

1:43:53

keys. They gave you so much love with

1:43:55

that record. But I have a confession.

1:43:58

I literally went round the whole

1:44:00

video and got almost every one of the girl's

1:44:03

numbers. I

1:44:06

probably knocked out every girl and I can

1:44:08

make it read you

1:44:11

ain't you ain't no videos. You ain't

1:44:13

no video at some bad ones. This

1:44:16

video video it's in like

1:44:18

a restaurant or something like clubs.

1:44:20

I forget what first, like some worring

1:44:23

twenties looking ship I brought

1:44:25

my eye had at that time. I had like one

1:44:28

of them classic classic Bentley's

1:44:30

like from like back in like the you

1:44:32

know gangs todays when the big joints, and

1:44:35

I brought it to the video shooting everything just for no

1:44:37

reason, stoping gangster. Yeah,

1:44:40

just because fucking I

1:44:43

literally got I think I got every girl's number

1:44:46

of the video, almost everything

1:44:49

that video. You definitely

1:44:55

so so.

1:44:58

Another thing, You're first person

1:45:00

I ever see with the Bugatti? Is this true?

1:45:02

Are you the first person in the hip hop with the Buggatti?

1:45:05

Let's just throw it off there in hip hop. Yeah,

1:45:07

look, Bugatti was a car for

1:45:10

hundreds of years. Just can't

1:45:12

skip over that. The

1:45:15

first curson in the hip hop with

1:45:17

the Bugatti. Absolutely, because

1:45:20

when when they when the Ruggatti came

1:45:22

back, I came back with

1:45:24

a car called the very roun Bugatti

1:45:27

vey Ron. They got the ship on

1:45:29

now they got the all different ones,

1:45:32

but the Veyron yeah, they

1:45:35

kept like two cars. Who gotta kept like

1:45:37

the car number one, number two. Ralph

1:45:40

Laren got col car number three. Do

1:45:42

their own Polo. I got

1:45:44

car Num. Four And if

1:45:47

you look at my MTV criers, you see

1:45:49

I opened the hood. I got car

1:45:51

number four, very run.

1:45:54

I was the one of the first people. I plucked

1:45:56

down a little two million on that. And

1:45:59

but the ship when everybody

1:46:01

that was buying like European

1:46:04

cars and high end cars, he was maxed

1:46:06

out of, like that

1:46:09

was all you were spending. I

1:46:11

came in with two million and before

1:46:15

everybody, oh six and before

1:46:18

everybody. I like that. Yea, let's

1:46:24

just say the first. You

1:46:29

should have a whole section the show called first. I

1:46:32

don't first to everything. And I remember when

1:46:34

the car got delivered Terrorist

1:46:38

Squad and we

1:46:40

got the car and came off the truck and

1:46:43

it's sitting in my parking lot on Palm

1:46:45

Island and

1:46:47

we I said, you're

1:46:50

asking, let's be the first people

1:46:52

to ever smoke a blunt in a Bugatti.

1:46:55

They run and we sat

1:46:57

in my parking line because in the

1:47:00

square foot not joint bun

1:47:02

blunt it was on my Yeah, we're

1:47:04

smoking a blunt. We smoked. We christened

1:47:06

the car and didn't even moving yet. We

1:47:08

smoked a blunt in that motherfucker in the driveway

1:47:11

and we were the first people to smoke a blunt

1:47:13

ever in a BUGTI. Goddamn

1:47:20

that was ill to me because this ain't folklord,

1:47:22

these are true stories, bro, because who

1:47:25

how did we even hear about bud? He said, was it

1:47:27

James's mind? No,

1:47:30

I didn't even know. It was just we Mothercker's knew.

1:47:32

It was some millions and the like, that's

1:47:35

what I wanted to be. I wanted to represent the

1:47:37

guy who had the multimillion dollars

1:47:39

ship, the thirty carrot diamonds

1:47:41

on every fucking finger and all that ship.

1:47:43

Like I painted myself in the corner with that ship

1:47:45

a little bit because you have to. Like I'm

1:47:48

like, damn, we're gonna show up in a spaceship to

1:47:50

the club and they lowered me or something like

1:47:53

something. But like there

1:47:56

was a guy his name

1:47:58

was Mike Ward, and the owned

1:48:00

Fort Laundelle Collections car car

1:48:03

company, and I

1:48:06

would go there and the dude

1:48:08

would send me home and say, Scott,

1:48:11

you have every car already. They

1:48:13

don't make anything that you don't have, and

1:48:15

then he finally called me the one day and he say there's

1:48:18

some new ship. It's some a million dollars

1:48:20

who got the very ron ship? And

1:48:23

I was like, I'll take it. I didn't even know what it

1:48:25

was to take me, I'll take it. Probably

1:48:28

I got that motherfucker. I'm smoked a blunt. And then when

1:48:30

we rolled, you know, have you ever got

1:48:32

pulled over in that? Because I feel like to pull each your ship.

1:48:35

I feel like they just look at your car, but like

1:48:37

let the nigga live. But they didn't

1:48:39

know what it was. They didn't know what

1:48:41

it was when I first had it, and then they found

1:48:43

out and it was like, oh ship, So did they

1:48:46

pull you over? They never pulled you out. I had

1:48:48

a cap pulled me over one time and I

1:48:51

go to the South Beach and I

1:48:54

thought I was I was definitely

1:48:57

rotten dirty, Oh clunty mother, and

1:49:01

the cop got out and flashing lights behind

1:49:03

me. Really

1:49:06

copf top and

1:49:08

saying James Ingram one in

1:49:10

a million for me. When next

1:49:13

in my car and walked literally was singing R

1:49:15

and B Classic R and B shipped for me to show

1:49:17

me helping. Because singing, I thought I was going to

1:49:19

jail. He was doing the pucker,

1:49:22

was singing a demo for me. He

1:49:25

was a writer and everything you leave

1:49:28

at the same time. Of course,

1:49:32

he actually became friends. He

1:49:36

was always at the head of all the Gary

1:49:38

Dode No

1:49:42

no, no, no day, Rainball, no different

1:49:45

guys. Okay, just stick a shot, just get up.

1:49:48

I got a problem

1:49:51

that was brothers or foot.

1:49:57

I'm gonna get you over this, Okay,

1:50:01

how some of my hits? Okay, yeah, okay,

1:50:03

now this is a good one. Baking

1:50:06

boy, Sean Paul Bey,

1:50:09

how how did this make up? Did rule

1:50:12

a manicore? You saying? Man? You

1:50:14

know? I met Sean

1:50:16

Paul when I was working with Comedy.

1:50:20

I was wing with common common

1:50:22

sense, yeah me common in quest level

1:50:24

went to Jamaica to work on Commons

1:50:26

album Done

1:50:32

Anyways, I met Fihrenheit.

1:50:35

I met Sean Paul and

1:50:37

we were working at g JAM Studios and

1:50:39

I just do with Doo And then I've seen

1:50:42

that he did the ship in Belly, the poor

1:50:44

damn Ship, and I'm

1:50:46

flash forward to working with Beyonce at

1:50:49

the Marlin Hotel. We did

1:50:51

all that ship there at South Beach Studios,

1:50:55

which was owned by the dude that own Island

1:50:58

Records. Yeah, and that's Coconut

1:51:00

Shrimp to be confused with Island Boy.

1:51:03

You know, no, no, I

1:51:05

would record that the label that signed

1:51:07

Bob Marley, so the

1:51:10

legendary spot, you know. Yes. Anyways,

1:51:13

and so you give Sean Paul to

1:51:15

beat. No, I'm working with Beyonce. We

1:51:17

made Baby Boy, and I told be honest,

1:51:19

I was like, yo, what does

1:51:21

Beyonce record? I throw it with Sean Paul's

1:51:24

right now. It's Beyonce that's dangerously

1:51:26

in love. And I told Beyonce. I

1:51:28

was like, we need to get this dude on the record.

1:51:31

This dude, Sean Paul is nasty blah

1:51:33

blah blah. And we made that record and

1:51:36

that she hadn't heard of him at that point. She

1:51:38

might have, but I mean, let's

1:51:41

let's Sean Paul and the ship, not just but

1:51:44

Sean Paul particular up. Yeah, he was, you

1:51:46

know, he was on fire, Sean Paul Man.

1:51:49

Yes, we're supposed to be coming on drink

1:51:51

chance. We've been talking about it. Yeah, yeah, Sean

1:51:55

Paul, I don't know, that's

1:51:58

what I said. At least I'm

1:52:00

drying. At least Okay, I got more press.

1:52:03

Let's drink to your pants. Wif you want to drink to that,

1:52:06

ain't gonna you gotta finish that. I'm not even another

1:52:08

path. You

1:52:11

can't even only when yeah,

1:52:14

okay, okay, um boom, this

1:52:16

is this is a good one. I did

1:52:19

not know he produced this Girls

1:52:21

in the Lood, Megan of Style, I

1:52:24

didn't know he produced this. So I mean

1:52:26

you are around when that record, the original

1:52:29

record, what's made? I mean

1:52:31

I was in middle school. I mean, MEGANI

1:52:33

wasn't. So how's this? You played? How

1:52:36

this beaten? And he's okay?

1:52:38

They requested

1:52:41

it? Yeah, shout out Sleep

1:52:43

from three was like, yeah, he got

1:52:46

for you. He reached out, he said, flipping and

1:52:48

you know, shout out to Timika, right, you know he's he's

1:52:50

white. You know. She cleared it. Um

1:52:53

and the record blew up. Right, So

1:52:56

that was the record. The rector was the Flip

1:52:58

Boys, and that was the objective. He was like, wow,

1:53:02

and that that that

1:53:05

that drop of how

1:53:07

much you worked with easy easy?

1:53:10

You know the rest in PCTs.

1:53:13

I've told the story. I think I don't know if

1:53:15

I told it here, but straight out

1:53:17

of Compton movie. I wasn't easier to

1:53:19

tunnel, you know, legendary tunnel in New York

1:53:21

City. I had a few members of Bone does

1:53:23

as the first day I met them and brought them to New York and

1:53:26

we ran into ice Cube at the tunnel. That's

1:53:28

when they were beefing and stuff. And you

1:53:31

know, they had a conversation. Um

1:53:33

and two of the Bone members with us, uh.

1:53:36

The other two at the hotel and

1:53:38

he's he had a flanne along the pendleton and all he said,

1:53:40

they're gonna walk back to the hotel. It was freezing,

1:53:43

but he had the two simone bodyguards and twins

1:53:46

and he walked back to the hotel. But I

1:53:48

said, getting the limit. But you know, like him

1:53:50

and Park and a certain other guys, they would like to walk

1:53:52

into the city, you know, and never so easy

1:53:55

again he went back to La he passed away. So you

1:53:57

know the rest of PC easy. How

1:53:59

easy is a lot lot of things? Man? Actually

1:54:01

how occulate? You know, for you being around

1:54:04

at least for you know some of the parts. Um,

1:54:07

I could when you thought the straight out of Carton who he was,

1:54:09

I thought it was like pretty

1:54:12

it's pretty close. Yeah, somebody

1:54:14

was who's on here? This said that they

1:54:17

fought wasn't too accurate. There was

1:54:19

somebody. I don't think they said it wasn't too accurate.

1:54:21

I think they said that they couldn't fit pop

1:54:23

fole life in the three albums. You know what you're

1:54:25

about, that kind

1:54:28

of shout

1:54:31

out in the Rest in Peace Pockets movie, you know, Yeah,

1:54:34

you can't put a pop story into two

1:54:36

and fours. I managed two pops, Croup

1:54:38

the Outlaws for years. You know, the

1:54:41

rest of Tea, you know Rest in Peace, Kadafi,

1:54:43

you know, shout out Napoleon, and you know Cash

1:54:46

Strow and Novo. You know, real

1:54:49

talk, real talk, shout

1:54:53

out role man. He's been doing a lot with me,

1:54:56

Scott Joe. You listen to Scott's interview,

1:54:58

Role comes up a lot. Yeah that

1:55:01

was beautiful. That's beautiful. So now I

1:55:03

have to watch you this

1:55:07

was jay z record and you

1:55:09

can see it to jay Z or this was and

1:55:11

Drake give it to Jay. I

1:55:13

mean we did to watch her on the

1:55:16

chronic Aunt to watch

1:55:18

him took it was a blueprint

1:55:20

too. I

1:55:23

can't forgive it out. What is that? I guess he liked the record

1:55:25

so much you wanted to we redid

1:55:27

it? Watch to fire

1:55:31

goddamn everything. You know, unconventional

1:55:33

cool shit. Okay, so earlier

1:55:36

you're trying to get this story out, but I wanted

1:55:38

because one of the one of the things

1:55:40

that I feel like in hip hop that we lost when

1:55:43

these brothers fell out was

1:55:45

it was the first time we got to see the West coast, that his coast

1:55:48

coming together and strongly

1:55:50

like I'm just I'm bigging up. Let's look up to cooking,

1:55:53

cooking letters at geral Tees right now, cooking

1:55:56

the outside and all tease right now. But

1:55:59

when I have Game and fifty cent together,

1:56:02

and I know I'm not even I know that I could. I can

1:56:04

never hear a real album of them together in

1:56:07

this day, but I'll be wushing for that. And

1:56:09

one of those records was you know, west

1:56:12

Side Stories, Game and fifty How was that session?

1:56:14

Was you you're making that? I

1:56:17

mean, that was just me and Dre doing

1:56:19

We had to run me and Dray. We

1:56:22

was doing one after another and that

1:56:24

was just a day at the office. Man. What

1:56:28

were they at the session or okay, okay,

1:56:31

okay, because that's how we made music back

1:56:33

there, right the artist all together there

1:56:36

weren't sending a pup beats. We made

1:56:39

that ship that day and mother cut fresh

1:56:42

office contender. I'm

1:56:47

not a path of beats, motherfucker. Yeah you

1:56:49

want to make it and yeah,

1:56:51

yeah, that's that's fine. Do you ever

1:56:54

throwaway beats when you as you're making it and

1:56:56

then artists get mad at you? I mean,

1:56:58

I'll skip past some ship if that old

1:57:00

thing, you know what I'm saying. But I just I

1:57:03

know when the room is loving, I'm

1:57:06

not gonna stick the room with a beat that in my voice

1:57:08

are like, I feel the energy is cool, and that's more artists

1:57:11

just like that's just the ship. Then

1:57:14

I'm like, okay, let's just the ship. Let's should

1:57:17

be to me. Um. I love those producers when

1:57:19

they're sitting there and they're just looking at

1:57:22

you and to you until they actually feel

1:57:24

you. But yeah, yeah

1:57:26

yeah, but can't that

1:57:28

energy But can't that be misleading as well? Like