Traditional fairy tales begin with "Once upon a time" and generally end with the protagonists living "happily ever after."
In Caribbean literature, this relatable concept takes on a different meaning. In this panel, we will interrogate the ways:
Do Caribbean literary characters get to have a happily ever after? How is it earned? If the concept of 'happily ever after' can be considered a secure, permanent future of increasingly beneficial outcomes for the protagonist and his/her successors, does that indicate a life luxury that comes with privilege and dominance? As we tell the stories of the suppressed, does it mean that we have to adjust the parameters for that in Caribbean literature?
Hosted by Patrice Grell Yursik, who is joined by panelists:
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