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 Can Jesse Tyler Ferguson Really Cook? (Yes!)

Can Jesse Tyler Ferguson Really Cook? (Yes!)

Released Friday, 31st May 2024
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 Can Jesse Tyler Ferguson Really Cook? (Yes!)

Can Jesse Tyler Ferguson Really Cook? (Yes!)

 Can Jesse Tyler Ferguson Really Cook? (Yes!)

Can Jesse Tyler Ferguson Really Cook? (Yes!)

Friday, 31st May 2024
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Radio. Host

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and. You

2:54

might know just he travels Ferguson

2:56

of Broadway or maybe the hit

2:58

Tv sitcom Modern Family. But recently

3:00

Jersey has found. Second call.

3:04

Their stories from Passover, Seder with Joan

3:06

Rivers and why he always makes his

3:08

peach pie with one special ingredient. Listen,

3:10

every time I've made the supply people

3:12

lose their own for is that all

3:15

I can say for us in the

3:17

kitchen was just the Tyler Ferguson that's

3:19

coming up later on the show. The

3:23

first were playing with our food Susanna,

3:25

Guard, Meyer and your Gun Burleigh Cove

3:27

It's or two members of the Vienna

3:29

Vegetable or to stuff. Instead

3:33

of foods, violence, and drums, they'd

3:35

prefer parents, leaks and tomato. Sauce

3:40

is from The Orchestra's album on the

3:43

North. Susana

3:47

Juergen Welcome to Maastricht. Hello

3:49

hello hello Chris. Cillizza.

3:51

The beginning. Could you explain? The.

3:54

Basic concept of what is a

3:56

vegetable orchestra. Oh. well

3:58

and we We restrict ourselves

4:01

to playing music on instruments

4:03

built out of vegetables. And

4:06

we do that since 26 years. Our

4:10

concert day looks quite different to

4:12

other orchestras or bands. In

4:15

the morning we get our vegetables and

4:17

then it takes a few hours to

4:20

build all the instruments because our aim

4:22

is to build as much instruments of

4:24

fresh vegetables as we can. And

4:27

afterwards we have to do a soundcheck and

4:29

the soundcheck is also something that takes quite

4:31

a long time because we attend people on

4:33

stage. Then we have

4:35

our concert in the evening and

4:38

after the concert we serve soup

4:40

but we don't serve the soup

4:42

of the instruments. We cook the

4:44

soup during the whole process, during

4:46

the day with

4:48

fresh vegetables. The audience comes on

4:52

stage or just to the stage and

4:54

we serve the soup and

4:56

talk with them and that's always a

4:58

nice ending. So

5:01

I read that you've created over

5:03

150 different types of instruments. So

5:07

just explain the League violin to people

5:09

because I think people have a hard

5:12

time understanding that concept. Well,

5:14

it might have happened that you have a

5:16

sack full of leek and they will

5:19

rub against each other and

5:21

they will make some squeaking sounds. But

5:26

if you put a little bit of water on the leek

5:29

you can really play a very

5:31

nice squeaking sound. It

5:33

can get melody like a little bit.

5:45

If we need a pumpkin that

5:47

has to sound just right they

5:49

will go back to the storeroom 20 times

5:51

until they find the right one. Part

5:54

of the process is

5:56

selecting just the right vegetable.

6:00

the right lakes, just the right pumpkin to get

6:02

the sound you want? Yes, sure. I mean,

6:05

the pumpkin, for example, the

6:07

best it sounds when it already starts

6:09

to rot inside a little bit because

6:11

then it has a little bit of a hole and

6:14

it's like it has a perfect sound body

6:16

for the base sound. How

6:25

do you... I looked at your

6:27

website in your Q&A section and one of the

6:29

questions was how long does it take to prepare

6:31

a vegetable instrument? You noted

6:34

that it took zero minutes to prepare the

6:36

tomato. What do you do with the tomato?

6:39

The tomato was our

6:41

first instrument and there is one

6:43

composition that is called our tomato

6:47

and we put two

6:49

tomatoes together. How do you say that?

6:52

We clap our

6:54

hands but we have tomatoes

6:57

in our hands. Yeah,

6:59

and the sound changes very much in the

7:01

time from very dry to

7:04

very juicy. So

7:17

are these mostly

7:20

percussion-like sounds? In

7:22

other words, if you made

7:25

a flute out of a carrot, for example,

7:27

or a carrot xylophone or

7:29

a radish bass flute, could

7:32

you actually create individual

7:34

notes that could be part

7:36

of a composition? Well,

7:39

relatively. We can play very

7:42

short melodies and things like

7:44

that and we can

7:46

tune them. We can tune carrot

7:48

xylophones, for instance, pretty exactly.

7:50

That doesn't mean that they will sound

7:52

like that one hour later because one

7:54

of the problems with carrots is that

7:57

they dry out and while they

7:59

dry out. They change the

8:01

pitches, but when you build a

8:03

carrot flute, for instance, you

8:05

can play it more or less like a

8:07

flute or a recorder, and

8:10

also other instruments have the

8:12

possibility to play little melodies

8:14

and little tones. We

8:21

did this piece. It's half

8:23

of the people are playing flutes, and

8:26

the other people are playing instruments that

8:28

we call frogs. The

8:31

sound the frogs make. Oh, the

8:33

croaking of frogs. Croaking. Yeah.

8:36

So it really depends

8:38

on the vegetables that

8:40

we have, which one happens to

8:43

work best for the croaking sound. For

8:45

example, it can be partially wrapped

8:47

together, it can make a very special

8:49

sound, also quite deep, and

8:52

this whoop, whoop, whoop, like a

8:54

frog. Would

9:05

you say that what you

9:07

do is inspired by any particular period

9:09

of Austrian art or musical genre? Yes,

9:11

for sure. On

9:15

one hand, most of the people

9:17

in the orchestra, in one or

9:19

the other way, come from artistic

9:21

fields that dealt with avant-gardish

9:23

approaches and approaches

9:25

how experimental music is made

9:27

and the history of experimental

9:30

music. So I think most

9:32

of us would agree that one

9:34

approach is music concrete because

9:36

that is something that's very obvious in

9:38

our way, that we just use more

9:41

or less the idea of everyday

9:43

sounds in our day, everyday objects,

9:47

like vegetables, and just to try to build

9:49

music out of that. That's for

9:51

sure one approach. And I think

9:53

another approach, simply due to

9:56

the fact that we just started around,

9:59

In the end of the night, These and in

10:01

the end of the nineties, abstract

10:03

electronic music became very popular. Because

10:05

some laptops were affordable on the

10:08

lot of people started to produce

10:10

very strange digital and electronic sounds

10:13

and that is also something that

10:15

inspired us to try that but

10:17

not with digital mean but buy

10:20

organic meat. And also

10:22

since we're in Austria and living

10:24

and yeah, not all of us,

10:26

we have this very big orchestral

10:28

tradition here. and that's actually how

10:30

we. Started it was like a

10:32

comment on a classic orchestra to

10:35

come On State's Witness and then

10:37

it developed from their studio. Ever

10:39

sit there during a performance and

10:41

think to yourself. I've

10:43

always people came here and paid to listen.

10:46

To. Us play vegetables. He

10:49

is it Just a wonderful feeling once

10:51

in awhile to think they're you live

10:53

in a world where you can have

10:55

a vegetable orchestra? or is it? is

10:57

it just something you do. In

11:00

my case, I'm all this extremely

11:02

happy because I see that a

11:04

lot of different people come to

11:06

our concerts young old and also

11:08

a lot of people who have

11:11

very different musical tastes. Yet there's

11:13

a very nice moment that happens

11:15

at very many concerts. People

11:18

can't imagine how it is because they

11:20

read the vegetable extra something that you

11:22

would think it's a comedy. So the

11:24

come there with the wish to be

11:27

entertained. and to last they decide to

11:29

laugh when we play because it's gonna

11:31

be funny and then they. Realize. Oh,

11:33

it's not funny. They really needed

11:35

serious. And that's a very

11:37

nice moments when people start to listen

11:40

and wasn't start to take it serious

11:42

as music. Susana you're going!

11:44

This was fabulous. I need to attend

11:46

would hear concert Thank you so much

11:49

yet I thank you very much. Yeah

11:51

thank you for having us disgrace. amazon

11:56

a guard meyer and you're gonna go a

11:58

coverage of the piano vet Now

12:04

it's time to answer your baking questions with

12:06

our special guest host Cheryl Day. Cheryl

12:09

is the author of Cheryl Day's Treasury

12:11

of Southern Baking. So

12:14

Chris, I know we talked about making

12:16

pizza a while back, and

12:18

I'd love to hear how that's going. Are

12:20

you still making pizza? Yes, I am

12:23

still making pizza, and the kids sometimes eat

12:25

it. I

12:27

have one of those little propane

12:30

outdoor pizza ovens. Which

12:32

I love. Griff just got one of those.

12:34

They get up to like a thousand degrees

12:37

or something. It's a little tricky

12:39

though. I found you have to get hot enough so

12:41

it bubbles up like

12:43

it would in Naples or something. Right. But

12:46

not so hot that it ends up burning the

12:48

outside before the inside's cooked. My

12:51

favorite is raclette cheese, which is grated

12:54

with some prosciutto. It's

12:56

really good. The other one I like is seasoned

12:59

beef or lamb cooked in a skillet

13:02

briefly and then put that on top

13:04

and then finish it when it comes out of the oven

13:06

with arugula. Have you tried

13:08

making anything else in that oven? That's

13:10

something we're playing around with. I have.

13:13

I've done tomatoes and peppers and just a

13:15

whole mass of them. Put

13:17

them in a 9x13 in there

13:19

and cooked them and then took them out and chopped

13:22

them up and put them with some olive oil and salt

13:25

and used that as a dip or whatever.

13:27

That was great because everything got really charred.

13:30

We're playing around with pie

13:32

galettes in ours right now. So

13:35

I'll let you know how that turns out. That's

13:38

a good idea because you get the top. If you don't

13:40

cover the fruit with the size of the galette you get

13:42

a really nice caramelization break.

13:45

Right. Yeah. That's

13:47

a good idea. Well everything in cooking is

13:49

helpful. That's true. That's true. Thank you. I'll

13:52

give you the calls. Welcome to Milk Street is Calling. This

13:54

is Danielle. Hi Danielle. Thank you guys for taking my

13:57

call. to

14:00

solve this for at least five years.

14:02

Okay. So I made a lemon buttermilk

14:04

pound cake and I made

14:07

it when I was at my mother-in-law's house

14:09

in Cleveland, I live in Texas. She

14:11

has an old house, old oven, but

14:14

I have not been able to recreate the

14:17

beautiful cake that I created

14:19

there. What I really loved about the pound

14:21

cake is the really

14:24

dense grandmother's kind of pound

14:26

cake with a little bit of the caramelized

14:28

crust on the top, moist,

14:31

and I remember I used more eggs than

14:33

I usually use in a cake. So

14:35

somewhere between six and 10, but

14:38

I don't remember all of

14:40

the things that went into making that

14:42

beautiful cake. Do

14:44

you remember what kind of flour

14:47

you used? I

14:49

might've used cake baking flour. I

14:52

can't remember. That's the problem. I

14:55

do recall sifting the flour. I

14:57

do recall letting my ingredients

14:59

come to room temperature so the eggs and

15:01

butter were sitting out. And

15:04

I don't know if that made the

15:06

biggest difference. It does make

15:08

a difference. Temperature definitely matters.

15:11

Well, I don't know how to

15:13

recreate what you made exactly, but

15:15

I do have a great recipe

15:17

for pound cake. I

15:20

am a Southern baker myself and

15:23

I make old-fashioned cakes

15:26

that I think you would definitely like.

15:28

So the one that I would recommend,

15:31

it's the cold oven pound cake.

15:34

It's a very traditional, I would

15:36

say pound cake, but it's very forgiving.

15:39

It has your usual ingredients,

15:41

lots of butter, sugar, baking

15:44

powder, salt, vanilla. It's very

15:47

versatile. You can use different

15:49

types of milk. You

15:51

could do a lemon syrup on

15:54

top. You could make a glaze. And

15:56

the cool thing about it is, is

15:58

that you mix it. All

16:00

of your ingredients are room

16:02

temp and you mix it where everything's

16:04

light and fluffy. Then you pour it into

16:07

your bundt pan and then

16:09

what you do is you put it in the

16:11

oven and it's not

16:13

preheated. And then

16:15

you turn the oven on when

16:18

you put it in the oven. So

16:21

it's called cold oven pound cake. That

16:24

recipe is over a hundred years old.

16:26

My grandmother used to make it and

16:28

I swear by it. But the

16:30

great thing is, is what happens is it's a

16:33

slow rise. It

16:35

doesn't dry out because everything starts to

16:38

work all at the same time and

16:40

it rises and it gets a nice

16:42

crust on top. That would

16:44

be my recommendation. What do you think, Chris? Do

16:47

you have something you love? You

16:49

might try cake flour,

16:52

which absorbs liquid a little differently than all purpose,

16:54

but a cake flour in

16:56

a pound cake will lighten it a little bit. But I

16:59

think you like the dense. I like the dense. It

17:02

reminds me of my grandmother's pound cake. Right.

17:04

Chris and I have talked about this

17:07

a lot on the show. It

17:09

is important room temperature ingredients,

17:12

the eggs especially, and also

17:14

how you incorporate the eggs,

17:17

making sure that the

17:19

ingredients are mixing. Grandma did not rush

17:21

when she was making this cake. Not

17:23

like how we do today. Each

17:26

egg 20 seconds. The one egg

17:28

at a time. One egg at a time and

17:30

that makes a huge difference. The other thing

17:32

would be to make sure that with your

17:34

bundt pan, make sure that

17:36

you're buttering it, coating it

17:38

lightly in flour. And then also

17:41

when it's time to turn it out of the pan,

17:43

don't wait for it to be completely

17:45

cooled because otherwise you'll

17:47

be making a trifle out of

17:49

that cake. I've done that. Oh, I

17:51

didn't know that. Which is not a bad thing. Pound

17:54

cake trifle. That's right. So the

17:56

other question that I had was what two other

17:58

questions. mixer and then

18:01

also I never know which

18:03

attachment to use with my KitchenAid for cakes.

18:05

Is it the one that looks like a

18:07

beater or is it the one that looks like

18:09

a paddle? Paddle. Paddle. Usually

18:12

for egg whites you want to beat a lot

18:14

of air into something but if

18:16

you want to do a cake batter that's

18:18

usually the paddle. And speed medium

18:20

to high when you're creaming your butter.

18:23

The most important step is when you're

18:25

creaming the butter and sugar together because

18:27

you want to make sure that you're

18:30

aerating all of the ingredients. You're you

18:32

know making sure that everything is dissolved properly

18:35

and you don't have clumps of butter

18:37

and then you're going to want to take

18:39

your spatula. I tell you I give you

18:41

every step in that recipe

18:43

and I'm sure we'll be happy to give

18:45

you that recipe. And

18:48

then just follow it and then you can

18:50

make it your own after you master it.

18:52

Well thank you guys so much for

18:54

answering my question. You've given me

18:56

a wealth of wonderful tips today. Oh great.

18:58

Thanks for calling. Good luck with it. Have

19:01

a good one. You too. Take care. This

19:04

is Milk Street Radio. If you have a baking mystery

19:06

please give us a ring. The number is 855-426-9843. One

19:11

more time 855-426-9843 or simply email us at questions

19:14

at milkstreetradio.com. Welcome

19:22

to Milk Street is calling. Hi this

19:24

is Lauren calling from San Francisco. Hi

19:27

Lauren. How can we help you today? Well

19:30

I've been making a Mindy Siegel recipe for

19:32

shortbread for years. It's a Fleur de Sel

19:34

shortbread that you do a sandwich cookie with

19:36

a hull of a buttercream. They're amazing but

19:38

it's a huge chore to roll out shortbread

19:41

and cut it, let it chill and that

19:43

process just feels exhausting and it's so messy

19:45

and it's my favorite cookie but for that

19:47

reason I am almost never

19:49

making it. So I've always wondered are all

19:52

shortbread recipes created equal and that I can

19:54

just do a log and slice and bake

19:56

or do you really have to roll out

19:58

certain That's

20:01

a great question. Are they

20:03

are created equal? Probably not.

20:06

What? I would say. That

20:08

it's It's a shortbread cookie recipe.

20:10

You should be able to roll

20:12

and slice. That. Would. No

20:15

problem with them and then that way.

20:17

The only thing is we doing different

20:19

shapes or something like that are not

20:21

really. Yeah, I usually just do

20:23

a square. to keep it simple. I don't

20:25

have a ton of cookie cutters. So.

20:27

You can do a square, he can actually roll

20:29

it and then just kind of see the i

20:31

pad it. Flat. On the

20:34

surface. Go. Around eats.

20:36

Way. It doesn't have to be round,

20:38

isn't just kind of flatten the bottom. And.

20:41

Then he can slice it square

20:43

or eat and also slice it.

20:45

Rounds. And. I don't

20:47

think you'll have any problem with

20:49

that recipe. I just you will

20:51

log. You know when they're easy to manage

20:53

in the cut out individual rounds supreme would

20:55

be kind of a pain to roll out.

20:58

Women can say sort of because know you

21:00

have to reward take the scraps the gonna

21:02

get too high to get a put the

21:04

refrigerator but the log would be the. By.

21:07

Far the easiest solution. I

21:09

also scoop shortbread cookies. Oh

21:11

interesting. Do. With an ice creams?

21:13

Absolutely. And then I have like a

21:16

little stay up. You. Know that I

21:18

stamped the tops. Whether you could take like

21:20

the back of a that's a good idea

21:22

will think he is us. Or Uk take

21:24

the back of a measuring cup or something. But

21:26

I did have was we have a cute little

21:28

cookie stamps that all. Depends. Sugar

21:30

and then stamps. A top and

21:32

it makes excessive totally. I have a

21:35

stamp a wooden one for making mobile

21:37

cookies. oh yeah in turkey and it's

21:39

really fun and he looks great an

21:41

easy and it's either me that would

21:44

be easier then. yeah. Slicing personally

21:46

perfect. Well I'll give both of

21:48

those the try other the sly

21:50

in this group approach. Ah A.

21:52

D. Make a lot of cookies more and.

21:55

I. Do and I'm sometimes sipping thanks to

21:57

friends. This recipe though. every time I've made

22:00

it, I have friends. I made these for

22:02

maybe seven years ago and they keep talking

22:04

about them, but they're such a headache so

22:06

I'm excited to try it. With.

22:08

A short time while I hope that works

22:10

let us know and you so much and

22:12

would send a child rights or income all

22:14

in more you. Welcome. To

22:16

most reduce going. I. This is

22:19

Julie has a real. I'm. So

22:21

excited to hear your voice! Hi

22:24

Julie! we're excited! For your

22:26

question. I have a question

22:28

about key lime pie and lemon

22:30

lime pie. I am

22:33

actually in the process of

22:35

writing a cook book. Signing

22:37

congratulations thank you so much!

22:39

It's something! My family has

22:41

been what he on together

22:43

for a couple of years

22:45

and. We're. Just really having a great

22:48

time with it. I. Was at.

22:50

This wonderful restaurant and. Qr code:

22:52

blue heaven. And.

22:54

The shuster their. Makes.

22:57

A mile high, Lemon.

22:59

Meringue Pie. The reason

23:02

why of mile high as because her

23:04

morag. Isn't very high

23:06

and very fluffy? And

23:08

this chef was very gracious and

23:10

said. That she makes it with

23:13

her hands. That's. How she

23:15

gets from the rain so high. Though.

23:18

I have experimented a couple times

23:21

using my hands and I have

23:23

not gotten my morale to be.

23:26

Mile. High. And. I thought

23:28

maybe you guys that have an idea I have. An

23:30

idea but so is not a full

23:32

disclosure when asked us. The first of

23:34

all, when you make i'm running for

23:36

pie, are you starting with sugar syrup?

23:39

I. Use a white cream of

23:41

tartar and sugar. okay well

23:43

if you want to get some rang

23:45

that's a great texture and stick around

23:48

you need to use sugar syrup so

23:50

you'd have the egg whites and will

23:52

cream of tartar probably little salt and

23:55

then you would start whipping them and

23:57

then meanwhile you do a sugar serbs

23:59

you melt the sugar.

24:01

A lot of recipes say over 240 degrees. I use

24:03

238 or 239 and then you

24:07

drizzle that syrup over the

24:09

egg whites that are mostly beaten already.

24:12

You sometimes have to beat them for four or five

24:14

minutes until they cool down and that'll

24:17

give you a great sort of Italian meringue.

24:19

The other trick is, I've used sometimes, is

24:21

I do make a cornstarch gel with

24:24

water and cornstarch and also mix that into

24:26

the egg whites. A lot of

24:28

people do that for cake frostings. They have a cornstarch

24:30

base and that'll also give you better

24:32

texture and make it hold better but it's all

24:34

about a hot sugar syrup

24:37

drizzled into beaten egg whites.

24:39

That's how you get that texture and that's

24:41

how it will not fall apart after a couple

24:44

hours. Cheryl, is that sort of

24:46

in the ballpark? And here she comes. Don't

24:50

listen to anything Chris just said. So

24:54

I don't have that much time on my hands

24:56

to do all

24:58

of that. There's a couple of kinds of

25:00

meringue I like to make though. My first

25:02

question is, is her meringue, is it like

25:05

an Italian meringue type where you would torch

25:07

it at the end or is it the

25:09

billowy kind that's softer that you

25:12

would bake in the oven? I

25:14

don't know. I have only ever made

25:16

the kind that you bake in the

25:18

oven. Maybe that's one of the things

25:20

I'm doing wrong. That's my preference

25:22

too but I'm guessing

25:25

that that's not what she does.

25:28

She's probably doing more of a marshmallowy

25:30

kind of like the type that Chris

25:32

is talking about but how

25:34

I achieve that is I do my

25:37

sugar, my cream of tartar,

25:39

and my egg whites and I put

25:41

those in a metal mixing

25:44

bowl over a

25:46

double boiler and then I'll

25:48

whisk that. I do that until

25:51

the sugar is dissolved. Then

25:54

I'll start to whisk that in the mixer

25:56

until it cools down and it is coming

25:58

out of the bowl. Just. Really

26:01

Really? Tall. And

26:03

then you just can pile but on t

26:05

you're filling. And then torch

26:07

it. Maybe. What she means

26:09

by your hands as sees piling is.

26:13

It a secret kind of the using her

26:15

fingers maybe the get like a really. Fun!

26:18

Texture. And. Then that

26:20

message. He would torture it. She may

26:22

have meant that she was sued by hand

26:24

and a double boiler like men a lotta

26:27

things up the he at and stuff like

26:29

that or of it wasn't very useful now

26:31

response. But now that the. Matter of

26:33

the I'm pretty sure that diseases to

26:35

get a really tall because the way

26:37

that you make it that sea bass

26:39

it in the of then. That's

26:42

a softer texture merengue. You're

26:44

not going to get it mile high. Oh

26:47

thank you All Live Schwab! I'm gonna make

26:49

a couple a key lime pie that we

26:52

can tell Now I'll let you guys

26:54

know how they be. I'll report back. I

26:56

hope that was helpful. It was extremely helpful.

26:58

Thank. You on the ledge. Well thanks

27:01

for com. Pleasant. Thing silly

27:03

they feel. You

27:07

listening to Milk Free radio? As

27:10

Intel of Ferguson shares his most memorable

27:12

meal like Passover Seder with Joan Rivers

27:14

that's coming up. And first let me

27:17

tell you a little bit about this

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up for Camp Crunch Labs

28:16

Today That's Crunch slabs.com/millstream. This.

28:25

Is mostly radio. I'm your host Christopher

28:27

Kimball. You might know my next guest

28:29

Jesse Tyler Ferguson. or for playing Mitchell

28:31

Pritchett on the long running sitcom Modern

28:33

Family. Here's. The scene from

28:35

Season One or Mitchell and is

28:38

Husband Cameron played by Eric Stonestreet.

28:40

Go To Costco. This I found

28:42

the diapers for Over Here Cameron

28:44

to Fly Found Coffins or Baby

28:46

Formula Amazon Coffins You can literally

28:48

by everything you need from birth

28:51

to death on my. Just

28:54

a Gel or Ferguson also loves

28:56

food and cooking. A few years

28:58

ago he Kuroda Cookbook Food between

29:00

friends with recipe developer Julie Tennis

29:03

and in two thousand and twenty

29:05

three he launched a podcast where

29:07

he visits restaurants with some of

29:10

the biggest names in entertainment, politics,

29:12

sports and food. He shared meals

29:14

with Bryan Cranston, Marcus Samuelsson, Margo

29:16

Martindale, and Padma Lakshmi. The podcast

29:19

is called Dinners on Me. Just.

29:22

Say walk to most streets. Thank you

29:24

thank you Chris Saw you had I

29:26

have to say an amazing career Had

29:28

television show you want to Tony and.

29:30

Twenty. Twenty two for you were

29:32

and take me out, but you

29:34

obviously also love to cook. For.

29:37

You, it's It's really more than a hobby, right?

29:39

Oh gosh, I mean, I er,

29:42

I. admire i'm people in

29:44

the corner world is so so

29:46

much i've had the esteemed honor

29:48

of hosting the james beard awards

29:50

or twice and i have never

29:53

been more nervous about doing a

29:55

good job for a group of

29:57

people i i just have such

30:00

respect for all these chefs I

30:02

admire and cookbook authors and you

30:06

know I I think I would if

30:08

I had had time when I was younger I would

30:10

have I would have taken myself to culinary school and

30:12

you know it's still my fallback plan if things started

30:14

to dry up over here so

30:18

tell me about Fully Committed this is a one-man

30:20

show yeah you performed on Broadway back in 2016

30:22

I mean it's really a challenge you

30:29

got 40 characters how do

30:31

you get the different characters the

30:33

voices the body mannerisms and

30:35

then obviously you have to switch back and forth quickly

30:38

yeah how do you prepare for it you know how

30:40

do you do it well it was incredibly

30:42

intimidating when I was asked to look at this

30:44

play it's a play that had already been

30:46

done before it was done off-Broadway and

30:48

they were gonna do a Broadway revival

30:51

of it I think about 20 years

30:53

after the original and they asked me

30:55

to play this role and I just

30:57

for a little subtext the character is

30:59

a head reservationist at a very very

31:01

fancy high-end restaurant and he shows

31:04

his work this one day and his co-worker

31:06

has called in sick and

31:08

so he's manning the phone lines by

31:10

himself and the joy

31:12

of the play is watching him not

31:15

only play the reservationist but then also play

31:17

the people on the other side of the

31:19

phone call trying to get a reservation so

31:22

he plays the chef that he's calling into

31:24

he plays the maître d he plays the

31:26

hostess he plays his father at one point

31:28

who's calling him in on a cell phone

31:30

so it's just having this really chaotic day

31:32

at work and he's manning this phone line

31:34

and it's all done on a telephone so

31:36

it's really fun to just sort of watch

31:38

an actor juggle all

31:40

of these different tasks fortunately

31:43

when I was asked to do this I

31:45

had about nine or ten months before

31:47

I was actually gonna have to be on stage doing

31:49

it so I started learning the play immediately because it's

31:52

just it's all it's all me

31:54

there's no one else on stage to and

31:56

it's not even like a long monologue it's me

31:59

and dialogue with myself as

32:01

different characters. So it's, you know, it

32:04

was quite a challenge. And I

32:06

actually did not understand how this

32:08

play was doable. And

32:11

fortunately, the archives

32:13

at Lincoln Center Library record

32:15

a lot of these performances. And so I watched

32:17

Marc Setlock, who was the original actor who did

32:19

it off Broadway. And I was like, oh, that's

32:21

how it's done. So I sort

32:23

of had a bit of a blueprint and

32:26

a great director that I worked with. And then the biggest

32:28

thing that really helped me was I worked with

32:30

a dialect coach from Juilliard,

32:33

Kate Wilson. And she helped

32:35

me figure out the different voices and

32:37

accents of these different people. The maitre

32:39

d' was French and, you know, the

32:42

chef was sort of like a California

32:45

dude. And, you know, it was

32:47

sort of like leaning into these stereotypes and it

32:49

ended up being really fun. It was a huge

32:51

change. Okay,

32:54

turning to food. You

32:56

have a love affair with hatch green chilies. So

32:59

you want to explain to me, I mean, I

33:01

like them too, but you really like them. How

33:03

come you love them so much? Well,

33:06

I was raised in Albuquerque, New Mexico. I

33:08

was born in Montana, but then moved to

33:10

New Mexico pretty early in my youth and,

33:13

you know, they're indigenous to the

33:15

area. And it's more

33:17

than just the taste of a hatch green

33:19

chili. It's also the season when

33:22

they're harvested and roasted and

33:25

the way that it makes the air smell, you know,

33:27

there'd be certain areas of town where, you know, they'd

33:29

be roasting the chilies outside and you could just, you

33:31

could smell it in the air. And

33:34

then I ended up working at a pretty

33:36

famous New Mexican restaurant called

33:38

Sadie's. And, you

33:40

know, they put green chili on

33:42

almost everything. So I just, I

33:45

was immersed in it. And, you

33:47

know, I think it could

33:49

have gone two ways. I could have been so sick of it

33:51

because I was, you know,

33:53

living it day and night, but I really

33:56

loved the flavor and

33:58

the heat of it. I love. the season

34:00

when it was harvested. I just have

34:02

a great affinity toward it. You

34:05

talk about your dream dinner guests, Adele,

34:09

Michelle Obama, but Joan Rivers. I

34:13

loved Joan Rivers. So tell me why you

34:15

love Joan Rivers. Well,

34:18

I always admired her comedy. I always admired

34:21

the risks she took in her comedy. I

34:24

love that kind of comedy that goes right up

34:26

to the line of inappropriate and sometimes even crosses

34:28

over it a little bit. So the toe kind

34:30

of goes right over it. I don't

34:32

know. I just feel like there's something really safe.

34:35

Comedy is not interesting to me. I like

34:37

being kind of nervous and like, Oh my

34:39

God, I shouldn't be laughing at that. That's

34:41

the stuff that just really makes me laugh.

34:45

I had met Melissa Rivers, her daughter at

34:47

an event and obviously told Melissa.

34:49

I was like, Oh my gosh, you know, I'm such

34:51

a fan of your

34:53

moms. And Melissa went home

34:55

and told her mom that she had met

34:57

me and it was right around Passover.

35:00

And so I got a

35:02

text message from Melissa saying, my mom wants to

35:04

know if you want to join us for Passover

35:06

dinner. And Justin and

35:09

I were like, um, absolutely.

35:11

We're not Jewish, but we will

35:13

absolutely be there. And

35:15

that was our first time meeting Joan.

35:18

And it was just a

35:20

dream night. I mean, like it was everything about it was

35:22

just so perfect and wonderful. And

35:24

we felt so special being there. And

35:27

we developed a bit of a friendship

35:29

with her. And I'm so grateful that

35:31

our lives intersected for a little while.

35:33

So there's a chili

35:36

recipe in your cookbook and there's a

35:38

photo of you sitting outside eating the

35:40

chili from a thermos. You

35:43

said, uh, when you were a kid,

35:45

you and your dad would go out looking for a Christmas tree.

35:48

And during the first 10 minutes, you

35:50

would find the perfect one and then

35:52

spend hours dropping around. But chili was

35:54

always part of that adventure. Yeah,

35:57

my mom would always make this chili for

35:59

us. and we would take it Christmas

36:02

tree hunting, like, you know, you could buy a

36:04

permit for like $5 and go

36:06

into the woods and cut down a tree and

36:08

bring it home. And my dad

36:10

really liked to make a day out of it. And like,

36:12

it was a family thing. And, you know, it was me

36:14

and my siblings usually, and it was his day with us.

36:17

And the thing is we would, we'd find

36:19

a really perfect cute tree in the first

36:22

10 minutes. And, you know, he doesn't

36:24

want to chop down a tree and turn around and go

36:26

home. No, he wants to spend the day with us. So

36:28

he would, you know, like we'd put a marker on it,

36:30

like usually a stick in the ground, and then, you

36:32

know, continue to walk around. And of

36:34

course, by the time

36:37

we were ready to leave, we can't find

36:39

the original tree and we're scrambling and we're

36:41

looking for anything to cut down to take

36:43

home. And yeah, usually it

36:45

was like some misshapen bush that

36:47

ended up being our tree. Yeah,

36:50

I did a couple of years going out in the

36:52

woods with a chainsaw and they

36:54

didn't look very good. So

36:57

pancakes and waffles, and we talked about those,

37:00

you use blue cornmeal in your pancakes,

37:02

buckwheat waffles. Do

37:04

you find, and I noticed with the blue cornmeal pancakes,

37:07

I think there wasn't any regular flour, it was all

37:09

blue cornmeal. Do they get a

37:11

little dense or do you like mixing it up with

37:13

regular flour or what's the, what

37:15

do you like? I mean, I've done it both ways. They're

37:18

more of like a flapjack when they're

37:20

done with just the blue cornmeal. I

37:24

just really love the way that the edges get

37:26

super crispy. Yeah, they are, they can

37:28

be, I wouldn't call it, dense seems like such a

37:31

negative adjective

37:33

of flapjacky. Yeah,

37:36

we find, most of the way we've been using

37:39

rye a lot because it's got

37:41

a bitterness to it, which I think

37:43

works well with something sweet. Buckwheats,

37:46

I like buckwheat too. So

37:49

rosemary peach pie, people

37:51

putting herbs like rosemary with fruit like

37:53

peaches. I get it,

37:55

but on the other hand, I kind of sometimes when

37:57

people do that, I'm going like, maybe.

38:00

you shouldn't have put the rosemary in the piece.

38:02

It's definitely an aggressive herb. How do you

38:04

think about doing that? Well,

38:07

rosemary and peaches actually do kind of go together,

38:09

I have to say. Yeah, they're

38:11

great. Listen, every time I've made

38:13

this pie, people lose their

38:16

mind for it. So that's all I can say, Chris.

38:19

I don't go overboard on the rosemary. But

38:23

yeah, I like it. I think it's great. You

38:25

have the weight of data on your side. So

38:28

let's just chat about cauliflower. I

38:30

know on our social media, every

38:33

single time we post a cauliflower

38:35

recipe, preferably a roasted whole head

38:37

of some kind with dripping tahini.

38:39

Horris-a or something. People

38:41

go nuts and we get sometimes a million

38:44

views. Have you had it with

38:46

cauliflower yet or are you getting close? I'm

38:48

about out. I've

38:50

had it with cauliflower. And I know I

38:52

have a cauliflower recipe in my cookbook and

38:54

it's good. It's one of those

38:57

things that you really have to figure out how

38:59

to dress it up. And

39:02

I think we've found something that worked really

39:04

well that we hadn't really experienced before. But

39:07

I have to be honest, if I'm at a

39:09

restaurant and there's a cauliflower or a broccolini, I'm

39:11

always going to do the broccolini. I've

39:13

actually enjoyed some cauliflower mash. Sometimes

39:17

my husband decides to eat paleo, so I create

39:20

some pretty delicious cauliflower

39:22

mashes. But it's all about what you

39:24

add to it. What about restaurants? You

39:26

talk in the book about some of your favorite restaurants.

39:29

I have obviously strong

39:31

opinions about this. But when you

39:33

walk into a restaurant, what is it in the

39:36

first couple of minutes that strikes you

39:38

as being either great or not so great?

39:42

I mean, I'm big on ambiance and lighting. If

39:46

you can start there, then I'm at

39:48

least relaxed and ready for a nice

39:50

meal. I hate brightly lit

39:53

spaces and super loud spaces.

39:55

I like to be able to have conversations.

39:57

Obviously, I literally have a podcast where I'm

39:59

taking... People are having opposition's over dinner

40:01

so I like feel to to fellowship with

40:03

people. A quiz to stop you there. I

40:06

cannot agree more. I mean I went out

40:08

with an old friend of mine was week

40:10

I'm ice We sat down and was very

40:12

early. Servers you people there and I said

40:15

you know I really love restaurants. We can

40:17

actually hear the person speaking in half an

40:19

hour later I couldn't hear half of what

40:21

he said he gives of yeah noisy what?

40:23

Why do restaurants or what you think restaurants

40:26

do that Because it's I don't think it's

40:28

a mistake. I think they think. That annoys

40:30

the restaurant, makes you feel popular. something I

40:32

know homeowners to live as part of it

40:34

and sometimes is appropriate. I don't know like

40:37

I like going to pass these in New

40:39

York City. First Sunday brunch and having like

40:41

it's obviously in the and he now the

40:43

table rock and a close together and he

40:45

can overhear other people's conversations. That's doesn't the

40:48

kind of nice about that I'm but I've

40:50

been to the restaurant I feel like I'm

40:52

literally and a club and I I can't

40:54

hear anything. And. Then the waiter comes

40:56

over to have on the how am I

40:58

supposed to your you like I mean what

41:01

what's going on I'm assaulted. Is a

41:03

quote I read an article. If.

41:05

You're at a restaurant sitting anywhere near

41:07

Jesse Tyler Ferguson. Chances. Are

41:09

high that he'll be eased dropping on your offered

41:12

her? Yeah so is that through the really like

41:14

he is dropping while other people ordered dinner. I

41:17

do and that's part of what I lie. Also

41:19

love about the My Podcast as you get to

41:21

hear the way to come over until the specials

41:24

and and you know we get we discuss what

41:26

we might want to eat but are dislikes are

41:28

what it we like what we might share. All

41:30

of that stuff is a stuff I love. the

41:33

other people talk about when I'm at restaurants and

41:35

I love to. Also I do that thing where

41:37

I scanned the restaurant I see smells good night

41:39

and figure out what that is on the menu

41:42

and see if that's something I might like. You

41:44

know it's ah obviously we even our eyes first.

41:46

So. I'm. You

41:48

know I think that the presentation of food

41:50

is really important and night it's to being

41:52

presented other people around you. I wouldn't you

41:54

like. Just

41:57

you thank you. It's spend us soil been fond.

41:59

It's been a play. you're having on the show.

42:01

Thank you so much. Thanks Chris, appreciate it. That

42:05

was Jesse Tyler Ferguson, actor and host

42:07

of the podcast Dinners on Me. Actors

42:11

want to be cooks and cooks always want

42:14

to be actors. There seems to be a

42:16

natural affinity between the two professions. But

42:18

what about actors who started in a

42:21

totally different place? Brad Pitt

42:23

was the mascot for the restaurant chain El

42:25

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42:46

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Christopher Kimball and this is Milk Street Radio. I'm

45:58

joined now by J.M. Hirsch. to talk about

46:01

this week's recipe, Citrus Marinated Pork

46:03

Tacos. Jay, I'm how are you? I'm

46:06

great. So we're talking Mexico

46:08

City. We're talking pork tacos. I've

46:10

had them on the street. Pretty

46:13

straightforward, you know, onions, cilantro

46:15

topping, couple hot sauces. But

46:18

you had something I think a little more interesting than I did. Yeah,

46:21

but first I have to tell you, I've been

46:23

unorthodox when it comes to my tacos. I

46:25

actually don't care about the meat in the

46:28

taco. I know that's heresy. I'm

46:30

a toppings guy. And so I care

46:33

about the avocado, the tortilla, the pickled

46:35

red onions, the pickled jalapenos, everything else

46:37

that you pile onto your taco. The

46:40

meat to me is secondary. However,

46:42

when I was in Mexico City, I

46:45

worked with a home cooked, 80 Gonzales,

46:47

who is from the Yucatan, and she

46:49

told me she was going to teach

46:51

me a pork taco that would make

46:53

me forget toppings even exist. And

46:56

I have to confess, she

46:58

succeeded. It was really, really

47:00

phenomenal. Now, the magic here

47:02

is the sauce, as it always is.

47:05

So she takes thinly sliced

47:07

chips of pork loin and

47:10

sloshes them about in a mix of

47:13

sour orange juice, garlic,

47:15

cilantro, cumin, and allspice.

47:17

I mean, that is a heady bunch

47:20

of seasonings. And that sour orange

47:22

juice, of course, is key because

47:24

it's very flavorful, very bright. It

47:27

also tenderizes. She slaps

47:29

out on the grill, pulls it off in

47:31

no time, throws it onto

47:33

a fresh tortilla. And oh

47:36

my gosh, I didn't even want the

47:38

avocado. It was so good. It was

47:40

just really, really breathtakingly good. So sour

47:42

orange juice not being something at your

47:44

average supermarket. Is this just orange juice

47:46

and vinegar? Is that how you get

47:48

there? We use a combination of lime

47:50

juice, orange juice, and a little white

47:52

vinegar. It approximates it. It comes pretty

47:54

close. Never going to be the same,

47:56

but it's awfully good. It's very thin

47:59

strips of meat. You don't have to let

48:01

it sit too long before you cook it. Yeah, about

48:03

30 minutes is plenty. But you

48:05

know, it's not just the marination that

48:07

matters. It's also, as you know from

48:09

your time in Mexico, the cooking because

48:12

charring is a flavor unto itself in

48:14

Mexican cooking and something we don't tend

48:16

to think about or appreciate nearly as

48:18

much as Mexican cooks do. And

48:20

so getting a really good charr on

48:23

these pieces of pork matters a lot

48:25

because boy, it adds that depth of

48:27

flavor that's wonderful. And again, it all

48:29

happens so quickly because it's very thinly sliced. And

48:32

so it's not a lot of work, but boy

48:34

does it have a lot of flavor. You know,

48:36

and I was there, there are two things that

48:38

surprised me. One was a lot of people bought

48:40

a stack of tortillas from a local guy that

48:42

would actually deliver them and they were

48:44

delicious. The other was I figured like

48:46

taco parties is a very American kind

48:48

of thing. And I asked her

48:51

about, she said, oh yeah, every Friday night we have people over,

48:53

we have a bunch of toppings, we have a taco party. So

48:55

I guess some things are the

48:57

same in Mexico as they are here. So

49:00

how did she actually cook the meat? Is this in

49:02

a skillet? Is this barbecue? So she

49:04

used a Kamal on the grill, lovely.

49:07

To make up for that here and make it a little

49:09

easier on ourselves. We broil it because that's the easiest way

49:11

for us to ensure that we're gonna get that sort of

49:13

char that we want and that the flavor really appreciates. Jim,

49:17

thank you. Citrus marinated pork tacos

49:20

you had in Mexico city, but the recipes

49:22

from the Yucatan. And it's so

49:24

good, even you did not ask

49:26

for toppings, thanks. Thank you. You

49:30

can get the recipe for citrus

49:32

marinated pork tacos from Yucatan at

49:34

milksreetradio.com. This

49:39

is Milk Street Radio. Now let's check in with

49:41

our friends Grant Barrett and Martha Barnett of Away

49:43

with Words. Grant, Martha,

49:45

what's going on? Hi, Chris. Hey,

49:48

Chris. Well, you know,

49:50

Chris, you're always grilling us about

49:52

this and that. And we figured

49:54

today we'd talk about grilling food

49:56

specifically, grilling from a linguistic

49:58

point of view. Okay. So

50:00

let's start with the word grill itself.

50:04

Grill comes from a big family

50:06

of words, all of which involve

50:08

the image of a grate. Now

50:10

that's G-R-A-T-E, grate, that's designed to

50:13

let heat and air pass through.

50:16

And grill itself goes all the

50:18

way back to the Latin word

50:20

cratis, which means wicker work. Now

50:23

you may be wondering, why wicker? I am.

50:26

Before we cooked food on metal

50:28

over fire, we cooked on structures

50:30

made of woven reeds. And

50:33

the diminutive of this Latin

50:35

word cratis is craticulum, which

50:37

means little wicker work. And

50:39

over hundreds and hundreds of

50:42

years, craticulum became French creel

50:44

and then moved on into

50:46

English as grill. So

50:48

it took hundreds of years for people to figure

50:50

out that if you cooked over wicker, it burned

50:53

up. I mean,

50:55

this just didn't work out too well. I

50:57

guess you could smoke over wicker, but you

50:59

were. But also, it doesn't have to be

51:01

right over the hottest part of the fire.

51:03

That's true. And you're thinking

51:05

about long-term use. You can quickly weave

51:07

something out of reeds, and it has

51:09

one or two uses, and that's just

51:11

fine. The disposable grill. Yeah,

51:14

disposable grill. That same grill, by

51:16

the way, gave

51:18

us grid-ing, our I-D-I-R-O-N.

51:22

It's a platform for cooking made of iron

51:24

and other metal. It's got parallel bars and

51:26

a frame, and it's got these little stubby

51:28

legs. And you set it up over the

51:30

open flame and put your food on top of it. And

51:33

it is indeed the same one as

51:36

in football. I know

51:38

that everyone's always wondered that. If you go

51:40

up into the stands and look down and

51:42

you look at those chalk lines on

51:44

a football field, it looks like the

51:46

grid iron. It's got those same parallel

51:48

lines. So that term has been used

51:50

in that way since the

51:52

19th century. Yeah, or the people looking down have

51:54

had four beers and are dreaming about Barbie. Or

51:56

five. I think that makes sense. And

52:01

Chris, that's not all. There are

52:03

two other relevant words we should

52:05

talk about from that same linguistic

52:07

family, because also related to grille

52:09

is griddle. And of course, that's

52:11

the piece of metal that you

52:13

use for heating food, and lots

52:15

of griddles have parallel lines running

52:17

along their length. And

52:19

then there's also the shortened version

52:21

grid, which is an arrangement of

52:23

parallel intersecting lines. So we have

52:26

the electrical grid that you're either

52:28

on or you're off. We have

52:30

the traffic jam called grid lock.

52:32

So grid lock, griddle, grid iron,

52:34

and grille, they're all connected by

52:37

the same ancient route. Grid

52:39

lock, by the way, was coined specifically about

52:41

traffic in New York City. Did you know

52:43

that? Really? Yeah. And now it's spread everywhere.

52:45

Unfortunately. Yeah. And so I don't want to

52:48

get all up in your grill with this

52:50

stuff, Chris, because we could go on and

52:52

on with this. That grill, by the way,

52:54

refers to your face looking like the grille

52:56

of a car, especially if you have braces

52:59

or decorative jewelry on your teeth. Up in

53:01

someone's grill. Okay. And speaking of

53:03

frameworks, there's another framework for grilling.

53:05

There is also the word

53:08

barbecue, which comes originally from a

53:11

language of the Caribbean, where people

53:13

used a kind of wooden frame

53:15

to cook that way. And

53:17

a barbecoa, right? Yes. Yes. Yes.

53:20

Exactly. The Spaniards adopted that as

53:22

barbecoa. We adopted it as barbecue.

53:24

And they also use, in Jamaica, when

53:26

they do the jerk chicken, they

53:29

use pimento wood. I think that's what

53:31

it is. And they put the wood,

53:33

which is maybe a foot

53:35

or eight inches in diameter, over

53:38

hot coals, and they cook on top of

53:40

the wood. So the chicken

53:42

is cooked right on the wood. Oh, yeah.

53:44

Yeah. That's really common. And that leads me

53:46

to this other thing. So a lot of

53:48

people, we use charcoal briquettes when we cook,

53:50

but that charcoal briquette is kind of this

53:52

little emological story. So a

53:55

lot of our cooking involves that char

53:57

flavor, the char in

53:59

charcoal. probably doesn't actually come from

54:01

anything having to do with carbon or

54:04

char but actually probably comes from an old English

54:06

word meaning to turn especially in

54:08

the sense of transform and of

54:11

course the coal just means coal because it's

54:13

always meant coal back as far as history

54:15

goes and briquette is a French word for

54:17

a little brick so it's like charcoal briquette

54:19

is this little story that means little brick

54:22

of coal that turns into something else which

54:26

I think is very cute and it's a

54:28

little story but there are a lot of

54:30

things that turn when we make food on the

54:32

grill right Martha or when we cook meat right

54:35

like for example Yiro the G

54:37

Y R O there are lots

54:39

of different pronunciations but apparently

54:42

that one's the closest to

54:44

correct Yiroto and that

54:46

comes from a Greek word meaning turning

54:48

it's a linguist relative of Gyrate hmm

54:51

another one which you probably know is

54:54

donor kebab donor is

54:56

Turkish for turning also and

54:58

kebab means roasted meat in

55:00

shish kebab the shish is

55:03

a word for skewer in

55:05

both Turkish and Armenian I

55:08

did not know that yeah and

55:10

so that shish has a relative

55:12

not etymologically but at least conicatively

55:15

in suvlaki the word

55:17

suvlaki which is a

55:19

Greek dish has a family

55:22

heritage that goes back to a Latin

55:24

word meaning all a WL

55:27

that pointed leatherworking tool used to make

55:29

holes that

55:31

same word is related to

55:34

suture s-u-t-u-r-e so we started

55:36

with grilling went back to

55:38

the Romans did football had

55:40

five beers and ended up

55:42

with a shish kebab I think you guys covered

55:44

a lot of real estate here great

55:46

Martha a whirlwind segment on

55:48

Milk Street thanks so much

55:50

happy grilling that

55:54

was grand barrett and Martha Burnett hosts of

55:56

away with words that's

55:58

it for this week's show but don't forget you find

56:00

more than 275 episodes of

56:03

Milk Street Radio at our website

56:05

milkstreetradio.com or wherever you get your

56:08

podcasts. You can find out

56:10

more about Milk Street at 177milkstreet.com

56:12

become a member get thousands

56:14

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56:16

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56:18

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56:20

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56:23

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56:26

cookbook for every day of the year.

56:28

Please check us out on Facebook at Christopher

56:31

Kimbles Milk Street on Instagram

56:33

at 177milk Street. We'll

56:35

be back next week and thanks as always. Mike

56:49

Oakstreet in association with

56:51

GBH. Co-founder

56:53

Melissa Baldino. Executive producer Annie

56:56

Sousa. Senior editor Melissa

56:58

Allison. Senior producer Sarah

57:00

Klaps. Associate producer Caroline Davis

57:02

with production help from WPA.

57:05

Additional editing by Sydney Lewis. Audio

57:08

mixing by Jay Allison at Atlantic Public

57:10

Media in Woods Hole, Massachusetts. See

57:13

music by Chubap Crew. Additional

57:15

music by George Bernal-Egloff. Christopher

57:17

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