One of the best ways to learn how to improve at the craft of audio storytelling is to take a deep listen to good work and dissect it. On this HowSound, I point out some of the best parts of a story about vaccinations from “The Experiment” podca
Erica Heilman's story "Finn and the Bell" is the best I’ve heard this year. It's a painful, graceful story about a young man's suicide in rural Vermont. Erica's heart is in the piece; you can hear it in every production and editorial choice. Th
Headphones on for this one. Rob marks the passing of the groundbreaking composer and sound ecologist R. Murray Schafer with his colleague and fellow composer, Hildegard Westerkamp. This episode will crack open your ears and, hopefully, spark ne
You should lie down with your eyes closed for this one! That's because the interviewees in the stories I feature were -- lying down, eyes closed, lights off, candle lit, answering questions. They were being interviewed by producers using the Sc
I wish I had a nickel for every time someone says, "I think that story would make a great podcast series." In my head I usually think, "Nope. Wouldn't work." But why? How do you know you have a story worthy of a podcast series? Emily Guerin of
It's always good to be reminded of the best writing practices. That's why we dusted off this old episode of HowSound with This American Life's Brian Reed about the writing maxim "show, don't tell."
Chana Joffe-Walt is one of my fav writers. She excels at portraying character. Chana and I listen to some of her ninja moves from "Nice White Parents," the podcast she reported and produced for Serial and The New York Times.
Why do you report a story or produce a podcast and send it out into the world? What gives you purpose? What do you stand for? Rob finds meaning from the original NPR mission statement. He talks to Bill Siemering about writing the statement in 1
On the radio, why don't we hear more conversations with interesting people? Emily Hsiao's radio story, "Leaving A Mark," is just that. You'll want to listen twice.
Audio producer and sound artist Kristina Loring was walking the beach with her dog when she stumbled across an actual message in a bottle. That moment led to an unusual audio installation involving bottles, and a telephone hotline with message
The list of names at the end of some podcasts is mind-boggling. Who are these people? What do they do? Antonia Cereijido, Sophia Paliza-Carre, and Audrey Quinn of the "Norco 80" podcast have an answer and a few surprising observations about the
From time to time, you might learn something unfavorable about a character when reporting a story. Inevitably you ask yourself: should I include this detail or not? To help answer that question, take the squirm test.
Rob plays "Story DJ" on this episode "spinning" excerpts from several excellent stories you'll definitely want to hear. It's an audio field trip taking you around the world: Macon, Georgia, Wales, Madagascar, Kenya, and a closet at an undisclos
Don't leave an interview entirely to chance. Structure it like a good story. On this episode, Rob dissects an interview on The Daily revealing its effective inner story structure.
Ira Glass of This American Life is a master audio storyteller. He's equally skillful at laying out the mechanics of creative storytelling and reporting, too. Rob unearthed a presentation Ira made back in 2001 at a radio conference that is signa
It's illegal to be queer in Uganda and incredibly unsafe. Queer people risk violence, eviction, harassment, and arrest. How then does a producer protect the identity of interviewees, especially when someone's voice might be recognized. British
There's a moment in this episode when Rob is gasping and holding his hand to his chest. Why was he so astonished? Listen to his conversation with Jess Shane as they dissect the ethics of her Radiotopia documentary "Shocking, Heartbreaking, Tran
Deadlines, production meetings, staff management, show scheduling... in any given day, there's rarely time to pause and consider the craft of audio storytelling. Of course, PRX and Transom hope Sound School provides an easy opportunity to do th
Have NPR's news magazines occasionally been sounding more radiophonic lately? Rob thinks so. He's collected a handful of satisfying moments of writing, production, and reporting from several reporters: Daniel Estrin, Avery Keatley, Andrew Limbo
"Ums." You're supposed to cut them out, right? But what if the "um" means something? Talia Augustidis noticed her boyfriend "ummed" when he was lying and she thought "radio story." Talia takes a deep dive into the importance of not cutting out
One of the top three questions Rob often hears when he's teaching is, "Should I record in stereo?" Rob says mono is usually the way to go. But on this archive episode of Sound School, former NPR engineer Flawn Williams evangelizes about the val