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#034

#034

Released Sunday, 14th October 2012
Good episode? Give it some love!
#034

#034

#034

#034

Sunday, 14th October 2012
Good episode? Give it some love!
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1. The Rolling Stones – Doom & Gloom (Polydor Records) 2012 | One of two new tracks from another bloody Rolling Stones Greatest Hits, this ones called Grrrr (What a shit title!) and is out….before Christmas, I imagine.

2. SNØSKRED – We Are (Riot Factory Records) 2012 | From their debut album out October 26th. Like them on Facebook here.

3. Playlounge – Sweet Tooth (Art Is Hard Records) 2012 | Touring right now with Johnny Foreigner, catch them support Cold Pumas and Sauna Youth in Kingston on October 25th.

4. PINS – LUVU4LYF (Bella Union Records) 2012 | From their debut EP that came out at the start of the month. See them live now! They are touring the UK at this very moment.

5. Otherness – Like You (Unsigned) 2012 | Fly all the way to Argentina, trek 4 days and 4 nights over Patagonian desert land and see them play The Beached Whale, Comodoro Rivadavia. Or you could just check them out on Facebook. facebook.com/OthernessRock.

6. Wild Moth – Shape (Asian Man Records) 2012 | Wild Moth on Bandcamp.

7. Doldrums – She Is The Wave (Souterrain Records) 2012 | The 7” comes backed with another new track ‘Dysphonia’ and is released on November 5th in Europe on Souterrain Transmissions and November 6th on Arbutus in North America. It says here anyway. Download it here.

8. Peace – Vertigo (Covermount) 2012 | Not sure if you’ll still be able to get last weeks NME, but this track was part of a very great covermount album, commemorating 10 years since the release of Up The Bracket. Seek it out.

9.David Byrne & St. Vincent – Lightning (4AD Records) 2012 | From a surprisingly great album, with a massive penchant for horns, called Love This Giant.

10. Mikal Cronin – Apathy (Trouble In Mind Records) 2012 | This is what Pitchfork said: “Cronin really brings out that anxiety by pausing the song multiple times, which splits lyrics apart, grabs the listener’s attention, and makes them anticipate the big payoff– the chorus.” Can’t argue with Pitchfork, can you? *kills self*

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