Episode Transcript
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2:03
Yes, yes, doctors, esteemed colleagues,
2:05
it is a prodigious journey
2:07
you embark upon. Observe, report, experience.
2:10
You represent all of humanity. And
2:13
don't let the door hit you on the way out. Now,
2:16
perhaps a bit of tranquility around this base. The
2:19
old lab is dark, which means no one's discovered
2:22
my distillery. Con's a
2:24
stark, which is technically against moon base guidelines,
2:26
but tonight that's a blessing.
2:29
The farm is never completely dark, but quiet
2:32
because my love is just
2:33
next door.
2:49
And thus, all is right with the universe.
2:54
Back to my lair. Now I can work.
3:01
No, no, adjust the angular momentum.
3:04
That doesn't fall within the kermetric. It's not remotely
3:07
possible. And simulation.
3:14
It is so restorative
3:17
to drink my blend again, even when the work
3:19
is less than therapeutic. I can't see how
3:21
this side-step process is remotely
3:24
possible on the scale required. And
3:26
yet at this moment, humans are experiencing
3:28
it directly. At least Gladys will take good
3:30
notes. Enough
3:36
ranting, enough frustration, enough data I
3:38
must compose. Open
3:41
my subfolder under keyword gray havens,
3:43
the last dated recording, and a Brue-refreshpot
3:46
note. Let's make it tea this round. They
3:50
stood by the side of the great white ship, watching
3:52
as Galadriel and Elrond and Gandalf
3:55
and Bilbo, and then an endless host of
3:57
elves proceeded on board. Finally,
3:59
the hobbits stood alone. There
4:01
was some trepidation in the air, and everyone seemed
4:03
to deliberately avoid looking at Frodo. But
4:06
he embraced them, kissing first Merry and
4:08
Pippin, then Samwise, clasping
4:10
his shoulder as if he could not let go. It
4:14
was Sam who broke the silence. Mr. Frodo,
4:16
I expect they're waiting on you to come aboard. Frodo's
4:20
eyes glistened, and his fingers went white,
4:22
and he held on to his companion even more tightly.
4:24
They can keep waiting, he said, and his breath
4:27
quickened, or in truth they need not wait
4:29
at all, I cannot.
4:31
I cannot end our fellowship so easily,
4:34
not if it means that you and I- Um, Jackson,
4:38
you're back. I've started some tea if you'd like
4:40
some. I'll get it.
4:41
Thank you.
4:44
I've been working on a new ending. I was
4:46
never satisfied with the original. I
4:49
saw the science bros off on their adventure. We should
4:51
have a bit more room to ourselves now. Room to ourselves.
4:55
Room to ourselves. Between that
4:57
and the darkness becoming a bit less looming. Are
5:00
you sure? I
5:01
know you said, but... are
5:05
you sure? Love? About
5:07
the story? Oh, about the...
5:11
If I'd been determined to go,
5:13
I would have talked that out with you. We would have factored
5:15
it into our plans, deciding together. I know
5:18
you
5:18
said you have data and work
5:21
to be done. Done, done,
5:23
done. But...
5:28
I was worried. If I'd been conflicted
5:31
in the slightest, I would have said something.
5:35
That is your first lie since
5:37
the night I asked if you liked
5:39
cilantro. What I meant to say-
5:41
I-
5:41
I should go lie down-
5:43
Jackson, wait. Please. I want
5:45
to- Of course there was conflict, but
5:47
what I'm trying to say...
5:50
There was a conversation
5:52
that was cut off some time ago, when Dr. Day and
5:54
McVet interrupted to tell us about base alpha.
5:57
You'd asked if I had anyone back on Earth, and
5:59
my reply was- was less than revealing.
6:03
I never had the chance to know most
6:06
of my family. Dhaka was being
6:08
passed around between corporations when
6:10
I was born, and after the redistricting, I
6:12
lived with my great-aunt in Vashantara. It
6:15
was the best opportunity, well-protected,
6:17
quality schools, and hospitals close
6:20
at hand, and I was never suited for a more rural
6:22
lifestyle. But we were
6:24
relatively cut off, communication and travel
6:27
rarely reached beyond the walls. Amritsupa
6:30
was in her fifties when I arrived, which seemed
6:32
as a child's just an impossible age. But
6:35
I couldn't slip a thing by her heart as I tried,
6:37
not when I blamed the cat for a broken picture
6:39
and not when I claimed innocence for her rexha
6:41
charges on our account when I'd left late for
6:43
school, not when I skipped steps on
6:45
my calculus homework. She knew my schedule,
6:48
she heard my most silent step in
6:50
the hallway any time I tried sneaking in or out.
6:52
She knew what I needed before I had allowed myself
6:54
to ask it. From a planetarium membership
6:57
to finding a gender-affirming therapist,
6:59
she was my day and night, my gravitational
7:02
pull, and I relied on her utterly. Which
7:08
is why I was the first to notice when she
7:11
started slipping. At first it
7:13
was a word on the tip of her tongue, using
7:15
a calendar app when she'd always just remembered
7:17
things, and then deepened
7:19
by stages into forgetting to pay
7:22
our accounts and accidentally deleting
7:24
my homework during her review. And
7:27
finally, the word she lost
7:29
most often was my name, and
7:32
the calendar app didn't help when she'd forget
7:34
decades of her own life. I
7:36
was thirteen. I knew her password
7:39
and I learned to pay the bills. I could make the dinner
7:41
and RT, but when security came around
7:43
because she thought I was a home invasion, I was
7:47
lucky that her doctor was a friend and that I'd
7:49
skipped several grades and was ready for university.
7:52
Which was fortuitous when my early admission came at the same
7:54
time as the necessity for
7:56
an admission of her own. passing
8:00
over some unpleasant details. The
8:02
hardest part wasn't the decline, the loss of
8:04
that gravity in my life's orbit. It
8:07
was the sudden, unexpected
8:09
returns, the flashes of lucidity
8:11
where she'd call my dorm at midnight,
8:13
insisting I arrange for her ride back to the apartment.
8:16
Asking questions about the latest draft of my thesis,
8:18
or later my published research, it
8:21
would all rush back, though pulls so strong
8:23
it collapsed me. It
8:28
was in one of those later moments when I
8:30
told her about the moon. I'd
8:33
already been living in NYC for several years
8:35
by that time, while our visits gone virtual,
8:38
which made the guilt all the stronger when she sighed
8:40
and said, I understand if it's
8:42
quite some time before you come home and visit
8:44
me. That was the takeaway,
8:47
the peak plunged in my heart. All
8:50
the deeper when she thought a moment later I
8:52
was a salesperson calling about the ductwork.
8:56
The guilt became a black hole,
8:58
drawing me into depression and poor
9:01
coping skills, dragging me from any other
9:03
real connections, all
9:06
the way to where you find me standing
9:08
now. A
9:11
position where, don't get me wrong, I've done
9:13
some absolutely brilliant work. For
9:16
a long while, I thought I could
9:18
navigate that void by ignoring it,
9:21
directing my gaze toward the greater universe. But
9:24
then I was brought into another
9:26
orbit that has affected my
9:29
focus in the most positive ways.
9:32
If I were still the same person, perhaps I'd
9:34
have gone off to the undying lands. But
9:37
I found that the moon, and yes, still
9:39
the earth, have a pull I cannot deny, that
9:42
I don't want to deny,
9:46
that I'm not prepared to let go. Thank
9:54
you.
10:09
Thank you for listening. This
10:11
episode featured Toe Zeman as a Sweeney Ray
10:13
and Cole Burkhardt as Jackson. The
10:16
script was written by DJ Sylvus.
10:18
Cas McPhee is our audio engineer. Our
10:21
theme music is starred by the band Ramp. Our
10:24
cover art is by Peter Tchikowsky. We'll
10:27
be back next week with a bonus episode that continues
10:30
this conversation, where we'll learn
10:32
more about Jackson's past and future. Until
10:35
then, you can find us on social
10:38
media or visit our Discord server to
10:40
chat about the show, or leave
10:42
a rating or review on your podcast app or
10:44
Podchaser.com
10:46
to help us get other folks looking up at the moon.
10:50
Until next time.
11:12
The Fable & Folly Network, where
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fiction producers flourish.
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