0:03

Can you choose from up

0:05

and coming artists? Search for

0:07

the Bbc Music Introducing playlist

0:09

with some Robinson on Bbc

0:11

Sounds? Cbc Radio Really? B

0:14

C Radio see screen Right

0:16

now it's the Bbc Music

0:18

Introducing mixtape with Tom Robinson.

0:39

Is. the

1:18

body I

3:55

can't think of a better way to

3:57

open a BBC introducing mixtape than brand

3:59

new music from... Brighton bandleader-singer

4:01

and multi-instrumentalist Ellis

4:03

Dee. Following last

4:05

year's storming single Straight Jacket Blues

4:08

and Degenerative Faminet, that new release,

4:10

Hum Drum, comes out a week

4:12

tomorrow, on Tuesday, March 5th. For

4:15

more music by Ellis, and indeed

4:17

all the artists in today's programme,

4:19

just follow the links on this

4:21

week's show page at bbc.co.uk slash

4:25

blogs slash introducing. To

4:29

Loughborough next, for

4:31

new music by

4:33

another major favourite

4:36

on this show,

4:38

Amber Beresford, better

4:40

known to the

4:42

world of music

4:45

as Rainbow Frog

4:47

Biscuits. Amber Beresford-She's

4:49

an angel, and

4:52

I'm nothing special. She's

4:54

in the penthouse, and

4:57

I'm at ground level. Too

4:59

low to be a loser while

5:01

she gets all the flowers. I'm

5:05

a minute, and she's

5:07

twenty four hours. I'm

5:10

too small for her to see,

5:12

but in my mind we work

5:14

perfectly. Oh won't you kindly look

5:17

my way? You

5:19

really must believe me

5:22

when I say, I

5:25

never really believed in the

5:27

idea of soul mates

5:30

till today. And

5:33

clearly I was stupid yesterday.

5:48

She's a forest, and

5:50

I'm just a mushroom. I

5:53

smell like nothing, and she

5:55

fills corridors with perfume. She's

5:58

a sin. I can't be

6:00

found She

6:03

is my one So understand

6:08

I'm too small for her to see But

6:11

I will die of some of this

6:13

pain Lord, you hold me

6:16

My will She

6:18

will not believe me I

6:21

see I never

6:24

believe She's my one And I

6:26

hear a story I

6:29

was born We

6:33

are secret yesterday But

6:35

if you beat me off sometimes My

6:37

love would be replaced If

6:40

you picked up a just-out glance So

6:42

that our eyes would just connect For

6:46

a second, or a minute Or

6:48

a day, or just a moment

6:51

And your love could hear me say Won't

6:54

you kindly look my

6:57

way You

6:59

really must believe me When

7:01

I say I

7:04

never really believe In the

7:06

eye and the air I'll show you I'll

7:10

show you I'll

7:25

show you I'll show

7:27

you Lay

7:31

low, lay low Cos they

7:33

know, they know As we

7:35

take control Nobody take my

7:37

soul Stay away from

7:39

drugs Stay away from guns In

7:41

all they trust we show them

7:44

Cos it's all I know Pick

7:47

a picture, it lasts longer Feeds up,

7:49

they can see my hands stronger Steamed up, we be

7:51

getting gas for them I'm not advising this place Mad

7:54

for the kids off the council estate Night

7:56

for the wins but the right elevation Makes

7:58

for a replacement Or at any stage wish all

8:00

my life any different aside from everything so I'd

8:02

regulate what way everything for a reason I'm a

8:04

stay on the house with the fee without the

8:06

pain anything you can see with my team they

8:08

believe in my needs and they help me for

8:11

the pain no we really back

8:13

for them even gonna see with that son life couldn't

8:15

be what it could be without them asleep any words

8:17

in my dreams about them with any motive

8:19

on the roses any flow sick

8:21

I got a rose like tricks up the sleeve so

8:24

pick any doors to a pitch any smoke lips to

8:26

your dome like low

9:01

Yeah. The

9:08

circuits they want Discord. Time

9:27

for the cheats now Lookin

9:31

Or study smiling Take

10:00

my soul and stay away from

10:02

drugs. Stay away from

10:04

God. In our nature we show this

10:06

to the soul I know. Lay

10:10

low, lay low. They know,

10:12

they know. We take

10:14

control. So, buddy, take my soul.

10:17

Stay away from drugs. Stay

10:19

away from God. In our nature we

10:22

show this to the soul I know.

10:30

Stay away from God. By

11:00

the end of the night, slow

11:02

away. Without our eyes. Stay

11:11

low, you are. Come

11:13

on. You can be here if you want to

11:15

be here. Stay

11:18

low. Stay

11:21

low. Stay

11:24

low. Stay

11:26

low. Stay low. Here

13:30

we go again. See,

13:35

I'll go the other way. Robert

14:20

Manning began his Banned Spectra

14:22

project as a therapeutic endeavour,

14:24

he says, to combat a

14:26

decline in my health, resulting

14:28

from multiple sclerosis. Featuring

14:31

guest vocals by Jade Cook of

14:33

City Parking and a welcome

14:35

dollop of 70s motoric can vibes,

14:37

it starts again, it's his first

14:39

release of 2024 and

14:42

was sent our way by Melita

14:44

Dennett at introducing Insusix and Sury.

14:47

Before that, courtesy of DJ Roche

14:50

in Manchester, we heard Lay

14:52

Lo, a life-affirming new single

14:54

from Bolton rapper Superlative, a

14:57

celebration of patience, positivity

15:00

and unwavering commitment. And

15:03

the first in that run of

15:05

tracks was the tender and understated

15:07

Stupid Yesterday by Rainbow Frog Biscuits.

15:10

It was sent our way by Dean

15:12

Jackson in the East Midlands, as was

15:14

this new stonker from The Public Eye.

17:42

Oh. He.

18:49

He. He.

19:11

He. Had.

19:39

Or. Or.

19:46

An hour. Or anyone who

19:48

ever. had

20:15

The gods grew and Glython

20:17

reg fault and fear center Art,

20:24

do you feel Mercy?

20:26

Bye Green

21:37

spot, cold in the sky Watch for

21:39

lies from dizzy heights Here

21:41

then our ancestors could dream of Build

21:44

up, further away from simple

21:46

days Inch-cra-rat runs, it's a

21:48

race they say 7-eleven, convenient

21:50

seven You have to race

21:52

this late, mate No

21:54

time to contemplate Self scan, we

21:56

cannot wait Two for you, one

21:59

for me. The Balance replace

22:01

the Modi Salad the and sense

22:03

in his they're making good on

22:05

the screen sizes. Have seen no

22:07

sugar been silence Thursdays and new

22:09

side his son Sea ice Cubes

22:12

Escapades app on still in the

22:14

Nw a security guard nuts a

22:16

day is a funny word are

22:18

saying as a clam. The five

22:20

i the list for the ice

22:23

cubes in the same ready for

22:25

a drink made a sack of

22:27

the small saw Connie I'm all

22:29

yours. Because in school

22:31

is cause sky looking for a

22:33

is in their faces out by

22:36

the billboards. we don't need to

22:38

Stars we can stay with new

22:40

in a long week, navigate and

22:42

can hardly psni I share levels,

22:44

disobey and as got this weekend

22:46

into the house we can just

22:48

about see in the beacon go

22:51

to the things that can charge

22:53

the batteries in me Close combat

22:55

it's a delivery and he sends

22:57

you to is literally anything. Came

22:59

in delivering. Say say say it

23:01

is kind of healthy Stove

23:03

remember balance at our tiny

23:06

lies answer to sound of

23:08

each of her eyes That's

23:10

an eye is simply good

23:12

times Weeks he lies a

23:14

pretty as grow as the

23:16

sigh of relief we ugly

23:18

to the concrete. The athletes

23:20

who was buried feather on

23:22

the nice. The

23:52

first of those three tracks are

23:54

just heard was the Wire by

23:57

the Public Eye, a useful quartet

23:59

wielding guitars, drums, sunglasses and they

24:01

tell us holding the towards for

24:03

indie rock in their home city

24:05

of Darby. Then sent

24:07

by James throw hole in Blissful

24:10

We heard some flowers by Emily

24:12

Magpie, a hidden nasi can dream

24:14

a foretaste from her upcoming album

24:16

there are Other Forms of Strength

24:18

which is due out in April.

24:21

And then dreamy in an entirely

24:23

different way. The spoken word stream

24:25

of consciousness poem we just heard

24:28

was buried underneath my last two

24:30

weeks. It's by Peggy the out

24:32

his name of Preston born performers

24:35

Tom Peg and big thanks to

24:37

William Western Hermitage do see in

24:39

Links in Cumbria to discovering it

24:42

and sending is our way. Yeah!

24:45

Listening to the Bbc introducing me

24:47

to Take from Six Music at

24:49

Next. It's one of And Joseph's

24:51

many introducing success stories from East

24:54

Anglia. The Ipswich Quintet, Girls of

24:56

the Internet. In

26:51

a oh. No

26:55

more. Than

26:57

I. On.

27:23

In a. Each.

27:43

Am. v

28:00

Let no one ever know I'm

28:02

here Pardon

28:12

The sea is a big time

28:15

A cuddle and a lesson Something's

28:19

gonna be your home Ahh

28:27

The sea is a big time A

28:30

cuddle and a lesson Something's

28:34

gonna be your home Something's

28:36

gonna be your home Something's

28:40

gonna be your home All

28:44

this The

28:47

city was a laughing gas The

28:50

city was a deep open Powering

28:54

the earth like trees The

29:03

sun is aching The

29:08

sun is aching The

29:13

sun is aching The

29:16

sky is aching The

29:21

city was aching The sun is aching I

29:25

love you The

29:54

sun is

29:56

aching eyes.

31:37

I love the sound of the rain.

31:56

I'm going to sit upside down first for my

31:58

quenches. I never have to

32:00

do for the government, do you? I'm

32:03

currently grateful and briefly eternal because

32:06

I know why I made it in the local. I...

32:17

Do I should just...

33:34

That's Fruit by Banbury

33:36

rapper artist, producer and

33:38

eco-warrior Empress Linoleum. And

33:41

her unique artist name makes it

33:43

fantastically easy to search out her

33:45

music online, and us grumpy old

33:48

radio types can only wish that

33:50

more musicians would follow her example.

33:53

It was forwarded from Introducing in Oxford

33:55

and Berkshire by Chris Wood. Before

33:58

that, Sitting Bourns is... indoor pets

34:00

waxing wrath about our capital

34:03

city, dying by the

34:05

living wage, trying to repress my

34:07

rage, London is the place I

34:09

love, the place I love to

34:11

hate. A follow-up album

34:13

to their 2019 debut Be

34:15

Content is expected this year and

34:18

London Loves to Hate was sent

34:20

our way by Abby McCarthy at

34:22

BBC Kent. And

34:24

before that, Never Ever Ever,

34:27

featuring Shiv by Girls of

34:29

the Internet. Their

34:31

list of cultural influences

34:33

includes RuPaul's Drag Race,

34:35

Whitney Houston, Daft Punk,

34:37

Lee Bowery, Spike Jonze,

34:39

Chaka Khan, Stereolab and

34:41

Charlie Kaufman. Lindsay

34:44

Gillies, who produces BBC Introducing in

34:46

Scotland, sent us a couple of

34:49

tracks this week starting with a

34:51

folk song from north-eastern Iran performed

34:53

by The Other. I

36:30

know, I know, I know I

37:01

know I

37:06

know I

37:10

know I

37:13

know I

37:24

know I

37:29

know I

37:31

know I

37:39

know I

37:45

know I know I

37:53

know I

37:57

Know. Oh.

39:14

I. see

40:06

Do you feel older in

40:09

you seeking? How

40:17

you are moving, how

40:19

you are moving? Do

40:27

you feel this? I

40:30

know you're there Until

40:36

now When

40:40

you fight me

40:44

I can see it And

40:46

all that you hold Will

40:56

you fight

40:58

with me

41:01

tonight? All

41:07

tonight All

41:15

tonight

41:19

All

41:22

tonight All

41:27

tonight All

41:38

night All

41:42

night All

41:47

night I

41:52

wave by my window Waiting

41:55

on your eye I

42:00

was in such a distance and

42:03

in resistance it made me bring for you

42:07

So I lay on my doorstep, waiting

42:12

for your home moon Her

42:16

blood array pulls my legs, finally

42:18

leaving my heavy head and getting

42:20

thin So

42:24

I lay in the garden, waiting

42:28

on your sunshine For

42:32

when we were me I would be

42:35

so green and free of my own

42:37

self-esteem I

42:40

will be for you I

42:48

will be for you I

42:53

will be for you

42:56

I will be for you Waiting

43:00

on your eyes Even

43:05

like a bear I don't think you're really

43:07

there Why are you deceiving

43:09

me now? So

43:12

I will be in the bakery I

43:16

will be for you Put

43:20

me in the fridge today tomorrow on

43:23

a baking tray and sell me in

43:25

the window So

43:28

I lay in the car farm Made

43:33

in the trolley pan Even

43:37

in the kitchen tray I will be

43:39

for you I will be for

43:41

you I

43:45

will be for you I

43:49

will be for you

44:00

So I'll

44:04

go to the hospital. Three

45:24

tracks back to back. First

45:27

we heard Sagodar, S-E-G-O-D-A-R, by

45:29

The Other, a

45:31

collaboration between Scottish-born musicians and

45:33

those with a lived experience

45:35

of displacement and immigration. In

45:38

this case, singer Arif Gourbani was

45:40

also playing the traditional Persian lute

45:43

known as a satar. Then

45:46

came the deep, rich, immersive sound

45:48

of Tonight by Evie Friesen from

45:51

Just Outside Ipswich. Her

45:53

music has been supported on BBC Introducing,

45:55

first by Jake Peach and now

45:57

by Matt Plum at Introducing in

45:59

Essex. and Cambridges who sent us

46:01

the track. And

46:03

Lindsay's second tip from Scotland was

46:06

the deeply atmospheric track we just

46:08

heard, The Arrow. It's

46:11

by a Livingston outfit called

46:13

the Tropicarnas, ironically named they

46:15

tell us, in deference to

46:17

West Lothian's often gloomy weather

46:19

and the band's own longing

46:21

for warmer climates and surfier

46:23

times. Next

46:26

it's Saturday night and I don't

46:28

want to go out again, because

46:30

it's cold outside and my mum

46:32

made cauliflower cheese. Friday

46:34

night and

46:36

I don't want to go out again I

46:42

wish I was somewhere with

46:44

my friends This

46:48

morning makes me want something I'm

46:51

gonna say to them I

46:55

got a scrape on my legs from the last

46:58

time I talked to them and

47:02

I'm still can't slide in a

47:04

fight at home These

47:11

walls every single

47:14

day I

47:16

don't know where it's from I'm

47:19

feeling it here growth

47:24

More music More

47:38

music More

47:48

music There's

47:52

cold outside and my moment made

47:55

calling for a change I'm

48:01

so sorry,

48:04

I'm so sorry Just

48:07

don't know when I might

48:09

be anyone again I'm

48:13

so confused, I'm so confused I'm

48:19

so confused, I'm so

48:21

confused I'm

48:23

so confused, I'm so confused I

48:27

kinda miss my whole career I'm

48:31

very lucky to be my friend I

48:35

think I like these little ones better I

48:39

promise I'm not gonna forget ya I

48:42

kinda miss my whole career I'm

48:45

very lucky to be my friend I

48:49

think I like these little ones

48:52

better I promise I'm not gonna

48:54

forget ya I

49:13

make a mistake Get

49:17

up and walk Make

49:20

a noise Get

49:24

up and walk Make

49:27

a noise Get

49:31

up and walk Make

49:34

a noise Get

49:38

up and walk Get

49:42

up and walk Make

49:47

a noise Get

49:50

up You

50:31

You You

51:30

You Hara

52:06

heya he

52:09

reviewing me I

52:29

don't know why I can do

52:37

Yeah, we thought she

52:40

was so no way

52:43

to do Yeah,

52:45

I know Yeah,

53:01

we thought she was so

53:03

no way to do Yeah,

53:12

we thought she was so no way to

53:14

do Yeah,

53:17

we thought she was

53:19

so no way to do Yeah,

53:25

we thought she was

53:27

so no way to

53:29

do Yeah,

53:35

we thought she was so no way

53:37

to do Yeah,

53:42

we thought she was so no

53:45

way to do Yeah,

53:48

we thought she

53:51

was so no way to do There

54:43

are still the circled Look

54:45

look How

54:49

much I value To

54:59

make me sound like

55:01

you Those

55:51

three minutes of fresh, adventurous

55:53

electronic pop from Lily Juniper

55:55

rejoice in the grammatically puzzling

55:57

title of You Me F...

56:01

It's from an upcoming EP called

56:03

Words and was shared with us

56:05

by Jessizat from her introducing show

56:07

on BBC London. And

56:10

before that it was DJ

56:12

Shaq who forwarded Perseid 45

56:14

from the self-titled debut EP

56:17

by the hard-rocking northeastern quintet

56:19

Django Flash. They

56:21

recently shared both a stage and,

56:23

very kindly, their backline with my

56:26

band at Three Tanners Bank in

56:28

their hometown of North Shields. And

56:31

reopened with the outstanding new single

56:33

from Annabelle Lorraine. Her

56:36

vivid evocation of small-town teenage

56:38

life cauliflower cheese was

56:40

today's second tip from Melita

56:43

Dennity Brighton. The

56:45

BBC introducing mixtape from Six

56:48

Music drops every Monday across

56:50

all podcast platforms including BBC

56:52

Sounds. And you'll

56:54

find links to all today's

56:57

music and musicians via this

56:59

week's blog post at bbc.co.uk

57:02

slash blogs slash introducing. Our

57:05

final track, courtesy of William Wustenholm once

57:07

again, is by the

57:09

London-born Lancaster based jazz singer

57:12

Brian E. Jarman Pinto. Released

57:15

on the Brighton label True

57:17

Thoughts, this is her new

57:19

standalone single Moving Forward. That's

57:22

it from me, have fun, stay safe

57:24

and I'll see you next week. Playing

58:07

K Playing

58:35

ares you