The third movement of the Requiem, "Quid sum miser," offers the first example of how Berlioz contrasts the 'public' or 'cosmic' perspective of the last days with the 'private' imagination of the individual soul observing the cataclysmic events.
The second movement of the Berlioz Requiem is the "Dies Irae" - Berlioz takes a quite different approach to this iconic text than Mozart or Verdi. Beginning quietly with a unison theme in the basses and cellos, he continues to present new the