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1:08

White Vault. Goshuck.

1:52

Mom? Arna...

2:02

Who? What is

2:04

this? What's what? What

2:07

is this? Who put this here? Who

2:09

gave this to you? Whose

2:12

artifact is this? Mum, what are you

2:14

talking about? What artifact? This!

2:16

This! Whose

2:18

creeperverder is this? Where did you

2:21

get this? I don't know! Stop freaking out! It's not

2:23

mine! I don't even know what it is! What

2:25

are you so angry at? Arna,

2:29

dear, you can tell me

2:32

anything. I swear, anything! Where

2:34

did you get this? Did Helga bring

2:36

it? Or your Uncle Ticvy?

2:39

I don't know. I don't think so. It's

2:42

creepy, so I thought it was Gurnar's. Did

2:44

you see your brother with it? Did Gurna

2:46

leave it here? No! I just said it's

2:48

creepy, so I thought it was his. It

2:50

was like, yes! What's wrong

2:52

with it? It's just some weird doll.

2:54

Calm down, Mum. Arna,

2:57

this is... This

2:59

artifact is a very important piece of

3:01

history. And it needs to be in

3:03

a place where someone can keep an eye on it. It's

3:06

not a toy. It's not a doll.

3:09

You really don't know how it got here. No,

3:11

I have no idea. I

3:13

already said that. Are

3:16

you sure it's not just a joke or something? It

3:18

looks like those creepy things Gunner likes to draw

3:20

from those freaky internet stories. You

3:24

really don't know. You

3:27

stay here, rest, eat your snacks,

3:29

got some shows, relax. I'm

3:32

going to bring this Uncle Ticvy. He knows what to do

3:34

with it. How to take care of it. I'm

3:37

sorry. I'm not upset with you. I just

3:40

got really worried. Is

3:42

it really that important? What does

3:44

creepy really mean? Don't even think about

3:46

it. It's nothing. It's not important. It's

3:49

just a type of artifact. An

3:52

archaeological term. Like a real

3:54

artifact. What's it made out of? Bone?

3:58

Wait, I have something. Here,

4:06

put it in the shoe box. If

4:09

it's really old and made from bone, I should

4:11

be more careful if you can touch it. Your

4:14

hands could have oils to glue in it. That's

4:16

a great idea. Thank you, Orno. You

4:19

shouldn't touch an osu!lotsical aste fact. Or

4:22

a crime scene. Very

4:25

true. Okay,

4:27

have fun, relax, I'll

4:30

be home a little later. I'm just

4:32

going to swing it to town again. And remember,

4:35

don't do anything too strenuous. You

4:38

might feel okay, but head injuries

4:40

are serious, so just rest. This

4:43

is a great opportunity to be lazy. Don't

4:45

get many of those in life. I get it.

4:48

Chips, tea, natholics, I have no plans to

4:50

leave my bed. Good. Have

4:53

a nice evening. I'm

4:55

so happy you're home, Salve. You'll

4:58

never leave Iceland again. Ha

5:00

ha. And if you need anything, call

5:02

me. Anything worse happens, call

5:05

me. Weird? Like

5:07

a creepy artifact in my bedroom? Yes,

5:10

exactly so. Weird. Sure,

5:13

you'll be the first to know. But

5:15

really, Mum, someone has to be playing a prank

5:17

on you. Perhaps. See

5:20

you soon. Lock up if I'm not

5:22

home by 10. How?

5:49

How? How? Okay.

6:02

Okay, okay, it's

6:05

okay. I'm

6:33

sorry, but if you can't park here, this

6:35

area is reserved. I'm family. Move

6:37

it to the parking lot, man. I don't care. I need to

6:39

see Hilda.

6:43

I'm

6:46

going

6:50

to

6:53

speak

6:57

with Hilda. Really? Do you have

6:59

an appointment? No,

7:03

but I'm going to speak with her. You won't stop me,

7:06

but I'm not going to let you get away with it.

7:08

Away with what? Slow down,

7:10

please. Please. So this

7:12

cuts you open arms. Please, I can't help.

7:15

You can't help, Tigrid. Not right now. I

7:17

know you weren't a part of this. Of

7:20

what? It's all

7:22

these things. There's a lot to these

7:24

things, the- I don't care, but you

7:26

don't. All these rules and meetings are

7:28

bullshit. Someone left

7:30

this in Arka's room. A

7:33

creep, I believe. Who? I'm

7:35

going to speak with Hilda. Don't

7:38

tell her I saw you. Be serious, you

7:40

already knew. Hello.

7:43

Do you have an- Stop, stop.

7:45

You can't go in there. If you want an appointment-

7:47

I'm just family. Sit the hell down. I

7:50

haven't been there myself, but I hear only good

7:52

things. Oh, hello,

7:56

these. Oh, do you have another appointment?

8:00

I know we've run over. This has gone

8:02

exceedingly better than I originally presumed it could.

8:05

I had a lunch reservation, but I've certainly

8:07

missed it by now. Then let me walk

8:09

you out. I have a

8:11

great recommendation for your lunch. I'll

8:13

speak with my secretary and have her call

8:15

ahead of you. Make a quick reservation. Much

8:18

appreciated. The shore for taking so much of

8:20

your time. I'm glad that the project

8:22

is moving forward. Certainly worth the flight

8:24

out here. And of

8:26

course, if you have any follow-up questions,

8:29

we are always here to answer. If

8:32

your team has any rather technical questions,

8:34

I will direct them over to our technical department.

8:37

Oh, and the proposition for the hydro

8:39

project? Here on my desk. No

8:42

worries. Now, let's

8:44

get you out to that lunch. Please,

8:48

I'll be back to speak with you in a moment. Thank

8:52

you again. Hope you enjoy the rest of your

8:54

stay in Reykjavík. I'm sure I will. It's

8:57

been lovely. Check. Merde, vie, ravi.

9:00

Go on, afer. Well,

9:06

that meeting dragged on, but at least he's

9:09

finally gone. What

9:11

problems are you bringing me today,

9:13

please? This is meeting. Even now.

9:16

The work does not stop. Not even now.

9:19

Not even if I were the one ill. Now,

9:23

why are you here? And

9:25

with a shoe box? Because

9:27

someone left this on Arthas Wintersel.

9:30

This? She

9:33

isn't one of ours. Don't lie

9:36

to me, not about this. If

9:38

it's not yours, what does that mean? Who

9:41

sent it? I don't know. But

9:44

if we have a record of this Griepalwidir, we

9:46

can find out who she is. We

9:49

have a catalog, written descriptions of

9:51

all known Griepalwidir, as well as

9:53

which family members or which other families

9:55

they protect. But why

9:58

would another family send someone after Arthas? She's

10:01

a child. Plaguing her with anything is

10:04

fruitless. She, the Grippal

10:07

Wither, may just have been watching. Not

10:09

yet. I'm receiving junk food,

10:12

magic television. There's nothing useful

10:14

there, not for anyone. She's just

10:16

being a teenager. We don't

10:18

know what's really going on. You... Shh.

10:22

You really don't do you? Oh,

10:26

shit! Wait here. I'll

10:28

grab the catalog and we can try

10:30

to find out who she is. Don't take

10:33

your eyes off her. Who?

10:45

Remember, we

10:48

can solve it. The

10:52

only way. You!

11:16

Don't make a mess. Someone's gonna have to clean

11:18

it up. What?

11:21

That's what you do. I actually

11:23

make pretty good coffee, even in sunset. It's

11:27

just the end of our future. What?

11:32

What's the door? I

11:35

will. Sorry. Go back to sleep. Most.

12:06

Zero Zero Plus it's very

12:08

vulgar Numbers: You can do

12:11

the step you played into

12:13

the you from this. Who.

12:18

Were who who. You

12:22

ask for those usually nice woman

12:24

Really enthused isn't good. The bird

12:26

was. A messenger

12:28

surprised when she was feared movers

12:30

and Molson. I

12:36

think this mission. For stuff is. He.

12:41

Has written. A part of

12:43

a the company. Is

12:46

often not. Enter

12:50

the flow would help. Make

12:52

things easier sir. Hiding blood

12:54

of it is. Ah,

13:04

Yes, Clothes?

13:06

Yes, We. Have

13:09

angles like. You.

13:12

The North Way I'm from Fair and he

13:14

didn't sell. And

13:16

him when he gets back. And

13:20

new. Very I love

13:22

to do with. No

13:25

Assume that. Lowers

13:29

you have the along the

13:32

streets in shape already. We

13:34

is were. Female

13:37

you're from. And

13:39

a deal with your nieces and. I

13:42

know, research group and long

13:45

ah, no one's as a

13:47

thing. That

13:49

of. The way around that.

13:52

Would really. rather quick

14:02

And also when you do one day

14:04

and my work is done, I

14:08

was chosen to do this work. I'm

14:12

finally needed. Yeah,

14:18

I'm nearly there. Do

14:20

you hear? I'm

14:26

glad you said that. I'm

14:28

glad I could save you then and then I could save

14:31

you now. Your

14:33

life is timeless, but now

14:35

you have a purpose. She

14:37

gave me a purpose. Share

14:39

it, give it to you too. And

14:42

it is. And

14:44

you see, Louis? I remember.

14:48

Well, that was all real, Mika. Everything

14:52

Louis ranted about, I'd

14:54

suggest. We...we...we... put

14:59

him right... Move over. He

15:02

was in projects when the branches dropped and at my feet. Maybe

15:06

his life here was bad. He

15:10

used to. But

15:12

at least he was given purpose with his end.

15:16

I...do. I

15:19

did stumble those... about you all

15:22

coming into the ball park. But...

15:25

No, this was plenty then. Mika... She

15:29

knows what you're doing. I'm

15:31

scared. I.

16:08

Anyone hear me say. This,

16:17

and. Fire.

16:24

And the window blue of. Greece.

16:32

Service. Here's

16:38

an awesome. He.

16:40

Throws little less. Jesus

16:44

chosen to do the damn

16:46

window trade center. To

16:50

center. Was.

16:56

Severed Somebody. No. Me. Neither

17:55

series. What

18:00

was that? Adele?

18:03

Adele, get up. What?

18:08

I couldn't hear you. What's up? Adele,

18:10

you have to get up. Something's happening outside. Meekah

18:12

and Jason are gone. I think they went to check

18:14

on Lewis. That's where

18:16

the sound came from. I'm

18:18

going to see if they need help. You stay here, but

18:21

stay awake. No, I'm coming. I

18:24

don't want to be here by myself. Yeah.

18:28

Fine, but hurry up and get ready. They might need

18:30

help. Okay. Help?

18:40

The world? Hurry! It may be hurting.

18:42

No. Finally.

18:59

Where's Meekah? And Jason. Let

19:03

me out of these things. Where's Meekah

19:05

and Jason? Your

19:08

new friend, Jason, was

19:10

dragging your sister's body out. Saw

19:14

it there, through the window. What? Fire! I'm

19:18

not believing, but he's not going to save your sister.

19:21

Meekah! Come on. Don't

19:24

leave me here. At

19:27

least I'm tired. Stay near me. But

19:29

now it's too heavy. Don't go on the ice. It'll

19:33

be hard to know, so please be cautious.

19:35

Meekah! Meekah! Who

19:38

is that to be lying against? Why

19:41

would Jason do something like this? I

19:43

don't know. I don't think he's

19:46

lying. You

19:48

probably... I'm funny, sir.

19:52

Meekah! It's

19:54

her, Meekah! Meekah!

19:58

They're... Jason. Mina! What

20:01

the fuck? Mina! Yeah,

20:04

I'm hurt! I

20:06

didn't see a slave! Mina!

20:09

Stop! No! I

20:11

have to get over... No, Hadel, stop!

20:15

The X is floating out. We can't get to them.

20:17

I have to try! Mina! Mina,

20:20

wake up! I know

20:22

I'm me! You can't!

20:26

Jason! What are you doing? Jason,

20:29

what's wrong with Mika? Mina!

20:33

No! No! No, no, no, no, no!

20:35

No! No! No, Jason, stop!

20:39

What are you doing? Put her down! No! No! Why?

20:42

What are you doing? Jason! I

20:45

have to tell the water... I

20:47

have to wake up! Wait, wait, wait, wait. No! Wait, wait,

20:49

wait. She's in the water. If I... If

20:52

we go in, I can do it. I'll do

20:54

it. You don't have to. I'll give Mina

20:56

a water. Fucking blowing, Hadel. I'm

20:58

sorry you're not going in there. Sit

21:01

down there! I know! I'm

21:03

sorry! What

21:05

is happening? Why is it happening? We

21:09

need to go! We need to run!

21:11

And Mina... She

21:13

killed Mika! He'll come after us too! We

21:16

can't stay here! We have to go! Mina...

21:19

Mina... You won't go! I'm

21:22

a baby! I'll tell

21:24

you! Your sister was

21:26

a very nice person. What if

21:28

she's on? If she's not here for

21:30

this reason, she'll help her out. You

21:33

can't go! You

21:36

don't need to make a simple note. I

21:39

can bring you to your sister as soon as you like. She's

21:42

warm. And now, we just need... We

21:44

gotta go! You're not going to be here for me.

21:48

I can still see her! She's

21:50

in there, you people! And

21:52

now, please, please, I'm sorry. Mika's

21:55

unconscious and she's... She's under the ice! I know,

21:57

I know! You want to save her when we

21:59

can't... and get your E

22:02

not a D. We also have

22:04

your health pill with a disc and heading

22:06

towards us. Please listen to the pill. We

22:08

need to get to the church, to the

22:10

cud. We still

22:12

have a chance. We need

22:14

to go. I'm

22:17

sorry, like

22:19

you. I'm

22:22

sorry, like you. I'm

22:24

sorry, like you. God,

22:39

where's the cud? We're...

22:57

I'm so sorry, though. I'm

22:59

so sorry. We

23:02

didn't know. We could never

23:04

know. I'm so sorry.

23:07

I'll kill him! We

23:09

will. I swear we will. But

23:12

I... We

23:14

need to make sure you're safe,

23:16

okay? That's what Mika would want. That's

23:19

what she would do. So

23:21

please, please stay with me, okay?

23:25

She... She realized...

23:29

Hey, Jason never would have

23:31

called for help. That stirred light this

23:33

whole time, didn't he? Where...

23:36

where is it? We need to call for help. We can still

23:38

get help. Here.

23:44

Got it. in

24:00

need of immediate emergency

24:03

assistance. Please, please, please,

24:05

please, please, please, please.

24:08

Kill women in old Goshock in need of

24:11

immediate emergency assistance. Northwest Arasuk,

24:13

maybe northwest of Cataclysm somewhere near the

24:15

county line. Please, we are

24:17

in immediate danger. Please,

24:20

please, please, please.

24:26

Hello? Hello, can you hear me? Please,

24:28

we need help. People

24:31

are dying out here. This is an emergency.

24:35

I see you. What?

24:41

I see you. I

24:58

see you. Thank

25:28

you for listening. Hey,

25:57

it's Mae Whitman, and I play Frankie in the

26:00

in the new Realm Podcast, The Sisters. The

26:02

Sisters is about a museum curator

26:05

of medical oddities who investigates the

26:07

origins of a mutated skeleton with

26:09

two layers of bones. Seven

26:12

ribs are completely

26:14

fused. And you have

26:17

no idea where this came from? No, she

26:19

was sent here anonymously. Uh-uh, not

26:21

she. They,

26:23

maybe? Who, wait. I've

26:25

never seen anything like this. Soon,

26:28

she uncovers an extraordinary mystery

26:30

that connects her present with

26:33

one family's tragic past in

26:35

hauntingly dangerous ways. My grandfather

26:38

was a journalist back in the 60s and 70s.

26:41

He specialized in strange stories.

26:44

Who are they? How are they connected

26:46

to the skeleton? Play the tape. You'll

26:50

see. Listen to The Sisters wherever

26:52

you get your podcasts. We

26:54

dream about it. We both dream about

26:57

it. Every night.