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American Graffiti: One Song at a Time

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American Graffiti: One Song at a Time

A daily TV, Film, Film Reviews, Society, Culture and Music podcast
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American Graffiti: One Song at a Time

VCR Privileges

American Graffiti: One Song at a Time

Episodes
American Graffiti: One Song at a Time

VCR Privileges

American Graffiti: One Song at a Time

A daily TV, Film, Film Reviews, Society, Culture and Music podcast
Good podcast? Give it some love!
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Episodes of American Graffiti

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You want more? We’ve got more… More American Graffiti, that is! Doris, Rachel, and Tierney crowd into the booth to talk about four storylines spread across four New Year’s Eves in the mid ‘60s. This episode covers A LOT: melting ice sculptures,
“All Summer Long” by The Beach Boys plays as the credits roll. Doris saves the day by coming up with a good reason to use a song from 1964 here, Tierney has a lot of feelings about California, and Rachel wonders if “More American Graffiti” will
No music but plenty of feelings as George Lucas punches us all in the gut with the coda to this movie. Doris, Rachel, and Tierney are back to talk about the future of John and Carol’s friendship, to debate why Terry joined the army and if Steve
“Goodnight Sweetheart Goodnight” by The Spaniels plays as Curt says goodbye, boards his plane, and flies off into the future. All 3 DJs reunite to talk about the Happy Days parents, Steve’s college plans, aspirational book packing, Magic Carpet
“Only You” by The Platters plays as Milner hands Falfa his hat before he and Toad drive off into the sunrise. Meanwhile, Curt gets the call from his dream girl and the Wolfman closes out his radio show. Chris Callaghan and Chris Gore of Notes
“Green Onions” by Booker T & the MGs plays as Milner and Falfa race. Falfa’s car rolls, almost killing him and Laurie. Steve arrives on the scene just in time to pledge to a hysterical Laurie that he’ll never leave her. Pete Mummert of Indiana
“Heart and Soul” by The Cleftones plays as Falfa and Milner agree where to race and everyone in town drives out to watch—everyone, that is, except Curt who heads to Mel’s to listen to his dedication and wait for his dream girl. Travis Bow of R
“A Thousand Miles Away” by The Heartbeats plays as Curt is told that the real Wolfman Jack just drops off tapes and won’t be able to play his dedication asap. When he tells the dj why he needs it to air tonight, they end up having a heart-to-he
“Crying in the Chapel” by The Orioles plays as Debbie gives Terry a second chance by making a date for tomorrow night, then Curt goes to KRE in Berkeley to find Wolfman Jack. Heidi Bennett of Vibrant Visionaries joins Tierney to talk about the
“Teen Angel” by Mark Dinning plays as Steve finds out Laurie is driving around with Bob Falfa and takes his car back from Terry to go after her. Terry gives up and finally tells Debbie the truth. Bryon Lockhart of The Marine Corps Movie Minute
“Chantilly Lace” by The Big Bopper plays as Toad tries to steal back the car and John rescues him from a fight. Jim O’Kane of The Rocketeer Minute Podcast rejoins Rachel to talk about Tarzan’s son, Milner at his most Han Solo, the importance of
No soundtrack needed as poor Toad is sick in front of an audience, Debbie proves herself the most unflappable date ever, and John gets ready to race Falfa. Jim O’Kane from The Best Minutes Podcast joins Rachel to talk about seeing this movie in
Things are awkward between Laurie and Bob Falfa so of course his solution is to serenade her with “Some Enchanted Evening”. Today’s song is performed by Harrison Ford doing his best Ezio Pinza impression. Pete the Retailer (of petetheretailer.c
No song as Curt flexes his auto mechanic skills on the broken down Citroen while Steve tries to argue against going away to college. Pete the Retailer from Star Wars Minute joins Rachel to talk about Curt and Steve’s sudden role reversal, quest
“Since I Don’t Have You” by The Skyliners plays as a crying Laurie gets over her heartbreak by getting into Bob Falfa’s car. Also, John finally gets to drop Carol off at home. Christy Porter of The Indiana Jones Minute rejoins Doris to talk abo
“Love Potion #9” by The Clovers plays as the Pharaohs return a giddy-as-a-schoolboy Curt to his car. His life is turned upside down once again when he goes to chase down the dream blonde only to find that his car won’t start. Christy Porter of
Yesterday’s song ends as the scene shifts to a silent Steve drinking coffee in the diner. Budda joins him to talk about wanting to hang out—just in time for Laurie to see them. Tom Taylor of ABCD:TOS rejoins Doris to talk about Budda’s motivati
“You’re Sixteen” by Johnny Burnette plays as John “seduces” Carol into giving him her address so he can finally take her home. Tom Taylor of The Indiana Jones Minute joins Doris to talk about what Ringo Starr and Carrie Fisher have to do with t
“Come Go With Me” by The Del Vikings plays as Curt destroys a cop car. Stand by for justice! Jay Cluitt of Deep Blue Sea: The Podcast joins Doris to talk about this movie’s foray into Blues Brothers territory, the Del Viking that became a Germ
“Party Doll” by Buddy Knox plays as Curt cruises with the feisty Pharaohs and our weary wanderers head back to Burger City. This is the section where Curt proves he is not a ninja as they set up the cop car prank. Dave Pallas of 5 Minutes of My
“Do You Wanna Dance” by Bobby Freeman plays as John and Carol encounter Bob Falfa for the first time and see who can be the sassiest. Alex Robinson of Star Wars Minute joins Rachel to talk about how it’s “So Weird” that we have him on today bec
No song but lots to talk about today as Terry, Debbie, and Steve all navigate a terrifying walk of shame back toward town. Sean German is reunited with his Groundhog Minute cohost Dave Pallas as they join Rachel to talk about serial killers, De
“To the Aisle” by The Five Satins plays ironically as Steve and Laurie talk about the future, make out, then break up. Sean German from The Next Scene joins Rachel to talk about how he Reverse American Graffitied by leaving the East Coast to go
“Get a Job” by The Silhouettes plays as The Pharaohs rob an arcade (and inspires the name of Sha Na Na). When caught emptying the machines of quarters, Curt covers for his “friends” with the men of the Moose Lodge. Chris Frain from This Means S
“I Only Have Eyes For You” by The Flamingos plays as Debbie and Terry enjoy their drinks before making out (or at least trying to). Megan Coleman from MASH Minute joins Tierney to talk about cardigan clips, bad decisions by Terry onscreen and G
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